mick laBriola

World Music on Flamenco Fridays with Rafael Riqueni: Y Enamorarse (Alegrías)

Alegrías (Spanish pronunciation: [aleˈɣɾi.as]) is a flamenco palo or musical form, which has a rhythm consisting of 12 beats. It is similar to Soleares. Its beat emphasis is as follows: 1 2 [3] 4 5 [6] 7 [8]9 [10] 11 [12]. Alegrías originated in Cádiz. Alegrías belongs to the group of palos called Cantiñas and it is usually played in a lively rhythm (120-170 beats per minute). The livelier speeds are chosen for dancing, while quieter rhythms are preferred for the song alone.

One of the structurally strictest forms of flamenco, a traditional dance in alegrías must contain each of the following sections: a salida (entrance), paseo (walkaround), silencio (similar to an adagio in ballet), castellana (upbeat section) zapateado (Literally “a tap of the foot”) and bulerías. This structure though, is not followed when alegrías are sung as a standalone song (with no dancing). In that case, the stanzas are combined freely, sometimes together with other types of cantiñas.

Recommended listenings for this palo include most singers from Cádiz, like Chano Lobato, La Perla de Cádiz, Aurelio Sellé, but also general singers like Manolo Caracol or La Niña de los Peines.

Also, you can listen “Mar Amargo” from Camarón and “La Tarde es Caramelo” from Vicente Amigo.

It is one of the cante chico forms of flamenco. The word Alegrías literally means “joys.”

IC 434 is a bright emission nebula in the constellation Orion. It was discovered on February 1, 1786 by William Herschel. The Horsehead Nebula is a dark nebula silhouetted against it.

1,500 ly from earth.

Robert Roland Chudnick (September 27, 1927 – May 27, 1994), known professionally as Red Rodney, was an American jazz trumpeter.

Born in Philadelphia, Pennsylvania, he became a professional musician at 15, working in the mid-1940s for the big bands of Jerry Wald, Jimmy Dorsey, Georgie Auld, Elliot Lawrence, Benny Goodman, and Les Brown. He was inspired by hearing Dizzy Gillespie and Charlie Parker to change his style to bebop, moving on to play with Claude Thornhill, Gene Krupa, and Woody Herman.

He accepted an invitation from Charlie Parker to join his quintet. and was a member of the band from 1949–1951. As the only white member of the group, he was billed as “Albino Red” when playing in the southern United States. During this time he recorded extensively.

During the 1950s, he worked as a bandleader in Philadelphia and recorded with Ira Sullivan. He became addicted to heroin and started a pattern of dropping in and out of jazz. In 1958 he left jazz because of diminishing opportunities, lack of acceptance as a white bebop trumpeter, and legal problems due to his heroin addiction. He continued to work in other musical fields. Although he continued to be paid well, he supported his drug habit through theft and fraud, eventually spending 27 months in prison.

In 1963, during a run-in with police, a detective hit him in the mouth, loosening several teeth and starting the cycle of dental issues that continued into the 1970s. In September 1963, his father died; a month later, while his wife was driving him back from a Las Vegas gig, she lost control of their car and plunged down a Nevada highway embankment. Asleep in the back seat, he awoke to find his wife and 14-year-old daughter dead.

During 1969, Rodney played in Las Vegas with fellow Woody Herman colleague, trombonist Bill Harris, as part of the Flamingo casino house band led by Russ Black. Similar work continued through 1972.

https://www.youtube.com/watch?v=oye9hle78bM

Earl Rudolph “Bud” Powell (September 27, 1924 – July 31, 1966) was an American jazz pianist. Though Thelonious Monk was a close friend and influence, his greatest piano influence was Art Tatum.

Along with Charlie Parker, Monk, and Dizzy Gillespie, Powell was a leading figure in the development of modern jazz, or bebop. His virtuosity led many to call him the Charlie Parker of the piano. Powell was also a composer, and many jazz critics credit his works and his playing as having “greatly extended the range of jazz harmony.”

Powell’s father was a stride pianist. Powell took to his father’s instrument at a very young age, starting on classical-piano lessons at the age of five. His teacher, hired by his father, was a West Indian man named Rawlins.

https://www.youtube.com/watch?v=hiS6XL3jVvk

Nordic Raga is an inspired meeting between three Swedish folk musicians, Mats Edén (fiddle), Pär Moberg (saxophone, didgeridoo, flutes), Dan Svensson (percussion, vocals), and a South Indian musician, Jyotsna Srikanth (violin), around the concept on making music mainly based on improvisation.

Second Chance final performance by zAmya Theater. Actors and singers of the Homeless Community.

Performing Wednesday 9-26-18 530pm East Phillips Park next to the ‘Wall of Forgotten Natives’ homeless encampment.

Music by mick laBriola and Momoh Freeman.

Rhythm Roots Workshop returns to PRI Partnership Resources Inc in Minneapolis.  9-26-18 1130am-130pm

Drumming rehearsal sessions for MIA “Expressing Me” showcase on October 19th

Drumming for the Developmentally Disabled community with Renee, Kamie, Elijah, Alex & Jaz!

50 MLY from Earth

Dorado Constellation Sb type galaxy discovered by William Herschel and John Frederick in 1834

Nicholas Payton (born September 26, 1973) is an American trumpet player and multi-instrumentalist. A Grammy Award winner, he is from New Orleans, Louisiana. He is also a prolific and provocative writer who comments on a multitude of subjects, including music, race, politics, and life in America.

The son of bassist and sousaphonist Walter Payton, he took up the trumpet at the age of four and by age nine was sitting in with the Young Tuxedo Brass Band alongside his father. He began his professional career at ten years old as a member of James Andrews’ All-Star Brass and was given his first steady gig by guitarist Danny Barker at The Famous Door on Bourbon Street. He enrolled at the New Orleans Center for Creative Arts and then at the University of New Orleans.

