mick laBriola

Charles Edward Anderson Berry (October 18, 1926 – March 18, 2017 St Louis, MO) was an American singer, songwriter, and one of the pioneers of rock and rollmusic. With songs such as “Maybellene” (1955), “Roll Over Beethoven” (1956), “Rock and Roll Music” (1957) and “Johnny B. Goode” (1958), Berry refined and developed rhythm and blues into the major elements that made rock and roll distinctive. Writing lyrics that focused on teen life and consumerism, and developing a music style that included guitar solos and showmanship, Berry was a major influence on subsequent rock music.

Born into a middle-class African-American family in St. Louis, Missouri, Berry had an interest in music from an early age and gave his first public performance at Sumner High School. While still a high school student he was convicted of armed robbery and was sent to a reformatory, where he was held from 1944 to 1947. After his release, Berry settled into married life and worked at an automobile assembly plant. By early 1953, influenced by the guitar riffs and showmanship techniques of the blues musician T-Bone Walker, Berry began performing with the Johnnie Johnson Trio. His break came when he traveled to Chicago in May 1955 and met Muddy Waters, who suggested he contact Leonard Chess, of Chess Records. With Chess, he recorded “Maybellene”—Berry’s adaptation of the country song “Ida Red“—which sold over a million copies, reaching number one on Billboard magazine’s rhythm and blues chart. By the end of the 1950s, Berry was an established star, with several hit records and film appearances and a lucrative touring career. He had also established his own St. Louis nightclub, Berry’s Club Bandstand. However, he was sentenced to three years in prison in January 1962 for offenses under the Mann Act—he had transported a 14-year-old girl across state lines After his release in 1963, Berry had several more hits, including “No Particular Place to Go“, “You Never Can Tell“, and “Nadine“. But these did not achieve the same success, or lasting impact, of his 1950s songs, and by the 1970s he was more in demand as a nostalgic performer, playing his past hits with local backup bands of variable quality. However, in 1972 he reached a new level of achievement when a rendition of “My Ding-a-Ling” became his only record to top the charts. His insistence on being paid in cash led in 1979 to a four-month jail sentence and community service, for tax evasion.

https://www.youtube.com/watch?v=RoDPPgWbfXY

Sh2-279 (alternatively designated S279 or Sharpless 279) is an HII region and bright nebulae that includes a reflection nebula located in the constellation Orion. It is the northernmost part of the asterism known as Orion’s Sword, lying 0.6° north of the Orion Nebula. The reflection nebula embedded in Sh2-279 is popularly known as the Running Man Nebula.

Sh2-279 comprises three NGC nebulae, NGC 1973, NGC 1975, and NGC 1977 that are divided by darker nebulous regions. It also includes the open cluster NGC 1981. The brightest nebulosity, later listed as NGC 1977, was discovered by William Herschel in 1786. He catalogued it as “H V 30” and described “!! 42 Orionis and neb[ula]”. The two smaller reflection nebulae were first noted by French astronomer Heinrich Louis d’Arrest, NGC 1973 in 1862 and NGC 1975 in 1864. All three were included in the New General Catalogue in 1888. The designation NGC 1977 is used in various sources for the reflection area around 42 Orionis (the south-east portion of the reflection nebula), for the entire reflection nebula (including NGC 1973 and NGC 1975), or for the whole nebula complex.

1,500 ly

Barney Kessel (October 17, 1923 – May 6, 2004) was an American jazz guitarist born in Muskogee, Oklahoma. Noted in particular for his knowledge of chords and inversions and chord-based melodies, he was a member of many prominent jazz groups as well as a “first call” guitarist for studio, film, and television recording sessions. Kessel was a member of the group of session musicians informally known as the Wrecking Crew.

Kessel began his career as a teenager touring with local dance bands. When he was 16, he started playing with the Oklahoma A & M band, “Hal Price & the Varsitonians”. The band members lovingly nicknamed him “Fruitcake” because he used to practice up to 16 hours a day. He then moved on to bands such as that led by Chico Marx. He quickly established himself as a key post-Charlie Christian jazz guitarist.

In 1944 he participated in the film Jammin’ the Blues, which featured Lester Young, and in 1947 he recorded with Charlie Parker‘s New Stars on the Relaxin’ at Camarillo session for Dial Records.^[1] He was rated the No. 1 guitarist in Esquire, Down Beat, and Playboy magazine polls between 1947 and 1960.

