mick laBriola

Lou Bennett (May 18, 1926, Philadelphia – February 10, 1997, Paris) was an American jazz organist.

Bennett first played bebop on piano, but started playing organ in 1956 after hearing Jimmy Smith. Bennett toured the U.S. with an organ trio between 1957 and 1959, and then moved to Paris in 1960. There he recorded and performed at the Blue Note with Jimmy Gourley and Kenny Clarke (as well as Rene Thomas); he returned to America only once, for the 1964 Newport Jazz Festival. He also recorded in the 1960s with Philip Catherine, Shirley Bunnie Foy and Franco Manzecchi. In the 1980s he played in his own quintet with Gerard Badini, among others. During this period he also toured extensively throughout Spain, including, Almeria, Barcelona, La Coruna, Segovia, and Madrid.

https://www.youtube.com/watch?v=fucD0TxBaqk

World Music on Flamenco Fridays with Cameron de la Isla

Seen edge-on, observations of NGC 4945 suggest that this hive of stars is a spiral galaxy much like our own Milky Way, with swirling, luminous arms and a bar-shaped centre. Sites of active star formation, known as HII regions, are seen prominently in the image, appearing bright pink. These resemblances aside, NGC 4945 has a brighter centre that likely harbours a supermassive black hole, which is devouring reams of matter and blasting energy out into space. NGC 4945 is about 13 million light-years away in the constellation of Centaurus (the Centaur) and is beautifully revealed in this image taken with data in five bands (B, V, R, H-alpha and S II) with the 2.2-metre MPG/ESO telescope at La Silla. The field of view is 30 x 30 arcminutes. North is up, East is to the left.

Henry Saint Clair Fredericks (born May 17, 1942), who uses the stage name Taj Mahal, is an American blues musician, a self-taught singer-songwriter and film composer who plays the guitar, piano, banjo, and harmonica, among many other instruments. He often incorporates elements of world music into his works and has done much to reshape the definition and scope of blues music over the course of his almost 50-year career by fusing it with nontraditional forms, including sounds from the Caribbean, Africa, and the South Pacific.

Born Henry Saint Clair Fredericks, Jr. on May 17, 1942, in Harlem, New York, Mahal grew up in Springfield, Massachusetts. He was raised in a musical environment; his mother was a member of a local gospel choir and his father was an Afro-Caribbean jazz arranger and piano player. His family owned a shortwave radio which received music broadcasts from around the world, exposing him at an early age to world music. Early in childhood he recognized the stark differences between the popular music of his day and the music that was played in his home. He also became interested in jazz, enjoying the works of musicians such as Charles Mingus, Thelonious Monk and Milt Jackson. His parents came of age during the Harlem Renaissance, instilling in their son a sense of pride in his Caribbean and African ancestry through their stories.

John Lenwood “Jackie” McLean (May 17, 1931 – March 31, 2006)^[1] was an American jazz alto saxophonist, composer, bandleader, and educator, and is one of the few musicians to be elected to the Down Beat Hall of Fame in the year of their death.

 McLean was born in New York City. His father, John Sr., played guitar in Tiny Bradshaw‘s orchestra. After his father’s death in 1939, Jackie’s musical education was continued by his godfather, his record-store-owning stepfather, and several noted teachers. He also received informal tutoring from neighbors Thelonious Monk, Bud Powell, and Charlie Parker. During high school he played in a band with Kenny Drew, Sonny Rollins, and Andy Kirk Jr. (the tenor saxophonist son of Andy Kirk).

Walter Dewey Redman (May 17, 1931 – September 2, 2006) was an American jazz saxophonist, known for performing free jazz as a bandleader, and with Ornette Coleman and Keith Jarrett.

Redman played mainly tenor saxophone, though he occasionally doubled on alto saxophone, played the Chinese suona (which he called a musette) and on rare occasions played the clarinet.

His son is saxophonist Joshua Redman.

Redman was born in Fort Worth, Texas. He attended I.M. Terrell High School, and played in the school band with Ornette Coleman, Prince Lasha and Charles Moffett. After high school, Redman briefly enrolled in the electrical engineering program at the Tuskegee Institute in Alabama, but became disillusioned with the program and returned home to Texas. In 1953, Redman earned a bachelor’s degree in Industrial Arts from Prairie View Agricultural and Mechanical University.

https://www.youtube.com/watch?v=qEaqZdWVFRg

Zimbabwe’s most celebrated young band with their powerful Afro Fusion and Zim Rock music.

https://www.youtube.com/watch?v=1_h6bMjTZpw&index=1&list=PLEB3LPVcGcWZ0hsQ5_jgSMhawAnDzy1io

NGC 3603 is a starburst region : a cosmic factory where stars form frantically from the nebula’s extended clouds of gas and dust. Located 22,000 light-years away from the Sun, it is the closest region of this kind known in our galaxy, providing astronomers with a local test bed for studying the intense star formation processes, very common in other galaxies, but hard to observe in detail because of their large distance.

