mick laBriola

This image shows a dark interstellar cloud ravaged by the passage of Merope, one of the brightest stars in the Pleiades star cluster. Just as a torch beam bounces off the wall of a cave, the star is reflecting light from the surface of pitch-black clouds of cold gas laced with dust. As the nebula approaches Merope, the strong starlight shining on the dust decelerates the dust particles. The nebula is drifting through the cluster at a relative speed of roughly 11 kilometres per second.

The Hubble Space Telescope has caught the eerie, wispy tendrils of a dark interstellar cloud being destroyed by the passage of one of the brightest stars in the Pleiades star cluster. Like a flashlight beam shining off the wall of a cave, the star is reflecting light off the surface of pitch black clouds of cold gas laced with dust. These are called reflection nebulae.

Dave Weckl (born January 8, 1960) is an American jazz fusion drummer and leader of the Dave Weckl Band. He was inducted into the Modern Drummer Hall of Fame in 2000.

Weckl attended Francis Howell High School in St. Charles, Missouri, and graduated in 1978. He majored in jazz studies at the University of Bridgeportin Connecticut. Starting out on the New York fusion scene in the early 1980s, Weckl soon began working with artists such as Paul Simon, Madonna, George Benson, Michel Camilo, Robert Plant and Anthony Jackson. His most famous early work though, where his popularity blossomed, was with the Chick Corea Elektric Band from 1985 to 1991.

David Robert Jones (8 January 1947 – 10 January 2016), known professionally as David Bowie (/ˈboʊi/), was an English singer, songwriter and actor. He was a leading figure in the music industry and is considered one of the most influential musicians of the 20th century, acclaimed by critics and musicians, particularly for his innovative work during the 1970s. His career was marked by reinvention and visual presentation, with his music and stagecraft having a significant impact on popular music. During his lifetime, his record sales, estimated at 140 million albums worldwide, made him one of the world’s best-selling music artists. In the UK, he was awarded ten platinum album certifications, eleven gold and eight silver, and released eleven number-one albums. In the US, he received five platinum and nine gold certifications. He was inducted into the Rock and Roll Hall of Fame in 1996.

Born in Brixton, South London, Bowie developed an interest in music as a child, eventually studying art, music and design before embarking on a professional career as a musician in 1963. “Space Oddity” became his first top-five entry on the UK Singles Chart after its release in July 1969. After a period of experimentation, he re-emerged in 1972 during the glam rock era with his flamboyant and androgynous alter ego Ziggy Stardust. The character was spearheaded by the success of his single “Starman” and album The Rise and Fall of Ziggy Stardust and the Spiders from Mars, which won him widespread popularity. In 1975, Bowie’s style shifted radically towards a sound he characterised as “plastic soul“, initially alienating many of his UK devotees but garnering him his first major US crossover success with the number-one single “Fame” and the album Young Americans. In 1976, Bowie starred in the cult film The Man Who Fell to Earth, directed by Nicolas Roeg, and released Station to Station. The following year, he further confounded musical expectations with the electronic-inflected album Low (1977), the first of three collaborations with Brian Eno that came to be known as the “Berlin Trilogy“. “Heroes” (1977) and Lodger (1979) followed; each album reached the UK top five and received lasting critical praise.

Elvis Aaron Presley^[a] (January 8, 1935 – August 16, 1977 Tupelo, MS) was an American singer and actor. Regarded as one of the most significant cultural iconsof the 20th century, he is often referred to as the “King of Rock and Roll” or simply “the King“.

Presley was born in Tupelo, Mississippi, and relocated to Memphis, Tennessee, with his family when he was 13 years old. His music career began there in 1954, recording at Sun Records with producer Sam Phillips, who wanted to bring the sound of African-American music to a wider audience. Accompanied by guitarist Scotty Moore and bassist Bill Black, Presley was a pioneer of rockabilly, an uptempo, backbeat-driven fusion of country music and rhythm and blues. In 1955, drummer D. J. Fontana joined to complete the lineup of Presley’s classic quartet and RCA Victor acquired his contract in a deal arranged by Colonel Tom Parker, who would manage him for more than two decades. Presley’s first RCA single, “Heartbreak Hotel“, was released in January 1956 and became a number one hit in the United States. With a series of successful network television appearances and chart-topping records, he became the leading figure of the newly popular sound of rock and roll. His energized interpretations of songs and sexually provocative performance style, combined with a singularly potent mix of influences across color lines during a transformative era in race relations, made him enormously popular—and controversial.

