Ida Cox (born Ida M. Prather, February 26, 1888 or 1896 – November 10, 1967 Toccoa, GA) was an American singer and vaudeville performer, best known for her blues performances and recordings. She was billed as “The Uncrowned Queen of the Blues”

René Thomas (25 February 1927 in Liège, Belgium – 3 January 1975, Santander, Spain) was a jazz guitarist from Belgium.

He began recording in 1943 with Hubert Simplisse et Son Ensemble. After World War II, he was a member of the Bop Shots with Jacques Pelzer and Bobby Jaspar, who remained a llifelong friend.

In the early 1950s, he moved to Paris and became part of the modern jazz scene, playing in the style of Jimmy Raney that was popular at the time. In 1954 and 1956, he recorded albums for Barclay Records and Polydor Records. His reputation as a virtuoso guitarist spread rapidly in the jazz world, though fame eluded him.

In 1956, he moved to Canada, where he played regularly for the Montreal Jazz Society and met Sonny Rollins. Rollins invited him to a concert in Philadelphia and to record the album Sonny Rollins and the Big Brass Trio.

While in the U.S., he played with Toshiko Akiyoshi and Bobby Jaspar and recorded with her on her 1958 album United Notions. In 1960, he made his American debut as a leader with the album Guitar Groove.

Returning to Europe in 1962, he toured and recorded with Chet Baker, Bobby Jaspar, Kenny Clarke, Eddy Louiss, Stan Getz, Lucky Thompson, Sonny Criss, Jacques Pelzer, Lou Bennett, Charles “Lolo” Bellonzi and Ingfried Hoffmann.

In 1971, Stan Getz saw him and his group at the Blue Note in Paris and picked the three of them up, Thomas, organist Eddy Louiss and drummer Bernard Lubat, for a quartet date at Ronnie Scott’s in London. Recordings from three days of their sessions were captured by Beatles’ producer George Martin for the album Dynasty.

Thomas died of a heart attack in Santander, Spain at the age of 47 on 3 January 1975

World Music with Sivuca from Brazil

https://www.youtube.com/watch?v=Ra8IbQ7-vcc

Daily Roots with Prince Far I Dub

2-25-18

https://www.youtube.com/watch?v=xb94YIMwL2A&list=PLEB3LPVcGcWZ0hsQ5_jgSMhawAnDzy1io&index=1&t=0s

Performing at the Mt Zion Shabbat Service
at the Mussar for Everyone Shabbat Retreat
Saturday February 24th 10am
at Camp Butwin in Egan
Performing this Mumford & Sons song

From our vantage point in the Milky Way Galaxy, we see NGC 6946 face-on. The big, beautiful spiral galaxy is located just 10 million light-years away, behind a veil of foreground dust and stars in the high and far-off constellation of Cepheus. From the core outward, the galaxy’s colors change from the yellowish light of old stars in the center to young blue star clusters and reddish star forming regions along the loose, fragmented spiral arms. NGC 6946 is also bright in infrared light and rich in gas and dust, exhibiting a high star birth and death rate. In fact, since the early 20th century at least nine supernovae, the death explosions of massive stars, were discovered in NGC 6946. Nearly 40,000 light-years across, NGC 6946 is also known as the Fireworks Galaxy. This remarkable portrait of NGC 6946 is a composite that includes image data from the 8.2 meter Subaru Telescope on Mauna Kea.

George Harrison MBE (25 February 1943 – 29 November 2001) was an English guitarist, singer-songwriter, and producer who achieved international fame as the lead guitarist of the Beatles. Often referred to as “the quiet Beatle”, Harrison embraced Indian culture and helped broaden the scope of popular music through his incorporation of Indian instrumentation and Hindu-aligned spirituality in the Beatles’ work. Although the majority of the band’s songs were written by John Lennon and Paul McCartney, most Beatles albums from 1965 onwards contained at least two Harrison compositions. His songs for the group included “Taxman“, “Within You Without You“, “While My Guitar Gently Weeps“, “Here Comes the Sun” and “Something“, the last of which became the Beatles’ second-mostcovered song.