The newly released image, obtained with the FORS instrument attached to one of the four 8.2-metre VLT Unit Telescopes at Cerro Paranal, Chile, is a three-colour combination of exposures acquired through visible and near-infrared (V, R, I) filters. This image portrays a wider field around the stellar cluster and reveals the rich texture of the surrounding clouds of gas and dust. The field of view is 7 arcminutes wide.

About 20,000 light-years away

Jeremy Webster “Fred” Frith (born 17 February 1949) is an English multi-instrumentalist, composer, and improvisor.

Probably best known for his guitar work, Frith first came to attention as one of the founding members of the English avant-rock group Henry Cow. He was also a member of the groups Art Bears, Massacre, and Skeleton Crew. He has collaborated with a number of prominent musicians, including Robert Wyatt, Derek Bailey, the Residents, Lol Coxhill, John Zorn, Brian Eno, Mike Patton, Lars Hollmer, Bill Laswell, Iva Bittová, Jad Fair, Kramer, the ARTE Quartett, and Bob Ostertag. He has also composed several long works, including Traffic Continues (1996, performed 1998 by Frith and Ensemble Modern) and Freedom in Fragments (1993, performed 1999 by Rova Saxophone Quartet). Frith produces most of his own music, and has also produced many albums by other musicians, including Curlew, the Muffins, Etron Fou Leloublan, and Orthotonics.

Frith is the subject of Nicolas Humbert and Werner Penzel’s award-winning 1990 documentary Step Across the Border. He also appears in the Canadian documentary Act of God, which is about the metaphysical effects of being struck by lightning. Frith has contributed to a number of music publications, including New Musical Express and Trouser Press, and has conducted improvising workshops across the world. Frith’s career spans over four decades and he appears on over 400 albums. He still performs actively throughout the world.

Currently Frith is Professor of Composition in the Music Department at Mills College in Oakland, California. He lives in the United States with his wife, German photographer Heike Liss, and their children, Finn Liss (born 1991) and Lucia Liss (born 1994).

William Emanuel Cobham Jr. (born May 16, 1944) is a Panamanian-American jazz drummer who came to prominence in the late 1960s and early 1970s with trumpeter Miles Davis and then with the Mahavishnu Orchestra. According to AllMusic‘s reviewer, Cobham is “generally acclaimed as fusion’s greatest drummer”. He was inducted into the Modern Drummer Hall of Fame in 1987 and the Classic Drummer Hall of Fame in 2013.

Born in Colón, Panama, Cobham moved with his family to Brooklyn, New York, when he was three. His father worked as a hospital statistician during the week and played piano on weekends. Cobham started on drums at age four and joined his father four years later. When he was fourteen, he got his first drum kit as a gift after being accepted to The High School of Music & Art in New York City.He was drafted in 1965, and for the next three years he played with a U.S. Army band

Betty Carter (born Lillie Mae Jones; May 16, 1929 – September 26, 1998) was an American jazz singer known for her improvisational technique, scatting and other complex musical abilities that demonstrated her vocal talent and imaginative interpretation of lyrics and melodies. Vocalist Carmen McRae once remarked: “There’s really only one jazz singer—only one: Betty Carter.”

Carter was born in Flint, Michigan, and grew up in Detroit, where her father, James Jones, was the musical director of a Detroit church and her mother, Bessie, was a housewife.

Vera Bílá is a Czech Roma, although her family originates from the Gypsy shantytowns of Slovakia. She smokes heavily, eats with gusto, and loves to eat donuts. Her hard life is evident in her voice but she’s succeeded in becoming the Czech Republic’s best-known and most successful Gypsy performer.

Using ESO’s Very Large Telescope, an international team of astronomers has discovered a stunning rare case of a triple merger of galaxies. This system, which astronomers have dubbed ‘The Bird’ – although it also bears resemblance with a cosmic Tinker Bell – is composed of two massive spiral galaxies and a third irregular galaxy.

650 million light-years from Earth. Keep in mind one light year is about 5.88 trillion miles.

