mick laBriola

Douglas Watkins (March 2, 1934 – February 5, 1962) was an American jazz double bassist from Detroit.

An original member of the Jazz Messengers, he later played in Horace Silver‘s quintet and freelanced with Gene Ammons, Kenny Burrell, Donald Byrd, Art Farmer, Jackie McLean, Hank Mobley,^[1] Lee Morgan, Sonny Rollins, and Phil Woods among others.

Some of Watkins’ best-known work can be heard when as a 22-year-old he appeared on the 1956 album, Saxophone Colossus by tenor saxophonist Sonny Rollins, with Max Roach and Tommy Flanagan. From that session, the tunes “Blue Seven” and “St. Thomas,” especially, have become revered not only as evidence of Rollins’ original genius but as fine examples of Watkins’ work.

According to Horace Silver‘s autobiography, Let’s Get to the Nitty Gritty, Watkins, along with Silver, later left Art Blakey’s Jazz Messengers because the other members of the band at the time (Kenny Dorham, Hank Mobley and Blakey) had serious drug problems, whereas Watkins and Silver were tired of being harassed and searched by the police every time they went to a gig in a new city and club.

https://www.youtube.com/watch?v=3hU93L-Ed44

World Music on Flamenco Fridays with Alfredo Caceres

Performing Bulerias

Daily Roots with Delroy Washington & Jah Shaka

3-2-18

NGC 7241 (other designations – PGC 68442 , UGC 11968 , MCG 3-56-20 , ZWG 451.24 , 2ZW 174 ) is a galaxy in the constellation Pegasus .

This object is among the listed in the original edition of the ” New Common Catalog “.

Distance‎: ‎300 Mly

Ralph Towner (born March 1, 1940, Chehalis, Washington) is an American multi-instrumentalist, composer, arranger and bandleader. He plays the twelve-string guitar, classical guitar, piano, synthesizer, percussion and trumpet.

Born in 1940 in Chehalis, Washington, Towner has made notable recordings of jazz, third stream under strong influence of folk and world music. He began his career as a conservatory-trained classical pianist, who picked up guitar in his senior year in college, then joined world music pioneer Paul Winter‘s “Consort” ensemble in the late 1960s. Along with bandmates Paul McCandless, Glen Moore, and Collin Walcott, Towner left the Winter Consort in 1970 to form the group Oregon, which over the course of the 1970s issued a number of highly influential records mixing folk music, Indianclassical forms, and avant-garde jazz-influenced free improvisation. At the same time, Towner began a longstanding relationship with the influential ECM record label, which has released virtually all of his non-Oregon recordings since his 1972 debut as a leader Trios / Solos. Towner has also made numerous appearances as a sideman, perhaps most famously on jazz fusion heavyweights Weather Report‘s 1972 album I Sing the Body Electric.

Towner eschews amplification, using only 6-string nylon-string and 12-string steel-string guitars. As a result, he tends to avoid high-volume musical environments, preferring small groups of mostly acoustic instruments that emphasize dynamics and group interplay. Towner also obtains a percussive effect (e.g., “Donkey Jamboree” from Slide Show with Gary Burton) from the guitar by weaving a matchbook among the strings at the neck of the instrument. Both with Oregon and as a solo artist, Towner has made significant use of overdubbing, allowing him to play piano (or synthesizer) and guitar on the same track; his most notable use of the technique came on his 1974 album Diary, in which he plays guitar-piano duets with himself on most of the album’s 8 tracks. In the 1980s, Towner began using the Sequential Circuits Prophet-5 synthesizer fairly extensively, but has since deemphasized his synthesizer and piano playing in favor of guitar.

