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Magnificent island universe NGC 2403 stands within the boundaries of the long-necked constellation Camelopardalis. Some 10 million light-years distant and about 50,000 light-years across, the spiral galaxy also seems to have more than its fair share of giant star forming HII regions, marked by the telltale reddish glow of atomic hydrogen gas. The giant HII regions are energized by clusters of hot, massive stars that explode as bright supernovae at the end of their short and furious lives. A member of the M81 group of galaxies, NGC 2403 closely resembles a galaxy in our own local galaxy group with an abundance of star forming regions, M33, the Triangulum Galaxy. Spiky in appearance, bright stars in this portrait of NGC 2403 are in the foreground, within our own Milky Way. Also in the foreground of the deep, wide-field, telescopic image are the Milky Way’s dim and dusty interstellar clouds also known as galactic cirrus or integrated flux nebulae. But faint features that seem to extend from NGC 2403 itself are likely tidal stellar streams drawn out by gravitational interactions with neighboring galaxies.

Michelle Gilliam Phillips (born Holly Michelle Gilliam; June 4, 1944) is an American singer, songwriter and actress. She rose to fame as a vocalist in the musical quartet the Mamas & the Papas in the mid-1960s. Her voice was described by Time magazine as the “purest soprano in pop music”. She later established a successful career as an actress in film and television beginning in the 1970s.

A native of Long Beach, California, she spent her early life in Los Angeles and Mexico City, raised by her widowed father. While working as a model in San Francisco, she met and married John Phillips in 1962 and went on to co-found the vocal group the Mamas & the Papas in 1965. The band rose to fame with their popular singles “California Dreamin’” and “Creeque Alley“, both of which she co-wrote. They released five studio albums before their dissolution in 1970. While married to John Phillips, she gave birth to their daughter, singer Chynna Phillips. Michelle Phillips is the last surviving original member of the band.

After the breakup of the Mamas & the Papas and her divorce from John Phillips, she transitioned into acting, appearing in a supporting part in The Last Movie (1971) before being cast as Billie Frechette in the critically acclaimed crime biopic Dillinger (1973), for which she was nominated for a Golden Globe Awardfor Most Promising Newcomer. In 1974, she had lead roles in two television films: the crime feature The Death Squad, and the teen drama The California Kid, in the latter of which she starred opposite Martin Sheen. She went on to appear in a number of films throughout the remainder of the 1970s, including Ken Russell‘s Valentino (1977), playing Natacha Rambova, and the thriller Bloodline (1979). She released her only solo album, Victim of Romance, in 1977.

Phillips’s first film of the 1980s was the comedy The Man with Bogart’s Face (1980). The next year she co-starred with Tom Skerritt in the nature-themed horror Savage Harvest (1981), followed by the television films Secrets of a Married Man (1984) and The Covenant (1985). In 1987, she joined the series Knots Landing, portraying Anne Matheson, the mother of Paige Matheson (portrayed by Nicollette Sheridan), until the series’s 1993 conclusion.

She later had supporting roles in the comedy film Let It Ride (1989) and the psychological thriller Scissors(1991). In 1998, she was inducted into the Rock and Roll Hall of Fame as a member of the Mamas & the Papas. Phillips appeared in independent films in the 2000s, with supporting parts in Jane White Is Sick and Twisted (2002) and Kids in America (2005) and had recurring guest roles in the television series That’s Life(2001–2002) and 7th Heaven (2001–2004).

Anthony Braxton (born June 4, 1945) is an American experimental composer, educator, music theorist, improviser and multi-instrumentalist who is best known for playing saxophones, particularly the alto.Braxton grew up on the South Side of Chicago, Illinois, and was a key early member of the Association for the Advancement of Creative Musicians. He received great acclaim for his 1969 double–LP record For Alto, the first full-length album of solo saxophone music.

A prolific composer with a vast body of cross-genre work, the MacArthur Fellow and NEA Jazz Masterhas released hundreds of recordings and compositions. During six years signed to Arista Records, the diversity of his output encompassed work with many members of the AACM, including duets with co-founder and first president Muhal Richard Abrams; collaborations with electronic musician Richard Teitelbaum; a saxophone quartet with Julius Hemphill, Oliver Lake and Hamiet Bluiett; compositions for four orchestras; and the ensemble arrangements of Creative Orchestra Music 1976, which was named the 1977 DownBeat Critics’ Poll Album of the Year. Many of his projects are ongoing, such as the Diamond Curtain Wall works, in which Braxton implements audio programming language SuperCollider; the Ghost Trance Music series, inspired by his studies of the Native American Ghost Dance; and Echo Echo Mirror House Music, in which musicians “play” iPods containing the bulk of Braxton’s oeuvre. He has released the first six operas in a series called the Trillium Opera Complex.

