mick laBriola

Horace Ward Martin Tavares Silver  (September 2, 1928 – June 18, 2014 Norwalk, CT) was an American jazz pianist, composer, and arranger, particularly in the hard bop style that he helped pioneer in the 1950s.

After playing tenor saxophone and piano at school in Connecticut, Silver got his break on piano when his trio was recruited by Stan Getz in 1950. Silver soon moved to New York City, where he developed a reputation as a composer and for his bluesy playing. Frequent sideman recordings in the mid-1950s helped further, but it was his work with the Jazz Messengers, co-led by Art Blakey, that brought both his writing and playing most attention. Their Horace Silver and the Jazz Messengers album contained Silver’s first hit, “The Preacher“. After leaving Blakey in 1956, Silver formed his own quintet, with what became the standard small group line-up of tenor saxophone, trumpet, piano, bass, and drums. Their public performances and frequent recordings for Blue Note Records increased Silver’s popularity, even through changes of personnel. His most successful album was Song for My Father, made with two iterations of the quintet in 1963 and 1964.

Esma Redžepova-Teodosievska was a Macedonian vocalist, songwriter, and humanitarian of Romani ethnicity.

Do spiral galaxies look the same in every color? NGC 6782 demonstrates colorfully that they do not. In visible light, NGC 6782 appears to be a normal spiral galaxy with a bright bar across its center. In ultraviolet light, however, the central region blossoms into a spectacular and complex structure highlighted by a circumnuclear ring, as shown in the above representative color Hubble Space Telescope image. Many of the young stars that formed in a recent burst of star formation emit the ultraviolet light. Astronomers are studying possible relationships between the central bar and the ring. Light we see today from NGC 6782 left about 180 million years ago, while dinosaurs roamed the Earth. The galaxy spans about 80,000 light-years and can be seen with a telescope toward the constellation of Pavo. Distance 183 Mly.

Gene Harris (born Eugene Haire, September 1, 1933 – January 16, 2000 Benton Harbor, M) was an American jazz pianist known for his warm sound and blues and gospel infused style that is known as soul jazz.

From 1956 to 1970, he played in The Three Sounds trio with bassist Andy Simpkins and drummer Bill Dowdy. During this time, The Three Sounds recorded regularly for Blue Note and Verve.

He mostly retired to Boise, starting in the late 1970s, although he performed regularly at the Idanha Hotel there. Ray Brown convinced him to go back on tour in the early 1980s. He played with the Ray Brown Trio and then led his own groups, recording mostly on Concord Records, until his death from kidney failure in 2000. Gene Harris is survived by his 3 daughters, Tracy Haire, Beth Haire- Lewis and Gina Haire (Niki Haris), and a son Eugene Haire. One of his most popular numbers was his “Battle Hymn of the Republic,” a live version of which is on his Live at Otter Crest album, published by Concord.

Arthur Edward Pepper Jr. (September 1, 1925 – June 15, 1982) was an American alto saxophonist and very occasional tenor saxophonist and clarinetist. A longtime figure in West Coast jazz, Pepper came to prominence in Stan Kenton‘s big band. He was known for his emotionally charged performances and several stylistic shifts throughout his career, and was described by critic Scott Yanow as “the world’s great altoist” at the time of his death.

Art Pepper was born in Gardena, California, on September 1, 1925. His mother was a 14-year-old runaway; his father, a merchant seaman. Both were violent alcoholics, and when Art was still quite young he was sent to live with his paternal grandmother. He expressed early musical interest and talent, and he was given lessons. He began playing clarinet at nine, switched to alto saxophone at 13 and immediately began jamming on Central Avenue, the black nightclub district of Los Angeles.

From Mali

This image shows a region of the Milky Way that lies within the constellation of Scorpius, close to the central plane of the galaxy. The region hosts a dense cloud of dust and gas associated with the molecular cloud IRAS 16562-3959, clearly visible as an orange smudge among the rich pool of stars at the centre of the image.

Clouds like these are breeding grounds for new stars. In the centre of this cloud the bright object known as G345.4938+01.4677 can just be seen beyond the veil of gas and dust. This is a very young star in the process of forming as the cloud collapses under gravity.

