mick laBriola

NGC 6300 is an intriguing barred spiral galaxy in the constellation of Ara. This near-infrared image with FLAMINGOS-2 shows the galaxy’s complex arm structure forming a spectacular ring of star formation. The galaxy’s bar also has a strong vein of dust that almost obscures its bright active nucleus –– whose prodigious energy is the result of matter accreting onto a black hole with an estimated mass of 280,000 Suns.

NGC 6300 is a barred Seyfert spiral galaxy located in the constellation Ara. It is designated as SB(rs)b in the galaxy morphological classification scheme and was discovered by the Scottish astronomer James Dunlop on 30 June 1826. NGC 6300 is located at about 51 million light years away from earth. It is suspected that a massive black hole (300,000 times the mass of Sun) may be at its center, pulling all the nearby objects into it. In turn, it emits large amounts of X-rays.

John Graham “Mitch” Mitchell (9 July 1946 – 12 November 2008) was an English drummer who was best known for his work in the Jimi Hendrix Experience. He was inducted into the Modern Drummer Hall of Fame in 2009.

Mitchell was born in Ealing, Middlesex to Phyliss C (née Preston) and Thomas J Mitchell. Mitchell and some writers note his birthdate as 9 July 1946, although several others incorrectly indicate that he was born in 1947. As a teenager, he starred in a children’s television programme, Jennings at School, and starred in a leading role in the 1960 British film Bottoms Up with Jimmy Edwards. Mitchell became a musician through working at Jim Marshall‘s drum shop on Saturdays while still at school. One of his first bands was the Soul Messengers, formed at the Ealing Club with saxophonist Terry Marshall, son of Jim Marshall. Early in his career, he gained considerable musical experience as a touring and session musician, working with Pete Nelson and the Travellers, Frankie Reid and the Casuals (1962), Johnny Harris and the Shades, the Pretty Things, Bill Knight & the Sceptres, the Riot Squad, and the Who as a session drummer while the band was in the process of replacing Doug Sandom with Keith Moon.

https://www.youtube.com/watch?v=1KCUg-JmTog

Colin James Bailey (born July 9, 1934) is British-born American jazz drummer.

Born in Swindon, England, 1934. Bailey learned to play drums as a child, studying formally from age seven. His first band was the Nibs, when he was 7, which consisted of 2 accordions, banjo and drums. He toured with Winnefred Atwell from 1952-1956, and performed at the London Palladium for Queen Elizabeth (1952). He lived in Australia from 1958 into the early 1960s, playing in the staff band for Channel 9 TV. In Sydney he played with Bryce Rohde and the Australian Jazz Quartet, backing musicians such as Dizzy Gillespie and Sarah Vaughan. When the AJQ toured the U.S., Bailey was hired by Vince Guaraldi, With Monty Budwig on bass. This trio played with Jimmy Witherspoon, Ben Webster, and Gene Ammons for the Jazz Workshop in San Francisco. In 1962 they recorded the album Jazz Impressions of Black Orpheus, which included the hit “Cast Your Fate To The Wind“. In 1963 he moved to Los Angeles to play with the Victor Feldman Trio, and in 1965 he recorded the soundtrack for A Charlie Brown Christmas with Vince Guaraldi in Whitney Studios in Glendale, CA. Bailey worked with Clare Fischer (1963–1964), Joe Pass (for 14 years, and made 14 records) and Miles Davis (1963). He toured worldwide with Benny Goodman in 1964-1965, played on The first Regis Philbin show with Terry Gibbs, and toured with George Shearing (1964-1967). In 1967 he recorded with Frank Sinatra and Tom Jobim. He also spent time with Chet Baker, Ray Brown, João Gilberto, and Blossom Dearie (1975).

From Chile

This remarkable picture from the Advanced Camera for Surveys on the NASA/ESA Hubble Space Telescope shows one of the most perfect geometrical forms created in space. It captures the formation of an unusual pre-planetary nebula, known as IRAS 23166+1655, around the star LL Pegasi (also known as AFGL 3068) in the constellation of Pegasus (the Winged Horse).

