mick laBriola

Jimmy Rogers (June 3, 1924 – December 19, 1997) was an American Chicago blues singer, guitarist and harmonica player, best known for his work as a member of Muddy Waters‘s band in the early 1950s.He also had a solo career and recorded several popular blues songs, including “That’s All Right” (now a blues standard), “Chicago Bound”, “Walking by Myself” (his sole R&B chart appearance), and “Rock This House”. He withdrew from the music industry at the end of the 1950s, but returned to recording and touring in the 1970s.

Rogers was born Jay or James Arthur Lane in Ruleville, Mississippi, on June 3, 1924. He was raised in Atlanta and Memphis.He adopted his stepfather’s surname. He learned to play the harmonica with his childhood friend Snooky Pryor, and as a teenager he took up the guitar. He played professionally in East St. Louis, Illinois, with Robert Lockwood, Jr., among others. Rogers moved to Chicago in the mid-1940s. By 1946, he had recorded as a harmonica player and singer for the Harlem record label, run by J. Mayo Williams. Rogers’s name did not appear on the record, which was mislabeled as the work of Memphis Slimand His Houserockers.

In 1947, Rogers, Muddy Waters and Little Walter began playing together, forming Waters’s first band in Chicago (sometimes referred to as the Headcutters or the Headhunters, because of their practice of stealing jobs from other local bands). The band members recorded and released music credited to each of them as solo artists. The band defined the sound of the nascent Chicago blues style (more specifically, South Side Chicago blues). Rogers recorded several sides of his own with small labels in Chicago, but none were released at the time. He began to achieve success as a solo artist in 1950, with the song “That’s All Right“, released by Chess Records, but he stayed in Waters’s band until 1954. In the mid-1950s he had several successful records released by Chess, most of them featuring either Little Walter or Big Walter Horton on harmonica, notably “Walking by Myself”. In the late 1950s, as interest in the blues waned, he gradually withdrew from the music industry.

Curtis Lee Mayfield (June 3, 1942 – December 26, 1999) was an American singer-songwriter, guitarist, and record producer, and one of the most influential musicians behind soul and politically conscious African-American music. Dubbed the “Gentle Genius“, he first achieved success and recognition with the Rock and Roll Hall of Fame-inducted group the Impressions during the civil rights movement of the late 1950s and the 1960s, and later worked as a solo artist.

Mayfield started his musical career in a gospel choir. Moving to the North Side of Chicago, he met Jerry Butler in 1956 at the age of 14, and joined the vocal group The Impressions. As a songwriter, Mayfield became noted as one of the first musicians to bring more prevalent themes of social awareness into soul music. In 1965, he wrote “People Get Ready” for The Impressions, which was ranked at no. 24 on Rolling Stone‘s list of the 500 Greatest Songs of All Time. The song received numerous other awards; it was included in the Rock and Roll Hall of Fame’s “500 Songs that Shaped Rock and Roll”, and was inducted into the Grammy Hall of Fame in 1998.

After leaving The Impressions in 1970 in the pursuit of a solo career, Mayfield released several albums, including the soundtrack for the blaxploitation film Super Fly in 1972. The soundtrack was noted for its socially conscious themes, mostly addressing problems surrounding inner city minorities such as crime, poverty and drug abuse. The album was ranked at no. 72 on Rolling Stone‘s list of the 500 Greatest Albums of All Time.

Mayfield was paralyzed from the neck down after lighting equipment fell on him during a live performance at Wingate Field in Flatbush, Brooklyn, New York, on August 13, 1990. Despite this, he continued his career as a recording artist, releasing his final album New World Order in 1996. Mayfield won a Grammy Legend Award in 1994 and a Grammy Lifetime Achievement Award in 1995. He is a double inductee into the Rock and Roll Hall of Fame, as a member of The Impressions in 1991, and again in 1999 as a solo artist. He was also a two-time Grammy Hall of Fame inductee. He died from complications of type 2 diabetes at the age of 57 on December 26, 1999.

Freda Josephine Baker (née McDonald; June 3, 1906 – April 12, 1975), naturalized as Joséphine Baker, was an American-born French dancer, singer and actress. Her career was centered primarily in Europe, mostly in France. She was the first black woman to star in a major motion picture, the 1927 silent film Siren of the Tropics, directed by Mario Nalpas and Henri Étiévant.

