mick laBriola

Donald Ray Brown (born March 28, 1954) is an American jazz pianist and producer.

Brown was born in Hernando, Mississippi and raised in Memphis, Tennessee, where he learned to play trumpet and drums in his youth. From 1972 to 1975 he was a student at Memphis State University, by which time he had made piano his primary instrument. He was with Art Blakey‘s Jazz Messengers from 1981 to 1982, then took teaching positions at Berklee College of Music from 1983 to 1985 and the University of Tennessee from 1988.^[2] Brown has recorded for Evidence, Muse, and Sunnyside.

Thaddeus Joseph Jones (March 28, 1923 – August 20, 1986) was an American jazz trumpeter, composer, and bandleader who has been called “one of the all-time greatest jazz trumpet soloists.”

After his military service, which included an association with the U.S. Military School of Music and working with area bands in Des Moines and Oklahoma City, Jones became a member of the Count Basie Orchestra in May 1954. He was featured as a soloist on such well-known tunes as “April in Paris“, “Shiny Stockings” and “Corner Pocket”. However, his main contribution to Basie’s organization was nearly two dozen arrangements and compositions, which included “The Deacon”, “H.R.H.” (Her Royal Highness — in honor of the band’s command performance in London), “Counter Block”, and lesser known tracks such as “Speaking of Sounds”. His hymn-like ballad “To You” was performed by the Basie band combined with the Duke Ellington Orchestra in their only recording together, and the recording Dance Along With Basie contains nearly an entire album of Jones’ uncredited arrangements of standard tunes.

In 1959 Jones played cornet on Thelonious Monk‘s 5 by Monk by 5 album.

NGC 1333 is seen in visible light as a reflection nebula, dominated by bluish hues characteristic of starlight reflected by interstellar dust. A mere 1,000 light-years distant toward the heroic constellationPerseus, it lies at the edge of a large, star-forming molecular cloud. This striking close-up spans about two full moons on the sky or just over 15 light-years at the estimated distance of NGC 1333. It shows details of the dusty region along with telltale hints of contrasty red emission from Herbig-Haro objects, jets and shocked glowing gas emanating from recently formed stars. In fact, NGC 1333 contains hundreds of stars less than a million years old, most still hidden from optical telescopes by the pervasive stardust. The chaotic environment may be similar to one in which our own Sun formed over 4.5 billion years ago.

John Clyde Copeland (March 27, 1937 – July 3, 1997) was an American Texas blues guitarist and singer. In 1983 he was named Blues Entertainer of the Year by the Blues Foundation. He is the father of blues singer Shemekia Copeland.

In 2017, Copeland was posthumously inducted in to the Blues Hall of Fame.

Copeland was born in Haynesville, Louisiana. Influenced by T-Bone Walker, he formed the Dukes of Rhythm in Houston, Texas, and made his recording debut in 1956, signing with Duke Records the following year. Although his early records met with little commercial success, he became a popular touring act over the next two decades.

His early recording career embraced blues, soul and rock and roll. He recorded singles for Mercury, Golden Eagle and All Boy, amongst others. His first single was “Rock ‘n’ Roll Lily”, and he later cut successes such as “Down on Bending Knees” and “Please Let Me Know”. For the most part, his singles featured Copeland as a vocalist more than a guitar player.

Driven by disco to rethink his future, he moved to New York City in 1979, and played extensively in Eastern cities. In New York he met a young record producer named Dan Doyle who was instrumental in getting Copeland signed with Rounder Records. Doyle produced Copeland’s initial Rounder releases including Copeland Special for which he won a W. C. Handy Award in 1981, and Bringing It All Back Home (1985). Copeland also recorded with Albert Collins and Robert Cray, winning a Grammy in 1987 for Best Traditional Blues Album, for the album Showdown!.

https://www.youtube.com/watch?v=cnGTFeaievs

Sarah Lois Vaughan (March 27, 1924 – April 3, 1990) was an American jazz singer.

