What makes this video special – the clarity of rhythmic music in Eva’s solo Soleares por Bulerías reveals the opportunity of taconeo  and remates and the beauty of flamenco dance structure and rhythms collaborating through music and dance

There is no standard music for the escobilla in this dance, though it’s parent form. the Soleares has easily recognizable music for its escobilla. Dancers usually request rhythm music in the tone and key of Soléa por bulerías for extended footwork sequences. The dance follows the same structure as the Soleares.

Guitar falsetas are often included as both an introduction to the song/dance, and throughout the dance as a vehicle for the dancer. Singers admire this song, and if they perform solo versions with the guitarist only, they usually sing anywhere from 2 to 20 letras in a performance. The Soléa por bulerías and Soleares por medio are often performed together.

​For our purposes, there are four features that distinguish the soleá por bulerías:

• The compás starts on 12, and is identical to that of the Alegrías;

• The pace is that of a slow to mid-tempo bulerías;

• The letras follow the form of soleares letras, though the repeats at the end of phrases can vary and are often extended;

• Often, although by no means always, there is a descending bass line in the guitar of D-C-Bb-A on beats 7-10, echoing similar lines found in soleares.