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Albert Ayler (/ˈaɪlər/; July 13, 1936 – November 25, 1970) was an American avant-garde jazz saxophonist, singer and composer.

After early experience playing R&B and bebop, Ayler began recording music during the free jazz era of the 1960s. However, some critics argue that while Ayler’s style is undeniably original and unorthodox, it does not adhere to the generally accepted critical understanding of free jazz. In fact, Ayler’s style is difficult to categorize in any way, and it evoked incredibly strong and disparate reactions from critics and fans alike. His innovations have inspired subsequent jazz musicians.

His trio and quartet records of 1964, such as Spiritual Unity and The Hilversum Session, show him advancing the improvisational notions of John Coltrane and Ornette Coleman into abstract realms where whole timbre, and not just mainly harmony with melody, is the music’s backbone. His ecstatic music of 1965 and 1966, such as “Spirits Rejoice” and “Truth Is Marching In”, has been compared by critics to the sound of a brass band, and involved simple, march-like themes which alternated with wild group improvisations and were regarded as retrieving jazz’s pre-Louis Armstrong roots.

Born in Cleveland, Ohio, Ayler was first taught alto saxophone by his father Edward, who was a semiprofessional saxophonist and violinist. Edward and Albert played alto saxophone duets in church and often listened to jazz records together, including swing era jazz and then-new bop albums.

Peter Michael Escovedo (born 13 July 1935 in Pittsburg, California) is a Mexican-American percussionist.

With his two brothers, Pete formed Escovedo Bros Latin Jazz Sextet, before Carlos Santana hired Pete and Coke Escovedo for his group. He led the 14–24 piece Latin big band Azteca.

He is the father of musicians Sheila Escovedo (Sheila E.), Peter Michael Escovedo, and Juan Escovedo; and dancer, manager and promoter Zina Escovedo. His brothers are fellow recording artists Alejandro Escovedo, Coke Escovedo, Javier Escovedo (The Zeros), Bobby Escovedo, and Mario Escovedo (The Dragons). He is the biological grandfather of Nicole Richie, daughter of son Peter Michael Escovedo.

Escovedo participated in the San Francisco music scene for several decades. In 2002, he appeared on the “By the Hand of the Father” episode of the PBS series Austin City Limits.

In 2014, he and his sons Peter and Juan were invited by producer Gerry Gallagher to record with El Chicano, Alphonse Mouzon, Brian Auger, Alex Ligertwood, Ray Parker Jr., Vikki Carr, Salvador Santana, Marcos J. Reyes, Lenny Castro, Siedah Garrett, Walfredo Reyes Jr., Jessy J, and David Paich.

World Music on Flamenco Fridays with Bulerias

This image displays a spectacular three-colour composite image of RCW38, obtained through three near-infrared filters. This is a region in the Milky Way at a distance of about 5,000 light years, where stars which have recently formed in clouds of gas and dust are still heavily obscured and cannot be observed in the visible part of the spectrum. Contrarily, as this image shows, they are very well seen at infrared wavelengths where the obscuration is substantially lower. The diffuse radiation is a mixture of starlight scattered by the dust and gas in the area, and atomic and molecular hydrogen line emission.

John Patton (July 12, 1935 – March 19, 2002) was an American jazz, blues and R&B pianist and organist, often known by his nickname, Big John Patton.

Patton was one of the most in-demand organists during the golden era of the Hammond B-3 organs between 1963 and 1970. He was a major figure in the development of the funk and blues-rooted jazz style known as soul jazz and is considered a roots player who inspired the acid jazz movement. He recorded extensively for Blue Note, and performed or collaborated with Lloyd Price, Grant Green, and Lou Donaldson. Patton had a lower profile in the 1970s but enjoyed a comeback in the 1980s and ’90s, often in collaboration with saxophonist John Zorn. His music evolved to incorporate modal and free jazz.

John Patton, born in Kansas City, Missouri, on July 12, 1935, was an American jazz and jazz fusion composer and performer whose work included “Funky Mama” and “Along Came John”. He developed the nickname “Big John”, not because of his size, but because of a song. “Remember the tune, ‘Big Bad John’? … yeah, well, that’s what they started calling me and at first I didn’t understand it but I love it now. It’s just a name; if it’s going to help you, then boogie on up in there!”