Nicknamed “Sassy” and “The Divine One“, she won four Grammy Awards, including the Lifetime Achievement Award. She was given an NEA Jazz Masters Award in 1989. Critic Scott Yanow wrote that she had “one of the most wondrous voices of the 20th century”.

Vaughan’s father, Asbury “Jake” Vaughan, was a carpenter by trade and played guitar and piano. Her mother, Ada Vaughan, was a laundress who sang in the church choir. The Vaughans lived in a house on Brunswick Street in Newark for Vaughan’s entire childhood. Jake was deeply religious. The family was active in New Mount Zion Baptist Church at 186 Thomas Street. Vaughan began piano lessons at age 7, sang in the church choir, and played piano for rehearsals and services.

Benjamin Francis Webster (March 27, 1909 – September 20, 1973) was an American jazz tenor saxophonist. He is considered one of the three most important “swing tenors” along with Coleman Hawkins and Lester Young. Known affectionately as “The Brute” or “Frog”, he had a tough, raspy, and brutal tone on stomps (with growls), yet on ballads he played with warmth and sentiment. He was indebted to alto saxophonist Johnny Hodges, who, he said, taught him to play his instrument.

AE Aurigae is named the flaming star, the surrounding nebula IC 405 is named the Flaming Star Nebula, and the region shape gives the appearance of fire, there is no fire. Fire, typically defined as the rapid molecular acquisition of oxygen, happens only when sufficient oxygen is present and is not important in such high-energy, low-oxygen environments such as stars. The material that appears as smoke is mostly interstellar hydrogen, but does contain smoke-like dark filaments of carbon-rich dust grains. The bright star AE Aurigae, visible just to the lower right of the image center, is so hot it glows blue, emitting light so energetic it knocks electrons away from surrounding gas. When a proton recaptures an electron, light is emitted, as seen in the surrounding emission nebula. Featured here, the Flaming Star nebula lies about 1,500 light years distant, spans about 5 light years, and is visible with a small telescope toward the constellation of the Charioteer (Auriga).

Diana Ross (born March 26, 1944 Detroit, MI) is an American singer, actress, and record producer. Born and raised in Detroit, Michigan, Ross rose to fame as the lead singer of the vocal group the Supremes, which, during the 1960s, became Motown’s most successful act, and are the best charting girl group in US history, as well as one of the world’s best-selling girl groups of all time. The group released a record-setting twelve number-one hit singles on the US Billboard Hot 100, including “Where Did Our Love Go“, “Baby Love“, “Come See About Me“, “Stop! In the Name of Love“, “You Can’t Hurry Love“, “You Keep Me Hangin’ On“, “Love Child“, and “Someday We’ll Be Together“.

Following her departure from the Supremes in 1970, Ross released her eponymous debut solo album that same year, which contained the Top 20 Pop hit “Reach Out and Touch (Somebody’s Hand)” and the number-one Pop hit “Ain’t No Mountain High Enough“. She later released the album Touch Me in the Morning in 1973; its title track reached number 1, as her second solo No. 1 hit. That same year, her album Lady Sings the Blues, which was the original soundtrack of her film based on the life of jazz singer Billie Holiday, went to no. 1 on the Billboard 200 albums chart, selling more than 300,000 copies within its first 8 days of release.

By 1976, the Mahogany soundtrack included her third number-one hit, “Theme from Mahogany (Do You Know Where You’re Going To)“. Her eponymous 1976 album included her fourth number-one hit, “Love Hangover“. In 1979, Ross released the album The Boss.

Her 1980 semi-eponymous album Diana reached number 2 on the US Billboard albums chart, and spawned the number-one hit “Upside Down“, and the Top 5 international hit “I’m Coming Out“. Ross’ final single with Motown during her initial run with the company achieved her sixth and final US number-one Pop hit, the duet “Endless Love“, composed for Brooke Shields‘ film of the same name, by and performed with Commodores front man, Lionel Richie. Ross and Richie performed the song on the telecast for the 54th Academy Awards, where the song was nominated in the category of “Best Song”. The success of the single launched Richie’s successful solo career.

