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These dragons are illusions made of thin gas and dust. The emission nebula NGC 6188, home to the glowing clouds, is found about 4,000 light years away near the edge of a large molecular cloud, unseen at visible wavelengths, in the southern constellation Ara (the Altar). Massive, young stars of the embedded Ara OB1 association were formed in that region only a few million years ago, sculpting the dark shapes and powering the nebular glow with stellar winds and intense ultraviolet radiation. The recent star formation itself was likely triggered by winds and supernova explosions from previous generations of massive stars, that swept up and compressed the molecular gas. This impressively detailed image spans over 2 degrees (four full Moons), corresponding to over 150 light years at the estimated distance of NGC 6188.

John Stein (June 19th 1949)is a jazz guitarist and teacher from Kansas City, Missouri.

A native of Kansas City, Missouri, Stein took his first guitar lesson when he was seven and his first jazz lesson when he was thirteen. In 1967, he attended Beloit College, but he dropped out and moved to Vermont. He worked in local clubs playing rock music, then took jazz lessons from a pianist. When he was thirty, he attended the Berklee College of Music and taught there after he graduated. He received a master’s degree in education from Harvard and also plays double bass. His first album, Hustle Up!, was released in 1995.

Shirley Mae Goodman (June 19, 1936 – July 5, 2005) was an American R&B singer, best known as one half of Shirley & Lee, a 1950s duo. Later in her career, she had a resurgence as part of the group Shirley and Company with the disco hit “Shame, Shame, Shame” in the 1970s.

Goodman was born in New Orleans, Louisiana, United States. After singing in churchchoirs, she recorded her first demo with a group of friends in 1950. Some months later, her solo voice caught the attention of Aladdin Records owner Eddie Messner, who tracked her down and paired her as a duo with another school friend, Leonard Lee(June 29, 1935 – October 23, 1976).

Ernest Ranglin OJ OD (born 19 June 1932) is a Jamaican guitarist and composer who established his career while working as a session guitarist and music director for various Jamaican record labels, including Studio One and Island Records. Ranglin played guitar on many early ska recordings and helped create the rhythmic guitar style that defined the form. He has worked with Theophilus Beckford, Jimmy Cliff, Monty Alexander, Prince Buster, the Skatalites, Bob Marley and the Eric Deans Orchestra. Ranglin is noted for a chordal and rhythmic approach that blends jazz, mento and reggae with percussive guitar solos incorporating rhythm ‘n’ blues and jazz inflections.

Ernest Ranglin was born in Manchester, Jamaica. His family moved to Kingston, where he attended the Providence Primary School, Kingston Senior School and Bodin College. Ranglin’s introduction to music was through two uncles who both played guitar.Initially a self-taught guitarist, he received some tutoring on how to sight-read from a violin player named Tommy Tomlins. At the age of 15, Ranglin joined the Val Bennett Orchestra, which was followed by a period of employment with the Eric Deans Orchestra. While performing locally with these orchestras, Ranglin was introduced to the jazz pianist Monty Alexander, which led to a lifelong friendship as well as numerous musical collaborations.

Squids on Earth aren’t this big. This mysterious squid-like cosmic cloud spans nearly three full moons on planet Earth’s sky. Discovered in 2011 by French astro-imager Nicolas Outters, the Squid Nebula’s bipolar shape is distinguished here by the telltale blue emission from doubly ionized oxygen atoms. Though apparently surrounded by the reddish hydrogen emission region Sh2-129, the true distance and nature of the Squid Nebula have been difficult to determine. Still, one investigation suggests Ou4 really does lie within Sh2-129 some 2,300 light-years away. Consistent with that scenario, the cosmic squid would represent a spectacular outflow of material driven by a triple system of hot, massive stars, cataloged as HR8119, seen near the center of the nebula. If so, this truly giant squid nebula would physically be over 50 light-years across.

Don Francis Bowman “Sugarcane” Harris (June 18, 1938 – November 30, 1999) was an American blues and rock and roll violinist and guitarist. He is considered a pioneer in the amplification of the violin.

Career
Harris was born and raised in Pasadena, California, United States. His parents were carnival entertainers. As a youth, he studied classical violin, and learned additional instruments including harmonica, piano and guitar.

Harris began performing with a doo-wop group, The Squires, which included his childhood friend, the pianist Dewey Terry. The Squires recorded for Vita Records.Harris performed in Little Richard’s band in the 1960s.

