mick laBriola

Norberto “Noro” Morales (January 4, 1911 – January 15, 1964) was a Puerto Ricanpianist and bandleader.

Morales was born in the subbarrio Puerta de Tierra of San Juan, Puerto Rico to father Luis Morales Barada, a musician, and mother Mercedes Sanabia, a tailor. Growing up in a musical family, Morales learned multiple instruments as a child, including the trombone, bass, and the piano. He played in Venezuela from 1924 to 1930, then returned to Puerto Rico to play with Rafael Muñoz. He emigrated to New York City in 1935, and played there with Alberto Socarras and Augusto Cohen. In 1939, he and brothers Humberto and Esy put together the Brothers Morales Orchestra. He released the tune “Serenata Ritmica” on Decca Records in 1942, which catapulted him to fame in the Latin music scene, then dominated by rhumba and later by mambo. His band rivaled Machito‘s in popularity in New York in the 1940s. Like his brothers, Morales suffered from diabetes and, by the early 1960s, he was severely obese and nearly blind. He died of uremia on January 15, 1964, at Hospital San Jorge, in San Juan, aged 53. He was buried in Puerto Rico Memorial (also known as Cementerio Fournier) in Carolina, Puerto Rico.

Pablo Rodríguez Lozada (January 4, 1923 – February 28, 1973), better known as

Tito Rodríguez, was a Puerto Rican singer and bandleader. He started his career singing under the tutelage of his brother, Johnny Rodríguez. In the 1940s, both moved to New York, where Tito worked as a percussionist in several popular rhumbaensembles, before directing his own group to great success during the 1950s. His most prolific years coincided with the peak of the mambo and cha-cha-cha dance craze. He also recorded boleros, sones, guarachas and pachangas.

Rodríguez is known by many fans as “El Inolvidable” (The Unforgettable One), a moniker based on his most popular song, a bolero written by Cuban composer Julio Gutiérrez. 

Rodríguez returned to Puerto Rico in 1966 and built a Japanese-style house in Ocean Park, Santurce, where he lived with his family. Rodríguez produced his own television show called “El Show de Tito Rodríguez” which was transmitted through San Juan’s television Channel 7 (whose call letters were WRIK-TV at the time). Among the guest stars that appeared on his show were Sammy Davis Jr., Tony Bennett, Shirley Bassey, Roberto Clemente and Orlando Cepeda. Rodríguez also founded his own recording studio/label called TR Records.

Rodríguez’s last public appearance was with Machito and his band on February 2, 1973, at Madison Square Garden in New York City.

Friday January 3rd 2025 6pm Erev Shabbat Service music with Inbal Sharett-Singer, Jayson Rodovsky, Jeff Bailey, Pete Whitman and mick LaBriola.

John Paul Jones (born John Baldwin; 3 January 1946) is an English musician, songwriter, and record producer who was the bassist and keyboardist for the rock band Led Zeppelin.

He was a session musician and arranger when he formed the band with Jimmy Page in 1968. Jones developed a solo career after drummer John Bonham died and Led Zeppelin disbanded in 1980. He has collaborated with musicians in a variety of genres, including the supergroup Them Crooked Vultures with Dave Grohl, Josh Homme, and Alain Johannes. He was inducted into the Rock and Roll Hall of Fame in 1995 as a member of Led Zeppelin.

John Jenkins (January 3, 1931 – July 12, 1993) was an American jazz saxophonist.

Born in Chicago, Jenkins initially studied clarinet in high school but switched to saxophone after six months on the instrument. He played in jam sessions led by Joe Segal at Roosevelt College from 1949 to 1956. He played with Art Farmer in 1955 and led his own group in Chicago later that year. In 1957, he played with Charles Mingusand recorded two albums as a leader. He played as a sideman with Johnny Griffin, Donald Byrd, Hank Mobley, Paul Quinichette, Clifford Jordan, Sahib Shihab, and Wilbur Ware in the late 1950s and early 1960s, but essentially dropped out of music after 1962, aside from a few dates with Gloria Coleman.