During her early career, Baker was among the most celebrated performers to headline the revues of the Folies Bergère in Paris. Her performance in its 1927 revue Un vent de folie caused a sensation in the city. Her costume, consisting only of a short skirt of artificial bananas and a beaded necklace, became an iconic image and a symbol both of the Jazz Age and the Roaring Twenties.

Baker was celebrated by artists and intellectuals of the era, who variously dubbed her the “Black Venus”, the “Black Pearl”, the “Bronze Venus”, and the “Creole Goddess”. Born in St. Louis, Missouri, she renounced her U.S. citizenship and became a French national after her marriage to French industrialist Jean Lion in 1937. She raised her children in France.

Baker aided the French Resistance during World War II. After the war, she was awarded the Resistance Medal by the French Committee of National Liberation, the Croix de Guerre by the French military, and was named a Chevalier of the Legion of Honour by General Charles de Gaulle. Baker sang: “I have two loves: my country and Paris.”

Baker, who refused to perform for segregated audiences in the United States, is noted for her contributions to the civil rights movement. In 1968, she was offered unofficial leadership in the movement in the United States by Coretta Scott King, following Martin Luther King Jr.‘s assassination. After thinking it over, Baker declined the offer out of concern for the welfare of her children.^[9][10][11]

On November 30, 2021, she was inducted into the Panthéon in Paris, the first black woman to receive one of the highest honors in France. As her resting place remains in Monaco Cemetery, a cenotaph was installed in vault 13 of the crypt in the Panthéon.

“I say, play your own way. Don’t play what the public wants. You play what you want and let the public pick up on what you’re doing, even if it does take them 15, 20 years,” Thelonius Monk

NGC 1097 (also known as Caldwell 67) is a barred spiral galaxy about 45 million light years away in the constellation Fornax. It was discovered by William Herschel on 9 October 1790. It is a severely interacting galaxy with obvious tidal debris and distortions caused by interaction with the companion galaxy NGC 1097A.

Sir Edward William Elgar, 1st Baronet

2 June 1857 – 23 February 1934) was an English composer, many of whose works have entered the British and international classical concert repertoire. Among his best-known compositions are orchestral works including the Enigma Variations, the Pomp and Circumstance Marches, concertos for violin and cello, and two symphonies. He also composed choral works, including The Dream of Gerontius, chamber music and songs. He was appointed Master of the King’s Musick in 1924.

Although Elgar is often regarded as a typically English composer, most of his musical influences were not from England but from continental Europe. He felt himself to be an outsider, not only musically, but socially. In musical circles dominated by academics, he was a self-taught composer; in Protestant Britain, his Roman Catholicism was regarded with suspicion in some quarters; and in the class-conscious society of Victorian and Edwardian Britain, he was acutely sensitive about his humble origins even after he achieved recognition. He nevertheless married the daughter of a senior British Armyofficer. She inspired him both musically and socially, but he struggled to achieve success until his forties, when after a series of moderately successful works his Enigma Variations (1899) became immediately popular in Britain and overseas. He followed the Variations with a choral work, The Dream of Gerontius (1900), based on a Roman Catholic text that caused some disquiet in the Anglican establishment in Britain, but it became, and has remained, a core repertory work in Britain and elsewhere. His later full-length religious choral works were well received but have not entered the regular repertory.

In his fifties, Elgar composed a symphony and a violin concerto that were immensely successful. His second symphony and his cello concerto did not gain immediate public popularity and took many years to achieve a regular place in the concert repertory of British orchestras. Elgar’s music came, in his later years, to be seen as appealing chiefly to British audiences. His stock remained low for a generation after his death. It began to revive significantly in the 1960s, helped by new recordings of his works. Some of his works have, in recent years, been taken up again internationally, but the music continues to be played more in Britain than elsewhere.

Elgar has been described as the first composer to take the gramophone seriously. Between 1914 and 1925, he conducted a series of acoustic recordingsof his works. The introduction of the moving-coil microphone in 1923 made far more accurate sound reproduction possible, and Elgar made new recordings of most of his major orchestral works and excerpts from The Dream of Gerontius.

The Raspberry nebula is in the center.( Sh2-263 is the red emission nebula and vdB38 is the blue reflection nebula.) The central star is HD 34989. To the right is Sh2-265 and lower left shows a section of the Lambda Orionis ring Sh2-264. The blue light from the star Bellatrix “shines” from the lower right. 1,300 distant.