mick laBriola

Wilbur Dorsey “Buck” Clayton (November 12, 1911 – December 8, 1991 Parsons, KS) was an American jazz trumpet player who was a leading member of Count Basie’s “Old Testament” orchestra and a leader of mainstream-oriented jam session recordings in the 1950s. His principal influence was Louis Armstrong. The Penguin Guide to Jazz says that he “synthesi[zed] much of the history of jazz trumpet up to his own time, with a bright brassy tone and an apparently limitless facility for melodic improvisation”. Clayton worked closely with Li Jinhui, father of Chinese popular music in Shanghai. His contributions helped change musical history in China, Hong Kong and Taiwan.

After his honorable discharge in 1946 he prepared arrangements for Count Basie, Benny Goodman and Harry James and became a member of Norman Granz’s ‘Jazz at the Philharmonic‘ package, appearing in April in a concert with Young, Coleman Hawkins and Charlie Parker, and in October participated in JATPs first national tour of the United States. He also recorded at this time for the H.R.S. label. In 1947 he was back in New York, and had a residency at the Café Society, Downtown, and the following year had a reunion with Jimmy Rushing, his fellow Basie alumnus, at the Savoy Ballroom. Clayton and Rushing worked together occasionally into the 1960s.

From September 1949 Clayton was in Europe for nine months, leading his own band in France. Clayton recorded intermittently over the next few years for the French Vogue label, under his own name, that of clarinetist Mezz Mezzrow and for one session, with pianist Earl Hines. In 1953, he was again in Europe, touring with Mezzrow; in Italy, the group was joined by Frank Sinatra.

Booker T. Washington “Bukka” White (November 12, 1906 or 1909 – February 26, 1977) was an African-American Delta blues guitarist and singer. Bukka is a phonetic spelling of White’s first name; he was named after the well-known African-American educator and civil rights activist Booker T. Washington.

White was born south of Houston, Mississippi. He was a first cousin of B.B. King‘s mother (White’s mother and King’s grandmother were sisters). He played National resonator guitars, typically with a slide, in an open tuning. He was one of the few, along with Skip James, to use a crossnote tuning in E minor, which he may have learned, as James did, from Henry Stuckey. He also played piano, but less adeptly.

White started his career playing the fiddle at square dances. He claimed to have met Charlie Patton soon after, but some have doubted this recollection. Nonetheless, Patton was a strong influence on White.

Veterans Day Memorial 2018
Mike Labriola
My dad came to the USA as an young teenager from Italy.
Then was stationed back to Italy as an American Soldier which was an incredibly traumatic experience. I honor him for his courage and bravery on this Veterans Day.

The little-known nebula IRAS 05437+2502 billows out among the bright stars and dark dust clouds that surround it in this striking image from the Hubble Space Telescope. It is located in the constellation of Taurus (the Bull), close to the central plane of our Milky Way galaxy. Unlike many of Hubble’s targets, this object has not been studied in detail and its exact nature is unclear. At first glance it appears to be a small, rather isolated region of star formation, and one might assume that the effects of fierce ultraviolet radiation from bright, young stars probably were the cause of the eye-catching shapes of the gas. However, the bright, boomerang-shaped feature may tell a more dramatic tale. The interaction of a high-velocity young star with the cloud of gas and dust may have created this unusually sharp-edged, bright arc. Such a reckless star would have been ejected from the distant young cluster where it was born and would travel at 200,000 kilometers per hour (124,000 miles per hour) or more through the nebula.

This faint cloud was originally discovered in 1983 by the Infrared Astronomical Satellite (IRAS), the first space telescope to survey the whole sky in infrared light. IRAS was run by the United States, the Netherlands, and the United Kingdom and found huge numbers of new objects that were invisible from the ground.

Ernestine Anderson (November 11, 1928 – March 10, 2016) was an American jazz and blues singer. In a career spanning more than six decades, she recorded over 30 albums. She was nominated four times for a Grammy Award. She sang at Carnegie Hall, the Kennedy Center, the Monterey Jazz Festival (six times over a 33-year span), as well as at jazz festivals all over the world. In the early 1990s she joined Qwest Records, the label of fellow Garfield High School grad Quincy Jones.

