mick laBriola

PLAYING FOR CHANGE

We are proud to release a new video from our Live Outside series recently recorded and filmed in the ancient West African Village of Kirina, Mali. This performance features Mahamadou Diabate and Sayba Diabate on the traditional instruments, calabash and kora, as well as PFC Band member, Roberto Luti, on steel guitar. This village is the home of one of our PFC Foundation music programs—Ecole de Musique de Kirina, and also holds the roots to traditional Mali music and the Blues.

Performing at Mt Zion
Shabbat Service
Friday 5-11-18 7pm

This pretty cosmic cloud lies some 1,500 light-years away, it shape and color reminiscent of a blue robin’s egg. It spans about 3 light-years, nested securely within the boundaries of the southern constellation Fornax. Recognized as a planetary nebula it doesn’t represent a beginning though, but instead corresponds to a brief and final phase in the evolution of an aging star. In fact, visible in the telescopic image the central star of NGC 1360 is known to be a binary star system likely consisting of two evolved white dwarf stars, less massive but much hotter than the Sun. Their intense and otherwise invisible ultraviolet radiation has stripped away electrons from the atoms in the surrounding gaseous shroud. The predominant blue-green hue of NGC 1360 seen here is the strong emission produced as electrons recombine with doubly ionized oxygen atoms.

Carla Bley (née Lovella May Borg; born May 11, 1936) is an American jazz composer, pianist, organist and bandleader. An important figure in the free jazz movement of the 1960s, she is perhaps best known for her jazz opera Escalator over the Hill (released as a triple LP set), as well as a book of compositions that have been performed by many other artists, including Gary Burton, Jimmy Giuffre, George Russell, Art Farmer, John Scofield and her ex-husband Paul Bley.

Carla Bley at Keystone Korner, San Francisco 1979

Bley was born in Oakland, California to Emil Borg (1899-1990), a piano teacher and church choirmaster, who encouraged her to sing and to learn to play the piano, and Arline Anderson (1907-1944), who died when Bley was 8 years old. After giving up the church to immerse herself in roller skatingat the age of fourteen, she moved to New York at seventeen and became a cigarette girl at Birdland, where she met jazz pianist Paul Bley. She toured with him under the name Karen Borg, before she changed her name in 1957 to Carla Borg and married Paul Bley the same year adapting the Bley name. He encouraged her to start composing. The couple later divorced but she kept his surname professionally.

Freddie Roach (May 11, 1931 – October 3, 1980) was a soul jazz Hammond B3 organist born in the Bronx, New York. He was one of a handful of legendary jazz organists that made history in the 1960s, the golden era of the Hammond organ. Roach made his record debut in 1960 with saxophonist Ike Quebec on the albums Heavy Soul and It Might as Well Be Spring and played with Willis Jackson. From 1962-64 he recorded 5 albums as a leader for the Blue Note Records label and also recorded with Donald Byrd on the album I’m Tryin’ to Get Home. His Blue Note album Mo’ Greens Please is perhaps one of the greatest 10 jazz organ sides ever recorded^{[citation needed]}. Roach’s original writing, steady basslines, and highly musical fleet-fingered right hand set him apart. From 1966-67 he recorded three more albums as a leader for Prestige Records, which are in a more commercial vein than his Blue Note dates. He left the music business in 1970 and became involved in theater, playwriting and film. Reportedly, he moved to California to the film industry, where he suffered a heart attack and died in 1980.

Roach was a soulful organist, certainly influenced by Jimmy Smith, but with a distinct sound and a quite original concept, which was perhaps best heard on “Good Move” for Blue Note. His Blue Note albums are critically acclaimed.

https://www.youtube.com/watch?v=JXgEaq2xVIM

World Music on Flamenco Fridays with

Kiki Morente y Juan Habichuela

None Shall Escape Dub

Large galaxies grow by eating small ones. Even our own galaxy practices galactic cannibalism, absorbing small galaxies that get too close and are captured by the Milky Way’s gravity. In fact, the practice is common in the universe and illustrated by this striking pair of interacting galaxies from the banks of the southern constellation Eridanus, The River. Located over 50 million light years away, the large, distorted spiral NGC 1532 is seen locked in a gravitational struggle with dwarf galaxy NGC 1531 (right of center), a struggle the smaller galaxy will eventually lose. Seen edge-on, spiral NGC 1532 spans about 100,000 light-years. Nicely detailed in this sharp image, the NGC 1532/1531 pair is thought to be similar to the well-studied system of face-on spiral and small companion known as M51.

