mick laBriola

A stellar nursery 10 light-years deep. The featured skyscape is dominated by dusty Sh2-155, the Cave Nebula. In the telescopic image, data taken through a narrowband filters tracks the nebular glow of hydrogen, oxygen, and sulfur, colors that together form the Hubble Palette. About 2,400 light-years away, the scene lies along the plane of our Milky Way Galaxy toward the royal northern constellation of Cepheus. Astronomical explorations of the region reveal that it has formed at the boundary of the massive Cepheus B molecular cloud and the hot, young stars of the Cepheus OB 3 association. The bright rim of ionized hydrogen gas is energized by radiation from the hot stars, dominated by the bright star just to the left of the cave entrance. Radiation driven ionization fronts are likely triggering collapsing cores and new star formation within.

George Andrew Cables (born November 14, 1944) is an American jazz pianist and composer.

Cables was born in New York City on November 14, 1944. He was initially taught piano by his mother. He then studied at the High School of Performing Arts and later at Mannes College (1963–65). He formed the Jazz Samaritans at the age of 18 – a band that included Billy Cobham, Steve Grossman, and Clint Houston.

Billy Bauer (November 14, 1915 – June 16, 2005) was an American cool jazz guitarist.

William Henry Bauer was born in New York City. He played ukulele and banjo as a child before switching to guitar.He played with the Jerry Wald band and recorded with Carl Hoff and His Orchestra in 1941 before joining Woody Herman in 1944 as a member of the First Herd. In 1946 he played with Benny Goodman and Jack Teagarden.

Working in small groups led by bassist Chubby Jackson and trombonist Bill Harris, Bauer established himself as a soloist in the bebop movement.

In 1946 he began working with Lennie Tristano. Tristano and Bauer enjoyed a natural synergy in their style and approach. Their development of “intuitive music” led to the 1949 session which included “Intuition“, and “Digression”. He was a member of the NBC Tonight Show band in New York City and played in the Today Show band at the start of early television.

Bauer continued his pioneering guitar work in a partnership with Lee Konitz, whose avant-garde saxophone work was a perfect match for Bauer’s guitar. The two musicians’ dialogue crossed styles from bop and cool to the avant-garde. Their recordings have been described as “some of the most beautiful duet recordings in jazz”.“Duet For Saxophone and Guitar” was an unusual instrument pairing which has been described as redefining the role of jazz guitar.

Named RCW 120, this region of hot gas and glowing dust can be found in the murky clouds encircled by the tail of the constellation Scorpius. The ring of dust is actually glowing in infrared colors that our eyes cannot see, but show up brightly when viewed by Spitzer’s infrared detectors. At the center of this ring are a couple of giant stars whose intense ultraviolet light has carved out the bubble, though they blend in with other stars when viewed in infrared. The green ring is where dust is being hit by winds and intense light from the massive stars. The green color represents infrared light coming from tiny dust grains called polycyclic aromatic hydrocarbons. These small grains have been destroyed inside the bubble. The red color inside the ring shows slightly larger, hotter dust grains, heated by the massive stars. This bubble is far from unique. Just as the Guardians of “Oa” have selected many beings to serve as Green Lanterns and patrol different sectors of space, Spitzer has found that such bubbles are common and an can be found around O stars throughout our Milky Way galaxy. The small objects at the lower right area of the image may themselves be similar regions seen at much greater distances across the galaxy. Rings like this are so common in Spitzer’s observations that astronomers have even enlisted the help of the public to help them find and catalog them all. Anyone interested in joining the search as a citizen scientist can visit “The Milky Way Project,” part of the “Zooniverse” of public astronomy projects, at http://www.milkywayproject.org/. RCW 120 can be found slightly above the flat plane of our galaxy, located toward the bottom of the picture. The green haze seen here is the diffuse glow of dust from the galactic plane. This is a three-color composite that shows infrared observations from two Spitzer instruments. Blue represents 3.6-micron light and green shows light of 8 microns, both captured by Spitzer’s infrared array camera. Red is 24-micron light detected by Spitzer’s multiband imaging photometer.

