mick laBriola

Melbourne Robert “Bob” Cranshaw (December 3, 1932 – November 2, 2016) was an American jazz bassist. His career spanned the heyday of Blue Note Records to his recent involvement with the Musicians Union. He is perhaps best known for his long association with Sonny Rollins. Cranshaw performed in Rollins’s working band on and off for over five decades, starting with a live appearance at the 1959 Playboy jazz festival in Chicago and on record with the 1962 album The Bridge.

Some of Cranshaw’s best-known performances include Lee Morgan‘s The Sidewinder and Grant Green‘s Idle Moments. Cranshaw also served as the sole session bassist to Sesame Street and The Electric Company songwriter and composer Joe Raposo, and played bass guitar on all songs, tracks, buttons and cues recorded by the Children’s Television Workshop during Raposo’s tenure. In addition, he was the bass player for Saturday Night Livefrom 1975 to 1980 and musical director and bassist for Dick Cavett’s talk show in the early 1980s. He performed in pit orchestras for numerous Broadway shows including Jesus Christ Superstar, Lena Horne: The Lady and Her Music Sergeant Pepper’s Lonely Heart’s Club Band: The Musical and many more. He recorded innumerable recording dates for television shows, films and jingles. He is among the most recorded bassists in history.

Eddie Jones (December 10, 1926 – February 7, 1959), better known as Guitar Slim, was a New Orleans blues guitarist in the 1940s and 1950s, best known for the million-selling song “The Things That I Used to Do“, produced by Johnny Vincent for Specialty Records. It is listed in the Rock and Roll Hall of Fame’s 500 Songs That Shaped Rock and Roll. Slim had a major impact on rock and roll and experimented with distorted overtones on the electric guitar a full decade before Jimi Hendrix.

Jones was born in Greenwood, Mississippi. His mother died when he was five, and he was raised by his grandmother. In his teen years he worked in cotton fields and spent his free time at juke joints, where he started sitting in as a singer or dancer; he was good enough as a dancer that he was nicknamed “Limber Leg”.

Ray Willis Nance (December 10, 1913, in Chicago – January 28, 1976, in New York City) was a jazz trumpeter, violinist and singer. He is best remembered for his long association with Duke Ellington and his orchestra.

Nance was the leader of his own band in Chicago from 1932 to 1937. Then, he worked with Earl Hines from 1937 to 1939; and from 1939 to 1940 he worked with Horace Henderson.

Ellington hired Nance to replace trumpeter Cootie Williams, who had joined Benny Goodman, in 1940. Nance’s first recorded performance with Ellington was at the Fargo, North Dakota ballroom dance.^[1] Shortly after joining the band, Nance was given the trumpet solo on the earliest recorded version of “Take the “A” Train“, which became the Ellington theme. Nance’s “A Train” solo is one of the most copied and admired trumpet solos in jazz history. Indeed, when Cootie Williams returned to the band more than twenty years later, he would play Nance’s solo on “A Train” almost exactly as the original.

The Gould Belt is a partial ring of stars in the Milky Way, about 3000 light years across, tilted toward the galactic plane by about 16 to 20 degrees. It contains many O- and B-type stars, and may represent the local spiral arm to which the Sun belongs—currently the Sun is about 325 light years from the arm’s center. The belt is thought to be from 30 to 50 million years old, and of unknown origin. It is named after Benjamin Gould, who identified it in 1879.

The belt contains bright stars in many constellations including (in order going more or less eastward) Cepheus, Lacerta, Perseus, Orion, Canis Major, Puppis, Vela, Carina, Crux (the Southern Cross), Centaurus, Lupus, and Scorpius (including the Scorpius-Centaurus Association). The Milky Way visible in the sky also passes through most of these constellations, but a bit southeast of Lupus.

Jessie Hill (December 9, 1932 – September 17, 1996) was an American R&B and Louisiana blues singer and songwriter, best remembered for the classic song “Ooh Poo Pah Doo”.

