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The Iris Nebula (also known as NGC 7023 and Caldwell 4) is a bright reflection nebula in the constellation Cepheus. The designation NGC 7023 refers to the open cluster within the larger reflection nebula designated LBN 487.
The nebula, which shines at magnitude +6.8, is illuminated by a magnitude +7.4 star designated HD 200775. It is located near the Mira-type variable star T Cephei, and near the bright magnitude +3.23 variable star Beta Cephei (Alfirk). It lies 1,300 light-years away and is six light-years across.
more...William Emanuel Cobham Jr. (born May 16, 1944) is a Panamanian–American jazz drummer who came to prominence in the late 1960s and early 1970s with trumpeter Miles Davis and then with the Mahavishnu Orchestra.
He was inducted into the Modern Drummer Hall of Fame in 1987 and the Classic Drummer Hall of Fame in 2013. AllMusic biographer Steve Huey said, “Generally acclaimed as fusion’s greatest drummer, Billy Cobham’s explosive technique powered some of the genre’s most important early recordings – including groundbreaking efforts by Miles Davis and the Mahavishnu Orchestra – before he became an accomplished bandleader in his own right. At his best, Cobham harnessed his amazing dexterity into thundering, high-octane hybrids of jazz complexity and rock & roll aggression.”
Cobham’s influence stretched far beyond jazz; he influenced progressive rock contemporaries like Bill Bruford of King Crimson, and later ones like Danny Carey of Tool. Prince and Jeff Beck both played a version of Cobham’s “Stratus” in concert. Phil Collins, who named the Mahavishnu Orchestra’s The Inner Mounting Flame as a key influence on his early style, said: “Billy Cobham played some of the finest drumming I’ve ever heard on that record.”
Born in Colón, Panama, Cobham moved with his family to Brooklyn, New York, when he was three. His father, Manuel, worked as a hospital statistician during the week and played piano on weekends. Cobham started playing drums at the age of four, and joined his father four years later. When he was fourteen, he got his first drum kit as a gift after being accepted to The High School of Music & Art in New York City. He was drafted in 1965, and for the next three years he played with a U.S. Army band.
more...Betty Carter (born Lillie Mae Jones; May 16, 1929 – September 26, 1998) was an American jazz singer known for her improvisational technique, scatting and other complex musical abilities that demonstrated her vocal talent and imaginative interpretation of lyrics and melodies. Vocalist Carmen McRae once remarked: “There’s really only one jazz singer—only one: Betty Carter.”
Carter was born in Flint, Michigan, and grew up in Detroit, where her father, James Jones, was the musical director of a Detroit church and her mother, Bessie, was a housewife. As a child, Carter was raised to be extremely independent and to not expect nurturing from her family.
more...“A Native American elder once described his own inner struggles in this manner: Inside of me there are two dogs. One of the dogs is mean and evil. The other dog is good. The mean dog fights the good dog all the time. When asked which dog wins, he reflected for a moment and replied, The one I feed the most.”
more...Rhythm Roots Workshop Residency Ecumen Lakeview Commons Assisted Living and Memory Care in Maplewood
AR 3664 better showed its 3D structure. Pictured, a large multi-pronged solar prominence was captured extending from chaotic sunspot region AR 3664 out into space, just one example of the particle clouds ejected from this violent solar region. The Earth could easily fit under this long-extended prominence. The featured image was captured two days ago from this constantly changing region. Yesterday, the strongest solar flare in years was expelled (not shown), a blast classified in the upper X-class. Ultraviolet light from that flare quickly hit the Earth’s atmosphere and caused shortwave radio blackouts across both North and South America. Although now rotated to be facing slightly away from the Earth, particles from AR 3664 and subsequent coronal mass ejections (CMEs) might still follow curved magnetic field lines across the inner Solar System and create more Earthly auroras.
more...Brian Peter George Eno born 15 May 1948), also mononymously known as Eno, is an English musician, songwriter, record producer and visual artist. He is best known for his pioneering contributions to ambient music and electronica, and for producing, recording, and writing works in rock and pop music. A self-described “non-musician”, Eno has helped introduce unconventional concepts and approaches to contemporary music. He has been described as one of popular music‘s most influential and innovative figures. In 2019, he was inducted into the Rock and Roll Hall of Fame as a member of Roxy Music.
Born in Suffolk, Eno studied painting and experimental music at the art school of Ipswich Civic College in the mid-1960s, and then at Winchester School of Art. He joined the glam rock group Roxy Music as its synthesiser player in 1971 and recorded two albums with them before departing in 1973. He then released a number of solo pop albums, beginning with Here Come the Warm Jets (1974), and explored minimal music with the influential recordings Discreet Music (1975) and Ambient 1: Music for Airports (1978), with the latter coining the term “ambient music”.