Ross has also ventured into acting, with a Golden Globe Award and Academy Award-nominated performance for her performance in the film Lady Sings the Blues (1972). She also starred in two other feature films, Mahogany (1975) and The Wiz (1978), later acting in the television films Out of Darkness (1994), for which she also was nominated for a Golden Globe Award, and Double Platinum (1999).

Ross was named the “Female Entertainer of the Century” by Billboard magazine. In 1993, the Guinness Book of World Records declared Ross the most successful female music artist in history, due to her success in the United States and United Kingdom for having more hits than any female artist in the charts, with a career total of 70 hit singles with her work with the Supremes and as a solo artist.

In 1988, Ross was inducted to the Rock and Roll Hall of Fame as member of the Supremes, alongside Mary Wilson and Florence Ballard. She was the recipient of the Kennedy Center Honors in 2007, and the Presidential Medal of Freedom in 2016.

James Moody (March 26, 1925 – December 9, 2010) was an American jazz saxophone and flute player and very occasional vocalist, playing predominantly in the bebop and hard bopstyles.

Moody had an unexpected hit with “Moody’s Mood for Love,” a 1952 song written by Eddie Jefferson that used as its melody an improvised solo that Moody had played on a 1949 recording of “I’m in the Mood for Love.” Moody adopted the song as his own, recording it with Jefferson on his 1956 album Moody’s Mood for Love and performing the song regularly in concert, often singing the vocals himself.

James Moody was born in Savannah, Georgia, and was raised by his (single) mother, Ruby Hann Moody Watters. He had a brother, Louis. Growing up in Newark, New Jersey, he was attracted to the saxophone after hearing George Holmes Tate, Don Byas, and various saxophonists who played with Count Basie, and later also took up the flute.

Moody joined the US Army Air Corps in 1943 and played in the “negro band” on the segregated base. Following his discharge from the military in 1946 he played bebop with Dizzy Gillespie^[5] for two years. Moody later played with Gillespie in 1964, where his colleagues in the Gillespie group, pianist Kenny Barron and guitarist Les Spann, would be musical collaborators in the coming decades.

https://www.youtube.com/watch?v=1PcjVELO40E

Rufus C. Thomas, Jr. (March 26, 1917 – December 15, 2001) was an American rhythm-and-blues, funk, soul and blues singer, songwriter, dancer, DJ and comic entertainer from Memphis, Tennessee. He recorded for several labels, including Chess Records and Sun Records in the 1950s, before becoming established in the 1960s and 1970s at Stax Records. He is best known for his novelty dance records, including “Walking the Dog” (1963), “Do the Funky Chicken” (1969) and “(Do the) Push and Pull” (1970). According to the Mississippi Blues Commission, “Rufus Thomas embodied the spirit of Memphis music perhaps more than any other artist, and from the early 1940s until his death . . . occupied many important roles in the local scene.”^[4]

He began his career as a tap dancer, vaudeville performer, and master of ceremonies in the 1930s. He later worked as a disc jockey on radio station WDIA in Memphis, both before and after his recordings became successful. He remained active into the 1990s and as a performer and recording artist was often billed as “The World’s Oldest Teenager”. He was the father of the singers Carla Thomas (with whom he recorded duets) and Vaneese Thomas and the keyboard player Marvell Thomas.

Thomas was born in the rural community of Cayce, Mississippi, the son of a sharecropper. He moved with his family to Memphis, Tennessee, around 1920. His mother was a “church woman”.

