mick laBriola

Aaron Joseph Neville (born January 24, 1941) is an American R&B and soul singer. He has had four platinum albums and four Top 10 hits in the United States, including three that reached number one on Billboard‘s Adult Contemporary chart. “Tell It Like It Is”, from 1966, also reached the top position on the Soul chart for five weeks.

He has also recorded with his brothers Art, Charles, and Cyril as the Neville Brothers and is the father of singer/keyboards player Ivan Neville.

The first of his singles that was given airplay outside of New Orleans was “Over You” (Minit, 1960). Neville’s first major hit single was “Tell It Like It Is“, released on a small New Orleans label, Par-Lo, co-owned by local musician/arranger George Davis, a friend from school, and band-leader Lee Diamond. The song topped Billboard‘s R&B chart for five weeks in 1967 and also reached No. 2 on the Billboard Hot 100(behind “I’m a Believer” by the Monkees). It sold over one million copies, and was awarded a gold disc. It was not the label’s only release, as some sources claim. At least five other Par-Lo singles, three of them by Neville himself, are known to exist.

Joe Albany (born Joseph Albani; January 24, 1924 – January 12, 1988) was an American modern jazz pianist who played bebop with Charlie Parker as well as being a leader on his own recordings.

Born in Atlantic City, New Jersey, Albany studied piano as a child and, by 1943, was working on the West Coast in Benny Carter‘s orchestra. In 1946, Lester Young recorded with Albany as his pianist, for Aladdin Records. Also that year, he played at least once with Parker and then 20-year-old Miles Davis. He continued for a few years afterward, and in 1957 recorded an album for Riverside with an unusual trio line-up with saxophonist Warne Marsh and Bob Whitlock on bass, omitting a drummer.

James Robert Forrest Jr. (January 24, 1920 – August 26, 1980) was an American jazz musician, who played tenor saxophone throughout his career. Forrest is known for his first solo recording of “Night Train“. It reached No. 1 on the Billboard R&B chart in March 1952, and stayed at the top for seven weeks. “Hey Mrs. Jones” (No. 3 R&B) and “Bolo Blues” were his other hits. All were made for United Records, for which he recorded between 1951 and 1953; he recorded frequently as both a sideman and a bandleader.

Born in St. Louis, Missouri, United States, Forrest played alongside Fate Marable as a young man. He was with Jay McShann in 1940-42 and with Andy Kirk from 1942 until 1948 when he joined Duke Ellington.

This image contains the Pleiades star cluster, Barnard’s Loop, Horsehead Nebula, Orion Nebula, Rosette Nebula, Cone Nebula, Rigel, Jellyfish Nebula, Monkey Head Nebula, Flaming Star Nebula, Tadpole Nebula, Aldebaran, Simeis 147, Seagull Nebula and the California Nebula. To find their real locations, here is an annotated image version. The reason this task might be difficult is similar to the reason it is initially hard to identify familiar constellations in a very dark sky: the tapestry of our night sky has an extremely deep hidden complexity. The featured composite reveals some of this complexity in a mosaic of 28 images taken over 800 hours from dark skies over Arizona, USA.

Gary Burton (born January 23, 1943) is an American jazz vibraphonist, composer, and educator. Burton developed a pianistic style of four-mallet technique as an alternative to the prevailing two-mallet technique. This approach caused him to be heralded as an innovator, and his sound and technique are widely imitated. He is also known for pioneering fusion jazz and popularizing the duet format in jazz, as well as being a major figure in music education from his 30 years teaching at the Berklee College of Music.

Burton was born in Anderson, Indiana, United States. Beginning music at six years old, he mostly taught himself to play marimba and vibraphone. He began studying piano at age sixteen while finishing high school at Princeton Community High School in Princeton, Indiana (1956–60). He has cited jazz pianist Bill Evans as the inspiration for his approach to the vibraphone.

Curtis Counce (January 23, 1926 – July 31, 1963) was an American hard bop and West Coast jazzdouble bassist. Counce was born in Kansas City, Missouri and moved to California in 1945. He began recording in 1946 with Lester Young, and in the 1950s in Los Angeles with musicians such as Shorty Rogers, Stan Kenton,Shelly Manne, Lyle Murphy, Teddy Charles, and Clifford Brown. Counce formed his quintet in 1956 featuring tenor saxophonist Harold Land, trumpeter Jack Sheldon, pianist Carl Perkins and drummer Frank Butler. Elmo Hope replaced Perkins after his death at age 29 in 1958.Gerald Wilson replaced Sheldon on some recordings. The four albums originally released on Contemporary Records were reissued in 2006 on a double CD by Gambit Spain. Counce died in Los Angeles, California, of a heart attack. He was survived by his wife, Mildred Counce, his daughter, Celeste Counce, and a son. Counce’s son, born April 10, 1961, was placed for adoption by his biological mother. Curtis knew of his son, but due to his life circumstances, Counce could not be a part of his life. Curtis’s son died on January 23, 2022.

