mick laBriola

Marshall Belford Allen (born May 25, 1924) is an American free jazz and avant-garde jazz alto saxophone player. He also performs on flute, oboe, piccolo, and the electronic EWI.

Allen is best known for his work with Sun Ra, having recorded and performed mostly in this context since the late 1950s, and having led The Sun Ra Arkestra since 1995, after Sun Ra’s death in 1993 and John Gilmore‘s death two years later. Critic Jason Ankeny describes Marshall as “one of the most distinctive and original saxophonists of the postwar era.”

Marshall Belford Allen was born in Louisville, Kentucky, United States.

During the Second World War he enlisted in the 92nd Infantry Division and was stationed in France. Allen studied alto saxophone in Paris.

Jimmy Hamilton (May 25, 1917 – September 20, 1994) was an American jazz clarinetist and saxophonist, who was a member of the Duke Ellington Orchestra.

Hamilton was born in Dillon, South Carolina, United States, and grew up in Philadelphia. Having learned to play piano and brass instruments, in the 1930s he started playing the latter in local bands before switching to clarinet and saxophone. During this time he studied with clarinet teacher Leon Russianoff. In 1939, he played with Lucky Millinder, Jimmy Mundy, and Bill Doggett, going on to join the Teddy Wilsonsextet in 1940. After two years with Wilson, he played with Eddie Heywood and Yank Porter.

Friday May 24th 2024 6pm. Music with Inbal Sharret Singer, Jayson Rodovsky, Jeff Bailey, Pete Whitman and mick laBriola.

Cecil Bustamente Campbell OD (24 May 1938 – 8 September 2016), known professionally as Prince Buster, was a Jamaican singer-songwriter and producer. The records he released in the 1960s influenced and shaped the course of Jamaican contemporary music and created a legacy of work that would be drawn upon later by reggae and ska artists. Campbell became more actively involved in the operational side of running a sound system after he was introduced to Clement ‘Coxsone’ Dodd, a musically inclined businessman who operated one of Kingston’s most popular sound systems. Campbell found himself fulfilling a variety of roles for Coxsone: providing security, handling ticket receipts, identifying and sourcing music as well as working in the essential role of selector. The knowledge he gained about the financial and logistical aspects of staging a sound system dance was put to good use when Campbell made the decision to start his own sound system called ‘Voice of the People’. Campbell approached his family and a radio shop owner called Mr Wong for financial backing; both parties agreed. Campbell’s ‘Voice of the People’ sound system was soon operational and within a short time had established itself as a rival to the sound systems of Coxsone and Duke Reid. Campbell applied to the Farm Work Program (guest worker scheme for the US agricultural sector) with the intention of buying music for his sound system but, on the day of departure, was refused entry into the scheme. Knowing that he would not be able to personally source records from the US, Campbell decided to record his own music. He approached Arkland “Drumbago” Parks, a professional drummer at the Baby Grand Club who had arranged and recorded a special (exclusive recording) for the Count Boysie sound system. Drumbago agreed to help and Campbell immediately began rehearsing with the musicians at the Baby Grand Club, including the guitarist Jah Jerry, who played on Campbell’s first recording session.

Archie Shepp (born May 24, 1937) is an American jazz saxophonist, educator and playwright who since the 1960s has played a central part in the development of avant-garde jazz.

Shepp was born in Fort Lauderdale, Florida, but raised in Philadelphia, Pennsylvania. He began playing banjo with his father, then studied piano and saxophone while attending high school in Germantown. He studied drama at Goddard College from 1955 to 1959.

He played in a Latin jazz band for a short time before joining the band of avant-garde pianist Cecil Taylor. Shepp’s first recording under his own name, Archie Shepp – Bill Dixon Quartet, was released on Savoy Records in 1962 and featured a composition by Ornette Coleman. In 1962, he performed with Dixon at the 8th World Festival of Youth and Students in Helsinki, Finland. Along with alto saxophonist John Tchicai and trumpeter Don Cherry, he formed the New York Contemporary Five. John Coltrane‘s admiration for Shepp led to recordings for Impulse! Records, the first of which was Four for Trane in 1964, an album of mainly Coltrane compositions on which he was joined by Tchicai, trombonist Roswell Rudd, trumpeter Alan Shorter, bassist Reggie Workman and drummer Charles Moffett.

Donald Moye, Jr. (born May 23, 1946), known as Famoudou Don Moye, is an American jazz percussionist and drummer. He is most known for his involvement with the Art Ensemble of Chicago and is noted for his mastery of African and Caribbean percussion instruments and rhythmic techniques.

Moye was born in Rochester, New York, United States, and performed in various drum and bugle corps(including the Rochester Crusaders) during his youth, as well as church choir. Moye has commented that he really “didn’t have an affinity for the bugle… and just kind of gravitated towards drums.

Vicky Moscholiou (Greek: Βίκυ Μοσχολιού, [ˈvici mosxoˈʎu]; 23 May 1943 – 16 August 2005), born in Metaxourgeio in Athens, was a Greek singer. On 14 March 2010, Alpha TV ranked her the 13th top-certified female artist in the nation’s phonographic era (since 1960).

Marvin Louis Stamm (born May 23, 1939) is an American jazz trumpeter.

Stamm was born in Memphis, Tennessee, United States. Stamm began on trumpet at age twelve. He attended North Texas State University, where he was a member of the One O’Clock Lab Band. He was a member of Stan Kenton‘s Mellophonium Orchestra from 1961 to 1963, then worked with Woody Hermanfrom 1965 to 1966.Following this he was with The Thad Jones/Mel Lewis Orchestra from 1966 to 1972 and with Benny Goodman from 1974 to 1975.

Rose M. Clooney (May 23, 1928 – June 29, 2002 Maysville, KY) was an American singer and actress. She came to prominence in the early 1950s with the song “Come On-a My House“, which was followed by other pop numbers such as “Botch-a-Me“, “Mambo Italiano“, “Tenderly“, “Half as Much“, “Hey There“, “This Ole House“, and “Sway“. She also had success as a jazz vocalist. Clooney’s career languished in the 1960s, partly because of problems related to depression and drug addiction, but revived in 1977, when her White Christmas co-star Bing Crosby asked her to appear with him at a show marking his 50th anniversary in show business. She continued recording until her death in 2002.