Paul Gonsalves (July 12, 1920 – May 15, 1974) was an American jazz tenor saxophonist best known for his association with Duke Ellington. At the 1956 Newport Jazz Festival, Gonsalves played a 27-chorus solo in the middle of Ellington’s “Diminuendo and Crescendo in Blue“, a performance credited with revitalizing Ellington’s waning career in the 1950s.

Born in Brockton, Massachusetts, to Cape Verdean parents, Gonsalves’ first instrument was the guitar, and as a child he was regularly asked to play Cape Verdean folk songs for his family. He grew up in New Bedford, Massachusetts, and played as a member of the Sabby Lewis Orchestra. His first professional engagement in Boston was with the same group on tenor saxophone, in which he played before and after his military service during World War II. Before joining Duke Ellington’s orchestra in 1950, he had also played in big bands led by Count Basie (1947–1949) and Dizzy Gillespie(1949–1950).

Born in Budapest, Hungary, in 1961, Marta grew up surrounded by music. Her mother, a music teacher, studied with Zoltan Kodaly, a famous composer and a great scholar specialized in his country’s traditional music.

https://www.youtube.com/watch?v=ujCXnuansSQ

Variable star R Aquarii is actually an interacting binary star system, two stars that seem to have a close, symbiotic relationship. About 710 light years away, this intriguing system consists of a cool red giant star and hot, dense white dwarf star in mutual orbit around their common center of mass. The binary system’s visible light is dominated by the red giant, itself a Mira-type long period variable star. But material in the cool giant star’s extended envelope is pulled by gravity onto the surface of the smaller, denser white dwarf, eventually triggering a thermonuclear explosion and blasting material into space. The featured image from the Hubble Space Telescope shows the still-expanding ring of debris which spans less than a light year and originated from a blast that would have been seen in the early 1770s. The evolution of less understood energetic events producing high energy emission in the R Aquarii system has been monitored since 2000 using Chandra X-ray Observatory data.

Tomasz Stańko (born July 11, 1942) is a Polish trumpeter, composer and improviser. Often recording for ECM Records, Stańko is strongly associated with free jazz and the avant-garde.

Coming to prominence in the early 1960s alongside pianist Adam Makowicz in the Jazz Darings, Stańko later collaborated with pianist Krzysztof Komeda, notably on Komeda’s pivotal 1966 album Astigmatic. In 1968, Stańko formed an acclaimed quintet that included Zbigniew Seifert on violin and alto saxophone, and in 1975 he formed the Tomasz Stańko-Adam Makowicz Unit.

Clyde Edric Barron Bernhardt (July 11, 1905 – May 20, 1986) was an American jazz trombonist.

Bernhardt was born in Gold Hill, North Carolina, and raised there and in Harrisburg, Pennsylvania. He started playing trombone at age 17, and in the 1920s played with a variety of lesser-known ensembles, such as Bill Eady‘s Ellwood Syncopators, Tillie Vennie, Odie Cromwell‘s Wolverine Syncopators, Charlie Grear‘s Original Midnite Ramblers, the Richard Cheatham Orchestra, the Whitman Sisters, Honey Brown‘s Orchestra, Henry P. McClane’s Society Orchestra^[2] and Ray Parker. He worked with King Oliver in 1931, and through the middle of the decade did stints with Alex Hill, The Alabamians, Billy Fowler, Ira Coffey‘s Walkathonians, and Vernon Andrade.

In 1937 he joined Edgar Hayes‘s orchestra, remaining there through 1942, then worked with Jay McShann, Cecil Scott, Luis Russell, Leonard Feather, Pete Johnson, Wynonie Harris, Claude Hopkins, and Paul and Dud Bascomb. He led his own ensemble, called the Blue Blazers, before returning to play with Russell from 1948-51. He recorded as a leader between 1946 and 1953, and on some of the recordings he sings under the pseudonym Ed Barron.

