The structure is similar to most Flamenco dances and can be broken down as follows:

• ENTRADA/SALIDA (ENTRANCE): The dancer enters the stage via marking steps (marcando)
• LLAMADA: This is the call for the singer to sing the first letra.
• FIRST LETRA: The singer sings 7-12 sets of 12 count phrases
• SECOND LETRA OR FALSETA: The Falsetta is a musical phrase or phrases that the guitarist has composed or improvises that the dancer interprets with choreography.
• ESCOBILLA: Several sets of 12 count footwork phrases
• SUBIDA/PALMAS/CHOREOGRAPHY that transitions into a BULERIAS. Usually, a REMATE/LLAMADA, a finish and a cue that are performed together in sequence, will occur here to call in the singer for the BULERIAS FINALE.
• BULERIAS – FINALE for all 12 count dances. Here, the Bulerías is a structured improvisation with set phrases, a set structure, and learned or improvised choreography.