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Chester Arthur Burnett (June 10, 1910 – January 10, 1976 Hines, Ill), better known by his stage name
Howlin’ Wolf, was an American blues singer and guitarist. He was at the forefront of transforming acoustic Delta blues into electric Chicago blues, and over a four-decade career, recorded blues, rhythm and blues, rock and roll, and psychedelic rock. He is regarded as one of the most influential blues musicians of all time.
Born into poverty in Mississippi as one of six children, he went through a rough childhood where his mother kicked him out of her house, and he moved in with his great-uncle, who was particularly abusive. He then ran away to his father’s house where he finally found a happy family, and in the early 1930s became a protégé of legendary Delta blues guitarist and singer Charley Patton. He started a solo career in the Deep South, playing with other notable blues musicians of the era, and at the end of a decade had made a name for himself in the Mississippi Delta.
After going through some legal issues and spending some time in jail and a particularly rough experience while serving in the Army, he moved to Chicago, Illinois, in adulthood and became successful. He started his recording career in 1951 after being heard singing by 19-year-old Ike Turner, and then formed his own band in Chicago. Five of his songs got on the Billboard national R&B charts. He released several albums in the 1960s and 1970s, and made several television performances. His studio albums include The Howlin’ Wolf Album (1969), Message to the Young (1971), and The London Howlin’ Wolf Sessions (1971). He released his final album The Back Door Wolf in 1973, and made his last public performance in November 1975 with fellow blues legend B.B. King. After years of severely declining health, Burnett died in 1976. He was posthumously inducted in the Blues Hall of Fame in 1980, and the Rock and Roll Hall of Fame in 1991.
With a booming voice and imposing physical presence, he is one of the best-known Chicago blues artists. AllMusic has described him as “a primal, ferocious blues belter with a roster of classics rivaling anyone else, and a sandpaper growl of a voice that has been widely imitated”. The musician and critic Cub Kodanoted, “no one could match Howlin’ Wolf for the singular ability to rock the house down to the foundation while simultaneously scaring its patrons out of its wits.” Producer Sam Phillips recalled, “When I heard Howlin’ Wolf, I said, ‘This is for me. This is where the soul of man never dies.'” Several of his songs, including “Smokestack Lightnin’“, “Killing Floor” and “Spoonful“, have become blues and blues rockstandards. “Smokestack Lightnin'” was selected for a Grammy Hall of Fame Award in 1999, and three of his songs were listed by the Rock and Roll Hall of Fame in its “500 Songs That Shaped Rock and Roll”.In 2011, Rolling Stone magazine ranked him number 54 on its list of the “100 Greatest Artists of All Time“.
more...June 9th 2011 Ivy Morrison and mick
more...Remnants from a star that exploded thousands of years ago created an astonishing spectacle seen here. Officially known as NGC 2736, it is part of the huge Vela supernova remnant and its linear appearance triggered its popular name, the Pencil Nebula. The nebula’s shape suggests that the shock wave which followed the star explosion encountered a region of dense gas, causing the nebula to glow and appear like a rippled sheet. Some regions are dominated by ionized oxygen atoms which glow blue in the picture, yet other regions of mostly hydrogen and are seen emitting red in the image….
Close to 33 hours were utilised to capture the data on my telescope installed in the Deep Sky Chile observatory. Dark skies with good seeing, a fast scope and modern sensors make easy work of capturing pristine data with very few lost subs. I deliberately captured a lot of data on Oxygen III and Hydrogen Alpha to better illustrate what is mentioned above. Image processing has progressed leap and bounds in the last year and with the myriad of post processing tools now available, constructing the final image was an easy task.
more...Jack Leroy Wilson Jr. (June 9, 1934 – January 21, 1984) was an American singer of the 1950s and 1960s. He was a prominent figure in the transition of rhythm and blues into soul. Nicknamed “Mr. Excitement”, he was considered a master showman and one of the most dynamic singers and performers in soul, R&B, and rock and roll history. He was born in Highland Park, an enclave of Detroit.
Wilson gained initial fame as a member of the R&B vocal group Billy Ward and His Dominoes. He went solo in 1957 and scored over 50 chart singles spanning the genres of R&B, rock ‘n’ roll, soul, doo-wop, and easy listening. This included 16 Top 10 R&B hits, six of which ranked as number ones. On the BillboardHot 100, Wilson scored 14 top 20 pop hits, six of which reached the top 10. In 1975, Wilson suffered a heart attack during a performance, which left him in a minimally conscious state until his death in 1984.
