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Edward Ray Sharpe

February 8, 2025

Edward Ray Sharpe (born February 8, 1938) is an American singer, guitarist, and songwriter. His best-known single was “Linda Lu”. Sharpe was described by one record producer as “the greatest white-sounding black dude ever”.

Born in Fort Worth, Texas, Sharpe grew up influenced by country as well as bluesmusic. He learned guitar, influenced by Chuck Berry records, and in 1956 formed his own trio, Ray Sharpe and the Blues Whalers, with Raydell Reese (piano) and Cornelius Bell (drums), and they became popular playing rock and roll in Fort Worth clubs. His recording career started in Phoenix, Arizona in April 1958, when Lee Hazlewoodproduced his single, “That’s the Way I Feel” / “Oh, My Baby’s Gone”.

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Floyd Dixon

February 8, 2025

Floyd Dixon (February 8, 1929 – July 26, 2006) was an American rhythm-and-bluespianist and singer.

Dixon was born in Marshall, Texas. Some sources give his birth name as Jay Riggins Jr., although Dixon himself stated that Floyd Dixon was his real name and that his parents were Velma and Ford Dixon. Growing up, he was influenced by blues, gospel, jazz and country music. His family moved to Los Angeles, California, in 1942. There Dixon met Charles Brown, who had an influence on his music.

The self-dubbed “Mr. Magnificent”, Dixon signed a recording contract with Modern Records in 1949, specializing in jump blues and sexualized songs like “Red Cherries”, “Wine Wine Wine”, “Too Much Jelly Roll” and “Baby Let’s Go Down to the Woods”. Both “Dallas Blues” and “Mississippi Blues”, credited to the Floyd Dixon Trio, reached the Billboard R&B chart in 1949, as did “Sad Journey Blues”, issued by Peacock Records in 1950.

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Little Shop of Horrors 2025

February 8, 2025

Little Shop of Horrors second performance, tonight Saturday February 8th 2025 7pm, by Theatre 55 at the Gremlin Theater in St Paul. Running February 7th thru 22nd. Music by Shirley Mier, Lyra Olson, Jamie Carter & mick Bambula. With vocalists Patty Lacy and Van Nixon.

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Cosmo NGC 7635

February 8, 2025

NGC 7635, also known as the Bubble Nebula, Sharpless 162, or Caldwell 11, is an H II region emission nebula in the constellation Cassiopeia. It lies close to the open cluster Messier 52. The “bubble” is created by the stellar wind from a massive hot, 8.7 magnitude young central star, SAO 20575 (BD+60°2522). The nebula is near a giant molecular cloud which contains the expansion of the bubble nebula while itself being excited by the hot central star, causing it to glow. It was discovered in November 1787 by William Herschel. The star BD+60°2522 is thought to have a mass of about 44 M☉.

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Tom Rush

February 8, 2025

Thomas Walker Rush (born February 8, 1941) is an American folk and blues singer, guitarist, and songwriter whose success helped launch the careers of other singer-songwriters in the 1960s and who has continued his own singing career for 60 years.

Rush was born in Portsmouth, New Hampshire, United States, the adopted son of a teacher at St. Paul’s School, in Concord, New Hampshire. He began performing in 1961 while studying at Harvard University, after having graduated from the Groton School. He majored in English literature. His early recordings include Southern and Appalachianfolk and old-time country songs, Woody Guthrie ballads and acoustic-guitar blues such as Jesse Fuller‘s San Francisco Bay Blues which appeared on his first two LPs. He regularly performed at the Club 47 coffeehouse (now called Club Passim) in Cambridge, the Unicorn in Boston, and The Main Point in Bryn Mawr, Pennsylvania. In the 1970s, he lived in Deering, New Hampshire. As of 2023, Rush lives in the North Shore region of Massachusetts not far from his New Hampshire birth place.

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Shadia

February 8, 2025

Fatma Ahmad Kamal Shaker (Arabic: فاطمة أحمد كمال شاكر; 8 February 1931 – 28 November 2017), better known by her stage name Shadia (Arabic: شادية, Shādya), was an Egyptian actress and singer. She was the third wife of Salah Zulfikar. She was famous for her roles in light comedies and drama in the 1950s and 1960s. Shadia was one of the iconic actresses and singers in Egypt and the Middle East region and a symbol of the golden age of Egyptian cinema and is known of her many patriotic songs.