Hill was born in New Orleans, Louisiana, United States. By his teens he was playing drums in local bands, and in 1951 he formed his own group, the House Rockers. After periods performing as drummer with Professor Longhair and then Huey “Piano” Smith, Hill formed a new version of the House Rockers in 1958, which enabled him to focus on singing with the band.

The origins of “Ooh Poo Pah Doo” were apparently created from a tune played by a local pianist, who was known only as Big Four. Hill wrote the lyricsand melody, later expanding the work with an intro taken from Dave Bartholomew. It was further honed on stage, before Hill recorded a demo that he shopped to local record labels, finally recording a session at Cosimo Matassa‘s studio produced by Allen Toussaint.

https://www.youtube.com/watch?v=yUkJvC8bYYQ

Junior Wells (born Amos Wells Blakemore Jr., December 9, 1934 – January 15, 1998) was an American Chicago blues vocalist, harmonica player, and recording artist. He was one of the pioneers of the amplified blues harp-style associated with Chicago. Wells is best known for his signature song “Messin’ with the Kid” and his 1965 album Hoodoo Man Blues, described by the critic Bill Dahl as “one of the truly classic blues albums of the 1960s”.

Wells performed and recorded with Various notable blues musicians, including Muddy Waters, Earl Hooker, and Buddy Guy. He remained a fixture on the blues scene throughout his career and also crossed over to rock audiences while touring with the Rolling Stones. Not long before Wells died, the blues historian Gerard Herzhaft called him “one of the rare active survivors of the ‘golden age of the blues'”.

Wells may have been born in Memphis, Tennessee, and raised in West Memphis, Arkansas (some sources report that he was born in West Memphis). Initially taught by his cousin Junior Parker and by Sonny Boy Williamson II, Wells learned to play the harmonica skillfully by the age of seven.

He moved to Chicago in 1948 with his mother, after her divorce, and began sitting in with local musicians at house parties and taverns. Wild and rebellious but needing an outlet for his talents, he began performing with the Aces, consisting of the brothers Dave and Louis Myers on guitars and the drummer Fred Below, with whom he developed a modern amplified harmonica style influenced by Little Walter. In 1952, he made his first recordings when he replaced Little Walter in Muddy Waters’s band and played on one of Waters’s sessions for Chess Records in 1952. His first recordings as a bandleader were made in the following year for States Records. In the late 1950s and early 1960s, he recorded singles for Chief Records and its subsidiary, Profile Records, including “Messin’ with the Kid“, “Come on in This House”, and “It Hurts Me Too“, which would remain in his repertoire throughout his career. His 1960 Profile single “Little by Little” (written by Chief owner and producer Mel London) reached number 23 on the Billboard R&B chart, the first of his two singles to enter the chart.

Donaldson Toussaint L’Ouverture Byrd II (December 9, 1932 – February 4, 2013) was an American jazz and rhythm & blues trumpeter. A sideman for many other jazz musicians of his generation, Byrd was known as one of the only bebop jazz musicians who successfully pioneered the funk and soul genres while remaining a jazz artist. As a bandleader, Byrd was an influence on the early career of Herbie Hancock.

Byrd attended Cass Technical High School. He performed with Lionel Hampton before finishing high school. After playing in a military band during a term in the United States Air Force, Byrd obtained a bachelor’s degree in music from Wayne State University and a master’s degree from Manhattan School of Music. While still at the Manhattan School, he joined Art Blakey‘s Jazz Messengers, as the successor to Clifford Brown. In 1955, he recorded with Gigi Gryce, Jackie McLean and Mal Waldron. After leaving the Jazz Messengers in 1956, he performed with many leading jazz musicians of the day, including John Coltrane, Sonny Rollins, Thelonious Monk, and later Herbie Hancock.

