mick laBriola

From the Yorba tradition of Egrem, Cuba

https://www.youtube.com/watch?v=OBy3QD9f8yU&t=0s&list=PLEB3LPVcGcWbHKyo-uy8CkVvebHEsluVK&index=14

Sentry

3-21-18

RHYTHM ROOTS WORKSHOP

Tuesday March 20th noon-2pm

Partnership Resources Inc St Louis Park

Annie and Marrie working with Chicka Boom Chicka Boom

Percussion Ensemble.

The new image shows a part of a bigger complex called the Orion Molecular Cloud located about 1,350 light-years away. This region is a rich melting pot of bright nebulae, hot young stars and cold dust clouds.

The submillimeter-wavelength glow arising from the cold dust clouds is seen in orange in this image and is overlaid on a view of the region taken in the more familiar visible light.

The large bright cloud in the upper right of the image is the well-known Orion Nebula, also known as Messier 42.

The Orion Nebula is the brightest part of a huge stellar nursery where new stars are being born, and is the closest site of massive star formation to Earth.

The dust clouds form beautiful filaments, sheets, and bubbles as a result of processes including gravitational collapse and the effects of stellar winds. These winds are streams of gas ejected from the atmospheres of stars, which are powerful enough to shape the surrounding clouds into the convoluted forms seen here.

The astronomers have used these and other data to search the region of Orion for protostars – an early stage of star formation.

They have so far been able to identify 15 objects that appeared much brighter at longer wavelengths than at shorter wavelengths.

These newly discovered rare objects, described in a paper published in the Astrophysical Journal (ESO’s version), are probably among the youngest protostars ever found, bringing astronomers closer to witnessing the moment when a star begins to form.

Harold Mabern, Jr. (born March 20, 1936) is an American jazz pianist and composer, principally in the hard bop, post-bop, and soul jazz fields. He is described in The Penguin Guide to Jazz Recordings as “one of the great post-bop pianists”.

Mabern was born in Memphis, Tennessee. He initially started learning drums before switching to learning piano. He had access to a piano from his teens, after his father, who worked in a lumber yard, saved to buy him one. Mabern learned by watching and emulating pianists Charles Thomas and Phineas Newborn, Jr. Mabern attended Douglass High School, before transferring to Manassas High School; he played with Frank Strozier, George Coleman and Booker Little at this time, but was most influenced by Newborn, Jr. In 1954, after graduating, Mabern moved to Chicago, intending to attend the American Conservatory of Music. He was unable to afford to attend music college because of a change in his parents’ financial circumstances, but had private lessons there for six months and developed his reading ability by playing with trombonist Morris Ellis’ big band. He also developed by listening to Ahmad Jamal and others in clubs, and “playing and practicing 12 hours a day” for the next five years, but he remained self-taught as a pianist. Mabern went on to play with Walter Perkins‘ MJT + 3 and others in Chicago.

Margaret Marian McPartland, OBE (née Turner; 20 March 1918 – 20 August 2013), was an English-American jazz pianist, composer and writer. She was the host of Marian McPartland’s Piano Jazz on National Public Radio from 1978 to 2011.

After her marriage to trumpeter Jimmy McPartland in February 1945, she resided in the United States when not travelling throughout the world to perform. In 1969 she founded Halcyon Records, a recording company that produced albums for 10 years. In 2000 she was named a National Endowment for the Arts Jazz Master. In 2004 she was given a Grammy Award for lifetime achievement. In 2007 she was inducted into the National Radio Hall of Fame. Although known mostly for jazz, she composed other types of music as well, performing her own symphonic work A Portrait of Rachel Carson with the University of South Carolina Symphony Orchestra in 2007. In 2010 she was named a member of the Order of the British Empire.

Margaret Marian Turner was born on 20 March 1918 to Frank and Janet (née Payne) Turner. She had one younger sibling, a sister, Joyce. She demonstrated early aptitude at the piano, and would later realize that she had perfect pitch. Margaret (Maggie to her family) studied violin from the age of nine, but never took to the instrument. She also trained as a vocalist and received a number of favorable reviews in the local paper. Janet refused to find her daughter a piano teacher until the age of 16, by which time Margaret was already adept at learning songs by ear. This lack of early education meant that Marian was never a strong reader of notated music, and would always prefer to learn through listening.