Shadia’s films and songs are popular in Egypt and all the Arab world. Critics consider her the most successful comprehensive Egyptian and Arabic artist of all time. Her first appearance in a film was in “Azhar wa Ashwak” (Flowers and Thorns), and her last film was “La Tas’alni Man Ana” (Don’t Ask Me Who I Am).

She is also known for her patriotic song “Ya Habibti Ya Masr” (Oh Egypt, My Love.) Her breakthrough leading role came in the 1959 Egyptian film “Al Maraa Al Maghoula” (The Unknown Woman) directed by Mahmoud Zulfikar. Six of her movies are listed in the top 100 Egyptian movies of the 20th century.

In April 2015, Shadia became the first actress to be awarded an honorary doctorate by the Egyptian Academy of Arts. She was given the nickname “Idol of the Masses” following her successful movie “Ma’budet el Gamahir” (Idol of the Masses).Other notable nicknames include “The Guitar of the Egyptian Singing” (Arabic: جيتارة الغناء) and “The Golden Guitar” (Arabic: الجيتارة الذهبية).

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Lonnie Johnson

February 8, 2025

Alonzo “Lonnie” Johnson (February 8, 1899 – June 16, 1970) was an American blues and jazz singer, guitarist, violinist and songwriter. He was a pioneer of jazz guitarand jazz violin and is recognized as the first to play an electrically amplified violin.

Johnson was born in New Orleans, Louisiana and raised in a family of musicians. He studied violin, piano and guitar as a child and learned to play various other instruments, including the mandolin, but he concentrated on the guitar throughout his professional career. “There was music all around us,” he recalled, “and in my family you’d better play something, even if you just banged on a tin can.”

In 1917, Johnson joined a revue that toured England, returning home in 1919 to find that all of his family, except his brother James, had died in the 1918 influenza epidemic.

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John Williams

February 8, 2025

John Towner Williams (born February 8, 1932) is an American composer and conductor. In a career that has spanned seven decades, he has composed some of the most popular, recognizable, and critically acclaimed film scores in cinema history.He has a distinct sound that mixes romanticism, impressionism and atonal music with complex orchestration. He is best known for his collaborations with Steven Spielbergand George Lucas and has received numerous accolades including 26 Grammy Awards, five Academy Awards, seven BAFTA Awards, three Emmy Awards and four Golden Globe Awards. With 54 Academy Award nominations, he is the second-most nominated person, after Walt Disney, and is the oldest Oscar nominee in any category, at 91 years old.

Williams’s early work as a film composer includes Valley of the Dolls (1967), Goodbye, Mr. Chips (1969), Images and The Cowboys (both 1972), The Long Goodbye (1973) and The Towering Inferno (1974). He has collaborated with Spielberg since The Sugarland Express (1974), composing music for all but five of his feature films. He received five Academy Awards for Best Score for Fiddler on the Roof (1971), Jaws(1975), Star Wars (1977), E.T. the Extra-Terrestrial (1982) and Schindler’s List (1993). Other memorable collaborations with Spielberg include Close Encounters of the Third Kind (1977), the Indiana Jones franchise (1981–2023), Hook (1991), Jurassic Park(1993), Saving Private Ryan (1998), Catch Me If You Can (2002), War Horse (2011), Lincoln (2012), and The Fabelmans (2022).[9] He also scored Superman (1978), the first two Home Alone films (1990–1992), and the first three Harry Potter films (2001–2004).

Williams has also composed numerous classical concertos and other works for orchestral ensembles and solo instruments. He served as the Boston Pops‘ principal conductor from 1980 to 1993 and is its laureate conductor.[10] Other works by Williams include theme music for the 1984 Summer Olympic Games; NBC Sunday Night Football;The Mission” theme (used by NBC News and Seven News in Australia); the television series Lost in Space, Land of the Giants and Amazing Stories.[11][12]

Among other accolades, he has received the Kennedy Center Honor in 2004, the National Medal of the Arts in 2009 and the AFI Life Achievement Award in 2016. He was inducted into the Songwriters Hall of Famein 1998, the Hollywood Bowl‘s Hall of Fame in 2000 and the American Classical Music Hall of Fame in 2004. He has composed the score for nine of the top 25 highest-grossing films at the U.S. box office. In 2022, Williams was appointed an Honorary Knight Commander of the Order of the British Empire (KBE) by Queen Elizabeth II, “for services to film music”. In 2005, the American Film Institute placed Williams’s score to Star Wars first on its list AFI’s 100 Years of Film Scores; his scores for Jaws and E.T. also made the list. The Library of Congress entered the Star Wars soundtrack into the National Recording Registry for being “culturally, historically, or aesthetically significant”.