Herbert Horatio Nichols (January 3, 1919 – April 12, 1963) was an American jazzpianist and composer who wrote the jazz standard “Lady Sings the Blues“. Obscure during his lifetime, he is now highly regarded by many musicians and critics.

He was born in San Juan Hill, Manhattan, New York, United States, to parents from St. Kitts and Trinidad, and grew up in Harlem. During much of his career, he took work as a Dixieland musician while also pursuing the more adventurous kind of jazz he preferred. He is best known today for music that combines bop, Dixieland, and music from the Caribbean with harmonies from Erik Satie, Béla Bartók and other modernist composers.

Compared to other toques, flamenco fandangos have a shorter rhythmic cycle that may feel more familiar to musicians trained in classical or other Western music styles. Fandangos are an early form of flamenco music, influenced from Arab-Moorish music and Portuguese fado music. Flamenco Fandangos are generally festive and upbeat.

Fandangos have a 3/4 rhythm (previously 6/8, now 3/4 or 3/8), with an accent on the first beat. Most Fandangos are very metric and appropriate for dance. A common compás that can be felt is made up of 12 beats (2×6). However, others may have more of a free-form feeling (known as en toque libre or “very freely”).

There’s also a variety of regional Fandangos, known as fandangos locales, each with their own style and character.

Little Smokey Smothers (January 2, 1939 – November 20, 2010 Tchula, MS) was a Chicago blues guitarist and singer. He played with the Paul Butterfield Blues Band and played with other Chicago blues musicians in the 1960s, then left music for most of the 1970s. He returned to music in the late 1970s and continued performing until his death in 2010.

His elder brother was the bluesman Otis “Big Smokey” Smothers (died 1993), with whom he was sometimes confused.

Hisao Oma “Isao” Suzuki (鈴木 勲, Suzuki Isao, 2 January 1933 – 8 March 2022) was a Japanese jazz double-bassist.

Born in Tokyo, Japan, Suzuki learned to play bass on United States military bases, and played early in his career with Shotaro Moriyasu, Hidehiko Matsumoto, and Sadao Watanabe. He led his own ensemble in Tokyo from 1965–1969, also performing with Hampton Hawes in 1968. He moved to New York City from 1969 to 1971, playing with Ron Carter, Paul Desmond, Ella Fitzgerald, Jim Hall, Wynton Kelly, Charles Mingus, Thelonious Monk, and Bobby Timmons. Returning to Japan, he played with Kenny Burrell and Mal Waldron in addition to his own ensembles. Later in the 1970s, he began expanding his instrumental repertoire, playing cello and piccolo bass. He was a cofounder of the Japanese Bass Players Club with Hideto Kanai, and opened a jazz club in Osaka in 1987.

Ari Brown (born February 1, 1944) is an American jazz tenor saxophonist and pianist.

Brown grew up in Chicago and attended Wilson College, where he met musicians such as Jack DeJohnette, Henry Threadgill, Roscoe Mitchell, and Joseph Jarman. He played piano in R&B and soul outfits into the 1960s, then switched to saxophone in 1965. He joined the AACM in 1971, and also played with The Awakening in the early 1970s. In 1974 he lost several teeth in a car crash, and temporarily switched to piano again until he recovered. He played sax later in the 1970s with McCoy Tyner, Don Patterson, and Sonny Stitt. In the 1980s, he started his own quintet, and also worked with Lester Bowie, Von Freeman, Bobby Watson, and Anthony Braxton, and in 1989 he became a member of Kahil El’Zabar‘s trio. In 1995, he recorded his first album as a leader, titled Ultimate Frontier, and released by Delmark Records.

Frank L. Marocco (January 2, 1931 – March 3, 2012) was an American piano-accordionist, arranger and composer. He was recognized as one of the most recorded accordionists in the world.

Born in Joliet, Illinois Frank Marocco grew up in Waukegan, near Chicago. At the age of seven years, his parents enrolled him in a six-week beginner class for learning to play the accordion.