mick laBriola

Shirley Valerie Horn (May 1, 1934 – October 20, 2005) was an American jazz singer and pianist. She collaborated with many jazz musicians including Miles Davis, Dizzy Gillespie, Toots Thielemans, Ron Carter, Carmen McRae, Wynton Marsalis and others. She was most noted for her ability to accompany herself with nearly incomparable independence and ability on the piano while singing, something described by arranger Johnny Mandel as “like having two heads”, and for her rich, lush voice, a smoky contralto, which was described by noted producer and arranger Quincy Jones as “like clothing, as she seduces you with her voice”.

Shirley Horn was born and raised in Washington, D.C. Encouraged by her grandmother, an amateur organist, Horn began piano lessons at the age of four. Aged 12, she studied piano and composition at Howard University, later graduating from there in classical music. Horn was offered a place at the Juilliard School, but her family could not afford to send her there. Horn formed her first jazz piano trio when she was 20.

Marion Walter Jacobs (May 1, 1930 – February 15, 1968), known as Little Walter, was an American blues musician, singer, and songwriter, whose revolutionary approach to the harmonica had a strong impact on succeeding generations, earning him comparisons to such seminal artists as Django Reinhardt, Charlie Parker and Jimi Hendrix. His virtuosity and musical innovations fundamentally altered many listeners’ expectations of what was possible on blues harmonica. He was inducted into The Rock and Roll Hall of Fame in 2008, the first and, to date, only artist to be inducted specifically as a harmonica player.

Jacobs’ date of birth is usually given as May 1, 1930, in Marksville, Louisiana. He was born without a birth certificate and when he applied for a Social Security card in 1940, his birthdate was listed as May 1, 1923. Over the years he often gave different years, but May 1 was constant. In some other documents he filled out before reaching the age of majority he indicated birth years of 1925 and 1928, probably to appear to be of legal age to sign contracts for recordings and club work. After reaching the age of majority based on a birth year of 1930, he consistently gave his birth year as 1930. In the 1940 U.S. Census, his mother Beatrice reported his age at 14, making his birth year 1925. A few months after returning from his second European tour, Little Walter was involved in a fight while taking a break from a performance at a nightclub on the South Side of Chicago. He apparently sustained only minor injuries in this altercation, but they aggravated the damage he had suffered in previous violent encounters, and he died in his sleep at the apartment of a girlfriend, at 209 East 54th Street in Chicago, early the following morning.The official cause of death on his death certificate was coronary thrombosis (a blood clot in the heart); evidence of external injuries was so insignificant that the police reported that his death was due to “unknown or natural causes”, and no external injuries were noted on the death certificate. His body was buried at St. Mary’s Cemetery, in Evergreen Park, Illinois, on February 22, 1968.

The star system GK Per is known to be associated with only two of the three nebulas pictured. At 1500 light years distant, Nova Persei 1901 (GK Persei) was the second closest nova yet recorded. At the very center is a white dwarf star, the surviving core of a former Sun-like star. It is surrounded by the circular Firework nebula, gas that was ejected by a thermonuclear explosion on the white dwarf’s surface — a nova — as recorded in 1901. The red glowing gas surrounding the Firework nebula is the atmosphere that used to surround the central star. This gas was expelled before the nova and appears as a diffuse planetary nebula. The faint gray gas running across is interstellar cirrus that seems to be just passing through coincidently. In 1901, GK Per’s nova became brighter than Betelgeuse. Similarly, star system T CrB is expected to erupt in a nova later this year, but we don’t know exactly when nor how bright it will become.

Mabel Bernice Scott (April 30, 1915 – July 20, 2000) was an American gospel music and R&B vocalist. She lived in New York and Cleveland before arriving on the West Coast blues scene in 1942. Mabel is probably remembered more for her 1948 hits “Elevator Boogie” and “Boogie Woogie Santa Claus” than for her 1949–1951 marriage to the featured piano player of “Elevator Boogie”, Charles Brown of Johnny Moore’s Three Blazers.

Mabel Scott was born in Richmond, Virginia, the daughter of Rachael and Thomas Scott. By 1930, she was living in New York City with her mother.She developed her singing voice in church, eventually forming an all-girl gospel group, the Song Cycles. Around 1932 Scott began singing at Harlem‘s Cotton Club with Cab Calloway‘s Orchestra and the dancing Nicholas Brothers.

Percy Heath (April 30, 1923 – April 28, 2005) was an American jazz bassist, brother of saxophonist Jimmy Heath and drummer Albert Heath, with whom he formed the Heath Brothers in 1975. Heath played with the Modern Jazz Quartet throughout their long history and also worked with Miles Davis, Dizzy Gillespie, Charlie Parker, Wes Montgomery, Thelonious Monk and Lee Konitz.

