Fird Eaglin Jr. (January 21, 1936 or 1937 – February 18, 2009), known as Snooks Eaglin, was an American guitarist and singer based in New Orleans. In his early years he was sometimes credited under other names, including Blind Snooks Eaglin, “Lil” Snook, Ford Eaglin, Blind Guitar Ferd.

His vocal style was reminiscent of that of Ray Charles; in the 1950s, when he was in his late teens, he sometimes billed himself as “Little Ray Charles”. He played a wide range of styles of music within the same concert, album, or even song: blues, rock and roll, jazz, country, and Latin. In his early years, he also played acoustic blues.

His ability to play a wide range of songs and make them his own earned him the nickname “The Human Jukebox.” Eaglin claimed in interviews that his musical repertoire included some 2,500 songs.

At live shows, he usually did not prepare set lists and was unpredictable, even to his bandmates. He played songs that came to him on stage, and he also took requests from the audience.

Eaglin lost his sight not long after his first birthday, having been stricken with glaucoma, and spent several years in the hospital with other ailments. Around the age of five he received a guitar from his father and taught himself to play by listening to and playing along with the radio. A mischievous youngster, he was given the nickname “Snooks” after a radio character named Baby Snooks.

In 1947, at the age of 11, Eaglin entered a talent contest organized by the radio station WNOE and won it with his performance of “Twelfth Street Rag.” Three years later, he dropped out of a school for the blind to become a professional musician. In 1952, he joined the Flamingoes, a local seven-piece band started by Allen Toussaint. The Flamingoes did not have a bass player, and according to Eaglin, he played both the guitar and the bass parts simultaneously on his guitar. He stayed with the Flamingoes for several years, until the group disbanded in the mid-1950s.

As a solo artist, his recording and touring were inconsistent, and for a man with a career of about 50 years, his discography is rather slim. His first recording was in 1953, playing guitar at a recording session for James “Sugar Boy” Crawford.

The first recordings under his own name were made by Harry Oster, a folklorist from Louisiana State University, who found Eaglin playing in the streets of New Orleans and recorded him in seven sessions between 1958 and 1960. For these recordings, Eaglin played in a folk blues style, accompanying himself on an acoustic guitar, without a band. These recordings were later released by several labels, including Folkways, Folk-Lyric, and Prestige/Bluesville.