mick laBriola

https://www.youtube.com/watch?v=usBOyi2MVRU&list=PLEB3LPVcGcWZ0hsQ5_jgSMhawAnDzy1io&index=3

NGC 4565, which for obvious reasons is also called the Needle Galaxy. First spotted in 1785 by Uranus’ discoverer, Sir William Herschel (1738-1822), this is one of the most famous example of an edge-on spiral galaxy and is located some 30 million light-years away in the constellation Coma Berenices (Berenice’s Hair). It displays a bright yellowish central bulge that juts out above most impressive dust lanes.

Because it is relatively close (it is only 12 times farther away than Messier 31, the Andromeda galaxy, which is the major galaxy closest to us) and relatively large (roughly one third larger than the Milky Way), it does not fit entirely into the field of view of the FORS instrument (about 7 x 7 arcmin2).

Many background galaxies are also visible in this FORS image, giving full meaning to their nickname of “island universes”.

Kristoffer Kristofferson (born June 22, 1936) is an American singer-songwriter, musician, and actor. He wrote and recorded the songs “Me and Bobby McGee“, “For the Good Times“, “Sunday Mornin’ Comin’ Down“, and “Help Me Make It Through the Night“. Kristofferson composed his own songs and collaborated with Nashville songwriters such as Shel Silverstein. In 1985, Kristofferson joined fellow country artists Waylon Jennings, Willie Nelson, and Johnny Cash in forming the country music supergroup The Highwaymen, and formed a key creative force in the Outlaw countrymusic movement that eschewed the Nashville music machine in favor of independent songwriting and producing. In 2004, Kristofferson was inducted into the Country Music Hall of Fame. He is also known for his starring roles in Alice Doesn’t Live Here Anymore, Heaven’s Gate, and A Star Is Born, the latter of which earned him a Golden Globe Award for Best Actor.

Kristoffer Kristofferson was born in Brownsville, Texas, to Mary Ann (née Ashbrook) and Lars Henry Kristofferson, a U.S. Army Air Corps officer (later a U.S. Air Force Major General).

Raymond Mantilla (born June 22, 1934) is an American jazz drummer. He has played as a session musician and toured with some of the most significant jazz musicians of his time. Mantilla has been a bandleader of his own ensembles and was a founding member of the percussion ensemble M’Boom with Max Roach.

Mantilla played in New York from the 1950s, inspired by Afro-Cuban jazz. He played with a number of latin jazz ensembles in the 1950s, including the La Playa Sextet, Xavier Cugat, Lou Perez, René Touzet, Miguelito Valdez, and Monguito Conjunto. He played behind Eartha Kitt in 1955. In 1960 he toured with Herbie Mann and recorded with Max Roach. He recorded with Al Cohn in 1961, and recorded with Freddie Hubbard, Buddy Rich, and Larry Coryell in the 1960s. From 1963 to 1969 Mantilla led his own band in Puerto Rico, and in 1970 joined forces with Max Roach’s percussion ensemble, M’Boom.

Cal. Green. (CALVIN HENRY GREEN) Born June 22, 1935 Died July 6, 2004

Texan Cal Green was a talented and versatile guitarist who started out imitating his favourite local Blues players, then got a gig playing with one of the biggest R&B acts of the 50s, co-wrote a worldwide hit, then switched to Jazz in the 60s but returned to the Blues in later life.

Cal was born in Dayton Texas in 1937 and in the early days he would copy the guitar style of his hero Clarence ‘Gatemouth’ Brown while his classmate Roy Gaines would copy T-Bone Walkeras the kids would imitate the ‘cutting contests’ of Chicago club legend.

Cal was skilled enough to be asked to record some tracks with pianist Connie McBooker for the Modern label, but his big break came when Hank Ballard and the Midnighters came to town in 1954. Their guitarist Arthur Porter had just been drafted, so 17-year-old Cal stepped in. He played on all Hank’s big hits after ‘Roll With Me, Henry’ and his catchy solo lines on hits like ‘Tore Up Over You’ and ‘Open Up the Back Door’ led Duke/Federal to release Cal’s double-sided instrumental ‘Big Push’/’Green’s Blues’ and a couple of vocal tracks in 1958.

World Music on Flamenco Fridays with

estrella morente, isabel la golondrina, aurora carbonell y solea morente por buleria

Two spiral galaxies are locked in a spellbinding, swirling dance in this image from the VIMOS instrument on ESO’s Very Large Telescope (VLT). The two interacting galaxies — NGC 5426 and NGC 5427 — together form an intriguing astronomical object named Arp 271, the subject of this, the final image captured by VIMOS before it was decommissioned on 24 March 2018.