The striking picture shows what appears to be a thin spiral pattern of astonishingly regularity winding around the star, which is itself hidden behind thick dust. The spiral pattern suggests a regular periodic origin for the nebula’s shape. The material forming the spiral is moving outwards a speed of about 50 000 km/hour and, by combining this speed with the distance between layers, astronomers calculate that the shells are each separated by about 800 years.

The spiral is thought to arise because LL Pegasi is a binary system, with the star that is losing material and a companion star orbiting each other. The spacing between layers in the spiral is expected to directly reflect the orbital period of the binary, which is indeed estimated to be also about 800 years.

The creation and shaping of planetary nebulae is an exciting area of stellar evolution. Stars with masses from about half that of the Sun up to about eight times that of the Sun do not explode as supernovae at the ends of their lives. Instead a more regal end awaits them as their outer layers of gas are shed and drift into space, creating striking and intricate structures that to Earth-bound observers often look like dramatic watercolour paintings. IRAS 23166+1655 is just starting this process and the central star has yet to emerge from the cocoon of enveloping dust.

Jai Johanny Johanson (born July 8, 1944 Ocean Springs, MS), frequently known by the stage name Jaimoe, is an American drummer and percussionist. He is best known as one of the founding members of The Allman Brothers Band.

Johanson came up in the R&B world and began drumming at an early age, often accompanied by friend Lamar Williams on bass. Johanson backed soul singers, including a membership in Otis Redding‘s touring band in 1966, and afterward touring with the acclaimed soul duo, Sam & Dave. After joining up with Duane Allman in February 1969, he quickly became the first recruit into Allman’s new group, soon joined by bassist Berry Oakley, fellow drummer Butch Trucks, guitarist Dickey Betts and lastly Allman’s younger brother, singer, organist and pianist Gregg Allman. The group, quickly named after the brothers Allman, began recording demos that April in Macon, Georgia, which became the group’s home base.

Louis Thomas Jordan (July 8, 1908 – February 4, 1975) was a pioneering American musician, songwriter and bandleader who was popular from the late 1930s to the early 1950s. Known as “The King of the Jukebox“, he was highly popular with both black and white audiences in the later years of the swing era.

Jordan was one of the most successful African-American musicians of the 20th century, ranking fifth in the list of the most successful black recording artists according to Joel Whitburn‘s analysis of Billboard magazine’s R&B chart. Though comprehensive sales figures are not available, he had at least four million-selling hits during his career. Jordan regularly topped the R&B “race” charts and was one of the first black recording artists to achieve significant crossover in popularity with the mainstream (predominantly white) American audience, having simultaneous Top Ten hits on the pop charts on several occasions.

Jordan was a talented singer with great comedic flair, and he fronted his own band for more than twenty years. He duetted with some of the biggest solo singing stars of his time, including Bing Crosby, Ella Fitzgerald and Louis Armstrong. Jordan was also an actor and a major black film personality—he appeared in dozens of “soundies” (promotional film clips), made numerous cameos in mainstream features and short films, and starred in two musical feature films made especially for him. He was an instrumentalist who played all forms of the saxophone but specialized in the alto. He also played the piano and clarinet. A productive songwriter, he wrote or co-wrote many songs that were influential classics of 20th-century popular music.

Jordan began his career in big-band swing jazz in the 1930s, but he became famous as one of the leading practitioners, innovators and popularizers of jump blues, a swinging, up-tempo, dance-oriented hybrid of jazz, blues and boogie-woogie. Typically performed by smaller bands consisting of five or six players, jump music featured shouted, highly syncopated vocals and earthy, comedic lyrics on contemporary urban themes. It strongly emphasized the rhythm section of piano, bass and drums; after the mid-1940s, this mix was often augmented by electric guitar. Jordan’s band also pioneered the use of the electronic organ.

With his dynamic Tympany Five bands, Jordan mapped out the main parameters of the classic R&B, urban blues and early rock-and-roll genres with a series of highly influential 78-rpm discs released by Decca Records. These recordings presaged many of the styles of black popular music of the late 1940s, 1950s and 1960s and exerted a strong influence on many leading performers in these genres. Many of his records were produced by Milt Gabler, who went on to refine and develop the qualities of Jordan’s recordings in his later production work with Bill Haley, including “Rock Around the Clock“.

