mick laBriola

Jessica Jennifer Williams (March 17, 1948 – March 10, 2022 Baltimore, MD) was an American jazz pianist and composer.

Williams was born in Baltimore, Maryland, on March 17, 1948. She started playing the piano at age four, began music lessons with a private teacher at five, and at age seven was enrolled into the Peabody Preparatory. She studied classical music and ear training with Richard Aitken and George Bellows at the Peabody Conservatory of Music.

At age twelve, Williams was listening to Dave Brubeck, Miles Davis, and Charles Mingus. She began performing jazz in her teens, playing with Richie Cole, Buck Hill, and Mickey Fields. In a radio interview with Marian McPartland on NPR‘s Piano Jazz from 1992, she stated that her main influences were not pianists, but Miles Davis and John Coltrane.

Paul Horn (March 17, 1930 – June 29, 2014) was an American flautist, saxophonist, composer and producer. He became a pioneer of world and new age music with his 1969 album Inside. He received five Grammy nominations between 1965 and 1999, including three nominations in 1965.

Horn was born on March 17, 1930, in New York City and had Jewish ancestry through his father. The family moved to Washington, D.C., when Horn was four. He took up the piano at age four, followed by the clarinet at 12. While in Washington, D.C., Horn attended Theodore Roosevelt High School and the Washington College of Music. In the summer of 1942, Horn worked as an usher at the Earl Theatre to buy a clarinet. He studied the clarinet and flute at the Oberlin Conservatory of Music in Ohio, earning a bachelor’s degree. In June 1953, Horn gained a master’s from the Manhattan School of Music.

Moving to Los Angeles, he played with Chico Hamilton‘s quintet from 1956 to 1958 and became an established West Coast session player. He played on the Duke Ellington Orchestra’s Suite Thursday and worked with Nat King Cole, Tony Bennett and others. He scored the 1959 animated television series Clutch Cargo. During the same year he appeared briefly in Roger Corman’s film A Bucket of Blood.

Ramzan Paskayev (Chechen: Рамзан Паскаев) (born March 16, 1947 in Taraz, Kazakhstan) is a Chechen accordionist and folk musician. He is regarded by many as the contemporary successor to late Chechen accordionist Umar Dimayev.

Paskayev was born in Taraz to Chechen parents on March 16, 1947. His family been sent to Kazakhstanas a result of the forced deportations of the Chechens and Ingush to Central Asia on February 23, 1944. Ramzan’s father Sultan worked as a truck driver and gathered wheat on a collective farm to help support his family. Sultan had managed to bring a German accordion from his home in Chechnya, and during evenings the young Ramzan would constantly bother his father to play the accordion out of curiosity.

Jerry Jeff Walker (born Ronald Clyde Crosby; March 16, 1942 – October 23, 2020) was an American country and folk singer-songwriter. He was a leading figure in the progressive country and outlaw countrymusic movement. He was best known for having written the 1968 song “Mr. Bojangles“.

Walker was born Ronald Clyde Crosby in Oneonta, New York, on March 16, 1942. His father, Mel, worked as a sports referee and bartender; his mother, Alma (Conrow), was a housewife. His maternal grandparents played for square dances in the Oneonta area – his grandmother, Jessie Conrow, playing piano, while his grandfather played fiddle. During the late 1950s, Crosby was a member of a local Oneonta teen band called The Tones.

Thomas Lee Flanagan (March 16, 1930 – November 16, 2001) was an American jazz pianist and composer. He grew up in Detroit, initially influenced by such pianists as Art Tatum, Teddy Wilson, and Nat King Cole, and then by bebop musicians. Within months of moving to New York in 1956, he had recorded with Miles Davis and on Sonny Rollins‘ album Saxophone Colossus. Recordings under various leaders, including Giant Steps of John Coltrane, continued well into 1962, when he became vocalist Ella Fitzgerald‘s full-time accompanist. He worked with Fitzgerald for three years until 1965, and then in 1968 returned to be her pianist and musical director, this time for a decade.

After leaving Fitzgerald in 1978, Flanagan attracted praise for the elegance of his playing, which was principally in trio settings when under his own leadership. In his 45-year recording career, he recorded more than three dozen albums under his own name and more than 200 as a sideman. By the time of his death, he was one of the most widely admired jazz pianists and had influenced both his contemporaries and later generations of players.