Hudson Whittaker (born Hudson Woodbridge, January 8, 1903 – March 19, 1981), known as Tampa Red, was an American Chicago bluesmusician.

Tampa Red is best known as a blues guitarist who had a distinctive single-string slide style. His songwriting and his bottleneck technique influenced other leading Chicago blues guitarists, such as Big Bill Broonzy, Robert Nighthawk and Muddy Waters, and many others, including Elmore James and Mose Allison. In a career spanning over 30 years he also recorded pop, R&B and hokum songs. His best-known recordings include “Anna Lou Blues”, “Black Angel Blues“, “Crying Won’t Help You”, “It Hurts Me Too“, and “Love Her with a Feeling“.

Tampa Red was born Hudson Woodbridge in Smithville, Georgia. His parents died when he was a child, and he moved to Tampa, Florida, where he was raised by his aunt and grandmother and adopted their surname, Whittaker. He emulated his older brother, Eddie, who played the guitar, and he was especially inspired by an old street musician called Piccolo Pete, who first taught him to play blues licks on the guitar.

NGC 7217 is an unbarred spiral galaxy in the constellation Pegasus.

NGC 7217 is a gas-poor system whose main features are the presence of several rings of stars concentric to its nucleus: three main ones –the outermost one being of the most prominent and the one that features most of the gas and star formation of this galaxy  plus several others inside the innermost one discovered with the help of the Hubble Space Telescope; a feature that suggests NGC 7217’s central regions have suffered several starbursts. There is also a very large and massive spheroid that extends beyond its disk.

Other noteworthy features this galaxy has are the presence of a number of stars rotating in the opposite direction around the galaxy’s center to most of them and two distinct stellar populations: one of intermediate age on its innermost regions and a younger, metal-poor version on its outermost ones.

It has been suggested these features were caused by a merger with another galaxy and, in fact, computer simulations show that NGC 7217 could have been a large lenticular galaxy that merged with one or two smaller gas-rich ones of late Hubble type becoming the spiral galaxy we see today.; however right now this galaxy is isolated in space, with no nearby major companions. More recent research, however, presents a somewhat different scenario in which NGC 7217’s massive bulge and halo would have been formed in a merger and the disk formed later (and is still growing) either accreting gas from the intergalactic medium or smaller gas-rich galaxies, or most likely from a previously existing reserve.

Kenneth Clark Loggins (born January 7, 1948) is an American singer-songwriter and guitarist. His early songwriting compositions were recorded with the Nitty Gritty Dirt Band in 1970, which led to seven albums, performing as the group Loggins and Messina from 1972 to 1977. As a solo artist, Loggins experienced a string of soundtrack successes, including an Academy Award nomination for “Footloose” in 1984. His early soundtrack contributions date back to the film A Star Is Born in 1976, and for much of the 1980s and 1990s, he was known as “The Soundtrack King”.Finally Home was released in 2013, shortly after Loggins formed the group Blue Sky Riders with Gary Burr and Georgia Middleman.

Loggins was born in Everett, Washington, and is the youngest of three brothers. His mother was Lina (née Massie), a homemaker, and his father, Robert George Loggins, was a salesman. They lived in Detroit and Seattle before settling in Alhambra, California. Loggins attended San Gabriel Mission High School, graduating in 1966. He formed a band called the Second Helping that released three singles during 1968 and 1969 on Viva Records. Greg Shaw described the efforts as “excellent punky folk-pop records” that were written by Loggins who was likely to be the bandleader and singer as well; Shaw included “Let Me In” on both Highs in the Mid-Sixties, Volume 2 and the Pebbles, Volume 9 CD.

Loggins had a short gig playing guitar for the New Improved Electric Prunes in 1969 before writing four songs for the Nitty Gritty Dirt Band, which were included in their Uncle Charlie & His Dog Teddy album. During his early twenties, he was part of the band Gator Creek with Mike Deasy. The first recorded version of “Danny’s Song” (later recorded by Loggins and Messina and a No. 7 Hot 100 hit for Anne Murray in 1973) was included on their only album, released on Mercury Records.

Luciano Pozo González (January 7, 1915 in Havana – December 3, 1948 in New York City), known professionally as Chano Pozo was a Cuban jazz percussionist, singer, dancer, and composer. Despite only living to age 33, he played a major role in the founding of Latin jazz. He co-wrote some of Dizzy Gillespie’s Latin-flavored compositions, such as “Manteca” and “Tin Tin Deo“, and was the first Latin percussionist in Gillespie’s band.