Alongside his solo work, Eno collaborated frequently with other musicians in the 1970s, including Robert Fripp (as part of the duo Fripp & Eno), Harmonia, Cluster, Harold Budd, David Bowie, and David Byrne. He also established himself as a sought-after producer, working on albums by John Cale, Jon Hassell, Laraaji, Talking Heads, Ultravox, and Devo, as well as the no wave compilation No New York (1978). In subsequent decades, Eno continued to record solo albums, and produce for other artists, most prominently U2, Coldplay and Peter Gabriel, and including Daniel Lanois, Laurie Anderson, Grace Jones, Slowdive, Karl Hyde, James, Kevin Shields, and Damon Albarn.
Dating back to his time as a student, Eno has also worked in other media, including sound installations, film and writing. In the mid-1970s, he co-developed Oblique Strategies, a deck of cards featuring aphorismsintended to spur creative thinking. From the 1970s onwards, his installations have included the sails of the Sydney Opera House in 2009 and the Lovell Telescope at Jodrell Bank in 2016. An advocate of a range of humanitarian causes, Eno writes on a variety of subjects and is a founding member of the Long Now Foundation. His modern political activism has also included Gazan tragedy awareness before and during the 2023-24 Gaza–Israel conflict, climate change awareness, anti-Toryism, and the freedom and release of Julian Assange.
more...Trinidad López III (May 15, 1937 – August 11, 2020) was an American singer, guitarist, and actor. His first album included a cover version of Pete Seeger‘s “If I Had a Hammer“, which earned a Golden Disc for him. His other hits included “Lemon Tree“, “I’m Comin’ Home, Cindy” and “Sally Was a Good Old Girl”. He designed two guitars for the Gibson Guitar Corporation, which are now collectors’ items. A documentary on his life and career, “My Name is Lopez” was released in April 2022.
Lopez was born in Dallas, Texas, on May 15, 1937. His father, Trinidad Lopez II, worked as a singer, dancer, actor, and musician in Mexico; his mother was Petra Gonzalez. They married in their hometown of Moroleón, Guanajuato, prior to moving to Dallas. Lopez had four sisters (two are deceased) and a brother, Jesse, who is also a singer. He grew up on Ashland Street in the Little Mexico neighborhood of Dallas and attended grammar school and N. R. Crozier Tech High School. He dropped out of high school in his senior year in order to earn money to help support the family.
more...Oscar Castro-Neves (May 15, 1940 – September 27, 2013), was a Brazilian guitarist, arranger, and composer who is considered a founding figure in bossa nova.
He was born in Rio de Janeiro as one of triplets and formed a band with his brothers in his youth. At 16 he had a national hit with Chora Tua Tristeza. In 1962 he was in a bossa nova concert at Carnegie Hall, and later he toured with Stan Getz and Sérgio Mendes. He went on to work with musicians from different genres, including Billy Eckstine, Yo Yo Ma, Michael Jackson, Barbra Streisand, Stevie Wonder, João Gilberto, Eliane Elias, Lee Ritenour, Airto Moreira, Toots Thielemans, John Klemmer, Carol Welsman, Stephen Bishop, and Diane Schuur. During the 1970s and early 1980s he was member of the Paul Winter Consort. With Mendes, Castro-Neves, was a key guitarist in the A&M release “Fool on the Hill” and continued with the classic “Stillness” which was to see the last Brasil ’66 grouping. Castro-Neves re-appeared with Sergio Mendes & Brasil 77 on the Vintage ’74 album.
He lived in Los Angeles, California where he worked as an orchestrator for several films including Blame it on Rio and Sister Act 2: Back in the Habit. He died of cancer in Los Angeles on September 27, 2013.
more...Ellis Larkins (May 15, 1923 – September 29, 2002) was an American jazz pianist born in Baltimore, Maryland, known for his two recordings with Ella Fitzgerald: the albums Ella Sings Gershwin (1950) and Songs in a Mellow Mood (1954). He was also the pianist on the first solo sides by singer Chris Connor on her album Chris (1954).
Larkins was the first African American to attend the Peabody Conservatory of Music, an institute in Baltimore. He began his professional playing career in New York City after moving there to attend the Juilliard School.[1] While still at Juilliard, Larkins performed jazz piano with guitarist Billy Moore at Café Society Uptown and over the next ten years in his own groups, or in support of, clarinetist Edmond Hall and singers Helen Humes and Mildred Bailey. He recorded with Coleman Hawkins, and Dicky Wells in the 1940s. In the 1950s, he recorded with Ella Fitzgerald, Ruby Braff, and Beverly Kenney. His 1960s work included recordings or performances with Eartha Kitt, Joe Williams, Georgia Gibbs and Harry Belafonte.