Ernestine Irene Anderson (and her twin sister Josephine) were born in Houston, Texas, on November 11, 1928. Her mother, Erma, was a housewife, and her father, Joseph, a construction worker who sang bass in a gospel quartet. By the age of three, Anderson showed a talent for singing along with her parents’ old blues 78 rpm records by the likes of Bessie “The Empress of the Blues” Smith. Anderson started singing at a local church, singing solos in its gospel choir.

https://www.youtube.com/watch?v=LPGwUYOTe0Y

Walter Louis “Hank” Garland (11 November 1930 – 27 December 2004) was a studio musician who performed with Johnny Cash, Elvis Presley, Patsy Cline, Moon Mullican, Brenda Lee, Roy Orbison, and Patti Page

Born in Cowpens, South Carolina, Garland began playing the guitar at the age of six. He appeared on local radio shows at 12 and was discovered at 14 at a South Carolina record store.He moved to Nashville at age 16, staying in Ma Upchurch’s boarding house, where he roomed with upright bassist Bob Moore and mandolin player & fiddler Dale Potter.

At age 18, Garland recorded his million-selling hit “Sugarfoot Rag“. Garland appeared on the Jubilee with Grady Martin‘s band, and on Eddy Arnold‘s network and syndicated television shows.

https://www.youtube.com/watch?v=_V0jSpCQXcQ

Mose John Allison Jr. (November 11, 1927 – November 15, 2016) was an American jazz and blues pianist, singer, and songwriter. He became notable for playing a unique mix of blues and modern jazz, both singing and playing piano. After moving to New York in 1956, he worked primarily in jazz settings, playing with jazz musicians like Stan Getz, Al Cohn, and Zoot Sims, along with producing numerous recordings.

He is described as having been “one of the finest songwriters in 20th-century blues.” His songs were strongly dependent on evoking moods, with his individualistic, “quirky”, and subtle ironic humor. His writing influence on R&B had well-known fans recording his songs, among them Pete Townshend, who recorded his “Young Man Blues” for the Who‘s “Live At Leeds” album in 1970. John Mayall was one of dozens who recorded his classic, “Parchman Farm”, and Georgie Fame used many of Allison’s songs. Others who recorded his songs included Leon Russell (“I’m Smashed”) and Bonnie Raitt(“Everybody’s Crying’ Mercy”).

Allison was born outside Tippo, Mississippi

In 1956, Allison moved to New York City and launched his jazz career, performing with artists such as Stan Getz, Gerry Mulligan, Al Cohn, Zoot Sims, and Phil Woods. His debut album, Back Country Suite, was issued by Prestige in 1957. He formed his own trio in 1958, with Addison Farmer on bass and Nick Stabulas on drums.

https://www.youtube.com/watch?v=l2G-vjHtJZQ

Space Telescope Science Institute astronomers are giving the public chances to decide where to aim the NASA/ESA Hubble Space Telescope. Guided by 8, 000 Internet voters, Hubble has already been used to take a close-up, multi-color picture of the most popular object from a list of candidates, the extraordinary ‘polar-ring’ galaxy NGC 4650A.

Located about 130 million light-years away, NGC 4650A is one of only 100 known polar-ring galaxies. Their unusual disk-ring structure is not yet understood fully. One possibility is that polar rings are the remnants of colossal collisions between two galaxies sometime in the distant past, probably at least 1 billion years ago. What is left of one galaxy has become the rotating inner disk of old red stars in the center.

Hubert Laws (born November 10, 1939) is an American flutist and saxophonist with a career spanning over 50 years in jazz, classical, and other music genres. Considering the artistry of the late Eric Dolphy and the popularity of the late Herbie Mann, Laws is notably in the company of the most recognized and respected jazz flutists in the history of jazz, (also the most imitated). Laws is one of the few classical artists who has also mastered jazz, pop, and rhythm-and-blues genres, moving effortlessly from one repertory to another.

Hubert Laws, Jr. was born November 10, 1939, in the Studewood section of Houston, Texas, the second of eight children to Hubert Laws, Sr. and Miola Luverta Donahue. Many of his siblings also entered the music industry, including saxophonist Ronnie and vocalists Eloise, Debra and Johnnie Laws. He began playing flute in high school after volunteering to substitute for the school orchestra’s regular flutist. He became adept at jazz improvisation by playing in the Houston-area jazz group the Swingsters, which eventually evolved into the Modern Jazz Sextet, the Night Hawks, and The Crusaders. At age 15, he was a member of the early Jazz Crusaders while in Texas (1954–60), and also played classical music during those years.