Sister Rosetta Tharpe (March 20, 1915 – October 9, 1973 Cotton Plant, AK) was an American singer, songwriter, guitarist, and recording artist. As a pioneer of mid-20th-century music, she attained popularity in the 1930s and 1940s with her gospel recordings, characterized by a unique mixture of spiritual lyrics and rhythmic accompaniment that was a precursor of rock and roll. She was the first great recording star of gospel music and among the first gospel musicians to appeal to rhythm-and-blues and rock-and-roll audiences, later being referred to as “the original soul sister” and “the Godmother of rock and roll”. She influenced early rock-and-roll musicians, including Little Richard, Johnny Cash, Carl Perkins, Chuck Berry, Elvis Presley and Jerry Lee Lewis.

Tharpe was a pioneer in her guitar technique; she was among the first popular recording artists to use heavy distortion on her electric guitar, presaging the rise of electric blues. Her guitar playing technique had a profound influence on the development of British blues in the 1960s; in particular a European tour with Muddy Waters in 1963 with a stop in Manchester is cited by prominent British guitarists such as Eric Clapton, Jeff Beck, and Keith Richards.

https://www.youtube.com/watch?v=MnAQATKRBN0

Traditional music from the Yoruba via Sanataria y Candoble

https://www.youtube.com/watch?v=lrmRcSz2jGQ&index=2&list=RDI_zt28ldH1I

No Wicked Shall Enter The Kingdom Of Zion (extended mix)

3-20-18

A new composite image of the Crab Nebula features X-rays from Chandra (blue and white), optical data from Hubble (purple), and infrared data from Spitzer (pink). Chandra has repeatedly observed the Crab since the telescope was launched into space in 1999. The Crab Nebula is powered by a quickly spinning, highly magnetized neutron star called a pulsar, which was formed when a massive star ran out of its nuclear fuel and collapsed. The combination of rapid rotation and a strong magnetic field in the Crab generates an intense electromagnetic field that creates jets of matter and anti-matter moving away from both the north and south poles of the pulsar, and an intense wind flowing out in the equatorial direction.

Clarence Henry II (born March 19, 1937), known as Clarence “Frogman” Henry, is an American rhythm and blues singer and pianist, best known for his hits “Ain’t Got No Home” (1956) and “But I Do” (1961).

Clarence Henry was born in New Orleans in 1937, moving to the Algiers neighborhood in 1948. He started learning piano as a child, with Fats Domino and Professor Longhair being his main influences. When Henry played in talent shows, he dressed like Longhair and wore a wig with braids on both sides. He joined Bobby Mitchell & the Toppers in 1952, playing piano and trombone, before leaving when he graduated in 1955 to join saxophonist Eddie Smith’s band.^[1][2]

He used his trademark croak to improvise the song “Ain’t Got No Home” one night in 1955. Chess Records‘ A&R man Paul Gayten heard the song, and had Henry record it in Cosimo Matassa‘s studio in September 1956. Initially promoted by local DJ Poppa Stoppa, the song eventually rose to number 3 on the national R&B chart and number 20 on the US pop chart. The gimmick earned Henry his nickname of ‘Frogman’ and jump-started a career that endures to this day.

https://www.youtube.com/watch?v=ZlDBLIkHih8

Leonard Joseph “Lennie” Tristano (March 19, 1919 – November 18, 1978) was an American jazz pianist, composer, arranger, and teacher of jazz improvisation.

Tristano studied for bachelor’s and master’s degrees in music in Chicago before moving to New York City in 1946. He played with leading bebopmusicians and formed his own small bands, which soon displayed some of his early interests – contrapuntal interaction of instruments, harmonic flexibility, and rhythmic complexity. His quintet in 1949 recorded the first free group improvisations. Tristano’s innovations continued in 1951, with the first overdubbed, improvised jazz recordings, and two years later, when he recorded an atonal improvised solo piano piece that was based on the development of motifs rather than on harmonies. He developed further via polyrhythms and chromaticism into the 1960s, but was infrequently recorded.

Tristano started teaching music, especially improvisation, in the early 1940s, and by the mid-1950s was concentrating on teaching in preference to performing. He taught in a structured and disciplined manner, which was unusual in jazz education when he began. His educational role over three decades meant that he exerted an influence on jazz through his students, including saxophonists Lee Konitz and Warne Marsh.