Luciano “Chano” Pozo González was born in Havana to Cecelio González and Carnación Pozo. Chano grew up with three sisters and a brother, as well as his older half brother, Félix Chappottín, who would later become one of the great Cuban soneros. The family struggled with poverty throughout his youth. His mother died when Chano was eleven, and Cecelio took his family to live with his long-time mistress, Natalia, who was Felix’s mother.

Chano showed an early interest in playing drums, and performed ably in Afro-Cuban religious ceremonies in which drumming was a key element. The family lived for many years at El África Solar (Africa neighborhood), a former slave quarters, by all accounts a foul and dangerous place, where it was said even the police were afraid to venture. In this environment criminal activities flourished, and Chano learned the ways of the street as means of survival. He dropped out of school after the third grade and earned a solid reputation as a rowdy tough guy, big for his age and exceptionally fit. He spent his days playing drums, fighting, drinking, and engaging in petty criminal activities, the latter of which landed him a stint in a youth reformatory. No official records document the crime he was sentenced for, though at least one account has him causing the accidental death of a foreign tourist, adding to a record of thievery, assault, and truancy. At the age of 13, Chano was sent to the reformatory in Guanajay, where he learned reading and writing, auto body repair, and honed his already exceptional skills playing a variety of drums.

During this time he became a devotee of Santería. Also known as “La Regla de Ocha”, this is an Afro-Caribbean religion derived from traditional beliefs of the Yoruba people of Nigeria. Developed among Afro-Cuban slaves, the religion began as a blending of these West African spiritual beliefs and Catholic doctrine. Yoruba deities were identified with Catholic saints to fool the slave owners, as the Spanish colonialists had forbidden the practice of African religions. Chano pledged allegiance to the Catholic Saint Barbara, identified widely with Shango, the Yoruba god of fire and thunder, and took him as his personal protector. Both Shango and St. Barbara had associations with the color red, and for the rest of his life Chano would often carry a red scarf signifying his allegiance.

https://www.youtube.com/watch?v=w0H5RmpAezA

Henry James “Red” Allen (January 7, 1908 – April 17, 1967) was an American jazz trumpeter and vocalist whose style has been claimed to be the first to fully incorporate the innovations of Louis Armstrong.

Allen was born in the Algiers neighborhood of New Orleans, Louisiana, the son of the bandleader Henry Allen. He took early trumpet lessons from Peter Bocage and Manuel Manetta.

Allen’s career began in Sidney Desvigne‘s Southern Syncopators. He was playing professionally by 1924 with the Excelsior Brass Band and the jazz dance bands of Sam Morgan, George Lewis and John Casimir. After playing on riverboats on the Mississippi River, he went to Chicago in 1927 to join King Oliver‘s band. Around this time he made recordings on the side in the band of Clarence Williams. After returning briefly to New Orleans, where he worked with the bands of Fate Marable and Fats Pichon, he was offered a recording contract with Victor Records and went to New York City, where he joined the Luis Russell band, which was later fronted by Louis Armstrong in the late 1930s.

In 1929 Allen joined Luis Russell’s Orchestra, in which he was a featured soloist until 1932. He took part in recording sessions that year organized by Eddie Condon, some of which featured Fats Waller and Tommy Dorsey. He also made a series of recordings in late 1931 with Don Redman. In 1933 he joined Fletcher Henderson‘s Orchestra, in which he stayed until 1934. He played with Lucky Millinder‘s Mills Blue Rhythm Band from 1934 to 1937, when he returned to Russell for three more years, by which time Russell’s orchestra was fronted by Louis Armstrong. Allen seldom received any solo space on recordings with Armstrong but was prominently featured in the band’s live performances, even getting billing as a featured attraction.

https://www.youtube.com/watch?v=qkXiGTpBzRQ

Bobo Jenkins (January 7, 1916 – August 14, 1984) was an American Detroit blues and electric blues guitarist, singer and songwriter. He also built and set up his own recording studio and record label in Detroit. Jenkins is best known for his recordings of “Democrat Blues” and “Tell Me Where You Stayed Last Night”.

He was born John Pickens Jenkins in Forkland, Alabama. His father, a sharecropper, died when John was not yet one year old, and the boy grew up with his mother and uncle. He left home before the age of 12, and arrived in Memphis, Tennessee. He had a wife at the age of 14, the first of ten marriages. Jenkins took casual work in the Mississippi Delta for several years and then enrolled in the United States Army. Following his 1944 military discharge, he relocated to Detroit, working for Packard and managing a garage, before spending twenty-seven years working for Chrysler.

https://www.youtube.com/watch?v=6LLLDdaGqJ8

n celebration of the 24th anniversary of the launch of NASA’s Hubble Space Telescope (on April 24, 1990) astronomers have taken an infrared-light portrait of a roiling region of starbirth located 6,400 light-years away.

