mick laBriola

Talmage Holt Farlow (June 7, 1921 – July 25, 1998) was an American jazz guitarist. He was nicknamed “Octopus” because of how his large, quick hands spread over the fretboard. As Steve Rochinski notes, “Of all the guitarists to emerge in the first generation after Charlie Christian, Tal Farlow, more than any other, has been able to move beyond the rhythmic, melodic, and harmonic vocabulary associated with the early electric guitar master. Tal’s incredible speed, long, weaving lines, rhythmic excitement, highly developed harmonic sense, and enormous reach (both physical and musical) have enabled him to create a style that clearly stands apart from the rest.” Where guitarists of his day combined rhythmic chords with linear melodies, Farlow placed single notes together in clusters, varying between harmonically enriched tones. As music critic Stuart Nicholson put it, “In terms of guitar prowess it was the equivalent of Roger Bannister breaking the four minute mile.”

Talmage Holt Farlow was born in Greensboro, in 1921. He taught himself how to play guitar, which he started when he was twenty-two years old. He learned chord melodies by playing a mandolin tuned like a ukulele. He said playing the ukulele was the reason he used the higher four strings on the guitar for the melody and chord structure, with the two bottom strings for bass counterpoint, which he played with his thumb. His only professional training was as an apprentice sign painter. He requested the night shift so he could listen to big band standards on the shop radio. He listened to Bix Beiderbecke, Louis Armstrong, and Eddie Lang. His career was influenced by hearing Charlie Christian playing electric guitar with the Benny Goodman band. He said he made his own electric guitar because he couldn’t afford one.

Farlow employed artificial harmonics and tapped his guitar for percussion, creating a flat, snare drum sound or a hollow backbeat like the bongos.His large, quick hands earned him the nickname “The Octopus”.

Frederic Galliano was born December 23, 1969 in Grenoble. He’s an eclectic musician who works with cutting edge electronic music, jazz and world music.

This colour-composite image was obtained by FORS1 on ANTU. It displays a sky area near the Chamaeleon I complex of bright nebulae and hot stars in the constellation of the same name, close to the southern celestial pole.This picture was taken a few days before the Paranal Inauguration and the “hand-over” to the astronomers on April 1, 1999.This colour composite photo of the Chamaeleon I area is based on six 1-min exposures obtained with VLT UT1 + FORS1 in the V, R and I bands. The sky field measures 6.8 x 11.2 arcmin2; North is up and East is left.

A photogenic group of nebulae can be found in Chamaeleon, a constellation visible predominantly in skies south of the Earth’s equator. Towards Chamaeleon, dark molecular clouds and bright planetary nebula NGC 3195 can be found. Visible near the center of the above photograph is a reflection nebula surrounding a young bright star. On the lower right, a dark molecular cloud blocks the light from stars behind it. It takes light hundreds of years to reach us from these objects.

In 1999, a nearby open cluster was discovered centered on the star η Chamaeleontis. The cluster, known as either the Eta Chamaeleontis cluster or Mamajek 1, is 8 million years old, and lies 316 light years from Earth.

The constellation contains a number of molecular clouds (the Chamaeleon dark clouds) that are forming low-mass T Tauri stars. The cloud complex lies some 400 to 600 light years from Earth, and contains tens of thousands of solar masses of gas and dust. The most prominent cluster of T Tauri stars and young B-type stars are in the Chamaeleon I cloud, and are associated with the reflection nebula IC 2631.

Chamaeleon contains one planetary nebula, NGC 3195, which is fairly faint. It appears in a telescope at about the same apparent size as Jupiter. 

Montgomery Bernard “Monty” Alexander (born 6 June 1944) is a jazz pianist. His playing has a Caribbean influence and bright swinging feeling, with a strong vocabulary of bebop jazz and blues rooted melodies.He was influenced by Louis Armstrong, Duke Ellington, Nat King Cole, Oscar Peterson, and Frank Sinatra. Alexander also sings and plays the melodica. He is known for his surprising musical twists, bright rhythmic sense, and intense dramatic musical climaxes. Monty’s recording career has covered many of the well known American songbook standards, jazz standards, pop hits, and Jamaican songs from his original homeland. Alexander has resided in New York City for many years and performs frequently throughout the world at jazz festivals and clubs.