Flanagan was born in Conant Gardens, Detroit, Michigan, on March 16, 1930. He was the youngest of six children – five boys and a girl. His parents were both originally from Georgia. His father, Johnson Sr, was a postman, and his mother, Ida Mae, worked in the garment industry.

Performing for Shabbat for the Soul at Mt Zion on Friday 3-15-24 630pm with Jennifer Strauss-Klein, Tami Morse, Renae Goldman, Adam Dorn, Neil Segal and mick laBriola.

Ryland Peter Cooder (born March 15, 1947 LA, CA) is an American musician, songwriter, film score composer, record producer, and writer. He is a multi-instrumentalist but is best known for his slide guitar work, his interest in traditional music, and his collaborations with traditional musicians from many countries.

Cooder’s solo work draws upon many genres. He has played with John Lee Hooker, Captain Beefheart, Taj Mahal, Gordon Lightfoot, Ali Farka Touré, Eric Clapton, The Rolling Stones, Van Morrison, Neil Young, Randy Newman, Linda Ronstadt, Vishwa Mohan Bhatt, David Lindley, The Chieftains, Warren Zevon, Manuel Galbán, The Doobie Brothers, and Carla Olson and The Textones (on record and film). He formed the band Little Village, and produced the album Buena Vista Social Club (1997), which became a worldwide hit; Wim Wenders directed the documentary film of the same name (1999), which was nominated for an Academy Award in 2000.

Cooder was ranked at No. 8 on Rolling Stone magazine’s 2003 list of “The 100 Greatest Guitarists of All Time”, while a 2010 list by Gibson Guitar Corporation placed him at No. 32. In 2011, he published a collection of short stories called Los Angeles Stories.

Charles Lloyd (born March 15, 1938 Memphis, TN) is an American jazz musician. Though he primarily plays tenor saxophone and flute, he has occasionally recorded on other reed instruments, including alto saxophoneand the Hungarian tárogató. Lloyd’s primary band since 2007 has been a quartet including pianist Jason Moran, acoustic bassist Reuben Rogers, and drummer Eric Harland.

Samuel John “Lightnin’” Hopkins (March 15, 1912 – January 30, 1982) was an American country bluessinger, songwriter, guitarist and occasional pianist from Centerville, Texas. In 2010, Rolling Stone magazine ranked him No. 71 on its list of the 100 greatest guitarists of all time.

The musicologist Robert “Mack” McCormick opined that Hopkins is “the embodiment of the jazz-and-poetry spirit, representing its ancient form in the single creator whose words and music are one act”. He influenced Townes Van Zandt, Hank Williams, Jr., and a generation of blues musicians like Stevie Ray Vaughan, whose Grammy winning song “Rude Mood” was directly inspired by the Texan’s song “Hopkins’ Sky Hop”.

Bertha “Chippie” Hill (March 15, 1905 – May 7, 1950), was an American blues and vaudeville singer and dancer, best known for her recordings with Louis Armstrong.

Hill was born in Charleston, South Carolina, one of sixteen children. The family moved to New York in 1915. She began her career as a dancer in Harlem and by 1919 was working with Ethel Waters. At age 14, during a stint at Leroy’s, a noted New York nightclub, Hill was nicknamed “Chippie” because of her youth.She also performed with Ma Rainey as part of the Rabbit Foot Minstrels. She later established her own song and dance act and toured on the TOBA circuit in the early 1920s.

The Sacromonte neighborhood achieved its maximum splendor during the 60s, where most of its population handled singing, dancing or instruments. The gypsy zambra from the Moorish zambra, arises as the fusion of three dances that represented a different moment during the same gypsy wedding: the cachucha, the fly and the alboreá.

Some of the characteristic elements of these dances were: it was danced with bare feet, at the top a white shirt tied below the chest and at the bottom a skirt with wide pleats and tied at the hip.

The history of the Gypsy Zambra stopped during the Inquisition of the 16th century, where it was banned as it was considered an unworthy dance. From the 19th century on, flamenco began to take on importance as a musical art, and the gypsies of Sacromonte always appeared reflected by the romantic writers.

The so-called romantic travelers imagined gypsies singing and dancing flamenco, and this image is so accentuated about them that they began to do these dances for tourists with flamenco dress. It was at this time that the Sacromonte caves became a symbol in Spanish culture.