Born into a musical family, his mother a piano teacher and his father a trumpet player, Towner learned to improvise on the piano at the age of three. He started trumpet lessons at the age of five, but did not take up guitar until attending the University of Oregon, where he also studied composition with Homer Keller. He first played jazz in New York City in the late 1960s as a pianist and was strongly influenced by the renowned jazz pianist Bill Evans. He began improvising on classical and 12-string guitars in the late 1960s/early 1970s; formed alliances with musicians who had worked with Evans, including flautist Jeremy Steig, bassists Eddie Gómez, Marc Johnson, Gary Peacock, and drummer Jack DeJohnette;

Two lunar craters were named by the Apollo 15 astronauts after two of Towner’s compositions, “Icarus” and “Ghost Beads.”

Towner now lives in Rome, Italy.

https://www.youtube.com/watch?v=XDCvxm0FGKo

Benny Powell (March 1, 1930 – June 26, 2010) was an African-American jazz trombonist. He played both standard (tenor) trombone and bass trombone.

Born Benjamin Gordon Powell Jr in New Orleans, Louisiana, he first played professionally at the age of 14, and at 18 began playing with Lionel Hampton. In 1951 he left Hampton’s band and began playing with Count Basie, in whose orchestra he would remain until 1963. Powell takes the trombone solo in the bridge of Basie’s 1955 recording of “April in Paris“.

After leaving Basie, he freelanced in New York City. From 1966 to 1970 he was a member of the Thad Jones–Mel Lewis Jazz Orchestra, playing on Monday nights at the Village Vanguard. Among other engagements, he played in the house band of the Merv Griffin Show, and when the show moved to Los Angeles, California, in 1970 Powell also relocated there. He did extensive work as a session musician, including with Abdullah Ibrahim, John Carter, and Randy Weston. Later in his career Powell worked as an educator, including as part of the Jazzmobile project. Having moved back to New York in the 1980s, he began teaching at the New School for Jazz and Contemporary Music in 1994.

He died in a Manhattan hospital at the age of 80, following back surgery.

Harry Belafonte (born Harold George Bellanfanti Jr.; March 1, 1927 Harlem, NY) is an American singer, songwriter, actor, and social activist. One of the most successful Jamaican-American pop stars in history, he was dubbed the “King of Calypso” for popularizing the Caribbean musical style (originating in Trinidad & Tobago) with an international audience in the 1950s. His breakthrough album Calypso (1956) is the first million-selling LP by a single artist. Belafonte is perhaps best known for singing “The Banana Boat Song“, with its signature lyric “Day-O”. He has recorded in many genres, including blues, folk, gospel, show tunes, and American standards. He has also starred in several films, most notably in Otto Preminger‘s hit musical Carmen Jones (1954), Island in the Sun (1957), and Robert Wise‘s Odds Against Tomorrow (1959).

Belafonte was an early supporter of the Civil Rights Movement in the 1950s and 1960s, and one of Martin Luther King Jr.‘s confidants. Throughout his career, he has been an advocate for political and humanitarian causes, such as the anti-apartheid movement and USA for Africa. Since 1987, he has been a UNICEF Goodwill Ambassador. In recent years, he has been a vocal critic of the policies of both the George W. Bush and Barack Obamapresidential administrations. Harry Belafonte now acts as the American Civil Liberties Union celebrity ambassador for juvenile justice issues.

Belafonte has won three Grammy Awards, including a Grammy Lifetime Achievement Award, an Emmy Award, and a Tony Award. In 1989, he received the Kennedy Center Honors. He was awarded the National Medal of Arts in 1994. In 2014, he received the Jean Hersholt Humanitarian Award at the Academy’s 6th Annual Governors Awards. In March 2014, he was awarded an honorary doctorate from Berklee College of Music in Boston.

World Fusion with Ghanian musician Guy One & Polyversal Souls

Daily Roots with Lord Creator

3-1-18

RHYTHM ROOTS WORKSHOP

Partnership Resources Inc Minneapolis

Wednesday February 28th 2018 noon-2pm

Exploring rhythms of the world with Tina, Ryann and Chan part of the Day Services program at PRI.