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World Music Tinariwen

February 8, 2025

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Daily Roots Prince Allah

February 8, 2025

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Echoes of Freedom by Langston Hughes

February 7, 2025
Echoes of Freedom by Langston Hughes
“I tire so of hearing people say,
Let things take their course.
Tomorrow is another day.
I do not need my freedom when I’m dead.
I cannot live on tomorrow’s bread.
Freedom
Is a strong seed
Planted
In a great need.
I live here, too.
I want freedom
Just as you.”
Langston Hughes
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Ilhan Omar Humanitarian

February 7, 2025
That’s our Girl
BREAKING: Democratic star Minnesota Congresswoman Ilhan Omar smacks down MAGA billionaire Elon Musk after he falsely accuses her of a crime to rile up the racists in the Republican Party.
This is how you put that bigot in his place…
“Hey Elon, every single person in this country deserves to know their rights. That’s legal,” Omar wrote on Facebook with a screenshot of a post Musk made on X.
Musk had shared a video that allegedly showed Omar “conducting seminars for Somalians who are living illegally in the U.S. without documentation, providing guidance on how to evade deportation.”
Musk added his own commentary to the clip, writing: “She is breaking the law. Literally. Outright.”
She, of course, was not.
“Maybe you should brush up on our laws given the fact you’re breaking them to steal American’s sensitive data,” Omar added in her Facebook post, referring to the fact that Musk and his minions now have access to the Treasury Department’s payment system — despite nobody voting for them.
“PS. This video is manipulated, and I wasn’t even at the event shown,” Omar concluded.
This is the proper way to stand up to Elon Musk and the rest of the MAGA movement. These fascists want to intimidate all of us into silence with false allegations and shameless smears.
Together, we must call them out and stick boldly to the truth. In the end, we will win.
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Bob Marley at Northrup Auditorium

February 7, 2025
Bob Marley at Northrup Auditorium
This is an article that was sent to me by Martin Keller with an interview with Bob Marley at Northrup Auditorium at the University of Minnesota in Minneapolis about 1978/79.
Thanks to Alan Freed, Mick LaBriola and the many others who reminded us what would have been Bob Marley’s 80th birthday yesterday. Here’s a telling excerpt about interviewing him for 2+ hours the day after the Northrop concert, from my account in HIJINX & HEARSAY – and 2 of Greg Helgeson’s wonderful photos of Marley. Plus a mystical moment that occurred during the soundcheck the day of the show:
We had unsupervised access to Marley and the Wailers band during their soundcheck before the show the day before the interview. The Wailers all seemed in a good mood. Greg saw band members walking up the steps backstage at Northrop with grocery bags filled with pot and rolling joints that he jokingly referred to as the size of the Sunday paper, big stashes of the sacred Rasta sacrament ushered into the university building like take-out food.
Backstage, Bob begrudgingly posed for Greg amidst a bunch of percussion instruments, looking tangled up in Bob. He also flirted with Pauline, one of the Schon Productions women minding the backstage area and in charge of catering (although the group ate their own prepared Rasta food, mostly curries). He sang a verse of the Hank Williams classic, “Hey, Good Lookin,'” to her with a wide smile, his dreads tucked up under his cap. “Whatcha got cookin’?
Soundcheck started and the hired, young British roadies scattered to plugs and amplifiers. But not before one absently quipped how much he detested “that N-word Rasta shit” they had to smell on tour at every stop. In Tim White’s definitive 2006 Marley biography, there is much talk of “magic” around Bob and the Rastafarians White encountered, inexplicable realities that to materialistic, science-worshipping Westerners does not fit most paradigms. But the photo guy and I never anticipated experiencing it ourselves.
After about 20 minutes of jamming, the Wailers’ heavy sound shifted so dramatically that it stopped me as I strolled through the auditorium listening to the mix. Even the little racist roadie bastards scurrying about onstage halted in their tracks like a heart attack. A groove so pronounced and indescribable materialized from nowhere, instantaneously emanating from the players onstage but coming from someplace else entirely.
It was an undulating, lost rhythm that lasted 20 seconds maybe — although time really ceased to exist in those moments. The sound seemed to shred time-space, freezing those who heard it. I’ve thought it about for many years and could never imagine hearing it again. To paraphrase Shakespeare’s Hamlet, “The time was out of joint.”
Was this a real “Rastaman Vibration,” that the group sang about? It’s convenient to say it was, and it wasn’t. But it enveloped the whole of Northrup. The concert later that night delivered everything one could expect from this powerful artist and a grippingly flawless band. The balcony literally bounced to the rhythms as the second floor audience danced in place.
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Little Shop of Horrors 2025

