mick laBriola

Mario Bauzá (April 28, 1911 – July 11, 1993) was an Afro-Cuban jazz musician. He was one of the first to introduce Cuban music to the United States by bringing Cuban musical styles to the New York City jazz scene. While Cuban bands had popular jazz tunes in their repertoire for years, Bauzá’s composition “Tangá” was the first piece to blend jazz with clave, and is considered the first true Afro-Cuban jazz or Latin jazz tune.

Trained as a classical musician, he was a clarinetist in the Havana Philharmonic Orchestra by the age of nine, where he would stay for three years. Bauzá traveled to New York in 1925 to record with Maestro Antonio María Romeu‘s band, a charanga, shortly after his fourteenth birthday.

Bauzá had been hired as lead trumpeter and musical director for Chick Webb‘s Orchestra by 1933, and it was during his time with Webb that Bauzá both met fellow trumpeter Dizzy Gillespie and discovered and brought into the band singer Ella Fitzgerald. Importantly, Bauzá introduced the young Havana virtuoso Chano Pozo to Dizzy, when the latter wanted to add a Cuban percussionist to his band; though Pozo was killed in a Harlem bar fight just a year later, he left an indelible and long-lasting mark on Dizzy’s playing and compositions, co-writing several legendary compositions such as “Manteca” and “Tin Tin Deo”.

Ethiopian Music by Mahmoud Ahmed – Yager Betua Aynama

https://www.youtube.com/watch?v=uQzJe6dAf5Q

Jezebel

Performing at MLK park in Minneapolis for Arbor Day 2018

with Steve Sandberg, Jim McCreary, Hilary Johnson, Tom Wells, Ralph Campbell, mick laBriola and many more.

https://www.minneapolisparks.org/activities__events/events/arbor_day/

https://www.youtube.com/watch?v=0-7W4-DLFEA

NGC 6946 is a face-on intermediate spiral galaxy with a small bright nucleus, whose location in the sky straddles the boundary between the northern constellations of Cepheus and Cygnus. Its distance from Earth is about 22.5 million light-years or 6.8 megaparsecs, similar to the distance of M101 (NGC 5457) in the constellation Ursa Major. Both were once considered to be part of the Local Group. but are now known to be among the dozen bright spiral galaxies near the Milky Way but beyond the confines of the Local Group.

Discovered by William Herschel on 9 September 1798, this well-studied galaxy has a diameter of approximately 40,000 light-years, about one-third of the Milky Way’s size, and it contains roughly half the number of stars as the Milky Way. The galaxy is heavily obscured by interstellar matter as it lies quite close to the galactic plane of the Milky Way. Due to its prodigious star formation it has been classified as an active starburst galaxy.

Frederick “Freddie” Douglas Waits (April 27, 1943 – November 18, 1989) was a hard bop and post-bop drummer.

Waits never officially recorded as leader, however he was a prominent member and composer in Max Roach‘s M’Boom percussion ensemble.

He worked as sideman with a number of influential pianists, including McCoy Tyner, Kenny Barron, Andrew Hill, Gene Harris, Billy Taylor and Joe Zawinul.

In the late 1970s, Waits formed Colloquium III with fellow drummers Horace Arnold and Billy Hart. In the 1980s he became a music faculty member of Rutgers University. He died of pneumonia and kidney failure in New York in 1989.

His son is the drummer Nasheet Waits.

Conrad Henry Kirnon (April 27, 1927 – November 30, 1994) known professionally as Connie Kay, was an American jazz and R&B drummer who was a member of the Modern Jazz Quartet.

Self-taught on drums, he began performing in Los Angeles in the mid-1940s. His drumming is recorded in The Hunt, the recording of a famous Los Angeles jam session featuring the dueling tenors of Dexter Gordon and Wardell Gray on July 6, 1947. He recorded with Lester Young‘s quintet from 1949 to 1955 and with Stan Getz, Coleman Hawkins, Charlie Parker, and Miles Davis.

Kay did R&B sessions for Atlantic Records in the early to mid-1950s, and he was featured on hit records such as Shake, Rattle and Roll by Big Joe Turner.

Kay joined the Modern Jazz Quartet in 1955, replacing original drummer Kenny Clarke. He remained through the group’s dissolution in 1974 and occasional reunions into the 1990s. In addition to his MJQ compatriots, he had an enduring partnership with cool jazz altoist Paul Desmond through the first half of the 1960s. He played drums on several of Irish singer-songwriter Van Morrison‘s albums: Astral Weeks, one song on Saint Dominic’s Preview, and four songs on Tupelo Honey.^[2]

Kay was known for incorporating percussion instruments alongside his drum kit, such as timpani, small cymbals, triangle, bell tree, and darbukas, the latter referred to as “exotic-looking” drums in a 2006 article.^[3][4]

Kay died of cardiac arrest in Manhattan in 1994 at the age of 67.

