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Carmen Mercedes McRae (April 8, 1920 – November 10, 1994) was an American jazz singer. She is considered one of the most influential jazz vocalists of the 20th century and is remembered for her behind-the-beat phrasing and ironic interpretation of lyrics.

McRae was born in Harlem, New York City, United States. Her father, Osmond, and mother, Evadne (Gayle) McRae, were immigrants from Jamaica. She began studying piano when she was eight, and the music of jazz greats such as Louis Armstrong and Duke Ellington filled her home. When she was 17 years old, she met singer Billie Holiday. As a teenager McRae came to the attention of Teddy Wilson and his wife, the composer Irene Kitchings. One of McRae’s early songs, “Dream of Life”, was, through their influence, recorded in 1939 by Wilson’s long-time collaborator Billie Holiday. McRae considered Holiday to be her primary influence.

In her late teens and early twenties, McRae played piano at Minton’s Playhouse, sang as a chorus girl, and worked as a secretary. It was at Minton’s where she met trumpeter Dizzy Gillespie, bassist Oscar Pettiford, and drummer Kenny Clarke, had her first important job as a pianist with Benny Carter’s big band (1944), worked with Count Basie (1944) and under the name “Carmen Clarke” (having married Clarke) made her first recording as pianist with the Mercer Ellington Band (1946–47). But it was while working in Brooklynthat she came to the attention of Decca’s Milt Gabler. Her five-year association with Decca yielded 12 LPs.

Frederick Dewayne Hubbard (April 7, 1938 – December 29, 2008) was an American jazz trumpeter.
He played bebop, hard bop, and post-bop styles from the early 1960s onwards. His unmistakable and influential tone contributed to new perspectives for modern jazz and bebop.

Hubbard started playing the mellophone and trumpet in his school band at Arsenal Technical High Schoolin Indianapolis, Indiana. Trumpeter Lee Katzman, former sideman with Stan Kenton, recommended that he begin taking trumpet lessons at the Arthur Jordan Conservatory of Music (now the Jordan College of the Arts at Butler University) with Max Woodbury, principal trumpeter of the Indianapolis Symphony Orchestra. In his teens, Hubbard worked locally with brothers Wes and Monk Montgomery, and worked with bassist Larry Ridley and saxophonist James Spaulding.

In 1958, at the age of 20, he moved to New York and began playing with some of the best jazz players of the era, including Philly Joe Jones, Sonny Rollins, Slide Hampton, Eric Dolphy, J. J. Johnson, and Quincy Jones. On June 19, 1960, Hubbard made his first record as a leader, Open Sesame, at the beginning of his contract with Blue Note Records, with saxophonist Tina Brooks, pianist McCoy Tyner, bassist Sam Jones, and drummer Clifford Jarvis. Six days later he returned the favor to Brooks and recorded with him on True Blue.

Ramón “Mongo” Santamaría Rodríguez (April 7, 1917 – February 1, 2003) was a Cuban percussionist and bandleader who spent most of his career in the United States. Primarily a conga drummer, Santamaría was a leading figure in the pachanga and boogaloo dance crazes of the 1960s. His biggest hit was his rendition of Herbie Hancock‘s “Watermelon Man“, which was inducted into the Grammy Hall of Fame in 1998. From the 1970s, he recorded mainly salsa and Latin jazz, before retiring in the late 1990s.

Mongo learned to play the congas as an amateur rumba musician in the streets of Havana. He then learned the bongos from Clemente “Chicho” Piquero and toured with various successful bands such as the Lecuona Cuban Boys and Sonora Matancera. In 1950, he moved to New York City, where he became Tito Puente‘s conguero and in 1957 he joined Cal Tjader‘s band. He then formed his own charanga, while at the same time recording some of the first rumba and Santería music albums. By the end of the decade, he had his first pachanga hit, “Para ti”. He then became a pioneer of boogaloo with “Watermelon Man” and later signed record deals with Columbia, Atlantic and Fania. He collaborated with salsa artists and became a member of the Fania All-Stars, often showcasing his conga solos against Ray Barretto. In his later years, Santamaría recorded mostly Latin jazz for Concord Jazz and Chesky Records.

Beverly “Guitar” Watkins (April 6, 1939 – October 1, 2019) was an American blues guitarist. Sandra Pointer-Jones wrote, “Beverly Watkins is a pyrotechnic guitar maven whose searing, ballistic attacks on the guitar have become allegorical tales within the blues community.” George Varga, reviewing her debut CD, observed that Watkins “sings and plays with enough poise and verve to make musicians half her age or younger consider alternative means of employment.”