VIMOS — or, in full, the VIsible Multi-Object Spectrograph — was active on the VLT for an impressive 16 years. During that time it helped scientists to uncover the wild early lives of massive galaxies, observe awe-inspiring triple-galaxy interactions, and explore deep cosmic questions such as how the Universe’s most massive galaxies grew so large. Instead of focusing on single objects, VIMOS was able to capture detailed information about hundreds of galaxies at once. This sensitive instrument collected the spectra of tens of thousands of galaxies throughout the Universe, showing how they formed, grew, and evolved.

Arp 271 is framed against a backdrop of distant galaxies in this view, and wisps of bluish gas, dust and young stars can be seen bridging the gap between the two galaxies — a result of their mutual gravitational interaction. Like many astronomical observations, this image looks back in time. Thanks to the vast gulf of space separating the Earth and Arp 271, this image shows how the galaxies looked over 110 million years ago: the amount of time it has taken their light to reach us. This kind of collision and merger is also thought to be the eventual fate of the Milky Way, which scientists believe will undergo a similar interaction with our neighbouring galaxy Andromeda.

Eric Scott Reed (born June 21, 1970) is an American jazz pianist and composer. His group Black Note released several albums in the 1990s.

Reed was born in Philadelphia, Pennsylvania. He began playing piano at age two, was playing piano in his minister father’s church by age five, and at age seven began formal study at Philadelphia’s Settlement Music School. At age 11 his family moved to Los Angeles, and he studied at the R. D. Colburn School of Arts.

In May 1986, at Colburn School, Reed met Wynton Marsalis, an encounter that would greatly aid his career. At age 18, during a year of college at California State University, Northridge, Reed briefly toured with Marsalis. He joined Marsalis’s septet a year later, and worked with him from 1990 to 1991 (in 1991–1992 he worked with Joe Henderson and Freddie Hubbard), and again from 1992 to 1995. He later worked with the Lincoln Center Jazz Orchestra for two years (1996–1998), and led his own group in 1999.

Boris Claudio “Lalo” Schifrin (born June 21, 1932) is an Argentine-born American pianist, composer, arranger and conductor. He is best known for his large body of film and TV scores since the 1950s, including the “Theme from Mission: Impossible“, Bullitt and Enter the Dragon. He has received five Grammy Awards and six Oscar nominations. Associated with the jazz music genre, Schifrin is also noted for his collaborations with Clint Eastwoodfrom the late 1960s to the 1980s, particularly the Dirty Harry films.

Schifrin was born in Buenos Aires, to a Jewish family. His father, Luis Schifrin, led the second violin section of the orchestra at the Teatro Colón for three decades.At the age of six, Schifrin began a six-year course of study on piano with Enrique Barenboim, the father of pianist and conductor Daniel Barenboim. At age 16, Schifrin began studying piano with the Greek-Russian expatriate Andreas Karalis, former head of the Kiev Conservatory, and harmony with Argentine composer Juan Carlos Paz. During this time, Schifrin also became interested in jazz.

Nehemiah Curtis “Skip” James (June 9, 1902 – October 3, 1969) was an American Delta blues singer, guitarist, pianist and songwriter.

His guitar playing is noted for its dark, minor-key sound, played in an open D-minor tuning with an intricate fingerpicking technique. James first recorded for Paramount Records in 1931, but these recordings sold poorly, having been released during the Great Depression, and he drifted into obscurity.

After a long absence from the public eye, James was “rediscovered” in 1964 by blues enthusiasts, helping further the blues and folk music revival of the 1950s and early 1960s. During this period, James appeared at folk and blues festivals, gave concerts around the country and recorded several albums for various record labels. His songs have influenced generations of musicians and have been adapted by numerous artists. He has been hailed as “one of the seminal figures of the blues.”

James was born near Bentonia, Mississippi. His father was a bootlegger who reformed and became a preacher. As a youth, James heard local musicians, such as Henry Stuckey, from whom he learned to play the guitar, and the brothers Charlie and Jesse Sims. James began playing the organ in his teens. He worked on road construction and levee-building crews in Mississippi in the early 1920s and wrote what is perhaps his earliest song, “Illinois Blues”, about his experiences as a laborer. He began playing the guitar in open D-minor tuning.

Alekos K. Vretos was born in Athens in 1976. In 1978 his family moved to Argos were he grew up. His father was in love with music so he took him for piano lessons at the age of three. That was Alekos’ first contact with music. His first piano teacher was Mrs. Eleni Apostolaki. At the age of sixteen he decided that his route in life would be music. Yiannis Iordanoglou was the first to open his eyes on what music and being a musician is really about.

https://www.youtube.com/watch?v=dq2iQNdwlTI

Newborn stars are forming in the Eagle Nebula. Gravitationally contracting in pillars of dense gas and dust, the intense radiation of these newly-formed bright stars is causing surrounding material to boil away. This image, taken with the Hubble Space Telescope in near infrared light, allows the viewer to see through much of the thick dust that makes the pillars opaque in visible light. The giant structures are light years in length and dubbed informally the Pillars of Creation. Associated with the open star cluster M16, the Eagle Nebula lies about 6,500 light years away. The Eagle Nebula is an easy target for small telescopes in a nebula-rich part of the sky toward the split constellation Serpens Cauda (the tail of the snake).