Let Us All

The Lagoon Nebula (catalogued as Messier 8 or M8, NGC 6523, Sharpless 25, RCW 146, and Gum 72) is a giant interstellar cloud in the constellation Sagittarius. It is classified as an emission nebula and as an H II region.

The Lagoon Nebula was discovered by Giovanni Hodierna before 1654 and is one of only two star-forming nebulae faintly visible to the eye from mid-northern latitudes. Seen with binoculars, it appears as a distinct oval cloudlike patch with a definite core. In the foreground is the open cluster NGC 6530.

The Lagoon Nebula is estimated to be between 4,000-6,000 light-years from the Earth. In the sky of Earth, it spans 90′ by 40′, which translates to an actual dimension of 110 by 50 light years. Like many nebulas, it appears pink in time-exposure color photos but is gray to the eye peering through binoculars or a telescope, human vision having poor color sensitivity at low light levels. The nebula contains a number of Bok globules(dark, collapsing clouds of protostellar material), the most prominent of which have been catalogued by E. E. Barnard as B88, B89 and B296. It also includes a funnel-like or tornado-like structure caused by a hot O-type star that emanates ultraviolet light, heating and ionizing gases on the surface of the nebula. The Lagoon Nebula also contains at its centre a structure known as the Hourglass Nebula (so named by John Herschel), which should not be confused with the better known Hourglass Nebula in the constellation of Musca. In 2006 the first four Herbig–Haro objects were detected within the Hourglass, also including HH 870. This provides the first direct evidence of active star formation by accretion within it.

To celebrate its 28th anniversary in space the NASA/ESA Hubble Space Telescope took this amazing and colourful image of the Lagoon Nebula. Using its infrared capabilities, the telescope was able to peer through the thick clouds of dust and gas. The most obvious difference between Hubble’s infrared and visible images of this region is the abundance of stars that fill the field of view in the infrared. Most of them are more distant, background stars located behind the nebula. However, some of them are young stars within the Lagoon Nebula itself.

Lakshminarayana Shankar (born 26 April 1950), also known as L. Shankar and Shenkar, is an Indian-born American violinist, singer and composer. He has worked extensively in both traditional music from India, and in jazz, free improvisation and popular music, notably with singer Peter Gabriel in the latter.

Shankar was born in Madras, Tamil Nadu. Growing up in Jaffna, Sri Lanka, where his father V. Lakshminarayana Iyer was a professor at the Jaffna College of Music, Shankar was exposed to Carnatic music and other styles from an early age. His father was a violinist, his mother L. Seethalakshmi played the veena and all his five older siblings were also proficient in music.^{[citation needed]} His brothers include the violinist L. Subramaniam and L. Vaidyanathan, a music composer for Indian films.^[2] Shankar cites his family and Tyāgarāja as early inspirations.

Theodore Marcus Edwards (April 26, 1924 – April 20, 2003) was an American jazz tenor saxophonist on the west coast of the U.S.

Edwards was born in Jackson, Mississippi. He learned to play at a very early age, first on alto saxophone and then clarinet.

His uncle sent for him to come to Detroit to live because he felt opportunities were better. Due to illness in the family, he went back to Jackson and ventured to Alexandria, Louisiana. He was persuaded by Ernie Fields to join his band after going to Tampa, Florida. Teddy had planned to go to New York City, but Ernie Fields convinced him he could get there by way of Washington, DC, if he worked with his band. Teddy ended up at the “Club Alabam” on Central Avenue in Los Angeles, which later became his city of residence.

Teddy Edwards played with many jazz notables, including his personal friend Charlie Parker, Roy Milton, Wynonie Harris, Vince Guaraldi, Joe Castroand Ernie Andrews. A classic 1947 recording with Dexter Gordon, The Duel, helped set him up as a legend, a status he liked to maintain by challenging other worthy sax players to similar duels whenever possible, including a recording with Houston Person. One such “memorable” duel took place in the 1980s at London’s 100 Club with British tenor Dick Morrissey.

John Ned “Johnny” Shines (April 26, 1915 – April 20, 1992) was an American blues singer and guitarist.

Shines was born in the community of Frayser, in Memphis, Tennessee. He was taught to play the guitar by his mother and spent most of his childhood in Memphis, playing slide guitar at an early age in juke joints and on the street. He moved to Hughes, Arkansas, in 1932 and worked on farms for three years, putting aside his music career.A chance meeting with Robert Johnson, his greatest influence, gave him the inspiration to return to music. In 1935, Shines began traveling with Johnson, touring in the United States and Canada. They parted in 1937, one year before Johnson’s death.

Gladys “Bobi” Céspedes was born in Cuba and emigrated to the States in 1959. In 1967 she was initiated as a Yoruba-Lucumi priestess. She now lives in the San Francisco Bay Area where she maintains a rigorous schedule of concerts, religious rituals, and travels lecturing at the university level.

