mick laBriola

Keith Richards (born 18 December 1943), sometimes credited as Keith Richard, is an English musician and songwriter, best known as a guitarist and founding member of the Rolling Stones. Rolling Stone magazine called Richards the creator of “rock’s greatest single body of riffs” on guitar and ranked him fourth on its list of 100 best guitarists in 2011, and the magazine lists fourteen songs that Richards wrote with the Rolling Stones’ lead vocalist Mick Jagger on its “Rolling Stone’s 500 Greatest Songs of All Time” list.

Richards plays both lead and rhythm guitar parts, often in the same song, as the Stones are generally known for their guitar interplay of rhythm and lead (“weaving”) between Richards and the other guitarist in the band – Brian Jones (1962–1969), Mick Taylor (1969–1975), and Ronnie Wood (1975–present). In the recording studio Richards sometimes plays all of the guitar parts, notably on the songs “Paint It Black“, “Ruby Tuesday“, “Sympathy for the Devil“, and “Gimme Shelter“. He is also a vocalist, singing backing vocals on many Rolling Stones songs as well as occasional lead vocals, such as on the Rolling Stones’ 1972 single “Happy“, as well as with his side project, the X-Pensive Winos.

Eddie “Cleanhead” Vinson (born Edward L. Vinson Jr., December 18, 1917 – July 2, 1988) was an American jump blues, jazz, bebop and R&B alto saxophonist and blues shouter.He was nicknamed Cleanhead after an incident in which his hair was accidentally destroyed by lye contained in a hair straightening product. Vinson was born in Houston, Texas. He was a member of the horn section in Milton Larkin‘s orchestra, which he joined in the late 1930s. At various times, he sat next to Arnett Cobb, Illinois Jacquet, and Tom Archia, while other members of the band included Cedric Haywood and Wild Bill Davis. After exiting Larkin’s employment in 1941, Vinson picked up a few vocal tricks while on tour with bluesman Big Bill Broonzy. He then moved to New York and joined the Cootie WilliamsOrchestra from 1942 to 1945, recording such tunes as “Cherry Red”. Vinson struck out on his own in 1945, forming his own large band, signing with Mercury Records, and enjoying a double-sided hit in 1947 with his R&B chart-topper “Old Maid Boogie”, and the song that would prove to be his signature number, “Kidney Stew Blues”.

Vinson’s jazz leanings were probably heightened during 1952-1953, when his band included a young John Coltrane. In the late 1960s, touring in a strict jazz capacity with Jay McShann, Vinson’s career took an upswing. In the early 1960s Vinson moved to Los Angeles and began working with the Johnny Otis Revue. A 1970 appearance at the Monterey Jazz Festival with Otis spurred a bit of a comeback for Vinson. Throughout the 1970s he worked high-profile blues and jazz sessions for Count Basie, Otis, Roomful of Blues, Arnett Cobb, and Buddy Tate. He also composed steadily, including “Tune Up” and “Four“, both of which have been incorrectly attributed to Miles Davis.^[4] The aforementioned single-sourced claim is contradicted by the many times Miles Davis has been credited as composer on numerous recordings.

Harold de Vance Land (December 18, 1928 – July 27, 2001) was an American hard bop and post-bop tenor saxophonist. Land developed his hard bop playing with the Max Roach/Clifford Brown band into a personal, modern style; often rivalling Clifford Brown’s instrumental ability with his own inventive and whimsical solos. His tone was strong and emotional, yet hinted at a certain introspective fragility.

In the early 1980s through to the early 1990s he worked regularly with the Timeless All Stars, a group sponsored by the Timeless jazz record label. The group consisted of Land on tenor, Cedar Walton on piano, Buster Williams on bass, Billy Higgins on drums, Curtis Fuller on trombone and Bobby Hutcherson on vibes. Land also toured with his own band during this time, often including his son, Harold Land Jr., on piano and usually featuring Bobby Hutcherson and Billy Higgins as well. During these years he played regularly at Hop Singhs in Marina Del Rey in the L.A area and the Keystone Korner in San Francisco.

Connie Curtis Crayton (December 18, 1914 – June 25, 1985), known as Pee Wee Crayton, was an American R&B and blues guitarist and singer.

Crayton was born in Rockdale, Texas. He began playing guitar seriously after moving to California in 1935, later settling in San Francisco.^[3] While there he absorbed the music of T-Bone Walker but developed his own unique approach. His aggressive playing contrasted with his smooth vocal style and was copied by many later blues guitarists.