Braxton identifies as a “trans-idiomatic” composer and has repeatedly opposed the idea of a rigid dichotomy between improvisation and composition. He has written extensively about the “language music” system that forms the basis for his work and developed a philosophy of “world creativity” in his Tri-Axium Writings.

Braxton taught at Mills College from 1985 to 1990 and was Professor of Music at Wesleyan Universityfrom 1990 until his retirement at the end of 2013. He is the artistic director of the Tri-Centric Foundation, a nonprofit he founded in 1994 to support the preservation and production of works by Braxton and other artists “in pursuit of ‘trans-idiomatic’ creativity”.

This Picture of the Week features the barred spiral galaxy NGC 3059, which lies about 57 million light-years from Earth. The data used to compose this image were collected by Hubble in May 2024, as part of an observing programme that studied a number of galaxies. All the observations were made using the same range of filters: partially transparent materials that allow only very specific wavelengths of light to pass through.

Filters are used extensively in observational astronomy, and can be calibrated to allow either extremely narrow or somewhat broader ranges of light through. Narrow-band filters are invaluable from a scientific perspective because certain light wavelengths are associated with specific physical and chemical processes. For example, under particular conditions, hydrogen atoms are known to emit red light with wavelength value of 656.46 nanometres. Red light at this wavelength is known as H-alpha emission, or the ‘H-alpha line’. It is very useful to astronomers because its presence acts as an indicator of certain physical processes and conditions; it is often a tell-tale sign of new stars being formed, for example.

Thus, narrow-band filters calibrated to allow H-alpha emission through can be used to identify regions of space where stars are forming.

Such a filter was used for this image, the narrow-band filter called F657N or the H-alpha filter. The F stands for filter, and the N stands for narrow. The numerical value refers to the peak wavelength (in nanometres) that the filter lets through. The eagle-eyed amongst you may have noticed that 657 is very close to the 656.46 H-alpha line’s wavelength. Data collected using five other filters contributed to this image as well, all of which were wide-band filters; meaning that they allow a wider range of light wavelengths through. This is less useful for identifying extremely specific lines (such as the H-alpha line) but still enables astronomers to explore relatively specific parts of the electromagnetic spectrum. In addition, collectively the information from multiple filters can be used to make beautiful images such as this one.

[Image Description: A spiral galaxy seen face-on, so that its many arms and its glowing, bar-shaped core can be easily seen. The arms are filled with bluish patches of older stars, pink patches where new stars are forming, and dark threads of dust. A few bright stars with cross-shaped diffraction spikes lie in the foreground.]

Jimmy Rogers (June 3, 1924 – December 19, 1997) was an American Chicago blues singer, guitarist and harmonica player, best known for his work as a member of Muddy Waters‘s band in the early 1950s.He also had a solo career and recorded several popular blues songs, including “That’s All Right” (now a blues standard), “Chicago Bound”, “Walking by Myself” (his sole R&B chart appearance), and “Rock This House”. He withdrew from the music industry at the end of the 1950s, but returned to recording and touring in the 1970s.

Rogers was born Jay or James Arthur Lane in Ruleville, Mississippi, on June 3, 1924. He was raised in Atlanta and Memphis.He adopted his stepfather’s surname. He learned to play the harmonica with his childhood friend Snooky Pryor, and as a teenager he took up the guitar. He played professionally in East St. Louis, Illinois, with Robert Lockwood, Jr., among others. Rogers moved to Chicago in the mid-1940s. By 1946, he had recorded as a harmonica player and singer for the Harlem record label, run by J. Mayo Williams. Rogers’s name did not appear on the record, which was mislabeled as the work of Memphis Slimand His Houserockers.

In 1947, Rogers, Muddy Waters and Little Walter began playing together, forming Waters’s first band in Chicago (sometimes referred to as the Headcutters or the Headhunters, because of their practice of stealing jobs from other local bands). The band members recorded and released music credited to each of them as solo artists. The band defined the sound of the nascent Chicago blues style (more specifically, South Side Chicago blues). Rogers recorded several sides of his own with small labels in Chicago, but none were released at the time. He began to achieve success as a solo artist in 1950, with the song “That’s All Right“, released by Chess Records, but he stayed in Waters’s band until 1954. In the mid-1950s he had several successful records released by Chess, most of them featuring either Little Walter or Big Walter Horton on harmonica, notably “Walking by Myself”. In the late 1950s, as interest in the blues waned, he gradually withdrew from the music industry.