Musicians and critics vary in their appraisal of Tristano as a musician. Some describe his playing as cold and suggest that his innovations had little impact; others state that he was a bridge between bebop and later, freer forms of jazz, and assert that he is less appreciated than he should be because commentators found him hard to categorize and because he chose not to commercialize.

Dillon “Curley” Russell (19 March 1917 – 3 July 1986) was an American jazz musician who played bass on many bebop recordings.

A member of the Tadd Dameron Sextet, in his heyday he was in demand for his ability to play at the rapid tempos typical of bebop, and appears on several key recordings of the period. He left the music business in the late 1950s.

On May 1, 1951 Russell played in the recording session for Un Poco Loco, composed by American jazz pianist Bud Powell, with Max Roach on drums. Literary critic Harold Bloom included this performance on his short list of the greatest works of twentieth-century American art.

According to jazz historian Phil Schaap, the classic bebop tune “Donna Lee“, a contrafact on “Back Home Again in Indiana“, was named after Curley’s daughter. In 2002, she donated her father’s bass to the Institute of Jazz Studies at Rutgers University.

Ömer Faruk Tekbilek, also known as Omar Faruk Tekbilek, is a Turkish musician and composer, who plays a wide range of wind, string, percussion and electronic instruments.

Jah Jah Jehovia

3-19-18

Colour composite image of Centaurus A, revealing the lobes and jets emanating from the active galaxy’s central black hole. This is a composite of images obtained with three instruments, operating at very different wavelengths. The 870-micron submillimetre data, from LABOCA on APEX, are shown in orange. X-ray data from the Chandra X-ray Observatory are shown in blue. Visible light data from the Wide Field Imager (WFI) on the MPG/ESO 2.2 m telescope located at La Silla, Chile, show the stars and the galaxy’s characteristic dust lane in close to “true colour”.

Andy Narell (born March 18, 1954) is a jazz steel drummer.

Narell took up the steelpan at a young age in Queens, New York. His father, who was a social worker, had started a program of steelpan playing for at-risk youth at the Jewish philanthropic Education Alliance in Lower East Side Manhattan using two sets of pans made by Rupert Sterling, a native of Antigua. Beginning in 1962, he, his brother Jeff, and three others boys played on a third set of Sterling-made pans in the basement of the Narell house in the Whitestone neighborhood of Queens, calling themselves the Steel Bandits. The band was a novelty steelpan act that played concerts and appeared on television shows, including I’ve Got a Secret in 1963.

The band played Carnegie Hall and at the National Music Festival of Trinidad. Murray Narell invited Ellie Mannette in 1964 to expand steelpan activities in New York City and convinced him to come in 1967. Mannette taught the Narell boys more technique, and they played on improved pans tuned by Mannette

William Richard Frisell (born March 18, 1951) is an American guitarist, composer and arranger. One of the leading guitarists in jazz since the late 1980s, Frisell came to prominence as a stalwart for ECM Records. He went on to work in a variety of contexts, notably as a member of the New York City Downtown Scene where he formed a long partnership with John Zorn. He was also a longtime member of Paul Motian‘s groups from the early 1980s until Motian’s death in 2011. Since 2000, Frisell’s eclectic output as a bandleader has emphasized folk, country music, and Americana.

Frisell was born in Baltimore, Maryland, but spent most of his youth in the Denver, Colorado, area. He studied clarinet with Richard Joiner of the Denver Symphony Orchestra as a youth, graduated from Denver East High School, and went to the University of Northern Colorado to study music.

Wilson Pickett (March 18, 1941 – January 19, 2006) was an American singer and songwriter.

A major figure in the development of American soul music, Pickett recorded over 50 songs which made the US R&B charts, many of which crossed over to the Billboard Hot 100. Among his best-known hits are “In the Midnight Hour” (which he co-wrote), “Land of 1,000 Dances“, “Mustang Sally“, and “Funky Broadway“.

Pickett was inducted into the Rock and Roll Hall of Fame in 1991, in recognition of his impact on songwriting and recording.

Pickett was born March 18, 1941 in Prattville, Alabama, and sang in Baptist church choirs. He was the fourth of 11 children and called his mother “the baddest woman in my book,” telling historian Gerri Hirshey: “I get scared of her now. She used to hit me with anything, skillets, stove wood — (one time I ran away) and cried for a week. Stayed in the woods, me and my little dog.” Pickett eventually left to live with his father in Detroit in 1955.