Donovan Philips Leitch (born 10 May 1946) is a Scottish-born singer, songwriter and guitarist. He developed an eclectic and distinctive style that blended folk, jazz, pop, psychedelia, and world music (notably calypso). He has lived in Scotland, Hertfordshire (England), London, California, and since at least 2008 in County Cork, Ireland, with his family.Emerging from the British folk scene, Donovan reached fame in the United Kingdom in early 1965 with live performances on the pop TV series Ready Steady Go!.

Having signed with Pye Records in 1965, he recorded singles and two albums in the folk vein, after which he signed to CBS/Epic Records in the US – the first signing by the company’s new vice-president Clive Davis – and became more successful internationally. He began a long and successful collaboration with leading British independent record producer Mickie Most, scoring multiple hit singles and albums in the UK, US, and other countries.

His most successful singles were the early UK hits “Catch the Wind“, “Colours” and “Universal Soldier” in 1965. In September 1966 “Sunshine Superman” topped America’s Billboard Hot 100 chart for one week and went to number two in Britain, followed by “Mellow Yellow” at US No. 2 in December 1966, then 1968’s “Hurdy Gurdy Man” in the Top 5 in both countries, then “Atlantis“, which reached US No. 7 in May 1969.

He became a friend of pop musicians including Joan Baez, Brian Jones and The Beatles. He taught John Lennon a finger-picking guitar style in 1968 that Lennon employed in “Dear Prudence“, “Julia“, “Happiness Is a Warm Gun” and other songs. Donovan’s commercial fortunes waned after parting with Most in 1969, and he left the industry for a time.

Donovan continued to perform and record sporadically in the 1970s and 1980s. His musical style and hippie image were scorned by critics, especially after punk rock. His performing and recording became sporadic until a revival in the 1990s with the emergence of Britain’s rave scene. He recorded the 1996 album Sutras with producer Rick Rubin and in 2004 made a new album, Beat Cafe. Donovan was inducted into the Rock and Roll Hall of Fame in 2012 and the Songwriters Hall of Fame in 2014.

Ahmed Abdullah (born Leroy Bland; May 10, 1947) is a jazz trumpeter who was a prominent member of Sun Ra‘s band.

Leroy Bland began performing at age 13 in his native New York City. By the 1970s he was performing in New York’s loft scene, and joined the Sun Ra Arkestra in 1976, working there on and off until 1993, when Sun Ra died. During that time Abdullah participated in more than 25 recordings and traveled extensively with Sun Ra. He has performed with Chico Freeman, Charles Brackeen, Steve Reid, John Hicks and Marion Brown, among others. He led his own “Solomonic Quintet” and recorded for Silkheart and Cadence Jazz.

Mel Lewis (May 10, 1929 – February 2, 1990) was an American jazz drummer, session musician, professor, and author. He received fourteen Grammy Award nominations.

Lewis was born Melvin Sokoloff in Buffalo, New York, to Russian-Jewish immigrant parents Samuel and Mildred Sokoloff. He started playing professionally as a teen, eventually joining Stan Kenton in 1954. His musical career brought him to Los Angeles in 1957 and New York City in 1963.

In 1966 in New York, he teamed up with Thad Jones to lead the Thad Jones/Mel Lewis Orchestra. The group started as informal jam sessions with the top studio and jazz musicians of the city, but eventually began performing regularly on Monday nights at the famed venue, the Village Vanguard. In 1979, the band won a Grammy for their album Live in Munich. Like all of the musicians in the band, it was only a sideline. In 1976, he released an album titled Mel Lewis and Friends that featured him leading a smaller sextet that allowed freedom and improvisation.

Orlando “Puntilla” Rios was born December 26, 1947 in Havana, Cuba. He was a master batá drummer. Orlando “Puntilla” Rios formed the group Nueva Generación shortly after his arrival in New York in 1981. He did this in order to preserve and present the sacred music and dance of santería and the various secular forms of rumba.

https://www.youtube.com/watch?v=Pero2scoMXc

Termination Dub

https://www.youtube.com/watch?v=KPlrhgPSrC0

The Red Rectangle Nebula (HD 44179), so called because of its red color and unique rectangular shape, is a bipolar protoplanetary nebula, located about 2,300 light-years away toward the constellation Monoceros.

Protoplanetary nebula are formed by old stars, on their way to becoming planetary nebulae. In a few thousand years, once the expulsion of mass is complete, a very hot white dwarf star will remain and its brilliant ultraviolet radiation will cause the surrounding gas to glow.