This image from the NASA/ESA Hubble Space Telescope reveals a spiral galaxy named Messier 95 (also known as M95 or NGC 3351). Located about 35 million light-years away in the constellation of Leo (The Lion), this swirling spiral was discovered by astronomer Pierre Méchain in 1781, and catalogued by French astronomer Charles Messier just four days later. Messier was primarily a comet hunter, and was often left frustrated by objects in the sky that resembled comets but turned out not to be. To help other astronomers avoid confusing these objects in the future, he created his famous catalogue of Messier objects.

Most definitely not a comet, Messier 95 is actually a barred spiral galaxy. The galaxy has a bar cutting through its centre, surrounded by an inner ring currently forming new stars. Also our own Milky Way is a barred spiral.

As well as hosting this stellar nursery, Messier 95 is a known host of the dramatic and explosive final stages in the lives of massive stars: supernovae. In March 2016 a spectacular supernova named SN 2012aw was observed in the outer regions of one of Messier 95’s spiral arms. Once the light from the supernova had faded, astronomers were able to compare observations of the region before and after the explosion to find out which star had “disappeared” — the progenitor star. In this case, the star was an especially huge red supergiant up to 26 times more massive than the Sun.

Distance 32.6 ± 1.4 Mly (10.0 ± 0.4 Mpc)

Gregory LeNoir Allman (December 8, 1947 – May 27, 2017) was an American singer-songwriter and musician. He was known for performing in the Allman Brothers Band. Allman grew up with an interest in rhythm and blues music, and the Allman Brothers Band fused it with rock music, jazz, and country at times. He wrote several of the band’s biggest songs, including “Whipping Post“, “Melissa“, and “Midnight Rider“. Allman also had a successful solo career, releasing seven studio albums. He was born and spent much of his childhood in Nashville, Tennessee, before relocating to Daytona Beach, Florida.

He and his brother, Duane Allman, formed the Allman Brothers Band in 1969, which reached mainstream success with their 1971 live album At Fillmore East. Shortly thereafter, Duane was killed in a motorcycle crash. The band continued, with Brothers and Sisters (1973) their most successful album. Allman began a solo career with Laid Back the same year, and was perhaps most famous for his marriage to pop star Cher for the rest of the decade. He had an unexpected late career hit with his cover of the song “I’m No Angel” in 1987, and his seventh solo album, Low Country Blues (2011), saw the highest chart positions of his career. Throughout his life, Allman struggled with alcohol and substance abuse, which formed the basis of his memoir My Cross to Bear (2012). His final album, Southern Blood, was released posthumously on September 8, 2017.

Allman performed with a Hammond organ and guitar, and was recognized for his soulful voice. For his work in music, Allman was referred to as a Southern rock pioneer and received numerous awards, including one Grammy Award; he was inducted into the Rock and Roll Hall of Fame and the Georgia Music Hall of Fame. His distinctive voice placed him in 70th place in the Rolling Stone list of the “100 Greatest Singers of All Time”.

Gregory LeNoir Allman was born at Saint Thomas Hospital on December 8, 1947 in Nashville, Tennessee, to Willis Turner Allman (1918–1949) and Geraldine Robbins Allman (1917–2015). The couple had met during World War II in Raleigh, North Carolina, when Allman was on leave from the U.S. Army, and were later married. Their first child, Duane Allman, was born in Nashville in 1946. On December 26, 1949, Willis offered a hitchhiker a ride home and was subsequently shot and killed in Norfolk, Virginia. Geraldine moved to Nashville with her two sons, and she never remarried. Lacking money to support her children, she enrolled in college to become a Certified Public Accountant (CPA)—state laws at the time, according to her son, required students to live on-campus.

James Oscar Smith (December 8, 1925 – February 8, 2005) or 1928 was an American jazz musician whose albums often charted on Billboard magazine. He helped popularize the Hammond B-3 organ, creating a link between jazz and 1960s soul music.

In 2005, Smith was awarded the NEA Jazz Masters Award from the National Endowment for the Arts, the highest honor that America bestows upon jazz musicians.