William Randolph “Cozy” Cole (October 17, 1909 – January 9, 1981) was an American jazz drummer who had hits with the songs “Topsy I” and “Topsy II“. “Topsy II” peaked at No. 3 on the Billboard Hot 100, and at No. 1 on the R&B chart. It sold over one million copies and was awarded a gold disc. The track peaked at No. 29 in the UK Singles Chart in 1958. The recording contained a long drum solo and was one of the few drum solo recordings to make the charts at Billboard magazine. The single was issued by Love Records, a small record label in Brooklyn, New York. Cole’s song “Turvy II” reached No. 36 in 1959.

William Randolph Cole was born in 1909 in East Orange, New Jersey. His first music job was with Wilbur Sweatman in 1928. In 1930 he played for Jelly Roll Morton‘s Red Hot Peppers, recording an early drum solo on “Load of Cole”. He spent 1931–33 with Blanche Calloway, 1933–34 with Benny Carter, 1935–36 with Willie Bryant, 1936–38 with Stuff Smith‘s small combo, and 1938–42 with Cab Calloway. In 1942, he was hired by CBS Radio music director Raymond Scott as part of network radio’s first mixed-race orchestra. After that he played with Louis Armstrong’s All Stars.

Cole appeared in music-related films, including a brief cameo in Don’t Knock the Rock. Throughout the 1960s and 1970s he continued to perform in a variety of settings. Cole and Gene Krupa often played drum duets at the Metropole in New York City during the 1950s and 1960s.

Cole is cited as an influence by many contemporary rock drummers, including Cozy Powell, who took his nickname “Cozy” from Cole. In 1981, he died of cancer in Columbus, Ohio.

https://www.youtube.com/watch?v=C2Mei2-Nldc

Spiral Galaxy in Hydra (NGC 3717) NGC 3717 is visible as nearly edge-on galaxy showing a distinct dust band in the constellation Hydra. It is about 80 million light years away from the solar system, and it extends 3.5 arc-min in the sky.
Surprisingly the galaxy features some faint extension to the south (star stream), an indication of possible tidal interaction with another galaxy.

At 7h to the south there is another adjacent galaxy (IC 2913) showing spiral arms and H-alpha areas Its redshift indicates a similar distance of 77 million light-years to earth.

Roy Anthony Hargrove (born October 16, 1969) is an American jazz trumpeter. He won worldwide notice after winning two Grammy Awards for differing types of music, in 1997 and in 2002. Hargrove has played primarily with jazz musicians including Wynton Marsalis and Herbie Hancock.

Hargrove was the bandleader of the progressive group The RH Factor, which combined elements of jazz, funk, hip-hop, soul, and gospel music. Its members have included Chalmers “Spanky” Alford, Pino Palladino, James Poyser, Jonathan Batiste and Bernard Wright.

Joseph Lee “Big Joe” Williams (October 16, 1903 – December 17, 1982) was an American Delta blues guitarist, singer and songwriter, notable for the distinctive sound of his nine-string guitar. Performing over four decades, he recorded the songs “Baby Please Don’t Go”, “Crawlin’ King Snake” and “Peach Orchard Mama”, among many others, for various record labels, including Bluebird, Delmark, Okeh, Prestige and Vocalion. He was inducted into the Blues Hall of Fame on October 4, 1992.

The blues historian Barry Lee Pearson (Sounds Good to Me: The Bluesman’s Story, Virginia Piedmont Blues) described Williams’s performance:

When I saw him playing at Mike Bloomfield’s “blues night” at the Fickle Pickle, Williams was playing an electric nine-string guitar through a small ramshackle amp with a pie plate nailed to it and a beer can dangling against that. When he played, everything rattled but Big Joe himself. The total effect of this incredible apparatus produced the most buzzing, sizzling, African-sounding music I have ever heard.

Born in Oktibbeha County, a few miles west of Crawford, Mississippi, Williams as a youth began wandering across the United States busking and playing in stores, bars, alleys and work camps. In the early 1920s he worked in the Rabbit Foot Minstrels revue. He recorded with the Birmingham Jug Band in 1930 for Okeh Records. 

https://www.youtube.com/watch?v=U6RNptsBorM

From afar, the whole thing looks like an Eagle. A closer look at the Eagle Nebula, however, shows the bright region is actually a window into the center of a larger dark shell of dust. Through this window, a brightly-lit workshop appears where a whole open cluster of stars is being formed. In this cavity tall pillars and round globules of dark dust and cold molecular gas remain where stars are still forming. Already visible are several young bright blue stars whose light and winds are burning away and pushing back the remaining filaments and walls of gas and dust. The Eagle emission nebula, tagged M16, lies about 6500 light years away, spans about 20 light-years, and is visible with binoculars toward the constellation of the Serpent (Serpens). This picture involved over 25 hours of imaging and combines three specific emitted colors emitted by sulfur (colored as red), hydrogen (yellow), and oxygen (blue).