Though he was best known as an accompanist, Larkins recorded several solo albums in the 1950s. In the 1970s, he performed regularly at several New York venues, including Gregory’s, a small bar on the Upper East Side.
more...the brighter stars of open cluster NGC 2169 seem to form a cosmic 37. Did you expect 42? From our perspective, the improbable numerical asterism appears solely by chance. It lies at an estimated distance of 3,300 light-years toward the constellation Orion. As far as galactic or open star clusters go, NGC 2169 is a small one, spanning about 7 light-years. Formed at the same time from the same cloud of dust and gas, the stars of NGC 2169 are only about 11 million years old. Such clusters are expected to disperse over time as they encounter other stars, interstellar clouds, and experience gravitational tides while hitchhiking through the galaxy. Over four billion years ago, our own Sun was likely formed in a similar open cluster of stars.
more...
David Byrne (/bɜːrn/; born 14 May 1952) is a Scottish-American singer, songwriter, musician, record producer, actor, writer, music theorist, visual artist, and filmmaker. He was a founding member, principal songwriter, lead singer, and guitarist of the American new wave band Talking Heads.
Byrne has released solo recordings and worked with various media including film, photography, opera, fiction, and non-fiction. He has received an Academy Award, a Grammy Award, a Special Tony Award, and a Golden Globe Award, and he is an inductee to the Rock and Roll Hall of Fame as part of Talking Heads.
more...John Symon Asher Bruce (14 May 1943 – 25 October 2014) was a Scottish musician. He gained popularity as the primary lead vocalist and bassist of rock band Cream. After the group disbanded in 1968, he pursued a solo career and also played with several bands.
In the early 1960s Bruce joined the Graham Bond Organisation (GBO), where he met future Cream bandmate Ginger Baker. After leaving the band, he briefly joined John Mayall & the Bluesbreakers, where he met Eric Clapton. In 1966, after a short time with Manfred Mann, he formed Cream with lead guitarist Clapton and drummer Baker. He co-wrote many of their songs (including “Sunshine of Your Love“, “White Room” and “I Feel Free“) with poet/lyricist Pete Brown. After the group disbanded in the late 1960s, he began recording solo albums. Bruce put together a band of his own to perform material live and subsequently formed the blues rock band West, Bruce and Laing in 1972, with ex-Mountain guitarist Leslie West and drummer Corky Laing. His solo career spanned several decades. From the 1970s to the 1990s he played with several bands as a touring member. He reunited with Cream in 2005 for concerts at the Royal Albert Hall and at Madison Square Garden in New York.
Bruce is considered one of the most important and influential bassists of all time. Rolling Stone magazine readers ranked him number eight on their list of “10 Greatest Bassists of All Time”. He was inducted in the Rock and Roll Hall of Fame in 1993, and was awarded the Grammy Lifetime Achievement Award in 2006, both as a member of Cream.
more...Arthur James “Zutty” Singleton (May 14, 1898 – July 14, 1975) was an American jazz drummer.
Singleton was born in Bunkie, Louisiana, United States, and raised in New Orleans. According to his Jazz Profiles biography, his unusual nickname, acquired in infancy, is the Creole word for “cute”. He was working professionally with Steve Lewis by 1915. He served with the United States Navy in World War I. After returning to New Orleans he worked with Papa Celestin, Big Eye Louis Nelson, John Robichaux, and Fate Marable. He left for St. Louis, Missouri, to play in Charlie Creath’s band, then moved to Chicago.
In Chicago, Singleton played with Doc Cook, Dave Peyton, Jimmie Noone, and theater bands, then joined Louis Armstrong’s band with Earl Hines. In 1928 and 1929, he performed on landmark recordings with Louis Armstrong and his Hot Five. In 1929 he moved with Armstrong to New York City.
In addition to Armstrong in New York he played with Bubber Miley, Tommy Ladnier, Fats Waller, Jelly Roll Morton and Otto Hardwick. He also played in the band backing Bill Robinson. In 1934, Singleton returned to Chicago. He returned to New York in 1937, working with Mezz Mezzrow and Sidney Bechet.
In 1943, he moved to Los Angeles, where he led his own band, played for motion pictures, and appeared on the radio program The Orson Welles Almanac (1944). He also worked with Slim Gaillard, Wingy Manone, Eddie Condon, Nappy Lamare, Art Hodes, Oran “Hot Lips” Page, and Max Kaminsky.
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