Heath was born in Wilmington, North Carolina, United States, and spent his childhood in Philadelphia.His father played the clarinet and his mother sang in the church choir. He started playing violin at the age of eight and also sang locally. He was drafted into the Army in 1944, trained with the Tuskegee Airmen, graduating as a 2nd Lieutenant pilot, but saw no combat.

Gary D. Davis (April 30, 1896 – May 5, 1972), known as Reverend Gary Davis and Blind Gary Davis, was a blues and gospel singer who was also proficient on the banjo, guitar and harmonica. Born in Laurens, South Carolina and blind since infancy, Davis first performed professionally in the Piedmont blues scene of Durham, North Carolina in the 1930s, then converted to Christianity and became a minister. After moving to New York in the 1940s, Davis experienced a career rebirth as part of the American folk music revival that peaked during the 1960s. Davis’ most notable recordings include “Samson and Delilah“^[3] and “Death Don’t Have No Mercy“.

Davis’ fingerpicking guitar style influenced many other artists. His students included Stefan Grossman, David Bromberg, Steve Katz, Roy Book Binder, Larry Johnson, Alex Shoumatoff, Nick Katzman, Dave Van Ronk, Rory Block, Ernie Hawkins, Larry Campbell, Bob Weir, Woody Mann, and Tom Winslow. He also influenced Bob Dylan, the Grateful Dead, Wizz Jones, Jorma Kaukonen, Keb’ Mo’, Ollabelle, Resurrection Band, and John Sebastian (of the Lovin’ Spoonful)

Raymundo “Ray” Barretto Pagán (April 29, 1929 – February 17, 2006 Brooklyn, NY) was an American percussionist and bandleader of Puerto Rican descent. Throughout his career as a percussionist, he played a wide variety of Latin music styles, as well as Latin jazz. His first hit, “El Watusi”, was recorded by his Charanga Moderna in 1962, becoming the most successful pachanga song in the United States. In the late 1960s, Barretto became one of the leading exponents of boogaloo and what would later be known as salsa. Nonetheless, many of Barretto’s recordings would remain rooted in more traditional genres such as son cubano. A master of the descarga (improvised jam session), Barretto was a long-time member of the Fania All-Stars. His success continued into the 1970s with songs such as “Cocinando” and “Indestructible”. His last album for Fania Records, Soy dichoso, was released in 1990. He then formed the New World Spirit jazz ensemble and continued to tour and record until his death in 2006.

Edward Kennedy “Duke” Ellington (April 29, 1899 – May 24, 1974) was an American jazz pianist, composer, and leader of his eponymous jazz orchestra from 1923 through the rest of his life.

Born and raised in Washington, D.C., Ellington was based in New York City from the mid-1920s and gained a national profile through his orchestra’s appearances at the Cotton Club in Harlem. A master at writing miniatures for the three-minute 78 rpm recording format, Ellington wrote or collaborated on more than one thousand compositions; his extensive body of work is the largest recorded personal jazz legacy, and many of his pieces have become standards. He also recorded songs written by his bandsmen, such as Juan Tizol‘s “Caravan“, which brought a Spanish tinge to big band jazz.

At the end of the 1930s, Ellington began a nearly thirty-year collaboration with composer-arranger-pianist Billy Strayhorn, whom he called his writing and arranging companion. With Strayhorn, he composed multiple extended compositions, or suites, as well as many short pieces. For a few years at the beginning of Strayhorn’s involvement, Ellington’s orchestra featured bassist Jimmy Blanton and tenor saxophonist Ben Webster and reached a creative peak. Some years later following a low-profile period, an appearance by Ellington and his orchestra at the Newport Jazz Festival in July 1956 led to a major revival and regular world tours. Ellington recorded for most American record companies of his era, performed in and scored several films, and composed a handful of stage musicals.

Although a pivotal figure in the history of jazz, in the opinion of Gunther Schuller and Barry Kernfeld, “the most significant composer of the genre”, Ellington himself embraced the phrase “beyond category”, considering it a liberating principle, and referring to his music as part of the more general category of American Music. Ellington was known for his inventive use of the orchestra, or big band, as well as for his eloquence and charisma. He was awarded a posthumous Pulitzer Prize Special Award for music in 1999.

The Ring Nebula (M57) is more complicated than it appears through a small telescope. The easily visible central ring is about one light-year across, but this remarkably deep exposure – a collaborative effort combining data from three different large telescopes –explores the looping filaments of glowing gas extending much farther from the nebula‘s central star. This composite image includes red light emitted by hydrogen as well as visible and infrared light. The Ring Nebula is an elongated planetary nebula, a type of nebula created when a Sun-like star evolves to throw off its outer atmosphere and become a white dwarf star. The Ring Nebula is about 2,500 light-years away toward the musical constellation Lyra.