The Hubble mosaic unveils a collection of carved knots of gas and dust in a small portion of the Monkey Head Nebula (also known as NGC 2174 and Sharpless Sh2-252). The nebula is a star-forming region that hosts dusky dust clouds silhouetted against glowing gas.

Massive, newly formed stars near the center of the nebula (and toward the right in this image) are blasting away at dust within the nebula. Ultraviolet light from these bright stars helps carve the dust into giant pillars. The nebula is mostly composed of hydrogen gas, which becomes ionized by the ultraviolet radiation.

As the interstellar dust particles are warmed from the radiation from the stars in the center of the nebula, they heat up and begin to glow at infrared wavelengths.

The image demonstrates Hubble’s powerful infrared vision and offers a tantalizing hint of what scientists can expect from the upcoming James Webb Space Telescope.

Maurice “Mobetta” Brown (born January 6, 1981) originally from Harvey, Illinois is a Grammy Award-winning American jazz trumpeter, producer and composer. As a member of Tedeschi Trucks Band, he shared the 2011 Grammy for Best Blues Album (Revelator).

Brown began college at Northern Illinois University, then transferred to Southern University in Baton Rouge, Louisiana, studying under jazz clarinetist Alvin Batiste. After winning first place in the National Miles Davis Trumpet Competition, he moved to New Orleans, where he led a regular Tuesday night residency at the Snug Harbor jazz club and released his first album, “Hip to Bop”.

After Hurricane Katrina, Brown relocated back to Chicago, then to New York City. He currently splits time between his residence in the Bedford-Stuyvesant neighborhood of Brooklyn and Los Angeles.

https://www.youtube.com/watch?v=ZYsK9itHC1k

Earl Eugene Scruggs (January 6, 1924 – March 28, 2012) was an American musician noted for popularizing a three-finger banjo picking style, now called “Scruggs style“, that is a defining characteristic of bluegrass music. His three-finger style of playing was radically different from the ways the five-string banjo had been historically played. He popularized the instrument in several genres of music and elevated the banjo from its role as a background rhythm instrument, or a comedian’s prop, into featured solo status.

Scruggs’ career began at age 21 when he was hired to play in a group called “Bill Monroe and the Blue Grass Boys”. The name “bluegrass” eventually became the eponym for the entire genre of country music now known by that title. Despite considerable success with Monroe, performing on the Grand Ole Opry and recording classic hits like “Blue Moon of Kentucky“, Scruggs resigned from the group in 1946 due to their exhausting touring schedule. Band member Lester Flatt resigned as well, and he and Scruggs later paired up in a new group called “Flatt and Scruggs and the Foggy Mountain Boys“. Scruggs’ banjo instrumental called “Foggy Mountain Breakdown“, released in 1949, became an enduring hit, and had a rebirth of popularity to a younger generation when it was featured in the 1967 film Bonnie and Clyde. The song won two Grammy Awards and, in 2005, was selected for the Library of Congress’ National Recording Registry of works of unusual merit.

Scruggs was born January 6, 1924, in Flint Hill, Cleveland County, North Carolina, a small community just outside of Boiling Springs, about 10 miles west of Shelby. His father, George Elam Scruggs, was a farmer and a bookkeeper who died of a protracted illness when Earl was four years old. Upon his death, Scruggs’ mother, Georgia Lula Rupee (called Lula), was left to take care of the farm and five children, of which Earl was the youngest.

Scruggs is noted for popularizing a three-finger banjo-picking style now called “Scruggs style” that has become a defining characteristic of bluegrass music. Prior to Scruggs, most banjo players used the frailing or clawhammer technique, which consists of holding the fingers bent like a claw and moving the entire hand in a downward motion so that the strings are struck with the back of the middle fingernail. This motion is followed by striking the thumb on a single string. The three-finger style of playing is radically different from frailing; the hand itself remains stationary and only the fingers and thumb move, somewhat similar to classical guitar technique.Scruggs style also involves using picks on three digits, each plucking three individual stings — downward with the thumb, then upward with the index and middle finger in sequence. When done skillfully and in rapid sequence, the style allows any digit (though usually the thumb) to play a melody, while the other two digits play arpeggiosof the melody line. The use of picks gives each note a louder percussive attack, creating an exciting effect, described by The New York Times as “like thumbtacks plinking rhythmically on a tin roof”.