The young star is very bright and heavy —  roughly 15 times more massive than the Sun — and featured in a recent Atacama Large Millimeter/submillimeter Array (ALMA) result. The team of astronomers made surprising discoveries within G345.4938+01.4677 — there is a large disc of gas and dust around the forming star as well as a stream of material flowing out from it.

Theories predict that neither such a stream, nor the disc itself, are likely to exist around stars like G345.4938+01.4677 because the strong radiation from such massive new stars is thought to push material away.

This image was made using the Visible and Infrared Survey Telescope for Astronomy (VISTA), which is part of ESO’s Paranal Observatory in the Atacama Desert of Chile. It is the world’s largest survey telescope, with a main mirror that measures over four metres across. The colour image was produced by the VVV survey, which is one of six large public surveys that are devoted to mapping the southern sky.

The bright star in the bottom left of the image is known as HD 153220.

Sir George Ivan Morrison OBE (born 31 August 1945) is a Northern Irish singer-songwriter, instrumentalist and record producer. His professional career began as a teenager in the late 1950s playing a variety of instruments including guitar, harmonica, keyboards and saxophone for various Irish showbands, covering the popular hits of that time. Van Morrison rose to prominence in the mid-1960s as the lead singer of the Northern Irish R&B band Them, with whom he recorded the garage band classic “Gloria“. His solo career began under the pop-hit oriented guidance of Bert Berns with the release of the hit single “Brown Eyed Girl” in 1967. After Berns’s death, Warner Bros. Records bought out his contract and allowed him three sessions to record Astral Weeks (1968). Though this album gradually garnered high praise, it was initially a poor seller.

Moondance (1970) established Morrison as a major artist, and he built on his reputation throughout the 1970s with a series of acclaimed albums and live performances. He continues to record and tour, producing albums and live performances that sell well and are generally warmly received, sometimes collaborating with other artists, such as Georgie Fame and The Chieftains.

Much of Morrison’s music is structured around the conventions of soul music and R&B, such as the popular singles “Brown Eyed Girl“, “Jackie Wilson Said (I’m in Heaven When You Smile)“, “Domino” and “Wild Night“. An equal part of his catalogue consists of lengthy, loosely connected, spiritually inspired musical journeys that show the influence of Celtic tradition, jazz and stream-of-consciousness narrative, such as the album Astral Weeks and the lesser known Veedon Fleece and Common One. The two strains together are sometimes referred to as “Celtic soul”. He has received two Grammy Awards, the 1994 Brit Award for Outstanding Contribution to Music, the 2017 Americana Music Lifetimetime Achievement Award for Songwriting and has been inducted into both the Rock and Roll Hall of Fame and the Songwriters Hall of Fame. In 2016, he was knighted for services to the music industry and to tourism in Northern Ireland. He is known by the nickname Van the Man to his fans.

https://www.youtube.com/watch?v=QSvVVzH3O5E

Paul Winter (born August 31, 1939 Altoon, PA) is an American saxophonist who founded the Paul Winter Consort. He has recorded more than 40 albums and won seven Grammy Awards. He has toured and recorded in 52 countries and six continents. He often records while traveling in wilderness areas, including on rafts, mules, dog sleds, horses, kayaks, sailboats, steamers, tug-boats, and Land Rovers. He performs benefit concerts for environmental and world peace organizations.

Herman Riley (August 31, 1933 – April 14, 2007 NOLA) was a jazz saxophonist who spent most of his life as a studio musician in Los Angeles. He worked with Gene Ammons, Lorez Alexandria, Count Basie, Bobby Bryant, Donald Byrd, Benny Carter, Quincy Jones, Shelly Manne, Blue Mitchell, and Joe Williams.

World Music on Flamenco Fridays with Vicente Amigo

A study in contrasts, this colorful skyscape features stars, dust, and glowing gas in the vicinity of NGC 6914. The complex of reflection nebulae lies some 6,000 light-years away, toward the high-flying northern constellation Cygnus and the plane of our Milky Way Galaxy. Obscuring interstellar dust clouds appear in silhouette while reddish hydrogen emission nebulae, along with the dusty blue reflection nebulae, fill the cosmic canvas. Ultraviolet radiation from the massive, hot, young stars of the extensive Cygnus OB2 association ionize the region’s atomic hydrogen gas, producing the characteristic red glow as protons and electrons recombine. Embedded Cygnus OB2 stars also provide the blue starlight strongly reflected by the dust clouds. The nearly 1 degree wide telescopic field of view spans about 100 light-years at the estimated distance of NGC 6914.