Alexander was born on 6 June 1944 in Kingston, Jamaica. He discovered the piano when he was four years old and seemed to have a knack for picking melodies out by ear. His mother sent him to classical music lessons at the age of six and became interested in jazz piano at the age of 14, and began playing in clubs, and on recording sessions by Clue J & His Blues Blasters, subbing for Aubrey Adams, whom he describes as his hero, when he was unable to play. Two years later, he directed a dance orchestra (Monty and the Cyclones) and played in the local clubs covering much of the 1960s early rock and pop dance hits. Performances at the Carib Theater in Jamaica by Louis Armstrong and Nat King Cole left a strong impression on the young pianist.

Grant Green (June 6, 1935 – January 31, 1979) was an American jazz guitarist and composer.

Recording prolifically and mainly for Blue Note Records as both leader and sideman, Green performed in the hard bop, soul jazz, bebop, and Latin-tinged idioms throughout his career. Critics Michael Erlewine and Ron Wynn write, “A severely underrated player during his lifetime, Grant Green is one of the great unsung heroes of jazz guitar … Green’s playing is immediately recognizable – perhaps more than any other guitarist.” Critic Dave Hunter described his sound as “lithe, loose, slightly bluesy and righteously groovy”. He often performed in an organ trio, a small group with an organ and drummer.

Apart from guitarist Charlie Christian, Green’s primary influences were saxophonists, particularly Charlie Parker, and his approach was therefore almost exclusively linear rather than chordal. He thus rarely played rhythm guitar except as a sideman on albums led by other musicians. The simplicity and immediacy of Green’s playing, which tended to avoid chromaticism, derived from his early work playing rhythm and blues and, although at his best he achieved a synthesis of this style with bop, he was essentially a blues guitarist and returned almost exclusively to this style in his later career.

Green was born in St. Louis, Missouri. He first performed in a professional setting at the age of 13 as a member of a gospel music ensemble. His influences were Charlie Christian, Charlie Parker, Lester Young, and Jimmy Raney, he first played boogie-woogie before moving on to jazz. His first recordings in St. Louis were with tenor saxophonist Jimmy Forrest for the United label. The drummer in the band was Elvin Jones, later the powerhouse behind sax player John Coltrane. Green recorded with Elvin again in the early 1960s. Lou Donaldson discovered him playing in a bar in St. Louis. After touring together with Donaldson, Green arrived in New York around 1959–60.

Al Grey (June 6, 1925 – March 24, 2000) was a jazz trombonist who is most remembered for his association with the Count Basie orchestra.

Grey is known for his plunger mute technique (comparable to Tricky Sam Nanton, Bob Hunt and Wycliffe Gordon), and also wrote an instructional book called Plunger Techniques.

As states Scott Yanow in his artist biography on Allmusic, Al Grey’s trademark phrases and often humorous use of the plunger mute long made him quite distinctive. After getting out of the service, he was with the orchestras of Benny Carter (1945-1946), Jimmie Lunceford (1946-1947), Lucky Millinder, and Lionel Hampton (off and on during 1948-1953). Grey was a well-featured soloist with the classic Dizzy Gillespie globetrotting orchestra during 1956-1957 (taking an exciting solo at the 1957 Newport Jazz Festival on a blazing version of “Cool Breeze”). He was with Count Basie’s orchestra on three separate occasions (1957-1961, 1964-1966, and 1971-1977), led a band with Billy Mitchell in the early ’60s, and had a group with Jimmy Forrest after leaving Basie in 1977. In later years, Grey performed and recorded often with Clark Terry, made a CD with the Statesmen of Jazz, and for a time led a quintet that featured his son Mike Grey on second trombone. Al Grey recorded as a leader for Argo (1959-1964), Tangerine, Black & Blue, Stash, Chiaroscuro, and Capri, and co-led an excellent Pablo date in 1983 with J.J. Johnson. He died of complications from diabetes on March 24, 2000.