Harrison’s earliest musical influences included George Formby and Django Reinhardt; Carl Perkins, Chet Atkins and Chuck Berry were subsequent influences. By 1965, he had begun to lead the Beatles into folk rock through his interest in the Byrds and Bob Dylan, and towards Indian classical music through his use of thesitar on “Norwegian Wood (This Bird Has Flown)“. Having initiated the band’s embracing of Transcendental Meditation in 1967, he subsequently developed an association with the Hare Krishna movement. After the band’s break-up in 1970, Harrison released the triple album All Things Must Pass, a critically acclaimed work that produced his most successful hit single, “My Sweet Lord“, and introduced his signature sound as a solo artist, the slide guitar. He also organised the 1971 Concert for Bangladesh with Indian musician Ravi Shankar, a precursor for later benefit concerts such as Live Aid. In his role as a music and film producer, Harrison produced acts signed to the Beatles’ Apple record label before founding Dark Horse Records in 1974 and co-founding HandMade Films in 1978.

Harrison released several best-selling singles and albums as a solo performer. In 1988, he co-founded the platinum-selling supergroup the Traveling Wilburys. A prolific recording artist, he was featured as a guest guitarist on tracks by Badfinger, Ronnie Wood and Billy Preston, and collaborated on songs and music with Dylan, Eric Clapton, Ringo Starr and Tom Petty, among others. Rolling Stone magazine ranked him number 11 in their list of the “100 Greatest Guitarists of All Time”. He is a two-time Rock and Roll Hall of Fame inductee – as a member of the Beatles in 1988, and posthumously for his solo career in 2004.^[4]

Harrison’s first marriage, to model Pattie Boyd in 1966, ended in divorce in 1977. The following year he married Olivia Arias, with whom he had a son, Dhani. Harrison died in 2001, aged 58, from lung cancer that was attributed to years of cigarette smoking. His remains were cremated and the ashes were scattered according to Hindu tradition in a private ceremony in the Ganges and Yamuna rivers in India. He left an estate of almost £100 million.

https://www.youtube.com/watch?v=1TVF-tAcocs&t=77s

David “Fathead” Newman (February 24, 1933 – January 20, 2009) was an American jazz and rhythm-and-blues saxophonist who made numerous recordings as a session musician and leader, but is best known for his work as a sideman on seminal 1950s and early 1960s recordings by singer-pianist Ray Charles.

The All Music Guide to Jazz wrote that “there have not been many saxophonists and flutists more naturally soulful than David “Fathead” Newman,” and that “one of jazz’s and popular music’s great pleasures is to hear, during a vocalist’s break, the gorgeous, huge Newman tones filling the space . . . .” Newman is sometimes cited as a leading exponent of the so-called “Texas Tenor” saxophone style, which refers to the many big-toned, bluesy jazz tenor players from that state.

Newman was born in Corsicana, Texas, on February 24, 1933, but grew up in Dallas, where he studied first the piano and then the saxophone. According to one account, he got his nickname “Fathead” in school when “an outraged music instructor used it as an epithet after catching Mr. Newman playing a Sousa march from memory rather than from reading the sheet music, which rested upside down on the stand.

Clyde Hart (1910 – March 19, 1945) was an American jazz pianist and arranger. He was an important figure in the transition from swing to bebop.

Hart was born in Baltimore, Maryland, in 1910. He started his career as a professional jazz pianist in 1929 when he joined Gene Coy‘s ensemble. He was also part of Jap Allen‘s band from 1929 to 1931.Hart played piano in Blanche Calloway‘s big band from 1931 to 1935 and was based in New York City from 1936.

In the late 1930s he played with Lionel Hampton and Chu Berry. In the first half of the 1940s he played with John Kirby, Roy Eldridge and Hot Lips Page, among others. In the last few months before his death Hart collaborated with some of the most important figures of the bebop era, such as Charlie Parker, Dizzy Gillespie and Don Byas, and led recording three sessions. He died of tuberculosis in March 1945, at the age of 35

World Music with Camara Aboubacar from Guinea

Daily Roots with Sly Dunbar

2-24-18

The Flame Nebula, designated as NGC 2024 and Sh2-277, is an emission nebula in the constellation Orion. It is about 900 to 1,500 light-years away.

The bright star Alnitak (ζ Ori), the easternmost star in the Belt of Orion, shines energetic ultraviolet light into the Flame and this knocks electrons away from the great clouds of hydrogen gas that reside there. Much of the glow results when the electrons and ionized hydrogen recombine. Additional dark gas and dust lies in front of the bright part of the nebula and this is what causes the dark network that appears in the center of the glowing gas. The Flame Nebula is part of the Orion Molecular Cloud Complex, a star-forming region that includes the famous Horsehead Nebula.