Fela Anikulapo Kuti (15 October 1938 – 2 August 1997), also professionally known as Fela Kuti, or simply Fela, was a Nigerian multi-instrumentalist, musician, composer, pioneer of the Afrobeat music genre and human rights activist. He has been called “superstar, singer, musician, Panafricanist, polygamist, mystic, legend.” At the height of his popularity, he was referred to as one of Africa’s most “challenging and charismatic music performers.”

Fela was born Olufela Olusegun Oludotun Ransome-Kuti on 15 October 1938 in Abeokuta, the modern-day capital of Ogun State in the Federal Republic of Nigeria, then a city in the British Colony of Nigeriainto an upper-middle-class family. His mother, Chief Funmilayo Ransome-Kuti, was a feminist activist in the anti-colonial movement; his father, Reverend Israel Oludotun Ransome-Kuti, an Anglican minister and school principal, was the first president of the Nigeria Union of Teachers. His brothers, Beko Ransome-Kuti and Olikoye Ransome-Kuti, both medical doctors, are well known in Nigeria. Fela is a first cousin to the Nigerian writer and Nobel laureate Wole Soyinka, the first African to win the Nobel Prize for Literature.

Lionel Frederick Cole (born October 15, 1931) is an American jazz singer and pianist whose recording career has spanned over sixty-five years. He is the brother of musicians Nat King Cole and Ike Cole, father of Lionel Cole, and uncle of Natalie Cole, Carole Cole, Timolin Cole, and Casey Cole.

Cole was born to Edward and Paulina Cole, and grew up in Chicago with siblings Eddie, Ike and Nat King Cole. He began playing piano at the age of six, and continued his musical education at the Roosevelt Institute in Chicago. He moved to New York in 1951, where he studied at the Juilliard School of Music, before completing a master’s degree at the New England Conservatory of Music.

Following the moderate success of “Whispering Grass” on OKeh Records in 1953 Cole spent several months on the road with Johnny Coles and Benny Golson as the Earl Bostic band. During the 1970s, Cole recorded several albums for European and English based labels. He went on to work with Grover Washington, Jr. and to record jingles for various companies, including Turner Classic Movies He was the subject of the 2006 documentary The Cole Nobody Knows. In June of that year, Cole was added to the Steinway Artist roster.

https://www.youtube.com/watch?v=qZTW_UBdNn4

Nellie Rose Lutcher (October 15, 1912 – June 8, 2007) was an African-American R&B and jazz singer and pianist, who gained prominence in the late 1940s and early 1950s. Lutcher was most recognizable for her diction and exaggerated pronunciation, and was credited as an influence by Nina Simone among others.

Lutcher was born in Lake Charles, Louisiana, the eldest daughter of the 15 children of Isaac and Suzie Lutcher. She was the sister of saxophonistJoe Lutcher. Her father was a bass player and her mother a church organist. She received piano lessons, and her father formed a family band with her playing piano. At age 12, she played with Ma Rainey, when Rainey’s regular pianist fell ill and had to be left behind in the previous town. Searching for a temporary replacement in Lake Charles, one of the neighbors told Rainey that there was a little girl who played in church who might be able to do it.

Aged 15, Lutcher joined her father in Clarence Hart‘s Imperial Jazz Band, and in her mid-teens also briefly married the band’s trumpet player. In 1933, she joined the Southern Rhythm Boys, writing their arrangements and touring widely. In 1935, she moved to Los Angeles, where she married Leonel Lewis and had a son. She began to play swing piano, and also to sing, in small combos throughout the area, and began developing her own style, influenced by Earl Hines, Duke Ellington and her friend Nat “King” Cole.

She was not widely known until 1947 when she learned of the March of Dimes talent show at Hollywood High School, and performed. The show was broadcast on the radio and her performance caught the ear of Dave Dexter, a scout for Capitol Records. She was signed by Capitol and made several records, including “The One I Love (Belongs to Somebody Else)” and her first hit single, the risqué “Hurry On Down”, which went to # 2 on the rhythm and blues chart. This was followed by her equally successful composition “He’s A Real Gone Guy”, which also made # 2 on the R&B chart and crossed over to the pop charts where it reached # 15.