mick laBriola

Four & Twenty Dreadlocks

3-25-18

https://www.youtube.com/watch?v=Onne3mJKEBM

Near the outskirts of the Small Magellanic Cloud, a satellite galaxy some 200 thousand light-years distant, lies 5 million year young star cluster NGC 602. Surrounded by natal gas and dust, NGC 602 is featured in this stunning Hubble image of the region, augmented by images in the X-ray by Chandra, and in the infrared by Spitzer. Fantastic ridges and swept back shapes strongly suggest that energetic radiation and shock waves from NGC 602’s massive young stars have eroded the dusty material and triggered a progression of star formation moving away from the cluster’s center. At the estimated distance of the Small Magellanic Cloud, the Picture spans about 200 light-years, but a tantalizing assortment of background galaxies are also visible in this sharp multi-colored view. The background galaxies are hundreds of millions of light-years or more beyond NGC 602.

Paul Brownlee McCandless Jr. (born March 24, 1947, Indiana, Pennsylvania) is an American multi-instrumentalist and founding member of the American jazz group Oregon. He is one of few expert jazz oboists. He also plays bass clarinet, English horn, and soprano saxophone.

Paul Brownlee McCandless Jr. was born into a musical family. His father taught him clarinet, his mother piano, and he attended the Manhattan School of Music. In 1971 he auditioned with the New York Philharmonic playing English horn and was a finalist.

McCandless has released a series of records of his own compositions with bands he led, including All the Mornings Bring (Elektra/Asylum, 1978), Heresay (Windham Hill, 1988), Navigator (Landslide, 1981), and Premonition (Windham Hill, 1992). With Oregon, he has recorded 28 albums and CDs, in addition to 7 records and CDs with Paul Winter.

In 1996, McCandless won a Grammy Award for Best Pop Instrumental with Béla Fleck and the Flecktones. He also won Grammys in 2007 and 2011 with the Paul Winter Consort, for Best New Age Album, and in 1993 for Al Jarreau‘s album Heaven and Earth. His performance on Oregon’s album 1000 Kilometers was nominated for a Grammy for Best Jazz Instrumental Solo in 2009. He won the Down Beat Critics’ Poll for Best Established Combo, the Deutscher Schallplatten Preis for his albums Ectopia, and the Arbeitskreis Jazz im Bundesverband der Phonographishen Wirtschaft Gold Record Award.

Lee Oskar (born 24 March 1948, Copenhagen, Denmark) is a Danish harmonica player, notable for his contributions to the sound of the rock-funk fusion group War, which he formed with Eric Burdon, his solo work, and as a harmonica manufacturer. He currently plays with 3 other original WAR band members, Harold Brown, Howard Scott and B.B. Dickerson, under the name LowRider Band.

https://www.youtube.com/watch?v=NRpiw6W0JSY&list=PLXUPnJxZHlGarM6f-mnEb8xYhIboOd2ND

Steve Kuhn (born March 24, 1938) is an American jazz pianist and composer.

Kuhn was born on March 24, 1938, in Brooklyn, New York City. He began studying piano at the age of five and studied under Boston piano teacher Margaret Chaloff, mother of jazz baritone saxophonist Serge Chaloff, who taught him the “Russian style” of piano playing. At an early age he began improvising classical music. As a teenager he appeared in jazz clubs in the Boston area with Coleman Hawkins, Vic Dickenson, Chet Baker, and Serge Chaloff.

After graduating from Harvard, he attended the Lenox School of Music where he was associated with Ornette Coleman, Don Cherry, and Gary McFarland. The school’s faculty included Bill Evans, George Russell, Gunther Schuller, and the members of the Modern Jazz Quartet. This allowed Kuhn to play, study, and create with some of the most forward-thinking innovators of jazz improvisation and composition; it culminated with his joining trumpeter Kenny Dorham‘s group for an extended time and (briefly) John Coltrane‘s quartet at New York’s Jazz Gallery club.