John Paul Hammond (born November 13, 1942, New York City) is an American singer and musician. The son of record producer John H. Hammond, he is sometimes referred to as John Hammond Jr.

Hammond is a son of record producer and talent scout John H. Hammond and his first wife, Jemison McBride, an actress. He is a descendant of Cornelius Vanderbilt, the patriarch of the prominent Vanderbilt family. He has a brother, Jason, and a stepsister, (Esme) Rosita Sarnoff, the daughter of his father’s second wife, Esme O’Brien Sarnoff. Hammond’s middle name, Paul, is in honor of a friend of his father, the actor Paul Robeson. The younger Hammond was raised by his mother and saw his father only a few times a year while growing up.

Idris Muhammad (Arabic: إدريس محمد‎; born Leo Morris; November 13, 1939 – July 29, 2014) was an American jazz drummer who recorded extensively with many musicians, including Ahmad Jamal, Lou Donaldson, Pharoah Sanders, and Tete Montoliu.

Born Leo Morris in New Orleans, he showed early talent as a percussionist and began his professional career while still a teenager, playing on Fats Domino’s “Blueberry Hill“.

He toured with Sam Cooke, and later worked with Jerry Butler and Curtis Mayfield, mostly working in R&B until the mid-1960s, before going on to work more frequently in jazz.

Hampton Barnett Hawes, Jr. (November 13, 1928 – May 22, 1977) was an American jazz pianist. He was the author of the memoir Raise Up Off Me, which won the Deems-Taylor Award for music writing in 1975.

Hawes was self-taught; by his teens he was playing with the leading jazz musicians on the West Coast, including Dexter Gordon, Wardell Gray, Art Pepper, Shorty Rogers, and Teddy Edwards. His second professional job, at 19, was playing for eight months with the Howard McGhee Quintet at the Hi De Ho Club, in a group that included Charlie Parker.

After serving in the U.S. Army in Japan from 1952 to 1954, Hawes formed his own trio, with bassist Red Mitchell and drummer Chuck Thompson. The three-record Trio sessions made by this group in 1955 on Contemporary Records were considered some of the finest records to come out of the West Coast at the time.The next year, Hawes added guitarist Jim Hall for the All Night Sessions. These were three records made during a non-stop overnight recording session.

After a six-month national tour in 1956, Hawes won the “New Star of the Year” award in Down Beat magazine, and “Arrival of the Year” in Metronome. The following year, he recorded in New York City with Charles Mingus on the album Mingus Three (Jubilee, 1957).

The majestic Lagoon Nebula is filled with hot gas and the home for many young stars. Spanning 100 light years across while lying only about 5000 light years distant, the Lagoon Nebula is so big and bright that it can be seen without a telescope toward the constellation of the Archer (Sagittarius). Many bright stars are visible from NGC 6530, an open cluster that formed in the nebula only several million years ago. The greater nebula, also known as M8 and NGC 6523, is named “Lagoon” for the band of dust seen to the left of the open cluster’s center. The featured image was taken in three colors with details are brought out by light emitted by Hydrogen. Star formation continues in the Lagoon Nebula as witnessed by the many dark dust-laden globules that exist there.

Neil Percival Young OC OM (born November 12, 1945), is a Canadian singer-songwriter and musician. After embarking on a music career in the 1960s, he moved to Los Angeles, where he formed Buffalo Springfield with Stephen Stills, Richie Furay and others. Young had released two solo albums and three as a member of Buffalo Springfield by the time he joined Crosby, Stills & Nash in 1969. From his early solo albums and those with his backing band Crazy Horse, Young has recorded a steady stream of studio and live albums, sometimes warring with his recording company along the way.

Young’s guitar work, deeply personal lyrics and signature tenor singing voice transcend his long career. Young also plays piano and harmonica on many albums, which frequently combine folk, rock, country and other musical styles. His often distorted electric guitar playing, especially with Crazy Horse, earned him the nickname “Godfather of Grunge“ and led to his 1995 album Mirror Ball with Pearl Jam. More recently Young has been backed by Promise of the Real.