Eric Allan Dolphy, Jr. (June 20, 1928 – June 29, 1964) was an American jazz alto saxophonist, bass clarinetist and flautist. On a few occasions, he also played the clarinet and piccolo. Dolphy was one of several multi-instrumentalists to gain prominence around the same time. His use of the bass clarinet in jazz performance probably finally established the instrument in the music, and he extended the vocabulary and boundaries of the alto saxophone, and was among the earliest significant jazz flute soloists.

His improvisational style was characterized by the use of wide intervals, in addition to using an array of extended techniques to emulate the sounds of human voices and animals. Although Dolphy’s work is sometimes classified as free jazz, his compositions and solos were often rooted in conventional (if highly abstracted) tonal bebop harmony and melodic lines that suggest the influences of modern classical composers such as Béla Bartók and Igor Stravinsky.

Dolphy was born in Los Angeles to Eric Allan Dolphy, Sr. and Sadie Dolphy, who immigrated to the United States from Panama.

Lazy Lester (born Leslie Carswell Johnson, June 20, 1933 Torras, Louisiana) is an American blues musician who sings and plays the harmonica and guitar. His career has spanned the 1950s to the present day.

Best known for regional hits recorded with Ernie Young’s Nashville-based Excello Records, Lester also contributed to songs recorded by other Excello artists, including Slim Harpo, Lightnin’ Slim, and Katie Webster. Cover versions of his songs have been recorded by (among others) the Kinks, the Flamin’ Groovies, Freddy Fender, Dwight Yoakam, Dave Edmunds, Raful Neal, Anson Funderburgh, and the Fabulous Thunderbirds. In the comeback stage of his career (since the late 1980s) he has recorded new albums backed by Mike Buck, Sue Foley, Gene Taylor, Kenny Neal, Lucky Peterson, and Jimmie Vaughan.

Obo Addy was born January 15, 1936. He was a prominent member of the first generation of African musicians to bring their traditional and popular music to Europe and the United States of America. This versatile magician of the drums embodied the past, present and future of Ghana’s musical culture. He celebrated past traditions while embracing new ideas and foreign influences. Internationally, Obo Addy’s contribution can be measured by the fact that he was one of the key originators of the seminal musical movement now known as “Worldbeat.”

This new ESO Very Large Telescope image shows the planetary nebula Fleming 1 in the constellation of Centaurus (The Centaur). This striking object is a glowing cloud of gas around a dying star. New observations have shown that it is likely that a very rare pair of white dwarf stars lies at the heart of this object. Their orbital motions can fully explain the remarkably symmetric structures of the jets in the surrounding gas clouds in this and similar objects.

Fleming 1 is an unusual planetary nebula situated in the Centaurus constellation. It has a pair of symmetrical jets spanning more than 2.8 pc and delineated with a number of knots. The jets and knots are moving away from the center of the nebula and were probably ejected 10,000 to 16,000 year ago. The innermost part of the nebula has a butterfly shape and is immersed into a faint halo. The butterfly’s wings point in the direction of jets with their axis titled by 50° to the line of sight. The waist of the “butterfly” is surrounded by a torus of expanding hot gas forming the inner bright ellipse. Fleming 1 is probably 5,000 years old.

Distance 2,400 pc ly

Ernest Ranglin OD (born 19 June 1932) is a Jamaican guitarist and composer who established his career while working as a session guitarist and music director for various Jamaican record labels including Studio One and Island Records. Ranglin played guitar on many early ska recordings and helped create the rhythmic guitar style that defined the form. Ranglin has worked with Theophilus Beckford, Jimmy Cliff, Monty Alexander, Prince Buster, the Skatalites, Bob Marley and the Eric Deans Orchestra. He is noted for a chordal and rhythmic approach that blends jazz, mento and reggaewith percussive guitar solos incorporating rhythm ‘n’ blues and jazz inflections.

Ernest Ranglin was born in Manchester, West Central Jamaica. His family moved to Kingston, where he attended the Providence Primary School, Kingston Senior School and Bodin College. Ranglin’s introduction to music was through two uncles who both played guitar. Initially a self-taught guitarist; he received some tutoring on how to sight-read from a violin player named Tommy Tomlins. At the age of 15, Ranglin joined the Val Bennett Orchestra, which was followed by a period of employment with the Eric Deans Orchestra. While performing locally with these orchestras Ranglin was introduced to the jazz pianist Monty Alexander, which led to a lifelong friendship as well as numerous musical collaborations.