George Jacob Gershwin (/ˈɡɜːrʃ.wɪn/; September 26, 1898 – July 11, 1937) was an American composer and pianist. Gershwin’s compositions spanned both popular and classical genres, and his most popular melodies are widely known. Among his best-known works are the orchestral compositions Rhapsody in Blue (1924) and An American in Paris (1928), as well as the contemporary opera Porgy and Bess (1935).

Gershwin studied piano under Charles Hambitzer and composition with Rubin Goldmark, Henry Cowell and Joseph Brody. He began his career as a song plugger, but soon started composing Broadway theatre works with his brother Ira Gershwin and Buddy DeSylva. He moved to Paris intending to study with Nadia Boulanger, who refused him, where he subsequently composed An American in Paris. After returning to New York City, he wrote Porgy and Bess, with Ira, and the author DuBose Heyward. Initially a commercial failure, Porgy and Bess later went on to be considered one of the most important American operas of the Twentieth century, and an American cultural classic.

Gershwin moved to Hollywood and composed numerous film scores until his death in 1937 from glioblastoma multiforme, a malignant brain tumor.

Gershwin’s compositions have been adapted for use in many films and for television, and several became jazz standards recorded and covered in many variations. Many celebrated singers and musicians have performed his songs.

Gershwin was of Russian Jewish and Lithuanian Jewish ancestry. His grandfather, Jakov Gershowitz, had served for 25 years as a mechanic for the Imperial Russian Army to earn the right of free travel and residence as a Jew; finally retiring near Saint Petersburg. His teenage son, Moishe Gershowitz, worked as a leather cutter for women’s shoes. Moishe Gershowitz met and fell in love with Roza Bruskina, the teenage daughter of a furrier in Vilnius.

https://www.youtube.com/watch?v=uPRiM5JvYx8

https://www.youtube.com/watch?v=txFWJbHgcMM

Rhythm Roots Workshop returns to PRI Partnership Resources Inc in St Louis Park.  9-25-18 1130am-130pm

Drumming rehearsal sessions for MIA “Expressing Me” showcase on October 19th

Drumming for the Developmentally Disabled community with Derrick, Mike and Nymeh!

NGC 6872, also known as the Condor Galaxy, is a large barred spiral galaxy of type SB(s)b pec in the constellation Pavo. It is 212 million light-years (65 Mpc) from Earth and is approximately five billion years old. NGC 6872 is interacting with the lenticular galaxy IC 4970, which is less than one twelfth as large. The galaxy has two elongated arms; from tip to tip, NGC 6872 measures 522,000 light-years (160,000 pc), making it one of the largest-known spiral galaxies.^{[2][note 1]} It was discovered on 27 June 1835 by English astronomer John Herschel.

When observed in the ultraviolet and mid-infrared, the central region and bar of NGC 6872 show old stars and low rates of star formation, with rates increasing along the spiral arms as distance from the core increases. The most active region of star formation, located in the northeast arm, shows a stellar flux around 1,000 times higher than in the central region, though this may be affected by the density of stellar dust in the core. The extended portions of both arms exhibit young star cluster formations with ages ranging from one to one hundred million years. Star formation rates in the northeast extended arm are twice that of the southwest extended arm, and five times the formation rate in the sections of the arms closer to the central region.

Samuel Carthorne Rivers (September 25, 1923 – December 26, 2011) was an American jazz musician and composer. He performed on soprano and tenor saxophones, bass clarinet, flute, harmonica and piano.

Active in jazz since the early 1950s, he earned wider attention during the mid-1960s spread of free jazz. With a thorough command of music theory, orchestration and composition, Rivers was an influential and prominent artist in jazz music.

Rivers was born in El Reno, Oklahoma. His father was a gospel musician who had sung with the Fisk Jubilee Singers and the Silverstone Quartet, exposing Rivers to music from an early age. His grandfather was Marshall W. Taylor, a religious leader from Kentucky. Rivers was stationed in California in the 1940s during a stint in the Navy. Here he performed semi-regularly with blues singer Jimmy Witherspoon. Rivers moved to Boston, Massachusetts in 1947, where he studied at the Boston Conservatory with Alan Hovhaness.

He performed with Quincy Jones, Herb Pomeroy, Tadd Dameron and others.

https://www.youtube.com/watch?v=quCrXHvBcg0

Rossiere “Shadow” Wilson (September 25, 1919 – July 11, 1959 NY, NY) was an American jazz drummer.

Much of Wilson’s early work was with swing jazz orchestras. He played with Frankie Fairfax’s Campus Club Orchestra in 1936, with Lucky Millinderin 1939, and following this, with Benny Carter, Tiny Bradshaw, Lionel Hampton, Earl Hines, Count Basie, and Woody Herman. Later in his career he played with Illinois Jacquet, Erroll Garner, Thelonious Monk, Ella Fitzgerald, Joe Newman, Lee Konitz, Sonny Stitt, Phil Woods, Gene Quill, and Tadd Dameron. The drummer was known to sit in at the famed Minton’s Playhouse. His nickname came from “his beautiful light touch with brushes”, in the words of bassist Peter Ind. Wilson died of meningitis in July 1959. He never recorded as a leader.

Cuba

https://www.youtube.com/watch?v=OBy3QD9f8yU&index=25&list=PLEB3LPVcGcWbHKyo-uy8CkVvebHEsluVK

https://www.youtube.com/watch?v=Fn1OuTPGoNw&list=PLEB3LPVcGcWZ0hsQ5_jgSMhawAnDzy1io&index=3&t=0s