At the center of the Flame Nebula is a cluster of newly formed stars, 86% of which have circumstellar disks.X-ray observations by the Chandra X-ray Observatory show several hundred young stars, out of an estimated population of 800 stars. X-ray and infrared images indicate that the youngest stars are concentrated near the center of the cluster.

Wayne Escoffery (born 23 February 1975 in London, England) is a jazz saxophonist based in New York City.

Since 2000, he has been working in New York City with Carl Allen, Eric Reed, and the Mingus Big Band. Other musicians performed with include Ralph Peterson, Ben Riley, Ron Carter, Rufus Reid, Bill Charlap, Bruce Barth, Jimmy Cobb, and Eddie Henderson. He has worked with vocalists including Mary Stallings, Cynthia Scott, Nancie Banks, LaVerne Butler, and Carolyn Leonhart.

John Dawson Winter III (February 23, 1944 – July 16, 2014), known as Johnny Winter, was an American musician, singer, songwriter, multi-instrumentalist and producer. Best known for his high-energy blues-rock albums and live performances in the late 1960s and 1970s, Winter also produced three Grammy Award-winning albums for blues singer and guitarist Muddy Waters. After his time with Waters, Winter recorded several Grammy-nominated blues albums. In 1988, he was inducted into the Blues Foundation Hall of Fame and in 2003, he was ranked 63rd in Rolling Stonemagazine’s list of the “100 Greatest Guitarists of All Time“.

Johnny Winter was born in Beaumont, Texas, on February 23, 1944. Winter and younger brother Edgar (born 1946) were nurtured at an early age by their parents in musical pursuits. Johnny and his brother, both of whom were born with albinism, began performing at an early age. When he was ten years old, the brothers appeared on a local children’s show with Johnny playing ukulele.

His recording career began at the age of fifteen, when his band Johnny and the Jammers released “School Day Blues” on a Houston record label.During this same period, he was able to see performances by classic blues artists such as Muddy Waters, B.B. King, and Bobby Bland. In the early days, Winter would sometimes sit in with Roy Head and the Traits when they performed in the Beaumont area, and in 1967, Winter recorded a single with the Traits: “Tramp” backed with “Parchman Farm” (Universal Records 30496). In 1968, he released his first album The Progressive Blues Experiment, on Austin’s Sonobeat Records.

Hall Franklin Overton (February 23, 1920 – November 24, 1972) was an American composer, jazz pianist and music teacher. He was born in Bangor, Michigan, the first of the three sons of Stanford and Ruth (Barnes) Overton. He grew up in Grand Rapids, Michigan.

After taking piano lessons as a youngster, Overton realized he’d have to travel beyond his small Midwestern town to find the kind of music instruction he wanted. His high school music teacher recognized Overton’s gift and recommended he attend The Chicago Musical College after graduation. Overton studied theory and composition there from 1940 to 1942. He then entered the armed services and served in overseas combat duty with the U.S. 3rd Armored Division until 1945. It was during his time in the service that he learned to play jazz.

On discharge from the army, Overton continued his musical studies at The Juilliard School of Music, studying composition with Vincent Persichetti. He graduated in 1951 with an M.S. degree, then became a member of the faculty there.

While Overton was writing classical compositions, he was also deeply immersed in jazz, and recorded with such jazz notables as Stan Getz, Duke Jordan, Jimmy Raney and Teddy Charles. Thelonious Monk selected him to score his piano works for orchestra; a performance of these compositions in New York City was recorded live on February 28, 1959 and released on the album The Thelonious Monk Orchestra at Town Hall. In 1963, Monk recorded a second live album with orchestral arrangements by Overton at the New York Philharmonic Hall, released as Big Band and Quartet in Concert.

World Music on Flamenco Fridays with José Antonio Rodríguez

Performing Alegrías.

Alegrías (Spanish pronunciation: [aleˈɣɾi.as]) is a flamenco palo or musical form, which has a rhythm consisting of 12 beats. It is similar to Soleares. Its beat emphasis is as follows: 1 2 [3] 4 5 [6] 7 [8]9 [10] 11 [12]. Alegrías originated in Cádiz. Alegrías belongs to the group of palos called Cantiñas and it is usually played in a lively rhythm (120-170 beats per minute). The livelier speeds are chosen for dancing, while quieter rhythms are preferred for the song alone.