The star at the centre of the Red Rectangle, known as MWC 922, was similar to our Sun but is now ejecting its outer layers to make the nebula, and giving it the distinctive shape. The shedding of the outer layers began about 14,000 years ago and is ejected from the star in two opposing directions.

It also appears that the star is a binary system, a close pair of stars that orbit each other with a period of about 10 1/2 months. Interactions between these stars have probably caused the ejection of the thick dust disk that obscures our view of the binary. It is an infrared source; stars surrounded by clouds of dust are often strong infrared sources because the dust is heated by the starlight and radiates long-wavelength light.

The disk has funneled subsequent outflows in the directions perpendicular to the disk, forming the bizarre bi- conical structure we see as the Red Rectangle. The reasons for the periodic ejections of more gas and dust remain unknown.

Seen from space, the Red Rectangle is not really rectangular, but has an overall X-shaped structure with additional complex structures of spaced lines of glowing gas, a little like the rungs of a ladder, which is interpreted as arising from outflows of gas and dust from the binary star in the center.

Astronomers are not yet certain which types of molecules are producing the red color that is so striking in the Red Rectangle, but suspect that they are hydrocarbons that form in the cool outflow from the central star.

They discovered the spectral signatures of anthracene and pyrene (hydrocarbons) in the ultraviolet light emitted by the nebula – potentially vital organic molecules for the formation of life. Until recently, it was thought that the ultraviolet light would quickly destroy these hydrocarbons.

Dennis Milton Chambers (born May 9, 1959), is an American drummer. He was inducted into the Modern Drummer Hall of Fame in 2001.

Chambers began drumming at the age of four years, and was gigging in Baltimore-area nightclubs by the age of six. He was recruited in 1981 by the Sugar Hill Label to be their “house drummer.” Chambers played on many Sugar Hill releases. Contrary to popular belief he did not play on “Rapper’s Delight” which was revealed in a recent interview on Drumeo.com on 6/8/2017.

In an interview by Bonedo in 2011, Chambers was asked who some of his influences and favorite drummers were and he mentioned Clyde Stubblefield, Al Jackson Jr., Steve Gadd, Vinnie Colaiuta, Gary Husband, Jack Dejohnette, Billy Cobham, Buddy Rich, Elvin Jones, Roy Haynes, and Tony Williams.

In 1978 (at 18 years old) he joined Parliament/Funkadelic, and stayed with them until 1985. In 1986 he joined the John Scofield band. Since then he has played with most of the major figures in jazz fusion music.

He has recorded and performed with Tommy Coster, John Scofield, George Duke, Victor Wooten, Brecker Brothers, Santana, Parliament/Funkadelic, John McLaughlin, Niacin, Mike Stern, CAB, Greg Howe, and many others

He has toured extensively with Carlos Santana and makes appearances with his band Niacin.

Paul Richard “Richie” Furay (born May 9, 1944) is an American singer, songwriter, and Rock & Roll Hall of Fame member who is best known for forming the bands Buffalo Springfield with Stephen Stills, Neil Young, Bruce Palmer, and Dewey Martin, and Poco with Jim Messina, Rusty Young, George Grantham and Randy Meisner. His best known song (originally written during his tenure in Buffalo Springfield, but eventually performed by Poco, as well) was “Kind Woman”, which he wrote for his wife, Nancy.

Richard Edwin Morrissey (9 May 1940 – 8 November 2000) was a British jazz musician and composer. He played the tenor sax, soprano sax and flute.

Dick Morrissey emerged in the early 1960s in the wake of Tubby Hayes, Britain’s pre-eminent sax player at the time. Self-taught, he started playing clarinet in his school band, The Delta City Jazzmen, at the age of sixteen with fellow pupils Robin Mayhew (trumpet), Eric Archer (trombone), Steve Pennells (banjo), Glyn Greenfield (drums), and young brother Chris on tea-chest bass. He then joined the Original Climax Jazz Band. Going on to join trumpeter Gus Galbraith‘s Septet, where alto-sax player Peter King introduced him to Charlie Parker‘s recordings, he began specialising on tenor saxophone shortly after.

Francisco Hernández Mora, better known as Pancho Quinto, was born on April 23, 1933. He was a Cuban rumba percussionist, teacher and founder of Yoruba Andabo.

Heavyweight Dub Champion

https://www.youtube.com/watch?v=c4XHAZ9hPcs