Al Grey was born in Aldie, Virginia and grew up in Pottstown, Pennsylvania. During World War II he served in the Navy where he started playing the trombone. Soon after his discharge, he joined Benny Carter‘s band and later the trombone section of Lionel Hampton.

Faudel’s has one of the most attractive voices to come out of the vibrant Algerian-diaspora Rai tradition. He is the rising star of Rai music and his style is an incredible homage to the great masters of North African music.

Faudel Belloua was born June 6, 1978 in Paris, France. The son of Algerian immigrants living in France, Faudel Bellula was brought up in a working class suburb in Paris.

Diego LaBriola Memorial Day

June 5th 2018

On June 5th 2002 Diego was struck and killed by a vehicle at 3942 Cedar Ave So. in Minneapolis.

Today there will be a Vigil from 9am to midnight, on the site.

Flowers, incense  & candles welcome.

Or visit and sign to his web site

http://www.diego-labriola.virtual-memorials.com/main.php?action=view&mem_id=6547&logoff=true

This image of the Omega Nebula (Messier 17), captured by ESO’s Very Large Telescope (VLT), is one of the sharpest of this object ever taken from the ground. It shows the dusty, rosy central parts of the famous star-forming region in fine detail.

The Omega Nebula, also known as the Swan Nebula, Checkmark Nebula, and the Horseshoe Nebula  (catalogued as Messier 17 or M17 or NGC 6618) is an H II region in the constellation Sagittarius. It was discovered by Philippe Loys de Chéseaux in 1745. Charles Messier catalogued it in 1764. It is located in the rich starfields of the Sagittarius area of the Milky Way.

The Omega Nebula is between 5,000 and 6,000 light-years from Earth and it spans some 15 light-years in diameter. The cloud of interstellar matter of which this nebula is a part is roughly 40 light-years in diameter and has a mass of 30,000 solar masses. The total mass of the Omega Nebula is an estimated 800 solar masses.

Peter Erskine (born June 5, 1954) is an American jazz drummer who was a member of the jazz fusion groups Weather Report and Steps Ahead.

Erskine was born in Somers Point, New Jersey, U.S. He began playing the drums at the age of four. He graduated from the Interlochen Arts Academy  in Michigan, then studied percussion at Indiana University.

His professional career started in 1972 when he joined the Stan Kenton Orchestra. After three years with Kenton he joined Maynard Ferguson for two years. In 1978 he joined Weather Report,  joining Jaco Pastorius in the rhythm section. After four years and five albums with Weather Report and the Jaco Pastorius big band Word of Mouth, he joined Steps Ahead. His big band recordings with the Bob Mintzer Big Band are modern big band jazz/funk performances studied by many students of drums and drumming.

Jerry González (born June 5, 1949) is an American bandleader, trumpeter and percussionist of Puerto Rican descent. Together with his brother, bassist Andy González, he has played an important role in the development of Latin jazz during the late 20th century. During the 1970s, both played alongside Eddie Palmieri and in Manny Oquendo‘s Conjunto Libre, and since 1980 they direct The Fort Apache Band. Since 2000, Jerry González resides in Madrid, where he fronts Los Piratas del Flamenco and El Comando de la Clave.

Jerry González was born in 1949 in Manhattan, on 158 street and 3ª Avenue, and moved to the Bronx at the age of 4. He was raised in a strong musical atmosphere, with the strains of Latin, Afro-Cuban and jazz music always in his ear, establishing his musical appreciation and molding his future work as an artist. His father, Jerry González, Sr., was a master of ceremonies and lead singer for bands during the Palladium era and sang with musicians like Claudio Ferrer. In junior high school he began playing trumpet and congas and jamming with local bands. After deciding this was his calling, González completed his formal studies at New York College of Music and New York University. He started his professional career playing with Lewellyn Mathews in the 1964 New York World’s Fair. In 1970 he started playing congas with Dizzy Gillespie.

Nawang Khechong is a Tibetan flute player and composer.