In 1948 he signed a recording contract with Modern Records. One of his first recordings was the instrumental “Blues After Hours“, which reached number 1 on the Billboard R&B chart late that year. Its B-side, the pop ballad “I’m Still in Love with You”, and the quicker “Texas Hop” are good examples of his work.

https://www.youtube.com/watch?v=9W7hBs4e_WE

What is the nearest major galaxy to our own Milky Way Galaxy? Andromeda. In fact, our Galaxy is thought to look much like Andromeda. Together these two galaxies dominate the Local Group of galaxies. The diffuse light from Andromeda is caused by the hundreds of billions of stars that compose it. The several distinct stars that surround Andromeda‘s image are actually stars in our Galaxy that are well in front of the background object. Andromeda is frequently referred to as M31 since it is the 31st object on Messier‘s list of diffuse sky objects. M31 is so distant it takes about two million years for light to reach us from there. Although visible without aid, the featured image of M31 is a digital mosaic of 20 frames taken with a small telescope. Much about M31 remains unknown, including exactly how long it will before it collides with our home galaxy. Distance 2.5 million ly

Paul Vaughn Butterfield (December 17, 1942 – May 4, 1987 Chicago) was an American blues harmonica player and singer. After early training as a classical flautist, he developed an interest in blues harmonica. He explored the blues scene in his native Chicago, where he met Muddy Waters and other blues greats, who provided encouragement and opportunities for him to join in jam sessions. He soon began performing with fellow blues enthusiasts Nick Gravenites and Elvin Bishop.

In 1963, he formed the Paul Butterfield Blues Band, which recorded several successful albums and was popular on the late-1960s concert and festival circuit, with performances at the Fillmore West, in San Francisco; the Fillmore East, in New York City; the Monterey Pop Festival; and Woodstock. The band was known for combining electric Chicago blues with a rock urgency and for their pioneering jazz fusion performances and recordings. After the breakup of the group in 1971, Butterfield continued to tour and record with the band Paul Butterfield’s Better Days, with his mentor Muddy Waters, and with members of the roots-rock group the Band. While still recording and performing, Butterfield died in 1987 at age 44 of a heroin overdose.

Music critics have acknowledged his development of an original approach that places him among the best-known blues harp players. In 2006, he was inducted into the Blues Hall of Fame. Butterfield and the early members of the Paul Butterfield Blues Band were inducted into the Rock and Roll Hall of Fame in 2015. Both panels noted his harmonica skills and his contributions to bringing blues music to a younger and broader audience.

James Carroll Booker III (December 17, 1939 – November 8, 1983) was a New Orleans rhythm and blues keyboardist born in New Orleans, Louisiana, United States. Booker’s unique style combined rhythm and blues with jazz standards. Musician Dr. John described Booker as “the best black, gay, one-eyed junkie piano genius New Orleans has ever produced.” Flamboyant in personality, he was known as “the Black Liberace”.

Booker was the son and grandson of Baptist ministers, both of whom played the piano. He spent most of his childhood on the Mississippi Gulf Coast, where his father was a church pastor. Booker received a saxophone as a gift from his mother, but he was more interested in the keyboard. He played the organ in his father’s churches.

After returning to New Orleans in his early adolescence, Booker attended the Xavier Academy Preparatory School. He learned some elements of his keyboard style from Tuts Washington and Edward Frank. Booker was highly skilled in classical music and played music by Bach and Chopin, among other composers. He also mastered and memorized solos by Erroll Garner and Liberace. His performances combined elements of stride, blues, gospel and Latin piano styles.

Sonny Red (December 17, 1932 – March 20, 1981) was an American jazz alto saxophonist and composer associated with the hard bop idiom among other styles.

Sonny Red played with Art Blakey, Curtis Fuller, Paul Quinichette, Donald Byrd, Grant Green, Blue Mitchell, Wynton Kelly, Billy Higgins, and Cedar Walton.

In the late 1940s, when he was still in his teens, Sonny Red began to play professionally with Barry Harris. He continued to play with Barry Harris until 1952. He went on to play with Art Blakey in 1954, and in 1957 recorded with Curtis Fuller on three albums.

Sonny Red first came on the greater jazz scene in the late 1950s with Art Pepper in the album Two Altos.

He made two albums as a leader in 1961; both were released by Jazzland Recordings, a subsidiary of Riverside Records. He continued to record in the 1960s, including four albums with Donald Byrd in 1967.

By the 1970s, however, Sonny Red was falling into obscurity. He died in March 1981, at the age of 48.

A new telescope facility at the Paranal Observatory in Chile has captured its very first images. Named the Search for Habitable Planets Eclipsing Ultracool Stars (SPECULOOS) Southern Observatory, the facility consists of four 1-meter telescopes — each of which is named after one of Jupiter’s Galilean moons — that will search the cosmos for potentially habitable exoplanets orbiting ultracool stars and brown dwarfs. For its “first light” image, the Europa telescope captured this view of the Carina Nebula.

The Carina Nebula (catalogued as NGC 3372; also known as the Grand Nebula, Great Nebula in Carina, or Eta Carinae Nebula) is a large, complex area of bright and dark nebulosity in the constellation Carina, and is located in the Carina–Sagittarius Arm. The nebula lies at an estimated distance between 6,500 and 10,000 light-years (2,000 and 3,100 pc) from Earth.

Robben Ford (born December 16, 1951) is an American blues, jazz, and rock guitarist. He was a member of the L.A. Express and Yellowjackets, and has collaborated with Miles Davis, Joni Mitchell, George Harrison, Larry Carlton and Kiss. He was named one of the “100 Greatest Guitarists of the 20th Century” by Musician magazine.