Boogie Bill Webb (March 24, 1924 – August 22, 1990) was an American Louisiana blues and rhythm-and-blues guitarist, singer and songwriter. His music combined Mississippi country blues with New Orleans R&B.^[1] His best-known recordings are “Bad Dog” and “Drinkin’ and Stinkin'”. Despite a lengthy (albeit intermittent) career, Webb released only one album.

Webb was born in Jackson, Mississippi. His got his first guitar at the age of eight, made from a cigar box and strung with screen wire. His greatest influence was Tommy Johnson. With a real guitar obtained when he was a teenager, he won a talent show in 1947. He subsequently appeared briefly in the musical film The Jackson Jive. He moved to New Orleans in 1952.

In New Orleans Webb became friends with Fats Domino and was thus introduced to Dave Bartholomew and obtained a recording contract with Imperial Records, for which Domino and Bartholomew recorded. In 1953 Webb released his debut single, “Bad Dog,” a noncommercial slice of country boogie-woogie. Frustrated by lack of recognition, Webb relocated to Chicago, where he worked in factories. There he met and played with Muddy Waters, John Lee Hooker, Jimmy Reed, and Chuck Berry.

Henri Dikongue was born December 6, 1967 in Duala, Cameroon. Henri Dikongué grew up as part of a family of musicians. He was raised in the capital city, Yaunde, where he learned acoustic guitar from his uncle. His grandmother brought him to a Protestant choir where he first learned to sing. Like all young people in Cameroon, Dikongué was surrounded by the vibrant sound of makossa, a bubbling dance rhythm that blends guitar lines with unstoppable percussion.

Can You Feel It (Sufferation Everyday)(Extended Mix)

3-24-18

Performing for

Mt Zion Shabbat Service with Mayor Frey

Friday 3-23-18

Normally faint and elusive, the Jellyfish Nebula is caught in this alluring telescopic mosaic. The scene is anchored below by bright star Eta Geminorum, at the foot of the celestial twin, while the Jellyfish Nebula is the brighter arcing ridge of emission with tentacles dangling below and left of center. In fact, the cosmic jellyfish is part of bubble-shaped supernova remnant IC 443, the expanding debris cloud from a massive star that exploded. Light from the explosion first reached planet Earth over 30,000 years ago. Like its cousin in astrophysical waters the Crab Nebula supernova remnant, the Jellyfish Nebula is known to harbor a neutron star, the remnant of the collapsed stellar core. An emission nebula cataloged as Sharpless 249 fills the field at the upper right. The Jellyfish Nebula is about 5,000 light-years away. At that distance, this narrowband composite image presented in the Hubble Palette would be about 300 light-years across.

Chaka Khan (born Yvette Marie Stevens, March 23, 1953) is an American recording artist whose career has spanned five decades, beginning in the 1970s as the lead vocalist and focal point of the funk band Rufus. Known as the Queen of Funk, Khan was the first R&B artist to have a crossover hit featuring a rapper, with “I Feel for You” in 1984. Khan has won ten Grammys and has sold an estimated 70 million records worldwide.

In the course of her solo career, Khan has achieved three gold singles, three gold albums and one platinum album with I Feel for You. With Rufus, she achieved four gold singles, four gold albums, and two platinum albums. She has collaborated with Ry Cooder, Robert Palmer, Ray Charles, Quincy Jones, Guru, and Mary J. Blige, among others. In December 2016, Billboard magazine ranked her as the 65th most successful dance artist of all time. She was ranked at number 17 in VH1‘s original list of the 100 Greatest Women of Rock & Roll. She has been nominated for induction into the Rock and Roll Hall of Fame twice; she was first nominated as member of Rufus in 2011.

Chaka Khan was born Yvette Marie Stevens on March 23, 1953 into an artistic, bohemian household in Chicago, Illinois. The eldest of five children born to Charles Stevens and Sandra Coleman, she has described her father as a beatnik and her mother as “able to do anything.” She was raised in the Hyde Park area, “an island in the middle of the madness” of Chicago’s rough South Side housing projects.^[6] Her sister Yvonne later became a successful musician in her own right under the name Taka Boom. Her only brother, Mark, who formed the funk group Aurra, also became a successful musician. She has two other sisters, Zaheva Stevens and Tammy McCrary.