February 7, 2025

Little Shop of Horrors by Theatre 55 at the Gremlin Theater in St Paul. Running February 7th thru 22nd. Music by Shirley Mier, Lyra Olson, Jamie Carter, mick Bambula. With vocalists Patty Lacy and Van Nixon.

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Cosmo LEDA 1313424

February 7, 2025

Space Telescope image strongly suggests its nickname “The Bullseye Galaxy”. Known as a collisional ring galaxy it has nine rings confirmed by telescopic observations, rippling from its center like waves from a pebble dropped into a pond. Of course, the pebble dropped into the Bullseye galaxy was a galaxy itself. Telescopic observations identify the blue dwarf galaxy at center-left as the likely collider, passing through the giant galaxy’s center and forming concentric rings in the wake of their gravitational interaction. The Bullseye Galaxy lies some 567 million light-years away toward the constellation Pisces. At that distance, this stunning Hubble image would span about 530,000 light-years.

 

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Earl King

February 7, 2025

Earl Silas Johnson IV (February 7, 1934 – April 17, 2003 NOLA), known as Earl King, was an American singer, guitarist, and songwriter, most active in blues music. A composer of blues standards such as “Come On” (covered by Jimi Hendrix, Freddie King, Stevie Ray Vaughan) and “Big Chief” (recorded by Professor Longhair), he was an important figure in New Orleans R&B.

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King Curtis

February 7, 2025

Curtis Ousley (born Curtis Montgomery; February 7, 1934 – August 13, 1971 Fort Worth, TX),known professionally as King Curtis, was an American saxophonist who played rhythm and blues, jazz, and rock and roll. A bandleader, band member, and session musician, he was also a musical director and record producer. A master of the instrument, he played tenor, alto, and soprano saxophone. He played riffs and solos on hit singles such as “Respect” by Aretha Franklin (1967), and “Yakety Yak” by The Coasters (1958) and his own “Soul Twist” (1962), “Soul Serenade” (1964), and “Memphis Soul Stew” (1967).

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Eubie Blake

February 7, 2025

James HubertEubieBlake (February 7, 1887 – February 12, 1983) was an American pianist and composer of ragtime, jazz, and popular music. In 1921, he and his long-time collaborator Noble Sissle wrote Shuffle Along, one of the first Broadway musicals written and directed by African Americans. Blake’s compositions included such hits as “Bandana Days”, “Charleston Rag”, “Love Will Find a Way”, “Memories of You” and “I’m Just Wild About Harry“. The 1978 Broadway musical Eubie! showcased his works, and in 1981, President Ronald Reagan awarded Blake the Presidential Medal of Freedom.

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Flamenco Fridays Carmen Linares

February 7, 2025

The petenera is a genre that existed before it was adapted to flamenco. According to some experts, they have a certain relationship with the zarabandas and it is believed that its name comes from the singer known as “La Petenera”. “La Petenera”, born in Paterna de la Rivera, who lived in the 18th century.

However, there is no theory accepted by all flamenco researchers as to its origin. There are those who think that it originated in the American continent, where there is also another genus known by this name in the area of Veracruz (Mexico), while others claim that it is a genus born in Spain. a genre born in Spain.

At that time it was thought that the peteneras were of Sephardic origin due to the various references to this culture in several of the lyrics. However, the most solid theory is the one that has its roots in Veracruz, since its melodies and harmony are very similar to those of the current peteneras.

In any case, what is certain is that the petenera is, at present, one of the most popular flamenco palos. It is a very romantic and emotional cante, with a special emphasis on love and revenge. And, although its origin is not entirely clear, the truth is that it has often been related to bad luck.

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Daily Roots with Roots Radics

February 7, 2025

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