Why are stars forming in the bridge between these colliding galaxies? Usually when galaxies crash, star formation is confined to galaxy disks or tidal tails. In Arp 194, though, there are bright knots of young stars right in a connecting bridge. Analyses of images and data including the featured image of Arp 194 from Hubble, as well as computer simulations of the interaction, indicate that the bottom galaxy passed right through the top galaxy within the past 100 million years. The result has left a stream of gas that is now falling toward the bottom galaxy. Astronomers hypothesize that stars form in this bridge because of the recent fading of turbulence after the rapid collision. In about a billion years, the galaxies — including a smaller galaxy superposed on the upper galaxy (see it?) — will all merge into one larger galaxy.

Stephen Paul Motian (March 25, 1931 – November 22, 2011) was an American jazz drummer, percussionist, and composer. Motian played an important role in freeing jazz drummers from strict time-keeping duties.

He first came to prominence in the late 1950s in the piano trio of Bill Evans, and later was a regular in pianist Keith Jarrett‘s band for about a decade (c. 1967–1976). Motian began his career as a bandleader in the early 1970s. Perhaps his two most notable groups were a longstanding trio of guitarist Bill Frisell and saxophonist Joe Lovano, and the Electric Bebop Band which featured the drummer working mostly with younger musicians doing interpretations of bebop standards.

Motian was born in Philadelphia, Pennsylvania, and raised in Providence, Rhode Island. He is of Armenian descent. After playing guitar in his childhood, Motian began playing the drums at age 12, eventually touring New England in a swing band. During the Korean War he joined the Navy.

Motian became a professional musician in 1954, and briefly played with pianist Thelonious Monk. He became well known as the drummer in pianist Bill Evans‘s trio (1959–64), initially alongside bassist Scott LaFaro and later with Chuck Israels.

Subsequently, he played with pianists Paul Bley (1963–64) and Keith Jarrett (1967–76). Other musicians with whom Motian performed and/or recorded in the early period of his career included Lennie Tristano, Warne Marsh, Lee Konitz, Joe Castro, Arlo Guthrie (Motian performed briefly with Guthrie in 1968–69, including at Woodstock), Carla Bley, Charlie Haden, and Don Cherry. Motian subsequently worked with musicians such as Marilyn Crispell, Bill Frisell, Leni Stern, Joe Lovano, Gonzalo Rubalcaba, Alan Pasqua, Bill McHenry, Stéphan Oliva, Frank Kimbrough, Eric Watson and many more.

Cecil Percival Taylor (March 15, 1929 – April 5, 2018) was an American pianist and poet.

Taylor was classically trained and was one of the pioneers of free jazz. His music is characterized by an energetic, physical approach, resulting in complex improvisation often involving tone clusters and intricate polyrhythms. His technique has been compared to percussion. Referring to the number of keys on a standard piano, Val Wilmer used the phrase “eighty-eight tuned drums” to describe Taylor’s style. He has been referred to as being “like Art Tatum with contemporary-classical leanings”.

Taylor was raised in the Corona, Queens neighborhood of New York City. As an only child to a middle-class family, Taylor’s mother encouraged him to play music at an early age. He began playing piano at age six and went on to study at the New York College of Music and New England Conservatory in Boston. At the New England Conservatory, Taylor majored in composition and arranging. During his time there, he also became familiar with contemporary European art music. Bela Bartók and Karlheinz Stockhausen notably influenced his music.

In 1955, Taylor moved back to New York City from Boston. He formed a quartet with soprano saxophonist, Steve Lacy, bassist Buell Neidlinger, and drummer Dennis Charles. Taylor’s first recording, Jazz Advance, featured Lacy and was released in 1956. The recording is described by Richard Cook and Brian Morton in the Penguin Guide to Jazz: “While there are still many nods to conventional post-bop form in this set, it already points to the freedoms in which the pianist would later immerse himself.” Taylor’s quartet featuring Lacy also appeared at the 1957 Newport Jazz Festival, which was made into the album At Newport. Taylor collaborated with saxophonist John Coltrane in 1958 on Stereo Drive, now available as Coltrane Time.