mick laBriola

Friday March 21st Hiddur Mitzvah service with Hannah Regal, Erin Roe, Renae Goldman and mick laBriola.

Solomon Vincent McDonald Burke (born James Solomon McDonald, March 21, 1940 – October 10, 2010) was an American singer who shaped the sound of rhythm and blues as one of the founding fathers of soul music in the 1960s. He has been called “a key transitional figure bridging R&B and soul”, and was known for his “prodigious output”.

He had a string of hits including “Cry to Me“, “If You Need Me“, “Got to Get You Off My Mind“, “Down in the Valley“, and “Everybody Needs Somebody to Love“. Burke was referred to honorifically as “King Solomon”, the “King of Rock ‘n’ Soul”, “Bishop of Soul”, and the “Muhammad Ali of Soul”. Due to his minimal chart success in comparison to other soul music greats such as James Brown, Wilson Pickett, and Otis Redding, Burke has been described as the genre’s “most unfairly overlooked singer” of its golden age. Atlantic Records executive Jerry Wexler referred to Burke as “the greatest male soul singer of all time”.

Ustad Bismillah Khan (born Qamaruddin Khan, 21 March 1916 – 21 August 2006), often referred to by the title Ustad, was an Indian musician credited with popularizing the shehnai, a reeded woodwind instrument. His virtuosity made him a leading Hindustani classical music artist, indelibly linking his name with the woodwind instrument. While the shehnai had importance as a folk instrument played primarily by musicians schooled in traditional ceremonies, Khan elevated its status and brought it to the concert stage.

Khan was a devout Muslim but performed at both Hindu and Muslim ceremonies, and was considered a symbol of religious harmony. Owing to his fame, he was selected to perform for the ceremony at Delhi’s historic Red Fort as the Indian flag unfurled at the hour of India’s independence on 15 August 1947. His music was played (in Raag Kafi) on television every Independence Day. Khan turned down invitations to perform in other countries before 1966, when the Indian government insisted that he play at the Edinburgh International Festival. This gained him a following in the West, and he continued to appear in Europe and North America thereafter.

In 2001, Bismillah Khan was awarded the Bharat Ratna, India’s highest civilian honour, and the country observed a national day of mourning following his death in 2006. He became the third classical musician of India after M. S. Subbalakshmi and Ravi Shankarto be awarded the Bharat Ratna.

Modest Petrovich Mussorgsky (21 March [O.S. 9 March] 1839 – 28 March [O.S. 16 March] 1881) was a Russian composer, one of the group known as “The Five.” He was an innovator of Russian music in the Romantic period and strove to achieve a uniquely Russian musical identity, often in deliberate defiance of the established conventions of Western music.

Many of Mussorgsky’s works were inspired by Russian history, Russian folklore, and other national themes. Such works include the opera Boris Godunov, the orchestral tone poem Night on Bald Mountain and the piano suite Pictures at an Exhibition.

For many years, Mussorgsky’s works were mainly known in versions revised or completed by other composers. Many of his most important compositions have posthumously come into their own in their original forms, and some of the original scores are now also available.

Otis Spann (March 21, 1924, or 1930 – April 24, 1970 Belzoni,MS) was an American bluesmusician many consider the leading postwar Chicago blues pianist. By age 14, he was playing in bands in the Jackson area. He moved to Chicago in 1946, where Big Maceo Merriweather mentored him. Spann performed solo with the guitarist Morris Pejoe, working a regular spot at the Tic Toc Lounge. Spann was known for his distinctive piano style. He became Muddy Waters‘ piano player in late 1952 and participated in his first recording session with the band on September 24, 1953. He played on many of Waters’ most famous songs, including the blues standards “Hoochie Coochie Man,” “I’m Ready,” and “Got My Mojo Working.” During his tenure with the group, he continued to record as a solo artist and session player with other musicians, including Bo Diddley and Howlin’ Wolf. He stayed with Muddy Waters until 1968.

Carl Frederick Kendall Palmer (born 20 March 1950) is an English drummer. He was a founding member of the supergroups Emerson, Lake & Palmer and Asia, a touring drummer for The Crazy World of Arthur Brown and a founding member of Atomic Rooster. He has toured with his own bands since 2001, including Palmer, the Carl Palmer Band, and currently, Carl Palmer’s ELP Legacy.

Palmer was inducted into the Modern Drummer Hall of Fame in 1989, and was awarded the Prog God Award at the 2017 Progressive Music Awards.

Lee “Scratch” Perry OD (born Rainford Hugh Perry; 20 March 1936 – 29 August 2021) was a Jamaican record producer, songwriter and singer noted for his innovative studio techniques and production style. Perry was a pioneer in the 1970s development of dub music with his early adoption of remixing and studio effects to create new instrumental or vocal versions of existing reggae tracks. He worked with and produced for a wide variety of artists, including Bob Marley and the Wailers, Junior Murvin, the Congos, Max Romeo, Adrian Sherwood, Beastie Boys, Ari Up, the Clash, the Orb, and many others.

Harold Mabern Jr. (March 20, 1936 – September 17, 2019) was an American jazzpianist and composer, principally in the hard bop, post-bop, and soul jazz fields. He is described in The Penguin Guide to Jazz Recordings as “one of the great post-bop pianists”. Mabern was born in Memphis, Tennessee on March 20, 1936. He initially started learning drums before switching to learning piano. He had access to a piano from his teens, after his father, who worked in a lumber yard, saved to buy him one. Mabern learned by watching and emulating pianists Charles Thomas and Phineas Newborn Jr. Mabern attended Douglass High School, before transferring to Manassas High School; he played with saxophonists Frank Strozier, George Coleman and trumpeter Booker Little at this time, but was most influenced by Newborn, Jr. In 1954, after graduating, Mabern moved to Chicago, intending to attend the American Conservatory of Music. He was unable to afford to attend music college because of a change in his parents’ financial circumstances, but had private lessons there for six months and developed his reading ability by playing with trombonist Morris Ellis’ big band. He also developed by listening to Ahmad Jamal and others in clubs, and “playing and practicing 12 hours a day” for the next five years, but he remained self-taught as a pianist. Mabern went on to play with Walter Perkins‘ MJT + 3 and others in Chicago.