John Douglas Surman (born 30 August 1944) is an English jazz saxophone, bass clarinet, and synthesizer player, and composer of free jazz and modal jazz, often using themes from folk music. He has composed and performed music for dance performances and film soundtracks.

Surman was born in Tavistock, Devon. He initially gained recognition playing baritone saxophone in the Mike Westbrook Band in the mid-1960s, and was soon heard regularly playing soprano saxophone and bass clarinet as well. His first playing issued on a record was with the Peter Lemer Quintet in 1966. After further recordings and performances with jazz bandleaders Mike Westbrook and Graham Collier and blues-rock musician Alexis Korner, he made the first record under his own name in 1968.

In 1969 he founded the well-regarded and influential group The Trio along with two expatriate American musicians, bassist Barre Phillips and drummer Stu Martin. In the mid-1970s he founded one of the earliest all-saxophone jazz groups, S.O.S., along with alto saxophonist Mike Osborne and tenor saxophonist Alan Skidmore. During this early period he also recorded with (among others) saxophonist Ronnie Scott, guitarist John McLaughlin, bandleader Michael Gibbs, trombonist Albert Mangelsdorff, and pianist Chris McGregor‘s Brotherhood of Breath.

https://www.youtube.com/watch?v=IqoTkfI2IWg

McKinley Howard “Kenny” Dorham (August 30, 1924 – December 5, 1972 Fairfield,TX) was an American jazz trumpeter, singer, and composer. Dorham’s talent is frequently lauded by critics and other musicians, but he never received the kind of attention or public recognition from the jazz establishment that many of his peers did. For this reason, writer Gary Giddins said that Dorham’s name has become “virtually synonymous with underrated.“Dorham also composed the jazz standard “Blue Bossa,” which first appeared on Joe Henderson‘s album Page One.

Dorham was one of the most active bebop trumpeters. He played in the big bands of Lionel Hampton, Billy Eckstine, Dizzy Gillespie, and Mercer Ellington and the quintet of Charlie Parker. He was a charter member of the original cooperative Jazz Messengers. He also recorded as a sideman with Thelonious Monk and Sonny Rollins, and he replaced Clifford Brown in the Max Roach Quintet after Brown’s death in 1956. In addition to sideman work, Dorham led his own groups, including the Jazz Prophets (formed shortly after Art Blakey took over the Jazz Messengers name). The Jazz Prophets, featuring a young Bobby Timmons on piano, bassist Sam Jones, and tenorman J. R. Monterose, with guest Kenny Burrell on guitar, recorded a live album ‘Round About Midnight at the Cafe Bohemia in 1956 for Blue Note.

In 1963 Dorham added the 26-year-old tenor saxophonist Joe Henderson to his group, which later recorded Una Mas (the group also featured a young Tony Williams). The friendship between the two musicians led to a number of other albums, such as Henderson’s Page One, Our Thing and In ‘n Out. Dorham recorded frequently throughout the 1960s for Blue Note and Prestige Records, as leader and as sideman for Henderson, Jackie McLean, Cedar Walton, Andrew Hill, Milt Jackson and others.

https://www.youtube.com/watch?v=HLBsjJmUFkU

South Sudanese singer and acclaimed Peace Activist Emmanuel Jal and his sister Nyaruach.

NGC 4710 is an edge-on spiral galaxy in the constellation Coma Berenices. It’s prominent x-shaped structure reveals the existence of an underlying bar. 60 MLY away

Still an astrophysical mystery, the evolution of the bulges in spiral galaxies led astronomers to the edge-on galaxy NGC 4710. When staring directly at the centre of the galaxy, one can detect a faint, ethereal X-shaped structure. Such a feature, which astronomers call a boxy or peanut-shaped bulge, is due to the vertical motions of the stars in the galaxy’s bar and is only evident when the galaxy is seen edge-on. This curiously shaped puff is often observed in spiral galaxies with small bulges and open arms, but is less common in spirals with arms tightly wrapped around a more prominent bulge, such as NGC 4710.