There is confusion about Smith’s birth year, with various sources citing either 1925 or 1928. Born James Oscar Smith in Norristown, Pennsylvania, at the age of six he joined his father doing a song-and-dance routine in clubs. He began teaching himself to play the piano. When he was nine, Smith won a Philadelphia radio talent contest as a boogie-woogie pianist. After a stint in the U.S. Navy, he began furthering his musical education in 1948, with a year at Royal Hamilton College of Music, then the Leo Ornstein School of Music in Philadelphia in 1949. He began exploring the Hammond organ in 1951. From 1951 to 1954 he played piano, then organ in Philly R&B bands like Don Gardner and the Sonotones. He switched to organ permanently in 1954 after hearing Wild Bill Davis.

He purchased his first Hammond organ, rented a warehouse to practice in and emerged after little more than a year. Upon hearing him playing in a Philadelphia club, Blue Note’s Alfred Lion immediately signed him to the label and his second album, The Champ, quickly established Smith as a new star on the jazz scene. He was a prolific recording artist and, as a leader, dubbed The Incredible Jimmy Smith, he recorded around forty sessions for Blue Note in just eight years beginning in 1956. Albums from this period include The Sermon!, House Party, Home Cookin’, Midnight Special, Back at the Chicken Shack and Prayer Meetin’.

Smith signed to the Verve label in 1962. His first album, Bashin’, sold well and for the first time set Smith with a big band, led by Oliver Nelson. Further big band collaborations followed, most successfully with Lalo Schifrin for The Cat and guitarist Wes Montgomery, with whom he recorded two albums: The Dynamic Duo and Further Adventures Of Jimmy and Wes. Other albums from this period include Blue Bash and Organ Grinder Swing with Kenny Burrell, The Boss with George Benson, Who’s Afraid of Virginia Woolf?, Got My Mojo Working, and Root Down.

During the 1950s and 1960s, Smith recorded with some of the great jazz musicians of the day such as Kenny Burrell, George Benson, Grant Green, Stanley Turrentine, Lee Morgan, Lou Donaldson, Tina Brooks, Jackie McLean, Grady Tate and Donald Bailey.

The Jimmy Smith Trio performed “When Johnny Comes Marching Home” and “The Sermon” in the 1964 film Get Yourself a College Girl.

Cleopatra Brown (December 8, 1907 or 1909 – April 15, 1995), known as Cleo Brown, C. Patra Brown or Cleo Patra Brown, was an American blues and jazz vocalist and pianist. She was the first woman instrumentalist to receive the NEA Jazz Masters Fellowship.

Brown was born in Meridian, Mississippi, and sang in church as a child. In 1919 her family moved to Chicago, and she began learning piano from her brother who worked with “Pine Top” Smith. From around 1923 she worked in vaudeville, as well as taking gigs in clubs. In 1935, she replaced Fats Waller as pianist on New York radio station WABC.

From the 1930s to the 1950s she toured the United States regularly, recording for Decca Records (among other labels) along the way and recording many humorous, ironic titles such as “Breakin’ in a New Pair of Shoes”, “Mama Don’t Want No Peas and Rice and Coconut Oil”, “When Hollywood Goes Black and Tan”, and “The Stuff Is Here and It’s Mellow”. Her stride piano playing was often compared to Fats Waller, and she is credited as an influence on Dave Brubeck, who played during the intermissions of her shows, and Marian McPartland. She played regularly at clubs in Chicago, toured widely, and recorded for both Decca and Capitol Records.

Brown began to shy away from singing bawdy blues songs because of her deepening religious beliefs and, in 1953, she retired from music and became a nurse. The song “Sweet Cleo Brown” was recorded by Brubeck in tribute to her. After she retired from nursing, she was rediscovered, living in Colorado, in the 1980s after being tracked down by Marian McPartland. She returned to record again, and performed on National Public Radio.

She died on April 15, 1995 in Denver, Colorado.