In this image, a 30-min VLT/NACO K-band exposure has been combined with archive HST/ACS B and I-band images to produce a three-colour image of the ‘Bird’ interacting galaxy system. The NACO image has allowed astronomers to not only see the two previously known galaxies, but to identify a third, clearly separate component, an irregular, yet fairly massive galaxy that seems to form stars at a frantic rate.

Brian Peter George St John le Baptiste de la Salle Eno, RDI (/ˈiːnoʊ/; born 15 May 1948 and originally christened Brian Peter George Eno) is an English musician, composer, record producer, singer, writer, and visual artist. He is best known for his pioneering work in ambient music and contributions to rock, pop, electronic, and generative music. A self-described “non-musician”, Eno has helped to introduce a variety of unique conceptual approaches and recording techniques into contemporary music, advocating a methodology of “theory over practice” throughout his career. He has been described as one of popular music‘s most influential and innovative figures.

Born in Suffolk, Eno studied painting and experimental music at the art school at Ipswich Civic College in the mid 1960s and then at Winchester School of Art. He joined glam rock group Roxy Music as synthesiser player in 1971. After recording two albums with the band, he departed in 1973 to record a number of solo albums, coining the term “ambient music” to describe his work on releases such as Another Green World (1975), Discreet Music (1975), and Music for Airports (1978). Meanwhile, he took part in frequent collaborations with artists such as Robert Fripp, Cluster, Harold Budd, David Bowie on his “Berlin Trilogy“, and David Byrne, as well as beginning a parallel career as a producer, which included work on albums by Talking Heads and Devo, the ‘no wave‘ compilation No New York (1978), and recordings by artists including John Cale, Jon Hassell, Laraaji, and Budd amongst others.

Since then, Eno has continued to record solo albums whilst also collaborating with and producing other artists, including U2, Laurie Anderson, Grace Jones, Slowdive, Coldplay, James Blake, and Damon Albarn. Dating back to his time as a student, he has also worked in other media, including sound installations and his mid-70s co-development of Oblique Strategies, a deck of cards featuring cryptic aphorisms intended to spur creative thinking. From the 1970s onwards, Eno’s installations have included the sails of the Sydney Opera House in 2009 and the Lovell Telescope at Jodrell Bank in 2016. An advocate of a range of humanitarian causes, Eno writes on a variety of subjects and is a founder member of the Long Now Foundation.

Ellis Larkins (May 15, 1923 – September 30, 2002) was an American jazz pianist born in Baltimore, Maryland, perhaps best known for his two recordings with Ella Fitzgerald: the albums Ella Sings Gershwin (1950) and Songs in a Mellow Mood (1954).^[1] He was also the leader in the first solo sides by singer Chris Connor on her album Chris (1954).

Larkins was the first African American to attend the Peabody Conservatory of Music, a well-known institute in Baltimore. He began his professional playing career in New York City after moving there to attend the Juilliard School. Following school Larkins performed jazz piano with Billy Moore and Edmond Hall. He recorded with Coleman Hawkins, Mildred Bailey, and Dicky Wells in the 1940s. In the 1950s he recorded with Ella Fitzgerald, Ruby Braff, and Beverly Kenney. His 1960s work included recordings or performances with Eartha Kitt, Joe Williams, Helen Humes, Georgia Gibbs and Harry Belafonte.

L. C. “Good Rockin'” Robinson (born Louis Charles Robinson; May 15, 1915 – September 26, 1976) was an American blues singer, guitarist, and fiddle player. He played an electric steel guitar.

Robinson was born in Brenham, Texas, United States. He learned to play guitar at nine years-old; supposedly Robinson was mentored by gospel blues singer-guitarist Blind Willie Johnson in the bottleneck style. Later in his career, he was introduced to the steel guitar by Western swingmusician Leon McAuliffe, and became a noted fiddle player, who instructed Sugarcane Harris. His brother, harmonica player A. C. Robinson, collaborated with L.C. Robinson in Texas in the 1930s, and later the two performed and recorded together in a band in California in the 1940s.

Gothart, a historical music ensemble, was founded in 1993. Five friends got together united by a common interest to restore medieval music. Their repertoire at that time focused mainly on the Czech Gothic production. Opuses originating in other European countries have enriched the repertoire since 1994. The band extended its set of instruments and covered also works by German minnesingers, French troubadours and the music of medieval Spain.

https://www.youtube.com/watch?v=r8uAnn4OnRs