Watkins was born in Atlanta, Georgia, in 1939. When she was about 12 years old, her family moved to Commerce, Georgia. She began playing music in school, and, in high school, she played bass for a band called Billy West Stone and the Down Beats.^[4] Around the year 1959, she was introduced to Piano Red, who had a daily radio show on WAOK, and she subsequently joined Piano Red and the Meter-tones, who played in a number of towns in the Atlanta area, and then Atlanta clubs such as the Magnolia Ballroom and the Casino, before starting to tour throughout the southeast, primarily at colleges. About the time the group renamed itself Piano Red and the Houserockers, they started touring nationally.

John Paul Pizzarelli Jr. (born April 6, 1960) is an American jazz guitarist and vocalist. He has recorded over twenty solo albums and has appeared on more than forty albums by other recording artists, including Paul McCartney, James Taylor, Rosemary Clooney; his father, jazz guitarist Bucky Pizzarelli; and his wife, singer Jessica Molaskey.

The son of swing guitarist Bucky Pizzarelli, John Pizzarelli was born in Paterson, New Jersey. He started on guitar when he was six and played trumpet through his college years. He attended Don Bosco Preparatory High School, an all-boys Catholic school. In his teens, he performed with Benny Goodman, Les Paul, Zoot Sims, Slam Stewart, and Clark Terry.

Pizzarelli attended the University of Tampa and William Paterson University, though he has said that his most important teacher was his father from 1980 to 1990. During the 1980s, he established himself as a jazz guitarist and a vocalist. He released his debut solo album, I’m Hip (Please Don’t Tell My Father), in 1983.

Randolph Edward “Randy” Weston (April 6, 1926 – September 1, 2018) was an American jazz pianist and composer whose creativity was inspired by his ancestral African connection.

Weston’s piano style owed much to Duke Ellington and Thelonious Monk, whom he cited in a 2018 video as among pianists he counted as influences, as well as Count Basie, Nat King Cole and Earl Hines.Beginning in the 1950s, Weston worked often with trombonist and arranger Melba Liston.

Described as “America’s African Musical Ambassador”, Weston once said: “What I do I do because it’s about teaching and informing everyone about our most natural cultural phenomenon. It’s really about Africa and her music.”

Randolph Edward Weston was born on April 6, 1926, to Vivian (née Moore) and Frank Weston and was raised in Brooklyn, New York, where his father owned a restaurant. His mother was from Virginia and his father was of Jamaican–Panamanian descent, a staunch Garveyite, who passed self-reliant values to his son. Weston studied classical piano as a child and took dance lessons. He graduated from Boys High School in Bedford-Stuyvesant, where he had been sent by his father because of the school’s reputation for high standards. Weston took piano lessons from someone known as Professor Atwell who, unlike his former piano teacher Mrs Lucy Chapman, allowed him to play songs outside the classical music repertoire.

Charlie Rouse (April 6, 1924 – November 30, 1988) was an American hard bop tenor saxophonist and flautist. His career is marked by his collaboration with Thelonious Monk, which lasted for more than ten years.

Rouse was born in Washington, D.C., United States. At first he worked with the clarinet, before turning to the tenor saxophone.

Rouse began his career with the Billy Eckstine Orchestra in 1944, followed by the Dizzy Gillespie Big Band in 1945, the Duke Ellington Orchestra from 1949 to 1950, the Count Basie Octet in 1950, Bull Moose Jackson And His Buffalo Bearcats in 1953, and the Oscar Pettiford Sextet in 1955. He made his recording debut with Tadd Dameron in 1947, and in 1957 made a notable album with Paul Quinichette.

He was a member of Thelonious Monk‘s quartet from 1959 to 1970. In the 1980s he was a founding member of the group Sphere, which began as a tribute to Monk.

Charlie Rouse died from lung cancer on November 30, 1988, at University Hospital in Seattle at the age of 64.

Arthur S. Taylor Jr. (April 6, 1929 – February 6, 1995 NY,NY) was an American jazz drummer, who “helped define the sound of modern jazz drumming”.

As a teenager, Taylor joined a local Harlem band that featured Sonny Rollins, Jackie McLean and Kenny Drew. After playing in the bands of Howard McGhee (1948), Coleman Hawkins (1950–51), Buddy DeFranco (1952), Bud Powell (1953), George Wallington and Art Farmer (1954), Powell and Wallington again (1954–55), Gigi Gryce and Donald Byrd (1956), he formed his own group, Taylor’s Wailers.Between 1957 and 1963, he toured with Donald Byrd, recorded with Miles Davis, Gene Ammons and John Coltrane, and performed with Thelonious Monk; Taylor also was a member of the original Kenny DorhamQuartet of 1957.