King Tubby Dub Plate Special

The central plane of the Milky Way is a busy place, filled with objects of all shapes, sizes, colors and classifications. The beautiful region above is just a tiny sliver of a much larger whole, called IRAS 16562-3959: it can be found in the constellation of Scorpius. IRAS, as we’ll call it from here on out, is a dense cloud of interstellar gas and dust, belonging to the small molecular cloud pictured in ruddy orange. It, in turn, is surrounded by a plethora of bright, colorful stars, providing contrast to the interstellar materials.

Of the hundreds of stars pervading the medium, one stands apart from the rest: the bright, young star pictured front and center. It’s so young, in fact, it still hasn’t yet progressed into main sequence mode. Rather, the section of the cloud that birthed it continues to collapse under the weight of its own gravity. When all is said and done, it will be about 15 times heavier than the Sun, but even that comes with its own set of problems, being that it won’t live that long, and will explode as a supernova in several millions of years

This spectacular image was put together using VISTA (an acronym for ‘Visible and Infrared Survey Telescope for Astronomy‘), a tool installed on the ESO’s Paranal Observatory. Recently, the ESO probed the region using the Atacama Large Millimeter/submillimeter Array (ALMA). It revealed that the central star — dubbed G345.4938+01.4677 — has a rather large disk of gas and dust encompassing it. Additionally, there is streams of material spewing from its surface. Things like this are not unusual when dealing with stars still in the process of forming, but theoretical models indicate that neither feature should be exhibited by stars similar to G345.4938+01.4677.

Vassar Carlton Clements (April 25, 1928 – August 16, 2005) was a Grammy Award-winning American jazz, swing, and bluegrass fiddler. Clements has been dubbed the Father of Hillbilly Jazz, an improvisational style that blends and borrows from swing, hot jazz, and bluegrass along with roots also in country and other musical traditions.

Clements was born in Kinard, Florida,^[1] but grew up in Kissimmee, Florida. He taught himself to play the fiddle at age 7 and the first song he learned was “There’s an Old Spinning Wheel in the Parlor”. Soon, Clements formed a local string band with two first cousins, Red and Gerald. Gerald was the fiddle player and when he got married and left, Clements had to pick up the fiddle. In his early teens, he met Bill Monroe and the Blue Grass Boyswhen they came to Florida to visit Clements’ stepfather who knew Chubby Wise. Clements heard Wise play and was impressed.

Albert Nelson (April 25, 1923 – December 21, 1992 Indianola, MI), known by his stage name Albert King, was an American blues guitarist and singer whose playing influenced many other blues guitarists. He is perhaps best known for the popular and influential album Born Under a Bad Sign (1967) and the title track.

He was known as “The Velvet Bulldozer” because of his smooth singing and large size—he stood taller than average, with sources reporting 6 ft 4 in (1.93 m) or 6 ft 7 in (2.01 m), and weighed 250 lb (110 kg)—and also because he drove a bulldozer in one of his day jobs early in his career.

King was posthumously inducted into the Rock and Roll Hall of Fame in May 2013.

Ella Jane Fitzgerald (April 25, 1917 – June 15, 1996 Newport News, Va) was an American jazz singer often referred to as the First Lady of Song, Queen of Jazz, and Lady Ella. She was noted for her purity of tone, impeccable diction, phrasing and intonation, and a “horn-like” improvisational ability, particularly in her scat singing.

After tumultuous teenage years, Fitzgerald found stability in musical success with the Chick Webb Orchestra, performing across the country, but most often associated with the Savoy Ballroom in Harlem. Fitzgerald’s rendition of the nursery rhyme “A-Tisket, A-Tasket” helped boost both her and Webb to national fame. After taking over the band when Webb died, Fitzgerald left it behind in 1942 to start a solo career that would last effectively the rest of her life.

Signed with manager and Savoy co-founder Moe Gale from early in her career, she eventually gave managerial control for her performance and recording career to Norman Granz, who built up the label Verve Records based in part on Fitzgerald’s vocal abilities. With Verve she recorded some of her more widely noted works, particularly her interpretation of the Great American Songbook.

While Fitzgerald appeared in movies and as a guest on popular television shows in the second half of the twentieth century, her musical collaborations with Louis Armstrong, Duke Ellington, and The Ink Spots were some of her most notable acts outside of her solo career. These partnerships produced recognizable songs like “Dream a Little Dream of Me“, “Cheek to Cheek“, “Into Each Life Some Rain Must Fall“, and “It Don’t Mean a Thing (If It Ain’t Got That Swing)“. In 1993, Fitzgerald capped off her fifty-nine year career with her last public performance. Three years later, she died at the age of 79, following years of decline in her health. After her death, Fitzgerald’s influence lived on through her fourteen Grammy Awards, National Medal of Arts, Presidential Medal of Freedom, and tributes in the form of stamps, music festivals, and theater namesakes.

The concept is really an expression of what Atash itself is, at its core. We are musicians from very different backgrounds who are united by our love for music, and our desire to create. It’s a microcosm for what’s possible in the world – that is, bringing people from different cultures, different countries, different religions, different ages, different socioeconomic backgrounds, together and creating something beautiful together.