Wilson was posthumously inducted to the Rock and Roll Hall of Fame in 1987.[3] He is also inducted into the National Rhythm & Blues Hall of Fame. Two of Wilson’s recordings were inducted into the Grammy Hall of Fame in 1999. He was honored with the Legacy Tribute Award from the Rhythm and Blues Foundationin 2003.[4] In 2004, Rolling Stone ranked Wilson No. 69 on its list of the 100 Greatest Artists of All Time, and placed him on their list of the 200 Greatest Singers of All Time (2023). NPR named him one of the 50 Great Voices.
Jack Leroy Wilson Jr. was born on June 9, 1934, in Highland Park, Michigan, as the third and only surviving child of singer Jack Leroy Wilson, Sr. (1903–1983) and Eliza Mae Wilson (1900–1975). Eliza Mae was born on the Billups-Whitfield Place in Lowndes County, Mississippi. Eliza Mae’s parents were Tom and Virginia Ransom. Wilson often visited his family in Columbus and was greatly influenced by the choir at Billups Chapel. Growing up in the suburban Detroit enclave of Highland Park, Wilson joined a gang called the Shakers and often got himself in trouble. Wilson’s alcoholic father was frequently absent and usually unemployed. In 1943, his parents separated shortly after Jackie’s ninth birthday.
more...Nehemiah Curtis “Skip” James (June 9, 1902 – October 3, 1969) was an American Delta blues singer, guitarist, pianist and songwriter. AllMusic stated: “Coupling an oddball guitar tuning set against eerie, falsetto vocals, James’ early recordings could make the hair stand up on the back of your neck.”
His guitar playing is noted for its dark, minor-key sound, played in an open D-minor tuning with an intricate fingerpicking technique. James first recorded for Paramount Records in 1931, but these recordings sold poorly, having been released during the Great Depression, and he drifted into obscurity.
After a long absence from the public eye, James was rediscovered in 1964 by blues enthusiasts including John Fahey, helping further the blues and folk music revival of the 1950s and early 1960s. During this period, James appeared at folk and blues festivals, gave concerts around the country, and recorded several albums for various record labels. His songs have influenced generations of musicians and have been adapted by numerous artists. He has been hailed as “one of the seminal figures of the blues”.
Nehemiah Curtis James was born on June 9, 1902, in a segregated hospital near Bentonia, Mississippi.His mother Phyllis worked as a cook and babysitter on the Woodbine Plantation, which was 15 miles south of Yazoo City. His father Eddie James, a bootlegger who was described as a “local lowlife” by Stephen Calt, left the family around 1907. He later reformed and became a preacher. As a youth, James heard local musicians, such as Henry Stuckey, from whom he learned to play the guitar, and the brothers Charlie and Jesse Sims. His mother bought him a $2.50 guitar, which was his first instrument. James later began playing the organ in his teens. He later left Bentonia in 1919, and began working on road construction and levee-building crews in Mississippi in the early 1920s, and wrote what is perhaps his earliest song, “Illinois Blues”, about his experiences as a laborer. He began playing the guitar in open D-minor tuning.
more...Kenny Barron (born June 9, 1943) is an American jazz pianist, who has appeared on hundreds of recordings as leader and sideman and is considered one of the most influential mainstream jazz pianists since the bebop era.
Barren was born in Philadelphia, Pennsylvania. He had four siblings; his eldest brother was tenor saxophonist Bill Barron (1927–1989). At the age of 15, Barron played briefly with Mel Melvin’s orchestra. In 1959, still at school, Barron had local gigs with saxophonist Jimmy Heath. He also played a gig with Yusef Lateef two months before graduating high school.
A few days after graduating, Barron set off on a week-long tour with Lateef. Seeking to further his musical career, Barron moved to New York in 1961. He soon had a regular spot in saxophonist James Moody‘s band, and in the same year he was briefly a sideman with bands led by Lou Donaldson, Roy Haynes, and Lee Morgan. Barron then joined Dizzy Gillespie‘s band, with which he toured internationally between 1962 and 1966. Barron was briefly a member of the Jazztet around 1962, but did not record with them. In the 1960s, he also married and moved to Brooklyn.
more...Lester William Polsfuss (June 9, 1915 – August 12, 2009), known as Les Paul, was an American jazz, country, and blues guitarist, songwriter, luthier, and inventor. He was one of the pioneers of the solid-bodyelectric guitar, and his prototype, called the Log, served as inspiration for the Gibson Les Paul. Paul taught himself how to play guitar, and while he is mainly known for jazz and popular music, he had an early career in country music. In the 1950s, he and his wife, singer and guitarist Mary Ford, recorded numerous records, selling millions of copies.
