Saunders Teddell, or Saunders Terrell (or other variants, sources differ) (October 24, 1911 – March 11, 1986), known as Sonny Terry, was an American Piedmont blues and folk musician, who was known for his energetic blues harmonica style, which frequently included vocal whoops and hollers and occasionally imitations of trains and fox hunts. Terry was born in Greensboro, Georgia. His father, a farmer, taught him to play basic blues harp as a youth. He sustained injuries to his eyes and went blind by the time he was 16, which prevented him from doing farm work, and was forced to play music in order to earn a living. Terry played Campdown Races to the plow horses which improved the efficiency of farming in the area. He began playing blues in Shelby, North Carolina. After his father died, he began playing in the trio of Piedmont blues–style guitarist Blind Boy Fuller. When Fuller died in 1941, Terry established a long-standing musical relationship with Brownie McGhee, and they recorded numerous songs together. The duo became well known among white audiences during the folk music revival of the 1950s and 1960s. This included collaborations with Styve Homnick, Woody Guthrie and Moses Asch, producing classic recordings for Folkways Records (now Smithsonian/Folkways).

In 1938 Terry was invited to play at Carnegie Hall for the first From Spirituals to Swing concert,^[4] and later that year he recorded for the Library of Congress. He recorded his first commercial sides In 1940. Some of his most famous works include “Old Jabo”, a song about a man bitten by a snake, and “Lost John”, which demonstrates his amazing breath control.

Despite their fame as “pure” folk artists, in the 1940s Terry and McGhee fronted a jump blues combo with honking saxophone and rolling piano, which was variously billed as Brownie McGhee and his Jook House Rockers or Sonny Terry and his Buckshot Five.