David Samuel Pike (March 23, 1938 – October 3, 2015) was a jazz vibraphone and marimba player. He appears on many albums by Nick Brignola, Paul Bley and Kenny Clarke, Bill Evans, and Herbie Mann. He also recorded extensively as leader, including a number of albums on MPS Records.

He learned drums at the age of eight and was self-taught on vibes. Pike made his recording debut with the Paul Bley Quartet in 1958. He began putting an amplifier on his vibes when working with flautist Herbie Mann in the early 1960s. By the late 1960s, Pike’s music became more exploratory, contributing a unique voice and new contexts that pushed the envelope in times remembered for their exploratory nature. Doors of Perception, released in 1970 for the Atlantic Records subsidiary Vortex Records and produced by former boss Herbie Mann, explored ballads, modal territory, musique concrète, with free and lyrical improvisation, and included musicians like alto saxophonist Lee Konitz, bassist Chuck Israelsand pianist Don Friedman.

Iverson Minter (March 23, 1932 – February 25, 2012), known as Louisiana Red, was an African-American blues guitarist, harmonica player, and singer, who recorded more than 50 albums. He was best known for his song “Sweet Blood Call“.

Born in Bessemer, Alabama,^[3] Minter lost his parents early in life; his mother died of pneumonia shortly after his birth, and his father was lynched by the Ku Klux Klan in 1937. He was brought up by a series of relatives in various towns and cities. Red recorded for Chess in 1949, before joining the Army. He was trained as a parachutist with the 82nd Airborne and was sent to Korea in 1951. The 82nd Airborne was not deployed as a complete unit in Korea, but soldiers from this unit were dispatched as Rangers in the 2nd, 3rd and 7th Infantry Divisions. Minter said he was assigned to the 3rd Infantry Division.

Granville Henry “Sticks” McGhee (March 23, 1918 – August 15, 1961) was an African-American jump blues guitarist, singer and songwriter, best known for his blues song “Drinkin’ Wine, Spo-Dee-O-Dee”, which he wrote with J. Mayo Williams

McGhee was born in Knoxville, Tennessee, and grew up in Kingsport, Tennessee. He received his nickname when he was a child. He used a stick to push a wagon carrying his older brother Brownie McGhee, who had contracted polio. Granville began playing the guitar when he was thirteen years old. After his freshman year he dropped out of high school and worked with his father at the Eastman Kodak subsidiary, Tennessee Eastman Company in Kingsport. In 1940 Granville quit his job and moved to Portsmouth, Virginia, and then to New York City. He entered the military in 1942 and served in the U.S. Army during World War II. After being discharged in 1946, he settled in New York.

World Music on Flamenco Fridays.

Dos niños que se convirtieron en artistas. El peso de la herencia que ambos soportan hace que fluya el arte a raudales.

Come Along Extended version

3-23-18

Shiny NGC 253 is one of the brightest spiral galaxies visible, and also one of the dustiest. Some call it the Silver Dollar Galaxy for its appearance in small telescopes, or just the Sculptor Galaxy for its location within the boundaries of the southern constellation Sculptor. Discovered in 1783 by mathematician and astronomer Caroline Herschel, the dusty island universe lies a mere 10 million light-years away. About 70 thousand light-years across, NGC 253 is the largest member of the Sculptor Group of Galaxies, the nearest to our own Local Group of Galaxies. In addition to its spiral dust lanes, tendrils of dust seem to be rising from a galactic disk laced with young star clusters and star forming regions in this sharp color image. The high dust content accompanies frantic star formation, earning NGC 253 the designation of a starburst galaxy. NGC 253 is also known to be a strong source of high-energy x-rays and gamma rays, likely due to massive black holes near the galaxy’s center. Take a trip through extragalactic space in this short video flyby of NGC 253.