One of the structurally strictest forms of flamenco, a traditional dance in alegrías must contain each of the following sections: a salida (entrance), paseo (walkaround), silencio (similar to an adagio in ballet), castellana (upbeat section) zapateado (Literally “a tap of the foot”) and bulerías. This structure though, is not followed when alegrías are sung as a standalone song (with no dancing). In that case, the stanzas are combined freely, sometimes together with other types of cantiñas.

https://www.youtube.com/watch?v=TCOFf_7FjqU

Daily Roots with the Revolutionaries

2-23-18

The Rosette Nebula (also known as Caldwell 49) is a large spherical H II region (circular in appearance) located near one end of a giant molecular cloud in the Monoceros region of the Milky Way Galaxy. The open cluster NGC 2244 (Caldwell 50) is closely associated with the nebulosity, the starsof the cluster having been formed from the nebula’s matter.

The complex has the following NGC designations:

• NGC 2237 – Part of the nebulous region (Also used to denote whole nebula)
• NGC 2238 – Part of the nebulous region
• NGC 2239 – Part of the nebulous region (Discovered by John Herschel)
• NGC 2244 – The open cluster within the nebula (Discovered by John Flamsteed in 1690)
• NGC 2246 – Part of the nebulous region

The cluster and nebula lie at a distance of some 5,000 light-years from Earth) and measure roughly 130 light years in diameter. The radiation from the young stars excites the atoms in the nebula, causing them to emit radiation themselves producing the emission nebula we see. The mass of the nebula is estimated to be around 10,000 solar masses.

A survey of the nebula with the Chandra X-ray Observatory has revealed the presence of numerous new-born stars inside optical Rosette Nebula and studded within a dense molecular cloud. Altogether, approximately 2500 young stars lie in this star-forming complex, including the massive O-type stars HD 46223 and HD 46150, which are primarily responsible for blowing the ionized bubble. Most of the ongoing star-formation activity is occurring in the dense molecular cloud to the south east of the bubble.^[6]

A diffuse X-ray glow is also seen between the stars in the bubble, which has been attributed to a super-hot plasma with temperatures ranging from 1 to 10 million K.^[7] This is significantly hotter than the 10,000 K plasmas seen in HII regions, and is likely attributed to the shock-heated winds from the massive O-type stars.

Joe LaBarbera (born February 22, 1948) is an American jazz drummer and composer. He is best known for his recordings and live performances with the trio of pianist Bill Evans in the final years of Evans’s career.^[1] Prior to joining Evans he worked in the quartet of Chuck Mangione and Joe Farrell.

He was born in Mount Morris, New York, younger brother to saxophonist Pat LaBarbera, and trumpeter and arranger/composer John LaBarbera. He was formally educated at the Berklee College of Music in Boston, Massachusetts.

LaBarbera in 1978

After Berklee he spent two years with the US Army band at Fort Dix, New Jersey. He began his professional career playing with Woody Herman and the Thundering Herd, followed by the Chuck Mangione Quartet.

He then moved to New York and spent two years freelancing with a number of notable musicians, including Jim Hall,^[2] Phil Woods, Art Farmer, Gary Burton, Art Pepper, John Scofield, Bob Brookmeyer and Toots Thielmans.

Ernest Kador Jr. (February 22, 1933 – July 5, 2001), known by the stage name Ernie K-Doe, was an African-American rhythm-and-blues singer best known for his 1961 hit single “Mother-in-Law“, which went to number 1 on the Billboard pop chart in the U.S.

Born in New Orleans, K-Doe recorded as a member of the group the Blue Diamonds in 1954 before making his first solo recordings the following year. “Mother-in-Law“, written by Allen Toussaint, was his first hit, reaching number 1 on both the Billboard pop chart and the Billboard R&B chart. K-Doe never had another top-40 pop hit, but “Te-Ta-Te-Ta-Ta” (number 21, 1961) and “Later for Tomorrow” (number 37, 1967) reached the R&B top 40.

In the 1980s K-Doe did radio shows on the New Orleans community stations WWOZ and WTUL. The shows were known for his explosively energetic announcements and frequent self-promotion (occasionally causing problems for the noncommercial station). K-Doe’s catch phrases included “Burn, K-Doe, Burn!”, “I’m a Charity Hospital Baby!” and (addressed to himself) “You just good, that’s all!”. For a time he billed himself as “Mister Naugahyde”, until he was ordered to desist by the owners of the Naugahyde trademark. K-Doe then explained that it was a misunderstanding; he was actually referring to himself as “Mister M-Nauga-Ma-Hyde”, a word he invented himself.