mick laBriola

James Joseph “Buster“ Bennett (March 19, 1914 – July 3, 1980) was an American blues saxophonist and blues shouter. His nickname was “Leap Frog”. At various times in his career, he played the soprano saxophone, the alto, and the tenor. He was known for his gutbucket style on the saxophone. He also played the piano and the string bass professionally.

Bennett was born in Pensacola, Florida. By 1930 or so, he was working in Texas, but he spent most of his active career (1938 to 1954) in Chicago. He was employed as a session musician by Lester Melrose from 1938 to 1942; he played on recordings with Big Bill Broonzy, the Yas Yas Girl, Monkey Joe, and Washboard Sam.

Leonard Joseph Tristano (March 19, 1919 – November 18, 1978) was an American jazz pianist, composer, arranger, and teacher of jazz improvisation.

Tristano studied for bachelor’s and master’s degrees in music in Chicago before moving to New York City in 1946. He played with leading bebop musicians and formed his own small bands, which soon displayed some of his early interests – contrapuntal interaction of instruments, harmonic flexibility, and rhythmic complexity. His quintet in 1949 recorded the first free group improvisations. Tristano’s innovations continued in 1951, with the first overdubbed, improvised jazz recordings, and two years later, when he recorded an atonal improvised solo piano piece that was based on the development of motifs rather than on harmonies. He developed further via polyrhythms and chromaticism into the 1960s, but was infrequently recorded.

Tristano started teaching music, especially improvisation, in the early 1940s, and by the mid-1950s was concentrating on teaching in preference to performing. He taught in a structured and disciplined manner, which was unusual in jazz education when he began. His educational role over three decades meant that he exerted an influence on jazz through his students, including saxophonists Lee Konitz and Warne Marsh.

Musicians and critics vary in their appraisal of Tristano as a musician. Some describe his playing as cold and suggest that his innovations had little impact; others state that he was a bridge between bebop and later, freer forms of jazz, and assert that he is less appreciated than he should be because commentators found him hard to categorize and because he chose not to commercialize.

Wilson Pickett (March 18, 1941 – January 19, 2006 Prattville, AL) was an American singer and songwriter.

A major figure in the development of soul music, Pickett recorded over 50 songs which made the US R&Bcharts, many of which crossed over to the Billboard Hot 100. Among his best-known hits are “In the Midnight Hour” (which he co-wrote), “Land of 1000 Dances“, “634-5789 (Soulsville, U.S.A.)“, “Mustang Sally“, “Funky Broadway“, “Engine No. 9”, and “Don’t Knock My Love“.

Pickett was inducted into the Rock and Roll Hall of Fame in 1991, in recognition of his impact on songwriting and recording.

Andy Narell (born March 18, 1954 NY,NY) is an American jazz steel pannist, composer and producer.

Narell took up the steelpan at a young age in Queens, New York. His father, who was a social worker, had started a program of steelpan playing for at-risk youth at the Jewish philanthropic Education Alliance in Lower East Side Manhattan using two sets of pans made by Rupert Sterling, a native of Antigua. Beginning in 1962, Andy, his brother Jeff, and three others boys played on a third set of Sterling-made pans in the basement of the Narell house in the Whitestone neighborhood of Queens, calling themselves the Steel Bandits. The band was a novelty steelpan act that played concerts and appeared on television shows, including I’ve Got a Secret in 1963.

The band played Carnegie Hall and at the National Music Festival of Trinidad. Murray Narell invited Ellie Mannette in 1964 to expand steelpan activities in New York City and convinced him to come in 1967. Mannette taught the Narell boys more technique, and they played on improved pans tuned by Mannette.

Narell studied music at the University of California, Berkeley and played piano with the University of California Jazz Ensembles under the direction of David W. Tucker. He graduated in 1973.

He started the record label Hip Pocket and released his first solo album, Hidden Treasures, in 1979. With an interest in Caribbean music, Latin jazz, and rhythm and blues, he joined the Caribbean Jazz Project in 1995 with Dave Samuels and Paquito D’Rivera.

He has performed with Montreux, Sakésho, Calypsociation, and Béla Fleck and the Flecktones. He composed and arranged music for Trinidad‘s national steelband competition, Panorama. Narell performed in South Africa in 1999 in front of a crowd of 80,000 people.

William Richard Frisell (born March 18, 1951) is an American jazz guitarist. He first came to prominence at ECM Records in the 1980s, as both a session player and a leader. He went on to work in a variety of contexts, notably as a participant in the Downtown Scene in New York City, where he formed a long working relationship with composer and saxophonist John Zorn. He was also a longtime member of veteran drummer Paul Motian‘s groups from the early 1980s until Motian’s death in 2011. Since the late 1990s, Frisell’s output as a bandleader has also integrated prominent elements of folk, country, rock ‘n’ rolland Americana. He has six Grammy nominations and one win.

Jessica Jennifer Williams (March 17, 1948 – March 10, 2022 Baltimore, MD) was an American jazz pianist and composer.

Williams was born in Baltimore, Maryland, on March 17, 1948. She started playing the piano at age four, began music lessons with a private teacher at five, and at age seven was enrolled into the Peabody Preparatory. She studied classical music and ear training with Richard Aitken and George Bellows at the Peabody Conservatory of Music.

At age twelve, Williams was listening to Dave Brubeck, Miles Davis, and Charles Mingus. She began performing jazz in her teens, playing with Richie Cole, Buck Hill, and Mickey Fields. In a radio interview with Marian McPartland on NPR‘s Piano Jazz from 1992, she stated that her main influences were not pianists, but Miles Davis and John Coltrane.

Paul Horn (March 17, 1930 – June 29, 2014) was an American flautist, saxophonist, composer and producer. He became a pioneer of world and new age music with his 1969 album Inside. He received five Grammy nominations between 1965 and 1999, including three nominations in 1965.

Horn was born on March 17, 1930, in New York City and had Jewish ancestry through his father. The family moved to Washington, D.C., when Horn was four. He took up the piano at age four, followed by the clarinet at 12. While in Washington, D.C., Horn attended Theodore Roosevelt High School and the Washington College of Music. In the summer of 1942, Horn worked as an usher at the Earl Theatre to buy a clarinet. He studied the clarinet and flute at the Oberlin Conservatory of Music in Ohio, earning a bachelor’s degree. In June 1953, Horn gained a master’s from the Manhattan School of Music.

Moving to Los Angeles, he played with Chico Hamilton‘s quintet from 1956 to 1958 and became an established West Coast session player. He played on the Duke Ellington Orchestra’s Suite Thursday and worked with Nat King Cole, Tony Bennett and others. He scored the 1959 animated television series Clutch Cargo. During the same year he appeared briefly in Roger Corman’s film A Bucket of Blood.

Ramzan Paskayev (Chechen: Рамзан Паскаев) (born March 16, 1947 in Taraz, Kazakhstan) is a Chechen accordionist and folk musician. He is regarded by many as the contemporary successor to late Chechen accordionist Umar Dimayev.

Paskayev was born in Taraz to Chechen parents on March 16, 1947. His family been sent to Kazakhstanas a result of the forced deportations of the Chechens and Ingush to Central Asia on February 23, 1944. Ramzan’s father Sultan worked as a truck driver and gathered wheat on a collective farm to help support his family. Sultan had managed to bring a German accordion from his home in Chechnya, and during evenings the young Ramzan would constantly bother his father to play the accordion out of curiosity.