NGC 613 is a barred spiral galaxy located some 67 million light years away in the southern constellation of Sculptor. It is a candidate outlying member of the Sculptor Group, a gravitationally-bound group of galaxies. This galaxy was discovered in 1798 by German-English astronomer William Herschel, then re-discovered and catalogued by Scottish astronomer James Dunlop. It was first photographed in 1912, which revealed the spiral form of the nebula. During the twentieth century, radio telescope observations showed that a linear feature in the nucleus was a relatively strong source of radio emission.

NGC 613 is inclined by an angle of 37° to the line of sight from the Earth along a position angle of 125°. The morphological classification of NGC 613 is SBbc(rs), indicating that it is a spiral galaxy with a bar across the nucleus (SB), a weak inner ring structure circling the bar (rs), and moderate to loosely wound spiral arms (bc). The bar is relatively broad but irregular in profile with a position angle that varies from 115–124° and dust lanes located along the leading edges. Star formation is occurring at the ends of the bar and extending along the well-defined spiral arms. The central bulge is readily apparent, with a radius of 14″.

The classification of the nucleus is of type HII, indicating a match to the spectrum of an H II region. Near the core, the stars have a velocity dispersion of 136 ± 20 km/s. The nucleus is a source of radio emission with the form of an inner ring with a radius of about 1,100 ly (350 pc) and a linear feature that is perhaps perpendicular to it. The latter consists of three discrete blobs spanning approximately 2,000 ly (600 pc).Observations suggest the presence of a supermassive black hole at the core with a mass in the range (1.9–9.6) × 10⁷ times the mass of the Sun.

Lewis Brian Hopkin Jones (28 February 1942 – 3 July 1969) was an English musician, best known as founder and the original leader of the Rolling Stones. Initially a slide guitarist, Jones would go on to play a wide variety of instruments on Rolling Stones recordings and in concerts, such as rhythm and lead guitar, various keyboard instruments such as piano and organ, marimba, harmonica, sitar, wind instruments such as recorder, saxophone, oboe, and numerous others. Jones and fellow guitarist Keith Richards developed a unique style of guitar play that Richards refers to as the “ancient art of weaving” where both players would play both rhythm and lead parts together; Richards would carry the style on with later Stones guitarists and the sound would become a Rolling Stones trademark.

A few years after he founded the Rolling Stones as a British blues outfit in 1962, and gave the band its name, Jones’ fellow band members Mick Jagger and Keith Richards began to take over the band’s musical direction, especially after they became a successful songwriting team. Jones also did not get along with the band’s manager, Andrew Loog Oldham, who pushed the band into a musical direction at odds with Jones’s blues background. At the same time, Jones developed a drug problem, and his performance in the studio became increasingly unreliable, leading to a diminished role within the band he founded. The Rolling Stones asked Jones to leave in June 1969 and guitarist Mick Taylor took his place in the group. Jones died less than a month later by drowning in the swimming pool at his home while under the influence of drugs.

John Aloysius Fahey (February 28, 1939 – February 22, 2001 Washington DC) was an American fingerstyle guitarist and composer who played the steel-string acoustic guitar as a solo instrument. His style has been greatly influential and has been described as the foundation of American Primitive Guitar, a term borrowed from painting and referring mainly to the self-taught nature of the music and its minimalist style. Fahey borrowed from the folk and blues traditions in American roots music, having compiled many forgotten early recordings in these genres. He would later incorporate classical, Portuguese, Brazilian, and Indian music into his œuvre. He spent many of his later years in poverty and poor health, but enjoyed a minor career resurgence with a turn towards the more explicitly avant-garde, and created a series of abstract paintings during the last years of his life. He died in 2001 from complications from heart surgery. In 2003, he was ranked 35th in the Rolling Stone “The 100 Greatest Guitarists of All Time” list.

Willie Bobo was the stage name of William Correa (February 28, 1934 – September 15, 1983), a Latin and jazz percussionist of Puerto Ricanancestry.