Jordan was born on July 8, 1908, in Brinkley, Arkansas, where his father, James Aaron Jordan, was a music teacher and bandleader for the Brinkley Brass Band and for the Rabbit Foot Minstrels. His mother, Adell, died when Louis was young.

Kálmán Balogh is one of the leading Hungarian cimbalom players, descending from a famous dynasty of Hungarian Gypsy musicians. His virtuosity is matched only by his understanding and respect of his heritage. A graduate of Ferenc Listz Academy of Music of Budapest, he has completed many successful tours throughout the world with various ensembles, including three tours in North America.

The cimbalom, a sort of oversized autoharp or duclcimer played with mallets like a vibraphone, possesses piano like percussive abilities to drive a band rhythmically or take the melodic lead. In Kálmán Balogh’s expert hands, the cimbalom can do both simultaneously. His mastery of this unique and rare Hungarian folk instrument has mesmerized audiences.

Orion Nebula

This image, obtained during the late commissioning phase of the GeMS adaptive optics system, with the Gemini South AO Imager (GSAOI) on the night of December 28, 2012, reveals exquisite details in the outskirts of the Orion Nebula. The large adaptive optics field-of-view (85 arcseconds across) demonstrates the system’s extreme resolution and uniform correction across the entire field. The three filters used for this composite color image include [Fe II], H2, and, K(short)-continuum (2.093 microns) for blue, orange, and white layers respectively. The natural seeing while these data were taken ranged from about 0.8 to 1.1 arcseconds, with AO corrected images ranging from 0.084 to 0.103 arcsecond. Each filter had a total integration (exposure) of 600 seconds. In this image, the blue spots are clouds of gaseous iron “bullets” being propelled at supersonic speeds from a region of massive star formation outside, and below, this image’s field-of-view. As these “bullets” pass through neutral hydrogen gas it heats up the hydrogen and produces the pillars that trace the passage of the iron clouds. Principal Investigator(s): John Bally and Adam Ginsberg, University of Colorado and the GeMS/GSAOI commissioning team; Data processing/reduction (using the Gemini IRAF package v1.12beta): Rodrigo Carrasco, Gemini Observatory; Color image composite: Travis Rector, University of Alaska Anchorage.

Josef Erich “Joe” Zawinul (7 July 1932 – 11 September 2007) was an Austrian jazz keyboardist and composer.

First coming to prominence with saxophonist Cannonball Adderley, Zawinul went on to play with trumpeter Miles Davis, and to become one of the creators of jazz fusion, an innovative musical genre that combined jazz with elements of rock and world music. Later, he co-founded the groups Weather Report and The Zawinul Syndicate. He pioneered the use of electric piano and synthesizer, and was named “Best Electric Keyboardist” twenty-eight times by the readers of Down Beat magazine.

A number of prominent musical artists have honored Zawinul with compositions, including Brian Eno‘s instrumental “Zawinul/Lava”, John McLaughlin‘s instrumental “Jozy”, Warren Cuccurullo‘s “Hey Zawinul”, Bob Baldwin‘s “Joe Zawinul”, Chucho Valdés‘s “Zawinul’s Mambo”, Biréli Lagrène‘s instrumental “Josef” and Toninho Horta‘s instrumental “Balada para Zawinul”.

Henry “Hank” Mobley (July 7, 1930 – May 30, 1986) was an American hard bop and soul jazz tenor saxophonist and composer. Mobley was described by Leonard Feather as the “middleweight champion of the tenor saxophone”, a metaphor used to describe his tone, that was neither as aggressive as John Coltrane nor as mellow as Stan Getz, and his style that was laid-back, subtle and melodic, especially in contrast with players like Sonny Rollins and Coltrane. The critic Stacia Proefrock claimed he is “one of the most underrated musicians of the bop era.”

