mick laBriola

Andy Narell (born March 18, 1954 NY,NY) is an American jazz steel pannist, composer and producer.

Narell took up the steelpan at a young age in Queens, New York. His father, who was a social worker, had started a program of steelpan playing for at-risk youth at the Jewish philanthropic Education Alliance in Lower East Side Manhattan using two sets of pans made by Rupert Sterling, a native of Antigua. Beginning in 1962, Andy, his brother Jeff, and three others boys played on a third set of Sterling-made pans in the basement of the Narell house in the Whitestone neighborhood of Queens, calling themselves the Steel Bandits. The band was a novelty steelpan act that played concerts and appeared on television shows, including I’ve Got a Secret in 1963.

The band played Carnegie Hall and at the National Music Festival of Trinidad. Murray Narell invited Ellie Mannette in 1964 to expand steelpan activities in New York City and convinced him to come in 1967. Mannette taught the Narell boys more technique, and they played on improved pans tuned by Mannette.

Narell studied music at the University of California, Berkeley and played piano with the University of California Jazz Ensembles under the direction of David W. Tucker. He graduated in 1973.

He started the record label Hip Pocket and released his first solo album, Hidden Treasures, in 1979. With an interest in Caribbean music, Latin jazz, and rhythm and blues, he joined the Caribbean Jazz Project in 1995 with Dave Samuels and Paquito D’Rivera.

He has performed with Montreux, Sakésho, Calypsociation, and Béla Fleck and the Flecktones. He composed and arranged music for Trinidad‘s national steelband competition, Panorama. Narell performed in South Africa in 1999 in front of a crowd of 80,000 people.

William Richard Frisell (born March 18, 1951) is an American jazz guitarist. He first came to prominence at ECM Records in the 1980s, as both a session player and a leader. He went on to work in a variety of contexts, notably as a participant in the Downtown Scene in New York City, where he formed a long working relationship with composer and saxophonist John Zorn. He was also a longtime member of veteran drummer Paul Motian‘s groups from the early 1980s until Motian’s death in 2011. Since the late 1990s, Frisell’s output as a bandleader has also integrated prominent elements of folk, country, rock ‘n’ rolland Americana. He has six Grammy nominations and one win.

Jessica Jennifer Williams (March 17, 1948 – March 10, 2022 Baltimore, MD) was an American jazz pianist and composer.

Williams was born in Baltimore, Maryland, on March 17, 1948. She started playing the piano at age four, began music lessons with a private teacher at five, and at age seven was enrolled into the Peabody Preparatory. She studied classical music and ear training with Richard Aitken and George Bellows at the Peabody Conservatory of Music.

At age twelve, Williams was listening to Dave Brubeck, Miles Davis, and Charles Mingus. She began performing jazz in her teens, playing with Richie Cole, Buck Hill, and Mickey Fields. In a radio interview with Marian McPartland on NPR‘s Piano Jazz from 1992, she stated that her main influences were not pianists, but Miles Davis and John Coltrane.

Paul Horn (March 17, 1930 – June 29, 2014) was an American flautist, saxophonist, composer and producer. He became a pioneer of world and new age music with his 1969 album Inside. He received five Grammy nominations between 1965 and 1999, including three nominations in 1965.

Horn was born on March 17, 1930, in New York City and had Jewish ancestry through his father. The family moved to Washington, D.C., when Horn was four. He took up the piano at age four, followed by the clarinet at 12. While in Washington, D.C., Horn attended Theodore Roosevelt High School and the Washington College of Music. In the summer of 1942, Horn worked as an usher at the Earl Theatre to buy a clarinet. He studied the clarinet and flute at the Oberlin Conservatory of Music in Ohio, earning a bachelor’s degree. In June 1953, Horn gained a master’s from the Manhattan School of Music.

Moving to Los Angeles, he played with Chico Hamilton‘s quintet from 1956 to 1958 and became an established West Coast session player. He played on the Duke Ellington Orchestra’s Suite Thursday and worked with Nat King Cole, Tony Bennett and others. He scored the 1959 animated television series Clutch Cargo. During the same year he appeared briefly in Roger Corman’s film A Bucket of Blood.

Ramzan Paskayev (Chechen: Рамзан Паскаев) (born March 16, 1947 in Taraz, Kazakhstan) is a Chechen accordionist and folk musician. He is regarded by many as the contemporary successor to late Chechen accordionist Umar Dimayev.

Paskayev was born in Taraz to Chechen parents on March 16, 1947. His family been sent to Kazakhstanas a result of the forced deportations of the Chechens and Ingush to Central Asia on February 23, 1944. Ramzan’s father Sultan worked as a truck driver and gathered wheat on a collective farm to help support his family. Sultan had managed to bring a German accordion from his home in Chechnya, and during evenings the young Ramzan would constantly bother his father to play the accordion out of curiosity.

Jerry Jeff Walker (born Ronald Clyde Crosby; March 16, 1942 – October 23, 2020) was an American country and folk singer-songwriter. He was a leading figure in the progressive country and outlaw countrymusic movement. He was best known for having written the 1968 song “Mr. Bojangles“.

Walker was born Ronald Clyde Crosby in Oneonta, New York, on March 16, 1942. His father, Mel, worked as a sports referee and bartender; his mother, Alma (Conrow), was a housewife. His maternal grandparents played for square dances in the Oneonta area – his grandmother, Jessie Conrow, playing piano, while his grandfather played fiddle. During the late 1950s, Crosby was a member of a local Oneonta teen band called The Tones.

Thomas Lee Flanagan (March 16, 1930 – November 16, 2001) was an American jazz pianist and composer. He grew up in Detroit, initially influenced by such pianists as Art Tatum, Teddy Wilson, and Nat King Cole, and then by bebop musicians. Within months of moving to New York in 1956, he had recorded with Miles Davis and on Sonny Rollins‘ album Saxophone Colossus. Recordings under various leaders, including Giant Steps of John Coltrane, continued well into 1962, when he became vocalist Ella Fitzgerald‘s full-time accompanist. He worked with Fitzgerald for three years until 1965, and then in 1968 returned to be her pianist and musical director, this time for a decade.

After leaving Fitzgerald in 1978, Flanagan attracted praise for the elegance of his playing, which was principally in trio settings when under his own leadership. In his 45-year recording career, he recorded more than three dozen albums under his own name and more than 200 as a sideman. By the time of his death, he was one of the most widely admired jazz pianists and had influenced both his contemporaries and later generations of players.

Flanagan was born in Conant Gardens, Detroit, Michigan, on March 16, 1930. He was the youngest of six children – five boys and a girl. His parents were both originally from Georgia. His father, Johnson Sr, was a postman, and his mother, Ida Mae, worked in the garment industry.

Performing for Shabbat for the Soul at Mt Zion on Friday 3-15-24 630pm with Jennifer Strauss-Klein, Tami Morse, Renae Goldman, Adam Dorn, Neil Segal and mick laBriola.