George Benson (born March 22, 1943) is an American musician, guitarist, and singer-songwriter. He began his professional career at 21 as a jazzguitarist. Benson uses a rest-stroke picking technique similar to that of gypsy jazz players such as Django Reinhardt.

A former child prodigy, Benson first came to prominence in the 1960s, playing soul jazz with Jack McDuff and others. He then launched a successful solo career, alternating between jazz, pop, R&B singing, and scat singing. His album Breezin’ was certified triple-platinum, hitting no. 1 on the Billboardalbum chart in 1976. His concerts were well attended through the 1980s, and he still has a large following. Benson has been honored with a staron the Hollywood Walk of Fame.

Benson was born and raised in the Hill District in Pittsburgh, Pennsylvania. At the age of seven, he first played the ukulele in a corner drug store, for which he was paid a few dollars. At the age of eight, he played guitar in an unlicensed nightclub on Friday and Saturday nights, but the police soon closed the club down. At the age of 9, he started to record. Out of the four sides he cut, two were released: “She Makes Me Mad” backed with “It Should Have Been Me”, with RCA-Victor in New York; although one source indicates this record was released under the name “Little Georgie”,while the 45rpm label is printed with the name George Benson.The single was produced by Leroy Kirkland for RCA’s rhythm and blues label, Groove Records. As he has stated in an interview, Benson’s introduction to showbusiness had an effect on his schooling. When this was discovered (tied with the failure of his single) his guitar was impounded. Luckily, after he spent time in a juvenile detention centre his stepfather made him a new guitar.*

Jon Hassell (born March 22, 1937) is an American trumpet player and composer. He is known for developing the musical concept known as “Fourth World,” which sees him unify ideas from minimalism, various world music sources, and his electronic manipulation of the trumpet. He has collaborated with artists such as Brian Eno, the Theatre of Eternal Music, Talking Heads, Farafina, Peter Gabriel, Ani DiFranco, and Ry Cooder.

Born in Memphis, Tennessee, United States, Hassell received his master’s degree from the Eastman School of Music in Rochester, New York. During this time he became involved in European serial music, especially the work of Karlheinz Stockhausen, and so after finishing his studies at Eastman, he enrolled in the Cologne Course for New Music (founded and directed by Stockhausen) for two years. Hassell returned to the U.S. in 1967, where he met Terry Riley in Buffalo, New York and performed on the first recording of Riley’s seminal work In C in 1968. He pursued his Ph.D.in musicology in Buffalo and performed in La Monte Young‘s “Dream House” (a.k.a. Theatre of Eternal Music) in New York City.

Fred Anderson (March 22, 1929 – June 24, 2010) was an American jazz tenor saxophonist who was based in Chicago, Illinois. Anderson’s playing was rooted in the swing music and hard bop idioms, but he also incorporated innovations from free jazz, rendering him, as critics Ron Wynn and Joslyn Layne have written, “a seminal figure among Chicago musicians in the ’60s.”

Anderson was born Monroe, Louisiana. He grew up in the Southern United States and learned to play the saxophone by himself when he was a teenager. Anderson moved his family to Evanston, Illinois in the 1940s. He studied music formally at the Roy Knapp Conservatory in Chicago, and had a private teacher for a short time. Fred worked installing carpet for decades to sustain his music and his family, before opening up a succession of important Chicago nightclubs. Despite Anderson’s prominence as an avant-garde musician, his guiding inspiration was Charlie Parker, portraits of whom are prominently displayed at Anderson’s club, the Velvet Lounge.

He was one of the founders of the Association for the Advancement of Creative Musicians (AACM) and an important member of the musical collective. In the early 1960s Anderson formed his own group, playing his original compositions, with Vernon Thomas on drums, Bill Fletcher on bass, and his partner for many years, the Chicago jazz trumpeter Billy Brimfield.

https://www.youtube.com/watch?v=VMeOE8RX0tE