William Correa grew up in Spanish Harlem, New York City. He made his name in Latin Jazz, specifically Afro-Cuban jazz, in the 1960s and 1970s, with the timbales becoming his favoured instrument. He met Mongo Santamaría shortly after his arrival in New York and studied with him while acting as his translator, and later at the age of 19 joined Tito Puente for four years.

The nickname Bobo is said to have been bestowed by the jazz pianist Mary Lou Williams in the early 1950s.

His first major exposure was when he joined George Shearing‘s band on the album The Shearing Spell. After leaving Shearing, Cal Tjader asked Bobo and Santamaría to become part of the Cal Tjader Modern Mambo Quintet, who released several albums as the mambo craze reached fever pitch in the late ’50s. Reuniting with his mentor Santamaría in 1960, the pair released the album Sabroso! for the Fantasy label. Bobo later formed his own group, releasing Do That Thing/Guajira with Tico and Bobo’s Beat and Let’s Go Bobo for Roulette, without achieving huge penetration.

https://www.youtube.com/watch?v=BLtLJD1rN_0

World Music with Tal National from Niger

https://www.youtube.com/watch?v=VZJKeXTK1iE

Daily Roots with Joya Landis

2-28-18

RHYTHM ROOTS WORKSHOP

Tuesday February 27th 2018 noon-2pm

Partnership Resources Inc. St Louis Park

Discovering the internal rhythmic components deep within our genetic coding demonstrated by the Developmentally Disabled community.

NGC 3521 is a flocculent intermediate spiral galaxy located around 26 million light-years away from Earth in the constellation Leo. It has a morphological classification of SAB(rs)bc,which indicates that it is a spiral galaxy with a trace of a bar structure (SAB), a weak inner ring (rs), and moderate to loosely wound arm structure (bc). The bar structure is difficult to discern, both because it has a low ellipticity and the galaxy is at a high inclination of 72.7° to the line of sight. The relatively bright bulge is nearly 3/4 the size of the bar, which may indicate the former is quite massive.The nucleus of this galaxy is classified as an HII LINER, as there is an H II region at the core and the nucleus forms a low-ionization nuclear emission-line region.

Harold Jones (born February 27, 1940) is an American traditional pop and jazz drummer who is best known as the drummer for Tony Bennett and for his five years with the Count Basie Orchestra.

In a career spanning six decades, Jones has toured and recorded with Frank Sinatra, Duke Ellington, Oscar Peterson, Herbie Hancock, B.B. King, and Ray Charles. He has also played with major symphony orchestras, including those in Boston, Atlanta, Chicago, London, Los Angeles, San Francisco, and Vienna.

He attended the American Conservatory of Music in Chicago on a scholarship, then took work where he could find it, including theaters and night clubs. In 1967, while house drummer at the Chicago Playboy Club, he was invited to New York for what was intended to be a two-week engagement with Count Basie‘s orchestra but which lasted five years. Jones played on fifteen albums with Basie. He also appears in a scene featuring the Basie band in the movie Blazing Saddles

https://www.youtube.com/watch?v=Tc5fDMXlQlI

Dexter Gordon (February 27, 1923 – April 25, 1990 LA, CA) was an American jazz tenor saxophonist. He was among the earliest tenor players to adapt the bebop musical language of people such as Charlie Parker, Dizzy Gillespie, and Bud Powell to the instrument. Gordon’s height was 6 feet 6 inches (198 cm), so he was also known as “Long Tall Dexter” and “Sophisticated Giant”. His studio and live performance career spanned over 40 years.

Gordon’s sound was commonly characterized as being “large” and spacious and he had a tendency to play behind the beat. He was famous for humorously inserting musical quotes into his solos. One of his major influences was Lester Young. Gordon, in turn, was an early influence on John Coltrane and Sonny Rollins. Rollins and Coltrane then influenced Gordon’s playing as he explored hard bop and modal playing during the 1960s.

Gordon was known for his genial and humorous stage presence. He was an advocate of playing to communicate with the audience. One of his idiosyncratic rituals was to recite lyrics from each ballad before playing it.