Robben Ford was born in Woodlake, California and raised in Ukiah, California. He began playing the saxophone at age 10 and the guitar at age 14. Robben and his brothers created the Charles Ford Blues Band in honor of and named after their father.

John Laird Abercrombie (December 16, 1944 – August 22, 2017) was an American jazz guitarist. His work explored jazz fusion, free jazz, and avant-garde jazz. Abercrombie studied at Berklee College of Music in Boston, Massachusetts. He was known for his understated style and his work with organ trios.

John Abercrombie was born on December 16, 1944, in Port Chester, New York. Growing up in the 1950s in Greenwich, Connecticut he was attracted to the rock and roll of Chuck Berry, Elvis Presley, Fats Domino, and Bill Haley and the Comets. He also liked the sound of jazz guitarist Mickey Baker of the vocal duo Mickey and Silvia. He had two friends who were musicians with a large jazz collection. They played him albums by Dave Brubeck and Miles Davis. The first jazz guitar album he heard was by Barney Kessel.

He took guitar lessons at the age of ten, asking his teacher to show him what Kessel was playing. After high school, he attended Berklee College of Music. At Berklee, he was drawn to the music of Jim Hall, particularly on the album The Bridge by Sonny Rollins, and Wes Montgomery on his albums Boss Guitar and The Wes Montgomery Trio. He met George Benson and Pat Martino while they performed at a local club and was inspired by them. He often played with other students at Paul’s Mall, a jazz club in Boston connected to the larger club, Jazz Workshop. Appearing at Paul’s Mall led to meetings with Michael Brecker, Randy Brecker, and organist Johnny Hammond Smith, who invited him to go on tour.

John Robert “Johnny Hammond” Smith (December 16, 1933 – June 4, 1997) was an American soul jazz and hard bop organist. Born in Louisville, Kentucky, he was a renowned player of the Hammond B-3 organ so earning “Hammond” as a nickname, which also avoided his being confused with jazz guitarist Johnny Smith.

Smith played with Paul Williams and Chris Columbo before forming his own group. His bands featured singers Etta Jones, Byrdie Green, saxophonists Houston Person, Earl Edwards, guitarists Eddie McFadden, Floyd Smith, James Clark, vibist Freddie McCoy. His career took off as he was serving as accompanist to singer Nancy Wilson. One of his last accomplishments also included Nancy Wilson. He wrote the song “Quiet Fire” for her Nancy Now!release in 1988.

Featuring a dozen musicians, Pink Martini performs its multilingual repertoire in over 25 languages on concert stages and with symphony orchestras throughout Europe, Asia, Greece, Turkey, the Middle East, Northern Africa, Australia, New Zealand, South America and North America. Pink Martini made its European debut at the Cannes Film Festival in 1997 and its orchestral debut with the Oregon Symphony in 1998 under the direction of Norman Leyden. Since then, the band has gone on to play with more than 70 orchestras around the world, including multiple engagements with the Los Angeles Philharmonic at the Hollywood Bowl, the Boston Pops, the National Symphony at the Kennedy Center, the San Francisco Symphony, the Cleveland Orchestra, the Sydney Symphony at the Sydney Opera House, and the BBC Concert Orchestra at Royal Albert Hall in London.

https://www.youtube.com/watch?v=R6E-B5RQUbE

This new image of the reflection nebula Messier 78 was captured using the Wide Field Imager camera on the MPG/ESO 2.2-metre telescope at the La Silla Observatory, Chile. This colour picture was created from many monochrome exposures taken through blue, yellow/green and red filters, supplemented by exposures through a filter that isolates light from glowing hydrogen gas. The total exposure times were 9, 9, 17.5 and 15.5 minutes per filter, respectively.

M78 is the brightest diffuse reflection nebula of a group of nebulae that includes NGC 2064, NGC 2067 and NGC 2071. This group belongs to the Orion B molecular cloud complex and is about 1,350 light-years distant from Earth. M78 is easily found in small telescopes as a hazy patch and involves two stars of 10th and 11th magnitude. These two B-type stars, HD 38563 A and HD 38563 B, are responsible for making the cloud of dust in M78 visible by reflecting their light.

Eduardo “Eddie” Palmieri (born December 15, 1936) is a Grammy Award-winning pianist, bandleader, musician, and composer of Puerto Rican ancestry. He is the founder of the bands La Perfecta, La Perfecta II, and Harlem River Drive.

Palmieri’s parents moved to New York from Ponce, Puerto Rico, in 1926, and settled in the South Bronx, a largely Hispanic neighborhood. There, he and his elder brother, Charlie Palmieri, were born. He accompanied Charlie and participated in many talent contests when he was eight years old.

Palmieri continued his education in the city’s public school system where he was constantly exposed to music, specifically jazz. He took piano lessons and performed at Carnegie Hall when he was 11 years old. His main influences were Thelonious Monk and McCoy Tyner. Inspired by his older brother, he was determined to someday form his own band – something he achieved in 1950, when he was fourteen years old. During the 1950s, Palmieri played in various bands, including Tito Rodríguez‘s.