mick laBriola

Carl Frederick Kendall Palmer (born 20 March 1950) is an English drummer best known as a founding member of the supergroups Emerson, Lake & Palmer and Asia. He has toured with his own bands since 2001, including Palmer, the Carl Palmer Band, and currently, Carl Palmer’s ELP Legacy. He previously was a touring drummer for The Crazy World of Arthur Brown and a founding member of Atomic Rooster.

Palmer was inducted into the Modern Drummer Hall of Fame in 1989, and was awarded the Prog God Award at the 2017 Progressive Music Awards.

Palmer began taking drum lessons as a young boy. He took lessons with Britain’s best-known classical percussionist of the twentieth century, James Blades. His first band, formed with others from the Midlands area, was originally known as the King Bees, but changed its name to the Craig. In 1966, the band made its first record, “I Must Be Mad”, with flip side “Suspense”, produced by Larry Page. At this time, Palmer also did his first session work, playing on the song “Love Light” by the Chants, a group from Liverpool. Later in 1966, he was then invited to join Chris Farlowe and the Thunderbirds.

Margaret Marian McPartland OBE Turner; 20 March 1918 – 20 August 2013), was an English–American jazz pianist, composer, and writer. She was the host of Marian McPartland’s Piano Jazz on National Public Radio from 1978 to 2011.

After her marriage to trumpeter Jimmy McPartland in February 1945, she resided in the United States when not travelling throughout the world to perform. In 1969, she founded Halcyon Records, a recording company that issued albums for 10 years. In 2000, she was named a National Endowment for the Arts Jazz Master. In 2004, she was given a Grammy Award for lifetime achievement. In 2007, she was inducted into the National Radio Hall of Fame. Although known mostly for jazz, she composed other types of music as well, performing her own symphonic work A Portrait of Rachel Carson with the University of South Carolina Symphony Orchestra in 2007. In 2010, she was named a member of the Order of the British Empire.

A bright comet will be visible during next month’s total solar eclipse. This very unusual coincidence occurs because Comet 12P/Pons-Brooks‘s return to the inner Solar System places it by chance only 25 degrees away from the Sun during Earth’s April 8 total solar eclipse. Currently the comet is just on the edge of visibility to the unaided eye, best visible with binoculars in the early evening sky toward the constellation of the Fish (Pisces). Comet Pons-Brooks, though, is putting on quite a show for deep camera images even now. The featured image is a composite of three very specific colors, showing the comet’s ever-changing ion tail in light blue, its outer coma in green, and highlights some red-glowing gas around the coma in a spiral. The spiral is thought to be caused by gas being expelled by the slowly rotating nucleus of the giant iceberg comet. Although it is always difficult to predict the future brightness of comets, Comet Pons-Brook has been particularly prone to outbursts, making it even more difficult to predict how bright it will actually be as the Moon moves in front of the Sun on April 8.

Clarence Henry II (born March 19, 1937), known as Clarence “Frogman” Henry, is an American rhythm and blues singer and pianist, best known for his hits “Ain’t Got No Home” (1956) and “(I Don’t Know Why) But I Do” (1961).

Clarence Henry was born in New Orleans, Louisiana, United States, in 1937, moving to the Algiersneighborhood in 1948. He started learning piano as a child, with Fats Domino and Professor Longhairbeing his main influences. When Henry played in talent shows, he dressed like Longhair and wore a wig with braids on both sides. He joined Bobby Mitchell & the Toppers in 1952, playing piano and trombone, before leaving when he graduated in 1955 to join saxophonist Eddie Smith’s band.

James Joseph “Buster“ Bennett (March 19, 1914 – July 3, 1980) was an American blues saxophonist and blues shouter. His nickname was “Leap Frog”. At various times in his career, he played the soprano saxophone, the alto, and the tenor. He was known for his gutbucket style on the saxophone. He also played the piano and the string bass professionally.

Bennett was born in Pensacola, Florida. By 1930 or so, he was working in Texas, but he spent most of his active career (1938 to 1954) in Chicago. He was employed as a session musician by Lester Melrose from 1938 to 1942; he played on recordings with Big Bill Broonzy, the Yas Yas Girl, Monkey Joe, and Washboard Sam.