Senegalese

https://www.youtube.com/watch?v=blHNjVk2ORw

NGC 3576 is a minor nebula in the Sagittarius arm of the galaxy a few thousand light-years away from the Eta Carinae nebula. This nebula even received six different classification numbers. Currently, astronomers call the entire nebula NGC 3576. A popular nickname is “The Statue of Liberty Nebula” because of the distinctive shape in the middle of the nebula. The name was first suggested in 2009 by Dr. Steve Mazlin, a member of Star Shadows Remote Observatory (SSRO).

6,000 ly distance.

Béla Anton Leoš Fleck (born July 10, 1958) is an American banjo player. An innovative and technically proficient banjo player, he is best known for his work with the bands New Grass Revival and Béla Fleck and the Flecktones.

A native of New York City, Fleck was named after Hungarian composer Béla Bartók, Austrian composer Anton Webern, and Czech composer Leoš Janáček. He was drawn to the banjo at a young age when he heard Earl Scruggs play the theme song for the television show Beverly Hillbillies and when he heard “Dueling Banjos” by Eric Weissberg and Steve Mandell on the radio. At age fifteen, he received his first banjo from his grandfather.^[4]During the train ride home, a man volunteered to tune the banjo and suggested he learn from the book How to Play the Five String Banjo by Pete Seeger. He attended the High School of Music & Art in New York City, playing French horn until he flunked and was transferred to the choir, though he spent most of his time on the banjo. He studied the book Bluegrass Banjo by Pete Wernick and took lessons from Erik Darling, Marc Horowitz, and Tony Trischka

Edward Lee Morgan (July 10, 1938 – February 19, 1972) was an American jazz trumpeter. Known mainly as one of the key hard bop musicians of the 1960s, Morgan came to prominence in his late teens, recording on John Coltrane‘s Blue Train (1957) and with the band of drummer Art Blakeybefore launching a solo career. Morgan stayed with Blakey until 1961 and started to record as leader soon after. His song “The Sidewinder“, on the album of the same name, became a surprise crossover hit on the pop and R&B charts in 1964, while Morgan’s recordings found him touching on other styles of music as his artistry matured. Soon after The Sidewinder was released, Morgan rejoined Blakey for a short period of time. After leaving Blakey for the final time, Morgan continued to work prolifically as both a leader and a sideman with the likes of Hank Mobley and Wayne Shorter, becoming, in the words of critic Steve Huey, “[a] cornerstone of the Blue Note label roster”. Morgan’s career was cut short at the age of 33, when his common-law wife shot and killed him following a confrontation at Slug’s Saloon.

Edward Lee Morgan was born in Philadelphia, Pennsylvania, on July 10, 1938, the youngest of Otto Ricardo and Nettie Beatrice Morgan’s four children.

https://www.youtube.com/watch?v=gXrSOnaqFv4&t=11s

Blind Boy Fuller (born Fulton Allen, July 10, 1904 or 1907 – February 13, 1941) was an American blues guitarist and singer. Of the recorded Piedmont blues artists, a group that includes Blind Blake, Josh White, and Buddy Moss, Fuller was one of the most popular with rural African Americans.

Allen was born in Wadesboro, North Carolina, one of ten children of Calvin Allen and Mary Jane Walker. Most sources date his birth to 1907, but the researchers Bob Eagle and Eric LeBlanc indicate 1904. After the death of his mother, he moved with his father to Rockingham, North Carolina. As a boy he learned to play the guitar and also learned from older singers the field hollers, country rags, traditional songs and blues popular in poor rural areas.

https://www.youtube.com/watch?v=zdIdGoyzoxQ

Omar Bashir was born in 1970 in Budapest, Hungary. He started playing the ‘ud at 5, next to his father, Munir Bashir, the Iraqi virtuoso who first made the oud a solo recital instrument and popularized it in the West. At 7, Omar Bashir joined the Baghdad Music and Ballet School. He would eventually become a teacher there and set up his own band of 24 musicians specializing in traditional Iraqi music. They performed regularly across Egypt, Russia, Turkey and many Arabic countries.