Paul is credited with many recording innovations. His early experiments with overdubbing (also known as sound on sound), delay effects such as tape delay, phasing, and multitrack recording were among the first to attract widespread attention. His licks, trills, chording sequences, fretting techniques, and timing set him apart from his contemporaries and inspired many guitarists of the present day.
Among his many honors, Paul is one of a handful of artists with a permanent exhibit in the Rock and Roll Hall of Fame. He is prominently named by the music museum on its website as an “architect” and a “key inductee” with Sam Phillips and Alan Freed. Paul is the only inductee in both the Rock and Roll Hall of Fame and the National Inventors Hall of Fame.
Paul was born Lester William Polsfuss in Waukesha, Wisconsin, to George and Evelyn (Stutz) Polsfuss, both of German ancestry. His only sibling, Ralph, was seven years older. Paul’s mother was related to the founders of Milwaukee’s Valentin Blatz Brewing Company and the makers of the Stutzautomobile. His parents divorced when he was a child. His mother simplified their Prussian family name first to Polfuss, then to Polfus, although Les Paul never legally changed his name. Before taking the stage name Les Paul, he performed as Red Hot Red and Rhubarb Red.
more...This deep field mosaicked image presents a stunning view of galaxy cluster Abell 2744 recorded by the James Webb Space Telescope’s NIRCam. Also dubbed Pandora’s Cluster, Abell 2744 itself appears to be a ponderous merger of three different massive galaxy clusters. It lies some 3.5 billion light-years away, toward the constellation Sculptor. Dominated by dark matter, the mega-cluster warps and distorts the fabric of spacetime, gravitationally lensingeven more distant objects. Redder than the Pandora cluster galaxies many of the lensed sources are very distant galaxies in the early Universe, their lensed images stretched and distorted into arcs. Of course distinctive diffraction spikes mark foreground Milky Way stars. At the Pandora Cluster’s estimated distance this cosmic box spans about 6 million light-years. But don’t panic. You can explore the tantalizing region in a 2 minute video tour.
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Derek Trucks (born June 8, 1979) is an American guitarist, songwriter, and founder of The Derek Trucks Band. He became an official member of The Allman Brothers Band in 1999. In 2010, he formed the Tedeschi Trucks Band with his wife, blues singer/guitarist Susan Tedeschi. His musical style encompasses several genres and he has twice appeared on Rolling Stone‘s list of 100 Greatest Guitarists of All Time. He is the nephew of the late Butch Trucks, drummer for the Allman Brothers.
Trucks was born in Jacksonville, Florida. According to Trucks, the name of Eric Clapton‘s band, Derek and the Dominos, had “something to do with the name [Derek] if not the spelling”.
Trucks bought his first guitar at a yard sale for $5 at age nine and became a child prodigy, playing his first paid performance at age 11. Trucks began playing the guitar using a slide because it allowed him to play the guitar despite his small hands as a young guitarist. By his 13th birthday, Trucks had played alongside Buddy Guy and toured with Thunderhawk.
more...David Anthony Rice (June 8, 1951 – December 25, 2020) was an American bluegrass guitarist. He was an influential acoustic guitar player in bluegrass, progressive bluegrass, newgrass and acoustic jazz.He was inducted into the International Bluegrass Music Hall of Fame in 2013.
Rice’s music spans the range of acoustic from traditional bluegrass to jazz-influenced New Acoustic music to songwriter-oriented folk. Over the course of his career, he played alongside J. D. Crowe and the New South, David Grisman (during the formation of “Dawg Music”) and Jerry Garcia, led his own Tony Rice Unit, collaborated with Norman Blake, recorded with his brothers Wyatt, Ron, and Larry, and co-founded the Bluegrass Album Band. He recorded with drums, piano, soprano sax, as well as with traditional bluegrass instrumentation.
