mick laBriola

Kermit Holden “Pete” Johnson (March 25, 1904 – March 23, 1967 Kansas City, MO) was an American boogie-woogieand jazz pianist.

Tony Russell stated in his book The Blues – From Robert Johnson to Robert Cray that “Johnson shared with the other members of the ‘Boogie Woogie Trio’ the technical virtuosity and melodic fertility that can make this the most exciting of all piano music styles, but he was more comfortable than Meade Lux Lewis in a band setting; and as an accompanist, unlike Lewis or Albert Ammons, he could sparkle but not outshine his singing partner”. Scott Yanow for AllMusic, wrote: “Johnson was one of the three great boogie-woogie pianists”, the others being Lewis and Ammons “whose sudden prominence in the late 1930s helped make the style very popular”.

Stephen Paul Motian  (March 25, 1931 – November 22, 2011 Philadelphia, Pennsylvania) was an American jazz drummer, percussionist, and composer. Motian played an important role in freeing jazz drummers from strict time-keeping duties.

He first came to prominence in the late 1950s in the piano trio of Bill Evans, and later was a regular in pianist Keith Jarrett‘s band for about a decade (c. 1967–1976). Motian began his career as a bandleader in the early 1970s. Perhaps his two most notable groups were a longstanding trio of guitarist Bill Frisell and saxophonist Joe Lovano, and the Electric Bebop Band where he worked mostly with younger musicians on interpretations of bebop standards.

Cecil Percival Taylor (March 25, 1929 – April 5, 2018) was an American pianist and poet. Taylor was classically trained and was one of the pioneers of free jazz. His music is characterized by an energetic, physical approach, resulting in complex improvisation often involving tone clusters and intricate polyrhythms. His technique has been compared to percussion. Referring to the number of keys on a standard piano, Val Wilmer used the phrase “eighty-eight tuned drums” to describe Taylor’s style. He has been referred to as being “like Art Tatum with contemporary-classical leanings”.  Cecil Percival Taylor was born on March 25, 1929, in Long Island City, Queens, and raised in Corona, Queens.

The shadow of the Moon can be seen darkening part of Earth. This shadow moved across the Earth at nearly 2000 kilometers per hour. Only observers near the center of the dark circle see a total solar eclipse – others see a partial eclipse where only part of the Sun appears blocked by the Moon. This spectacular picture of the 1999 August 11 solar eclipse was one of the last ever taken from the Mir space station. The two bright spots that appear on the upper left are thought to be Jupiter and Saturn. Mir was deorbited in a controlled re-entry in 2001. A new solar eclipse will occur over North America in about two weeks.

Paul Brownlee McCandless Jr. (born March 24, 1947) is a multi-instrumentalist and founding member of the American jazz group Oregon. He is one of the few jazz oboists. He also plays bass clarinet, English horn, flute, penny whistle, tenor saxophone, sopranino saxophone, and soprano saxophone.

Paul Brownlee McCandless Jr. was born in Indiana, Pennsylvania, United States, into a musical family. His father (who was also an oboe and English horn player) taught him clarinet, his mother piano, and he attended the Manhattan School of Music. In 1971 he auditioned with the New York Philharmonic playing English horn and was a finalist.

McCandless has released a series of records of his own compositions with bands he led, including All the Mornings Bring (Elektra/Asylum, 1979), Navigator (Landslide, 1981), Heresay (Windham Hill, 1988), Premonition (Windham Hill, 1992). With Oregon, he has recorded over twenty albums, as well as several albums with Paul Winter.

Lee Oskar (born 24 March 1948) is a Danish harmonica player, notable for his contributions to the sound of the rock-funk fusion group War, which was formed by Howard E. Scott and Harold Brown, his solo work, and as a harmonicamanufacturer.He continues to play with 3 other original War band members, Harold Brown, Howard Scott and B.B. Dickerson, under the name LowRider Band.

Carol Kaye (née Smith; born March 24, 1935) is an American musician. She is one of the most prolific recorded bass guitarists in rock and pop music, playing on an estimated 10,000 recordings in a career spanning over 65 years.

King Pleasure (born Clarence Beeks; March 24, 1922 – March 21, 1982) was an American jazzvocalist and an early master of vocalese, where a singer sings words to a well-known instrumental solo.

David Jay Grisman (born March 23, 1945) is an American mandolinist. His music combines bluegrass, folk, and jazz in a genre he calls “Dawg music”. He founded the record label Acoustic Disc, which issues his recordings and those of other acoustic musicians. He was inducted into the International Bluegrass Music Hall of Fame in 2023.

Grisman grew up in a Conservative Jewish household in Passaic, New Jersey. His father was a professional trombonist who gave him piano lessons when he was seven years old. As a teenager, he played piano, mandolin, and saxophone.

In the early 1960s, he attended New York University. He belonged to the Even Dozen Jug Band with Maria Muldaur and John Sebastian. He played in the bluegrass band the Kentuckians led by Red Allen, then in the psychedelic rock band Earth Opera with Peter Rowan. He moved to San Francisco, met Jerry Garcia, and appeared on the Grateful Dead album American Beauty. He played in Garcia’s bluegrass band Old & In the Way with Peter Rowan and Vassar Clements. When Grisman was 17 years old, he was invited on stage by Doc Watson to join him on mandolin for a rendition of “In the Pines”.

David Samuel Pike (March 23, 1938 – October 3, 2015) was an American jazz vibraphone and marimbaplayer. He appeared on many albums by Nick Brignola, Paul Bley and Kenny Clarke, Bill Evans, and Herbie Mann. He also recorded extensively as leader, including a number of albums on MPS Records.

He learned drums at the age of eight and was self-taught on vibraphone. Pike made his recording debut with the Paul Bley Quartet in 1958. He began putting an amplifier on his vibes, when working with flautist Herbie Mann in the early-1960s. By the late-1960s, Pike’s music became more exploratory, contributing a unique voice and new contexts that pushed the envelope in times remembered for their exploratory nature. The Doors of Perception, released in 1970 for the Atlantic Records subsidiary Vortex Records, and produced by former boss Herbie Mann, explored ballads, modal territory, musique concrète, with free and lyrical improvisation, and included musicians including alto saxophonist Lee Konitz, bassist Chuck Israels and pianist Don Friedman.