mick laBriola

Friday January 3rd 2025 6pm Erev Shabbat Service music with Inbal Sharett-Singer, Jayson Rodovsky, Jeff Bailey, Pete Whitman and mick LaBriola.

John Paul Jones (born John Baldwin; 3 January 1946) is an English musician, songwriter, and record producer who was the bassist and keyboardist for the rock band Led Zeppelin.

He was a session musician and arranger when he formed the band with Jimmy Page in 1968. Jones developed a solo career after drummer John Bonham died and Led Zeppelin disbanded in 1980. He has collaborated with musicians in a variety of genres, including the supergroup Them Crooked Vultures with Dave Grohl, Josh Homme, and Alain Johannes. He was inducted into the Rock and Roll Hall of Fame in 1995 as a member of Led Zeppelin.

John Jenkins (January 3, 1931 – July 12, 1993) was an American jazz saxophonist.

Born in Chicago, Jenkins initially studied clarinet in high school but switched to saxophone after six months on the instrument. He played in jam sessions led by Joe Segal at Roosevelt College from 1949 to 1956. He played with Art Farmer in 1955 and led his own group in Chicago later that year. In 1957, he played with Charles Mingusand recorded two albums as a leader. He played as a sideman with Johnny Griffin, Donald Byrd, Hank Mobley, Paul Quinichette, Clifford Jordan, Sahib Shihab, and Wilbur Ware in the late 1950s and early 1960s, but essentially dropped out of music after 1962, aside from a few dates with Gloria Coleman.

Herbert Horatio Nichols (January 3, 1919 – April 12, 1963) was an American jazzpianist and composer who wrote the jazz standard “Lady Sings the Blues“. Obscure during his lifetime, he is now highly regarded by many musicians and critics.

He was born in San Juan Hill, Manhattan, New York, United States, to parents from St. Kitts and Trinidad, and grew up in Harlem. During much of his career, he took work as a Dixieland musician while also pursuing the more adventurous kind of jazz he preferred. He is best known today for music that combines bop, Dixieland, and music from the Caribbean with harmonies from Erik Satie, Béla Bartók and other modernist composers.

Compared to other toques, flamenco fandangos have a shorter rhythmic cycle that may feel more familiar to musicians trained in classical or other Western music styles. Fandangos are an early form of flamenco music, influenced from Arab-Moorish music and Portuguese fado music. Flamenco Fandangos are generally festive and upbeat.

Fandangos have a 3/4 rhythm (previously 6/8, now 3/4 or 3/8), with an accent on the first beat. Most Fandangos are very metric and appropriate for dance. A common compás that can be felt is made up of 12 beats (2×6). However, others may have more of a free-form feeling (known as en toque libre or “very freely”).

There’s also a variety of regional Fandangos, known as fandangos locales, each with their own style and character.

Little Smokey Smothers (January 2, 1939 – November 20, 2010 Tchula, MS) was a Chicago blues guitarist and singer. He played with the Paul Butterfield Blues Band and played with other Chicago blues musicians in the 1960s, then left music for most of the 1970s. He returned to music in the late 1970s and continued performing until his death in 2010.

His elder brother was the bluesman Otis “Big Smokey” Smothers (died 1993), with whom he was sometimes confused.

Hisao Oma “Isao” Suzuki (鈴木 勲, Suzuki Isao, 2 January 1933 – 8 March 2022) was a Japanese jazz double-bassist.

Born in Tokyo, Japan, Suzuki learned to play bass on United States military bases, and played early in his career with Shotaro Moriyasu, Hidehiko Matsumoto, and Sadao Watanabe. He led his own ensemble in Tokyo from 1965–1969, also performing with Hampton Hawes in 1968. He moved to New York City from 1969 to 1971, playing with Ron Carter, Paul Desmond, Ella Fitzgerald, Jim Hall, Wynton Kelly, Charles Mingus, Thelonious Monk, and Bobby Timmons. Returning to Japan, he played with Kenny Burrell and Mal Waldron in addition to his own ensembles. Later in the 1970s, he began expanding his instrumental repertoire, playing cello and piccolo bass. He was a cofounder of the Japanese Bass Players Club with Hideto Kanai, and opened a jazz club in Osaka in 1987.

Ari Brown (born February 1, 1944) is an American jazz tenor saxophonist and pianist.

Brown grew up in Chicago and attended Wilson College, where he met musicians such as Jack DeJohnette, Henry Threadgill, Roscoe Mitchell, and Joseph Jarman. He played piano in R&B and soul outfits into the 1960s, then switched to saxophone in 1965. He joined the AACM in 1971, and also played with The Awakening in the early 1970s. In 1974 he lost several teeth in a car crash, and temporarily switched to piano again until he recovered. He played sax later in the 1970s with McCoy Tyner, Don Patterson, and Sonny Stitt. In the 1980s, he started his own quintet, and also worked with Lester Bowie, Von Freeman, Bobby Watson, and Anthony Braxton, and in 1989 he became a member of Kahil El’Zabar‘s trio. In 1995, he recorded his first album as a leader, titled Ultimate Frontier, and released by Delmark Records.

Frank L. Marocco (January 2, 1931 – March 3, 2012) was an American piano-accordionist, arranger and composer. He was recognized as one of the most recorded accordionists in the world.

Born in Joliet, Illinois Frank Marocco grew up in Waukegan, near Chicago. At the age of seven years, his parents enrolled him in a six-week beginner class for learning to play the accordion.

Nick Fatool (January 2, 1915 – September 26, 2000) was an American jazz drummer. He was born in Millbury, Massachusetts, United States. Fatool first played professionally in Providence, Rhode Island, which he followed with time in Joe Haymes‘s band in 1937 and Don Beston‘s in Dallas soon after. In 1939, he played with Bobby Hackett briefly, and then became a member of the Benny GoodmanOrchestra. He became one of the most visible drummers of the 1940s, playing with Artie Shaw (1940–41), Alvino Rey (1942–43), Claude Thornhill, Les Brown, and Jan Savitt. In 1943, he moved to Los Angeles and took work as a session musician, recording profusely. Credits include Harry James, Erroll Garner (1946), Louis Armstrong (1949, 1951), Jess Stacy, Tommy Dorsey, Matty Matlock, John Scott Trotterand Glen Gray. He began an association with Bob Crosby, playing with him regularly between 1949 and 1951 and occasionally with Crosby’s Bobcats into the 1970s.

Troy Andrews (born January 2, 1986 NOLA), also known by the stage name Trombone Shorty, is a musician, most notably a trombone player, from New Orleans, Louisiana. His music fuses rock, pop, jazz, funk, and hip hop.