Nawang was born in Tibet, but following the Chinese invasion of 1949/1950, his family moved to India, where Nawang studied meditation and Buddhist philosophy. He spent eleven years as a monk, including four years as a hermit meditating in the Himalayan foothills under the guidance of the Dalai Lama.

With  Rocky Dawuni, Mermans Mosengo and Jason Tamba

filmed live in the desert at Joshua Tree.

This photo shows a colour composite mosaic image of the central part of the Orion Nebula, based on 81 images obtained with the infrared multi-mode ISAAC instrument on the ESO Very Large Telescope (VLT) at the Paranal Observatory. The famous Trapezium stars are seen near the centre and the photo also shows the associated cluster of about 1,000 stars, approximately one million years old.

The Trapezium is a relatively young cluster that has formed directly out of the parent nebula. The five brightest stars are on the order of 15-30 solar masses in size. They are within a diameter of 1.5 light-years of each other and are responsible for much of the illumination of the surrounding nebula. The Trapezium may be a sub-component of the larger Orion Nebula Cluster, a grouping of about 2,000 stars within a diameter of 20 light-years.

The cluster has an apparent magnitude of 4.0 and lies at a distance of 1,600 light years from Earth. It occupies an area of only 47 arc seconds of apparent sky.

Also known as the Orion Trapezium Cluster or Theta-1 Orionis, the Trapezium Cluster can be resolved in 5-inch telescopes, which reveal six of the cluster’s stars in good observing conditions. The cluster is easy to identify because the brightest four stars form an asterism shaped like a trapezoid.

Paquito D’Rivera (born June 4, 1948) is a Cuban-born American saxophonist, clarinetist, and composer who plays and composes jazz and classical music.

Paquito Francisco D’Rivera was born in Havana, Cuba. His father played classical saxophone, entertained his son with Duke Ellington and Benny Goodman records, and he sold musical instruments. He took D’Rivera to clubs like the Tropicana (frequented by his musician friends and customers) and to concert bands and orchestras.

Anthony Braxton (born June 4, 1945) is an American composer and multi-instrumentalist who is known in the genre of free jazz.

Since the 1960s, he has released more than 100 albums. He plays many types of saxophone (soprano, alto, tenor, baritone, bass, contrabass, sopranino, C-melody, mezzo-soprano) and clarinet (E-flat, B-flat, contrabass), in addition to flute, alto flute, and piano.

Braxton studied philosophy at Roosevelt University. He taught at Mills College in the 1980s, and was Professor of Music at Wesleyan University from the 1990s until his retirement at the end of 2013. He taught music composition and music history, with a concentration on the avant-garde, as well as leading ensembles in performances of his compositions. In 1994, he was given a genius grant by the MacArthur Foundation. In 2013, he was named a 2014 National Endowment for the Arts Jazz Master.

Early in his career, Braxton led a trio with violinist Leroy Jenkins and trumpeter Wadada Leo Smith and was involved with The Association for the Advancement of Creative Musicians, the “AACM”, founded in Chicago, Braxton’s birthplace.

https://www.youtube.com/watch?v=LT96NU5RQvk

Oliver Edward Nelson (June 4, 1932 – October 28, 1975) was an American jazz saxophonist, clarinetist, arranger, composer, and bandleader. He is perhaps best remembered for his groundbreaking 1961 Impulse! album The Blues and the Abstract Truth, widely regarded as one of the most significant recordings of the modern jazz era. The centerpiece of the album is the definitive version of Nelson’s composition, “Stolen Moments“. Other important recordings from the early 1960s are More Blues and the Abstract Truth and Sound Pieces, both also on Impulse!.

Oliver Nelson was born into a musical family. His brother was a saxophonist who played with Cootie Williams in the 1940s, and his sister sang and played piano. Nelson began learning to play the piano when he was six and started on the saxophone at eleven. Beginning in 1947 he played in “territory” bands in and around Saint Louis before joining the Louis Jordan band where he stayed from 1950 to 1951, playing alto saxophone and arranging.

https://www.youtube.com/watch?v=GfAer0Zm-OA

Portuguese Neo Medieval group