Rice was born in Danville, Virginia, but grew up in Los Angeles, California, where his father, Herb Rice, introduced him to bluegrass. Tony and his brothers learned the fundamentals of bluegrass and country music from L.A. musicians like the Kentucky Colonels, led by Roland and Clarence White. Clarence White in particular became a huge influence on Rice. Crossing paths with fellow enthusiasts like Ry Cooder, Herb Pedersen and Chris Hillman reinforced the strength of the music he had learned from his father.
more...William Russell Watrous III (June 8, 1939 – July 2, 2018) was an American jazz trombonist. He is perhaps best known for his rendition of Sammy Nestico‘s arrangement of the Johnny Mandel ballad “A Time for Love”, which he recorded on a 1993 album of the same name. A self-described “bop-oriented” player, he was well known among trombonists as a master technician and for his mellifluous sound.
He was born in Middletown, Connecticut, United States. Watrous’ father, also a trombonist, introduced him to the instrument at an early age. While serving in the U.S. Navy, Watrous studied with jazz pianist and composer Herbie Nichols. His first professional performances were in Billy Butterfield‘s band.
Watrous’ career blossomed in the 1960s. He played and recorded with many prominent jazz musicians, including Count Basie, Maynard Ferguson, Woody Herman, Quincy Jones, Johnny Richards, and trombonist Kai Winding. He also played with Frank Sinatra, Ray Charles, Ella Fitzgerald, and Sarah Vaughan. He played in the Merv Griffin Show house band from 1965 – 1968 and worked as a staff musician for CBS from 1967 – 1969.
more...Robert Schumann (German: [ˈʁoːbɛʁt ˈʃuːman]; 8 June 1810 – 29 July 1856) was a German composer, pianist, and music critic of the Romantic era.
Schumann was born in Zwickau, Saxony, to a comfortable middle-class family with no musical connections, and was initially unsure whether to pursue a career as a lawyer or to make a living as a pianist-composer. He studied law at Leipzig and Heidelberg Universities but his main interests were music and Romantic literature. From 1829 he was a student of the piano teacher Friedrich Wieck, but his hopes for a career as a virtuoso pianist were frustrated by a worsening problem with his right hand, and he concentrated on composition. His early works were mainly piano pieces, including the large-scale Carnaval (1834–1835). He was a co-founder of the Neue Zeitschrift für Musik (New Musical Journal) in 1834 and edited it for ten years. In his writing for the journal and in his music he distinguished between two contrasting aspects of his personality, dubbing these alter egos “Florestan” for his impetuous self and “Eusebius” for his gentle poetic side.
Despite the bitter opposition of Wieck, who did not regard his pupil as a suitable husband for his daughter, Schumann married Wieck’s daughter Clara in 1840. The marriage was followed by prolific composing, first of songs and song‐cycles including Frauenliebe und Leben (“Woman’s Love and Life”) and Dichterliebe(“Poet’s Love”). Schumann turned his attention to orchestral music in 1841, and in the following two years to chamber music and choral works.
Clara Schumann became a leading concert pianist, and toured Russia in 1844. Her husband went with her but after the tour his physical and mental health was poor for some months. The couple moved to Dresden, living there until 1850. In 1846 Clara gave the first performance of Robert’s Piano Concerto and their friend Felix Mendelssohn conducted the premiere of Schumann’s Second Symphony. The Schumanns moved to Düsseldorf in 1850 in the hope that his appointment as the city’s director of music would provide financial stability, but he was not a good conductor and had to resign after three years. In 1853 the Schumanns met the twenty-year-old Johannes Brahms, whom Schumann praised in an article in the Neue Zeitschrift für Musik. The following year Schumann’s always precarious mental health deteriorated gravely. He threw himself into the River Rhine but was rescued and taken to a private sanatorium near Bonn, where he lived for more than two years, dying there at the age of 46.
Schumann was recognised in his lifetime for his piano music – often subtly programmatic – and his songs. His other works were less generally admired, and for many years there was a widespread belief that those from his later years lacked the inspiration of his early music. More recently this view has been less prevalent, but it is still his piano works and songs from the 1830s and 1840s on which his reputation is primarily based.
more...Erev Shabbat Service with Celebration of Board Leadership and Farewell to Rabbi Moss
Friday 6-7-24 6pm Shabbat Erev Service celebrating Tobias Moss work at Temple Israel and his farewell new adventure working at a synagogue in Vienna, Austria. I sat in with Tobias Moss group Jewbalayla last summer and he made it so much fun. Tobias is a real inspiration and talent that bring a unique and generous blessing to his community. Accompaniment by Jayson Rodovsky, Jeff Bailey, Peter Whitman and mick LaBriola.
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