Young directed (or co-directed) films using the pseudonym Bernard Shakey, including Journey Through the Past (1973), Rust Never Sleeps (1979), Human Highway (1982), Greendale (2003), and CSNY/Déjà Vu (2008). He also contributed to the soundtracks of the films Philadelphia (1993) and Dead Man (1995).

Young has received several Grammy and Juno awards. The Rock and Roll Hall of Fame inducted him twice: as a solo artist in 1995 and in 1997 as a member of Buffalo Springfield.^[11] In 2000, Rolling Stone named Young the 34th greatest rock ‘n roll artist.

He has lived in California since the 1960s but retains Canadian citizenship.He was awarded the Order of Manitoba on July 14, 2006, and was made an Officer of the Order of Canada on December 30, 2009.

Samuel Jones (November 12, 1924 – December 15, 1981) was an American jazz double bassist, cellist, and composer.

Sam Jones was born in Jacksonville, Florida, and moved in 1955 to New York City. There, he played with Bobby Timmons, Tiny Bradshaw, Les Jazz Modes, Kenny Dorham, Illinois Jacquet, Freddie Hubbard, Dizzy Gillespie (1958–59) and Thelonious Monk. He is probably best known for his work with Cannonball Adderley (1959–65). He also spent several years working with Oscar Peterson (1966-1970) and Cedar Walton and recorded with Bill Evans in the 1950s. His career primarily revolved around the New York City jazz scene.Jones wrote the jazz standards “Del Sasser” and “Unit 7” while working with Adderley. Other compositions include “Blue Funk”, “O.P.”, “Bittersweet”, and “Seven Minds”.

Wilbur Dorsey “Buck” Clayton (November 12, 1911 – December 8, 1991 Parsons, KS) was an American jazz trumpet player who was a leading member of Count Basie’s “Old Testament” orchestra and a leader of mainstream-oriented jam session recordings in the 1950s. His principal influence was Louis Armstrong. The Penguin Guide to Jazz says that he “synthesi[zed] much of the history of jazz trumpet up to his own time, with a bright brassy tone and an apparently limitless facility for melodic improvisation”. Clayton worked closely with Li Jinhui, father of Chinese popular music in Shanghai. His contributions helped change musical history in China, Hong Kong and Taiwan.

After his honorable discharge in 1946 he prepared arrangements for Count Basie, Benny Goodman and Harry James and became a member of Norman Granz’s ‘Jazz at the Philharmonic‘ package, appearing in April in a concert with Young, Coleman Hawkins and Charlie Parker, and in October participated in JATPs first national tour of the United States. He also recorded at this time for the H.R.S. label. In 1947 he was back in New York, and had a residency at the Café Society, Downtown, and the following year had a reunion with Jimmy Rushing, his fellow Basie alumnus, at the Savoy Ballroom. Clayton and Rushing worked together occasionally into the 1960s.

From September 1949 Clayton was in Europe for nine months, leading his own band in France. Clayton recorded intermittently over the next few years for the French Vogue label, under his own name, that of clarinetist Mezz Mezzrow and for one session, with pianist Earl Hines. In 1953, he was again in Europe, touring with Mezzrow; in Italy, the group was joined by Frank Sinatra.

Booker T. Washington “Bukka” White (November 12, 1906 or 1909 – February 26, 1977) was an African-American Delta blues guitarist and singer. Bukka is a phonetic spelling of White’s first name; he was named after the well-known African-American educator and civil rights activist Booker T. Washington.

White was born south of Houston, Mississippi. He was a first cousin of B.B. King‘s mother (White’s mother and King’s grandmother were sisters). He played National resonator guitars, typically with a slide, in an open tuning. He was one of the few, along with Skip James, to use a crossnote tuning in E minor, which he may have learned, as James did, from Henry Stuckey. He also played piano, but less adeptly.

White started his career playing the fiddle at square dances. He claimed to have met Charlie Patton soon after, but some have doubted this recollection. Nonetheless, Patton was a strong influence on White.