Mobley was born in Eastman, Georgia, but was raised in Elizabeth, New Jersey, near Newark. When he was 16, an illness kept him in the house for several months. His grandmother thought of buying a saxophone to help him occupy his time, and it was then that Mobley began to play. He tried to enter a music school in Newark, but could not, since he was not a resident, so he kept studying through books at home.

https://www.youtube.com/watch?v=9OJnW2LbUw4

Sh2-155 (also designated Sharpless 155 or S155) is a diffuse nebula in the constellation Cepheus, within a larger nebula complex containing emission, reflection, and dark nebulosity. It is widely known as the Cave Nebula, though that name was applied earlier to Ced 201, a different nebula in Cepheus. Sh2-155 is an ionized H II region with ongoing star formation activity, at an estimated distance of 725 parsecs (2400 light-years) from Earth.

Sh2-155 was first noted as a galactic emission nebula in 1959 in the extended second edition of the Sharpless catalogue, being a part of the much larger Cep OB3 Association. Although Sh2-155 is relatively faint for amateur observation, some of its structure may be seen visually through a moderately sized telescope under dark skies.

Sh2-155 lies at the edge of the Cepheus B cloud (part of the Cepheus molecular cloud), and is ionized by young stars from the Cep OB3 association. It has been suggested that radiation from the hot O-type star HD 217086 is compressing the region, triggering the formation of a new generation of stars.

Michael Shrieve (born July 6, 1949, in San Francisco) is an American drummer, percussionist, and composer. He is best known as the drummer of the rock band Santana. He played on its albums from 1969 to 1974.^[1] When he was 20, Shrieve was one of the youngest musicians to perform at Woodstock in 1969. His drum solo during “Soul Sacrifice” in the Woodstock film has been described as “electrifying”.

https://www.youtube.com/watch?v=aFhcVmD9lIs

Luigi Paulino Alfredo Francesco Antonio Balassoni (July 6, 1924 – February 14, 2009), known by the stage name Louie Bellson (his own preferred spelling, although he is often seen in sources as Louis Bellson), was an American jazz drummer. He was a composer, arranger, bandleader, and jazz educator, and is credited with pioneering the use of two bass drums.

Bellson was an internationally acclaimed artist who performed in most of the major capitals around the world. Bellson and his wife, actress and singer Pearl Bailey (married from 1952 until Bailey’s death in 1990), had the second highest number of appearances at the White House (only Bob Hopehad more).

Bellson was a vice president at Remo, a drum company. He was inducted into the Modern Drummer Hall of Fame in 1985.

Bellson was born in Rock Falls, Illinois in 1924 and started playing drums at three years of age. At 15, he pioneered using two bass drums at the same time. At age 17, he triumphed over 40,000 drummers to win the Slingerland National Gene Krupa contest.

After graduating from high school, he worked with big bands throughout the 1940s, with Benny Goodman, Tommy Dorsey, Harry James, and Duke Ellington. In 1952, he married jazz singer Pearl Bailey. During the 1950s, he played with the Dorsey Brothers, Jazz at the Philharmonic, acted as Bailey’s music director, and recorded as a leader for Norgran Records and Verve Records.

World Music on Flamenco Fridays with David Cerreduela performing Rondena.

A Rondeña is a palo or musical form of flamenco originating in the town of Ronda in the province of Málaga in Spain.

In common with other palos originating in Málaga, the rondeña antedated flamenco proper and became incorporated into it during the 19th century.

The rondeña has its origin in the fandango malagueño and it is said that it is “the oldest fandango actually known”.

According to the experts, the name does not derive from “nocturnal rounds”, as some have suggested, but is based solely on the name of the town Ronda.

The rondeña spread enormously throughout Andalusia in the 19th century, to such an extent that numerous foreign observers, touring the region at the time, referred to it later in their writings.

Flamenco guitarist from the neighborhood of “Caño Roto”, one of the cradles of flamenco in Madrid.

Currently he is one of the most sought-after guitarists in the flamenco field. He has worked with most of the great flamenco stars such as Antonio Canales, Sara Baras, Enrique Morente and others, who have their music in their shows, since he is one of the flamenco guitarists with the most personality for his musical language and sound. 

https://www.youtube.com/watch?v=Sx9ySvREn4M