Curtis Lee Mayfield (June 3, 1942 – December 26, 1999) was an American singer-songwriter, guitarist, and record producer, and one of the most influential musicians behind soul and politically conscious African-American music. Dubbed the “Gentle Genius“, he first achieved success and recognition with the Rock and Roll Hall of Fame-inducted group the Impressions during the civil rights movement of the late 1950s and the 1960s, and later worked as a solo artist.

Mayfield started his musical career in a gospel choir. Moving to the North Side of Chicago, he met Jerry Butler in 1956 at the age of 14, and joined the vocal group The Impressions. As a songwriter, Mayfield became noted as one of the first musicians to bring more prevalent themes of social awareness into soul music. In 1965, he wrote “People Get Ready” for The Impressions, which was ranked at no. 24 on Rolling Stone‘s list of the 500 Greatest Songs of All Time. The song received numerous other awards; it was included in the Rock and Roll Hall of Fame’s “500 Songs that Shaped Rock and Roll”, and was inducted into the Grammy Hall of Fame in 1998.

After leaving The Impressions in 1970 in the pursuit of a solo career, Mayfield released several albums, including the soundtrack for the blaxploitation film Super Fly in 1972. The soundtrack was noted for its socially conscious themes, mostly addressing problems surrounding inner city minorities such as crime, poverty and drug abuse. The album was ranked at no. 72 on Rolling Stone‘s list of the 500 Greatest Albums of All Time.

Mayfield was paralyzed from the neck down after lighting equipment fell on him during a live performance at Wingate Field in Flatbush, Brooklyn, New York, on August 13, 1990. Despite this, he continued his career as a recording artist, releasing his final album New World Order in 1996. Mayfield won a Grammy Legend Award in 1994 and a Grammy Lifetime Achievement Award in 1995. He is a double inductee into the Rock and Roll Hall of Fame, as a member of The Impressions in 1991, and again in 1999 as a solo artist. He was also a two-time Grammy Hall of Fame inductee. He died from complications of type 2 diabetes at the age of 57 on December 26, 1999.

Freda Josephine Baker (née McDonald; June 3, 1906 – April 12, 1975), naturalized as Joséphine Baker, was an American-born French dancer, singer and actress. Her career was centered primarily in Europe, mostly in France. She was the first black woman to star in a major motion picture, the 1927 silent film Siren of the Tropics, directed by Mario Nalpas and Henri Étiévant.

During her early career, Baker was among the most celebrated performers to headline the revues of the Folies Bergère in Paris. Her performance in its 1927 revue Un vent de folie caused a sensation in the city. Her costume, consisting only of a short skirt of artificial bananas and a beaded necklace, became an iconic image and a symbol both of the Jazz Age and the Roaring Twenties.

Baker was celebrated by artists and intellectuals of the era, who variously dubbed her the “Black Venus”, the “Black Pearl”, the “Bronze Venus”, and the “Creole Goddess”. Born in St. Louis, Missouri, she renounced her U.S. citizenship and became a French national after her marriage to French industrialist Jean Lion in 1937. She raised her children in France.

Baker aided the French Resistance during World War II. After the war, she was awarded the Resistance Medal by the French Committee of National Liberation, the Croix de Guerre by the French military, and was named a Chevalier of the Legion of Honour by General Charles de Gaulle. Baker sang: “I have two loves: my country and Paris.”

Baker, who refused to perform for segregated audiences in the United States, is noted for her contributions to the civil rights movement. In 1968, she was offered unofficial leadership in the movement in the United States by Coretta Scott King, following Martin Luther King Jr.‘s assassination. After thinking it over, Baker declined the offer out of concern for the welfare of her children.^[9][10][11]

On November 30, 2021, she was inducted into the Panthéon in Paris, the first black woman to receive one of the highest honors in France. As her resting place remains in Monaco Cemetery, a cenotaph was installed in vault 13 of the crypt in the Panthéon.

“I say, play your own way. Don’t play what the public wants. You play what you want and let the public pick up on what you’re doing, even if it does take them 15, 20 years,” Thelonius Monk