Wilbert Thirkield “Big Chief” Ellis (November 10, 1914 – December 20, 1977) was an American blues pianist and vocalist.

Ellis was born in Birmingham, Alabama, United States, and was an autodidact at piano. He played at local parties and dances in the late 1920s before leaving Alabama, traveling the United States and working odd jobs. He served in the Army from 1939 to 1942, then moved to New York, where he accompanied touring blues performers for their concerts in the city. He recorded with Lenox Records in 1945, and recorded for Capitol Records with Sonny Terry and Brownie McGhee in the 1950s.

In 1972, Ellis moved to Washington, D.C., where he operated a liquor store. Towards the end of his life, Ellis began recording for Trix Records, where he played again with McGhee as well as Tarheel Slim and John Cephas.

Ellis died in Birmingham, Alabama, of heart failure aged 63.

Hyman Paul Bley, CM (November 10, 1932 – January 3, 2016) was a Canadian pianist known for his contributions to the free jazz movement of the 1960s as well as his innovations and influence on trio playing and his early live performance on the Moog and Arp audio synthesizers. Bley was a long-time resident of the United States. His music has been described by Ben Ratliff of the New York Times as “deeply original and aesthetically aggressive.” Bley’s prolific output includes influential recordings from the 1950s through to his solo piano records of the 2000s.

Bley was born in Montreal, Quebec, on November 10, 1932. His adoptive parents were Betty Marcovitch, an immigrant from Romania, and Joe Bley, owner of an embroidery factory. However, in 1993 a relative from the New York branch of the Bley family walked into Sweet Basil in NYC and informed him that his father was actually his biological parent. At age five Bley studied violin, but at age seven he decided to switch to the piano. By eleven he received a junior diploma from the McGill Conservatory in Montreal. At thirteen he formed a band which played at summer resorts in Ste. Agathe, Quebec. As a teenager he played with touring American bands, including Al Cowan’s Tramp Band. In 1949, when Bley was starting his senior year of high school, Oscar Peterson asked Bley to fulfill his contract at the Alberta Lounge in Montreal. The next year Bley left Montreal for New York City and Juilliard.

https://www.youtube.com/watch?v=9SaLBmLsc4o

NGC 7331 (also known as Caldwell 30) is an unbarred spiral galaxy about 40 million light-years (12 Mpc) away in the constellation Pegasus. It was discovered by William Herschel in 1784. NGC 7331 is the brightest member of the NGC 7331 Group of galaxies. The other members of the group are the lenticular or unbarred spirals NGC 7335 and 7336, the barred spiral galaxy NGC 7337 and the elliptical galaxy NGC 7340. These galaxies lie at distances of approximately 332, 365, 348 and 294 million light years, respectively. In both visible light and infrared photos of the NGC 7331, the core of the galaxy appears to be slightly off-center, with one side of the disk appearing to extend further away from the core than the opposite side.

The galaxy is similar in size and structure to the Milky Way, and is often referred to as “the Milky Way’s twin”. However, discoveries in the 2000s regarding the structure of the Milky Way may call this similarity into doubt, particularly because the latter is now believed to be a barred spiral, compared to the unbarred status of NGC 7331.

Alfredo Remus is an Argentine musician, double bass player, performer of various genres of American popular music, especially tango , jazz , Argentine folklore and bossa nova . born 1938

He participated as bassist in the historical album the Misa Criolla ( 1964 ), by Ariel Ramírez . He has accompanied important musicians and groups such as Paul Gonsalves , Vinícius de Moraes , Maria Bethânia , Enrique “Mono” Villegas , Gato Barbieri , Mercedes Sosa , Tony Bennett, Ariel Ramírez , Víctor Heredia , Alberto Cortez , Trio Los Panchos , Raphael , Zupay Quartet , Dyango , Leonardo Favio , Sandro , Susana Rinaldi , Antonio Carlos Jobim , among others.

He was a frequent participant in a series of meetings of improvisation and informal folk experimentation at Eduardo Lagos’ house, baptized humorously by Hugo Díaz as folklorisons , which, like jazz jam sessions , used to gather Lagos, Astor Piazzolla and Díaz, with other musicians such as Remus himself, Oscar Cardozo Ocampo , Domingo Cura and Oscar López Ruiz , among others.