Eberhard Weber (born 22 January 1940, in Stuttgart, Germany) is a German double bassist and composer. As a bass player, he is known for his highly distinctive tone and phrasing. Weber’s compositions blend chamber jazz, European classical music, minimalism and ambient music, and are regarded as characteristic examples of the ECM Records sound. Weber began recording in the early 1960s, and released The Colours of Chloë (ECM 1042), his first record under his own name, in 1973. In addition to his career as a musician, he also worked for many years as a television and theater director. He has designed an electric-acoustic bass with an additional string tuned to C.

Samuel Cook (January 22, 1931  – December 11, 1964), known professionally as Sam Cooke, was an American singer and songwriter. Considered one of the most influential soul artists of all time, Cooke is commonly referred to as the “King of Soul” for his distinctive vocals, pioneering contributions to the genre, and significance in popular music. During his eight-year career, Cooke released 29 singles that charted in the Top 40 of the Billboard Pop Singles chart, as well as 20 singles in the Top Ten of Billboard‘s Black Singles chart. In 1964, Cooke was shot and killed by the manager of a motel in Los Angeles. After an inquest and investigation, the courts ruled Cooke’s death to be a justifiable homicide. His family has since questioned the circumstances of his death. Cooke is included on Billboard‘s 2015 list of the 35 greatest R&B artists of all time. Sam Cooke was born Samuel Cook in Clarksdale, Mississippi, in 1931 (he added the “e” to his last name in 1957 to signify a new start to his life).

J. J. Johnson (January 22, 1924 – February 4, 2001), born James Louis Johnson and also known as Jay Jay Johnson, was an American jazz trombonist, composer and arranger. Johnson was one of the earliest trombonists to embrace bebop.

After studying the piano beginning at age 9, Johnson decided to play trombone at the age of 14. In 1941, he began his professional career with Clarence Love, and then played with Snookum Russell in 1942. In Russell’s band, he met the trumpeter Fats Navarro, who influenced him to play in the style of the tenor saxophonist Lester Young. Johnson played in Benny Carter‘s orchestra between 1942 and 1945, and made his first recordings in 1943 under Carter’s leadership, recording his first solo (on “Love for Sale”) in October 1943. In 1944, he took part in the first Jazz at the Philharmonic concert, presented in Los Angeles and organized by Norman Granz. In 1945, he joined the big band of Count Basie, touring and recording with him until 1946.

Fird Eaglin Jr. (January 21, 1936 or 1937 – February 18, 2009), known as Snooks Eaglin, was an American guitarist and singer based in New Orleans. In his early years he was sometimes credited under other names, including Blind Snooks Eaglin, “Lil” Snook, Ford Eaglin, Blind Guitar Ferd.

His vocal style was reminiscent of that of Ray Charles; in the 1950s, when he was in his late teens, he sometimes billed himself as “Little Ray Charles”. He played a wide range of styles of music within the same concert, album, or even song: blues, rock and roll, jazz, country, and Latin. In his early years, he also played acoustic blues.

His ability to play a wide range of songs and make them his own earned him the nickname “The Human Jukebox.” Eaglin claimed in interviews that his musical repertoire included some 2,500 songs.

At live shows, he usually did not prepare set lists and was unpredictable, even to his bandmates. He played songs that came to him on stage, and he also took requests from the audience.

María Dolores “Lola” Flores Ruiz (21 January 1923 – 16 May 1995) was a Spanish actress, bailaoraand singer. Born in Jerez de la Frontera, Flores became interested in the performing arts at a very young age. Known for her overwhelming personality onstage, she debuted as a dancer at age sixteen at the stage production Luces de España, in her hometown. After being discovered by film director Fernando Mignoni, Flores moved to Madrid to pursue a professional career in music and film, with her first gig being the lead role in Mignoni’s Martingala (1940). Flores succeeded as a film and stage actress. In 1943 she obtained her breakthrough role in the musical stage production Zambra alongside Manolo Caracol, in which she sang original compositions by Rafael de León, Manuel López-Quiroga Miquel and Antonio Quintero, including “La Zarzamora” and “La Niña de Fuego”, mostly singing flamenco music, copla, rumba and ranchera. She then started to receive widespread media coverage.

In 1951, Flores signed a five-film contract with Suevia Films for a value of 6 million pesetas, which became the largest contract for a performing artist in Spanish history. Under that contract she starred in major productions like La Niña de la Venta (1951), ¡Ay, Pena, Penita, Pena! (1953), La Danza de los Deseos(1954) and El Balcón de la Luna (1962), among many others, which spawned the signature songs “A Tu Vera” and “¡Ay, Pena, Penita, Pena!”. Since then, she was popularly dubbed as La Faraona. During her life, Flores performed in more than 35 films, pigeonholed, in many of them, in Andalusian folklore. As a bailaora, Flores enraged several generations of continents, although she distanced herself from flamenco canons. She also recorded over twenty albums, which she toured through Europe, Latin America and the United States.