Ray McKinley (June 18, 1910 – May 7, 1995) was an American jazz drummer, singer, and bandleader. He played drums and later led the Major Glenn Miller Army Air Forces Orchestra in Europe. He also led the new Glenn Miller Orchestra in 1956.

Born in Fort Worth, Texas, United States, McKinley’s parents bought him his first drum set at the age of nine. Soon after he began playing with a local band called The Jolly Jazz Band in the Dallas–Fort Worth area. He left home when he was 15 and played with Milt Shaw’s Detroiters and the Smith Ballew and Duncan-Marin bands. His first substantial professional engagement came in 1934 with the Dorsey Brothers’ Orchestra. It was with the Smith Ballew band in 1929 that McKinley met Glenn Miller. The two formed a friendship that lasted from 1929 until Miller’s death in 1944. McKinley and Miller joined the Dorsey Brothers in 1934. Miller left for Ray Noble in December 1934, while McKinley remained.

The Dorsey brothers split in 1935, with McKinley remaining with Jimmy Dorsey until 1939, when he joined Will Bradley, becoming co-leader. McKinley’s biggest hit with Bradley, as a singer, was “Beat Me Daddy, Eight to the Bar“, which he recorded early in the year 1940 (and for which he got partial songwriting credit under his wife’s maiden name Eleanore Sheehy). McKinley is referred to as “Eight Beat Mack” in the lyrics to the song “Down the Road a Piece,” which he recorded as a trio with Will Bradley and Freddie Slack in 1940. This was the earliest recording of the song, which was written specifically for Bradley’s band by Don Raye.

Ray Bauduc (June 18, 1906 – January 8, 1988) was an American jazz drummer best known for his work with the Bob Crosby Orchestra and their band-within-a-band, the Bobcats, between 1935 and 1942. He is also known for his shared composition of “Big Noise from Winnetka,” a jazz standard.

Bauduc was born in New Orleans, Louisiana, United States. He was the son of cornetist Jules Bauduc. His older brother, Jules Jr., was a banjoist and bandleader. His sister was also a musician, a pianist. Bauduc’s youthful work in New Orleans included performing in the band of Johnny Bayersdorffer, and on radio broadcasts. His New Orleans origin instilled in him a love for two-beat drumming, which he retained when he played with Bob Crosby’s swing-era big band. In 1926, he moved to New York City to join Joe Venuti‘s band. His other work in the 1920s included recording with the Original Memphis Five and the Scranton Sirens, which included Tommy Dorsey and Jimmy Dorsey.

Brian John Cole (born 17 June 1946) is an English pedal steel guitarist, who has long been active as a session and solo musician. Coming to prominence in the early 1970s with the band Cochise, Cole has played in many styles, ranging from mainstream pop and rock to jazz and eclectic experimental music, but has never forgotten the instrument’s roots in country music. Cole plays lap steel and dobro.

Charles Walter Rainey III (born June 17, 1940) is an American bass guitarist who has performed and recorded with many well-known acts, including Aretha Franklin, Steely Dan, and Quincy Jones. Rainey is credited for playing bass on more than 1,000 albums, and is one of the most recorded bass players in the history of recorded music.

Rainey was born in Cleveland, Ohio, on June 17, 1940, and grew up in Youngstown. His parents were both amateur pianists. He learned viola, piano, and trumpet as a childand majored in brass instruments in college. He attended Lane College in Jackson, Tennessee. Rainey began playing bass guitar in the military.

Tony Scott (born Anthony Joseph Sciacca June 17, 1921 – March 28, 2007) was an American jazz clarinetist and arranger with an interest in folk music around the world. For most of his career he was held in high esteem in new-age music circles because of his involvement in music linked to Asian cultures and to meditation.

Born in Morristown, New Jersey, United States, Scott attended Juilliard School from 1940 to 1942. In the 1950s he worked with Sarah Vaughan and Billie Holiday. He also had a young Bill Evans and Paul Motian as side-men on several albums released between 1957 and 1959.^[1] In the late 1950s, he won on four occasions the DownBeatcritics poll for clarinetist in 1955, 1957, 1958 and 1959. He was known for a more “cool” style on the instrument than his peer Buddy DeFranco who often played a more aggressive bebop style.