This Picture of the Week shows the unbarred spiral galaxy NGC 5033, located about 40 million light-years away in the constellation of Canes Venatici (The Hunting Dogs). The galaxy is similar in size to our own galaxy, the Milky Way, at just over 100 000 light-years across. Like in the Milky Way NGC 5033’s spiral arms are dotted with blue regions, indicating ongoing star formation. The blue patches house hot, young stars in the process of forming, while the older, cooler stars populating the galaxy’s centre cause it to appear redder in colour.

In contrast to the Milky Way NGC 5033 is missing a central bar. Instead it has a bright and energetic core called an active galactic nucleus, which is powered by a supermassive black hole. This active nucleus gives it the classification of a Seyfert galaxy. Due to the ongoing activity the core of NGC 5033 shines bright across the entire electromagnetic spectrum. This released energy shows that the central black hole is currently devouring stars, dust and gas getting to close to it. As this matters falls onto the supermassive black hole, it radiates in many different wavelengths.

While its relative proximity to Earth makes it an ideal target for professional astronomer to study its active nucleus in more detail, its big apparent size on the night sky and its brightness also makes it a beautiful target for amateur astronomers.

Thomas Alan Waits (born December 7, 1949) is an American singer-songwriter and actor. Known for his distinctive deep gravelly singing voice, his lyrics are characterized by their focus on characters living on the underside of U.S. society. His early music during the 1970s was primarily in the jazzgenre, but later work moved towards blues, vaudeville, and experimental music.

Waits was raised in a middle-class family in Whittier, California and then San Diego. Inspired by Bob Dylan and the Beat Generation, as a teenager he began singing on the San Diego folk music scene. Relocating to Los Angeles, he worked as a songwriter before signing a recording contract with Asylum Records. His first albums, the jazz-oriented Closing Time (1973) and The Heart of Saturday Night (1974), reflected his lyrical interest in nightlife, poverty, and criminality. Repeatedly touring the U.S., Europe, and Japan, he attracted greater critical recognition and commercial success with Small Change (1976), which he followed with Blue Valentine (1978) and Heartattack and Vine (1980). He produced the soundtrack for Francis Ford Coppola‘s 1981 film One from the Heart and subsequently made cameo appearances in several Coppola films.

In the early 1980s, Waits married Kathleen Brennan, broke from his manager and record label, and moved to New York City. Under Brennan’s influence, he pursued a new musical aesthetic, reflected in a series of albums released by Island Records: Swordfishtrombones (1983), Rain Dogs(1985), and Franks Wild Years (1987). He continued appearing in film, taking a leading role in Jim Jarmusch‘s Down by Law (1986). In the 1990s, his albums—Bone Machine (1992), The Black Rider (1993), and Mule Variations (1999)—earned him increasing critical acclaim and various Grammy Awards. In the late 1990s he switched to the record label Anti-, who released Blood Money (2002), Alice (2002), Real Gone (2004), and Bad as Me(2011).

Louis Leo Prima (December 7, 1910 – August 24, 1978) was an American singer, actor, songwriter, bandleader, and trumpeter. While rooted in New Orleans jazz, swing music, and jump blues, Prima touched on various genres throughout his career: he formed a seven-piece New Orleans-style jazzband in the late 1920s, fronted a swing combo in the 1930s and a big band group in the 1940s, helped to popularize jump blues in the late 1940s and early to mid 1950s, and performed frequently as a Vegas lounge act beginning in the 1950s.

From the 1940s through the 1960s, his music further encompassed early R&B and rock’n’roll, boogie-woogie, and even Italian folk music, such as the tarantella. Prima made prominent use of Italian music and language in his songs, blending elements of his Italian identity with jazz and swing music. At a time when “ethnic” musicians were often discouraged from openly stressing their ethnicity, Prima’s conspicuous embrace of his Italian ethnicity opened the doors for other Italian-American and “ethnic” American musicians to display their ethnic roots.

Prima was from a musical Italian American family in New Orleans. His father, Anthony Prima, was the son of Leonardo Di Prima, a Sicilian immigrant from Salaparuta, while his mother, Angelina Caravella, had immigrated from Ustica as a baby.