Leonard Joseph Tristano (March 19, 1919 – November 18, 1978) was an American jazz pianist, composer, arranger, and teacher of jazz improvisation.

Tristano studied for bachelor’s and master’s degrees in music in Chicago before moving to New York City in 1946. He played with leading bebop musicians and formed his own small bands, which soon displayed some of his early interests – contrapuntal interaction of instruments, harmonic flexibility, and rhythmic complexity. His quintet in 1949 recorded the first free group improvisations. Tristano’s innovations continued in 1951, with the first overdubbed, improvised jazz recordings, and two years later, when he recorded an atonal improvised solo piano piece that was based on the development of motifs rather than on harmonies. He developed further via polyrhythms and chromaticism into the 1960s, but was infrequently recorded.

Tristano started teaching music, especially improvisation, in the early 1940s, and by the mid-1950s was concentrating on teaching in preference to performing. He taught in a structured and disciplined manner, which was unusual in jazz education when he began. His educational role over three decades meant that he exerted an influence on jazz through his students, including saxophonists Lee Konitz and Warne Marsh.

Musicians and critics vary in their appraisal of Tristano as a musician. Some describe his playing as cold and suggest that his innovations had little impact; others state that he was a bridge between bebop and later, freer forms of jazz, and assert that he is less appreciated than he should be because commentators found him hard to categorize and because he chose not to commercialize.

Wilson Pickett (March 18, 1941 – January 19, 2006 Prattville, AL) was an American singer and songwriter.

A major figure in the development of soul music, Pickett recorded over 50 songs which made the US R&Bcharts, many of which crossed over to the Billboard Hot 100. Among his best-known hits are “In the Midnight Hour” (which he co-wrote), “Land of 1000 Dances“, “634-5789 (Soulsville, U.S.A.)“, “Mustang Sally“, “Funky Broadway“, “Engine No. 9”, and “Don’t Knock My Love“.

Pickett was inducted into the Rock and Roll Hall of Fame in 1991, in recognition of his impact on songwriting and recording.

Andy Narell (born March 18, 1954 NY,NY) is an American jazz steel pannist, composer and producer.

Narell took up the steelpan at a young age in Queens, New York. His father, who was a social worker, had started a program of steelpan playing for at-risk youth at the Jewish philanthropic Education Alliance in Lower East Side Manhattan using two sets of pans made by Rupert Sterling, a native of Antigua. Beginning in 1962, Andy, his brother Jeff, and three others boys played on a third set of Sterling-made pans in the basement of the Narell house in the Whitestone neighborhood of Queens, calling themselves the Steel Bandits. The band was a novelty steelpan act that played concerts and appeared on television shows, including I’ve Got a Secret in 1963.

The band played Carnegie Hall and at the National Music Festival of Trinidad. Murray Narell invited Ellie Mannette in 1964 to expand steelpan activities in New York City and convinced him to come in 1967. Mannette taught the Narell boys more technique, and they played on improved pans tuned by Mannette.

Narell studied music at the University of California, Berkeley and played piano with the University of California Jazz Ensembles under the direction of David W. Tucker. He graduated in 1973.

He started the record label Hip Pocket and released his first solo album, Hidden Treasures, in 1979. With an interest in Caribbean music, Latin jazz, and rhythm and blues, he joined the Caribbean Jazz Project in 1995 with Dave Samuels and Paquito D’Rivera.

He has performed with Montreux, Sakésho, Calypsociation, and Béla Fleck and the Flecktones. He composed and arranged music for Trinidad‘s national steelband competition, Panorama. Narell performed in South Africa in 1999 in front of a crowd of 80,000 people.

William Richard Frisell (born March 18, 1951) is an American jazz guitarist. He first came to prominence at ECM Records in the 1980s, as both a session player and a leader. He went on to work in a variety of contexts, notably as a participant in the Downtown Scene in New York City, where he formed a long working relationship with composer and saxophonist John Zorn. He was also a longtime member of veteran drummer Paul Motian‘s groups from the early 1980s until Motian’s death in 2011. Since the late 1990s, Frisell’s output as a bandleader has also integrated prominent elements of folk, country, rock ‘n’ rolland Americana. He has six Grammy nominations and one win.