mick laBriola

Charles Edward Ives ( October 20, 1874 – May 19, 1954) was an American modernist composer,one of the first American composers of international renown. His music was largely ignored during his early career, and many of his works went unperformed for many years. Later in life, the quality of his music was publicly recognized through the efforts of contemporaries like Henry Cowell and Lou Harrison, and he came to be regarded as an “American original”. He was also among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones. His experimentation foreshadowed many musical innovations that were later more widely adopted during the 20th century. Hence, he is often regarded as the leading American composer of art music of the 20th century.

Sources of Ives’s tonal imagery included hymn tunes and traditional songs; he also incorporated melodies of the town band at holiday parade, the fiddlers at Saturday night dances, patriotic songs, sentimental parlor ballads, and the melodies of Stephen Foster.

Ives was born in Danbury, Connecticut, on October 20, 1874, the son of George (Edward) Ives (August 3, 1845 – November 4, 1894), a US Army bandleader in the American Civil War, and his wife, Mary Elizabeth Ives (née Parmelee, January 2, 1849 or 1850 – January 25, 1929). The Iveses were one of Danbury’s leading families, and they were prominent in business and civic improvement. They were similarly active in progressive social movements of the last century, including the abolition of slavery.

The core of the Tangos is the letra, three or four octosyllabic lines. As with the Bulerías, the  the first line is often repeated, and the repeated lines are balanced by a longer consequent phrase.

​Before a letra a Tangos may open with a guitar falseta or an estribillo, in which the singer sings a traditional melody with nonsense syllables (“le le le, ni, ni, etc.). The estribillo may return throughout the piece as a chorus after a letra.

​Once the letra begins it can be broken up several times with remates performed by the dancer. This usually occurs between the first and second line of the letra, and often occurs more frequently, giving the dance a improvisatory air.

​Thus, the letras themselves can be further broken up with remates or escobillas from the dancer or with guitar falsetas. A dancer may also choose to perform a long footwork passage accompanied by compás patterns from the guitarist and palmista (an escobilla performed “a palo seco” or dry, without guitar accompaniment).

​As in Bulerías, Tangos can end with a cierre – a closing pattern – that is based on a different set of chords than the letras. The dancer can also perform a cue (llamada) that leads into a traveling exit – a salida.

​It’s also common to end certain forms in flamenco with a macho, a transition into a faster, related form. Tangos wiil often end with a brief Rumba Flamenca. Similarly, Tientos will often end with a brief Tangos.

Farid al-Atrash (Arabic: فريد الأطرش; 1917 – December 26, 1974), also written Farid El-Atrache, was a Syrian-Egyptian singer, composer, and actor. Having immigrated to Egypt at the age of only nine years old with his mother and siblings, he studied there under numerous respected musicians.

Al-Atrash embarked on a highly successful career spanning more than four decades—recording 500 songs and starring in 31 movies.Sometimes referred to as “malek al-oud”, he is one of the most important figures of 20th- century Arab music.

Marcus Vinícius da Cruz e Mello Moraes (19 October 1913 – 9 July 1980), better known as Vinícius de Moraes  and nicknamed O Poetinha (“The little poet”), was a Brazilian poet, diplomat, lyricist, essayist, musician, singer, and playwright. With his frequent and diverse musical partners, including Antônio Carlos Jobim, his lyrics and compositions were instrumental in the birth and introduction to the world of bossa nova music. He recorded numerous albums, many in collaboration with noted artists, and also served as a successful Brazilian career diplomat.

Willie Lee Perryman (October 19, 1911 – July 25, 1985), usually known professionally as Piano Red and later in life as Dr. Feelgood, was an American blues musician, the first to hit the pop music charts. He was a self-taught pianist who played in the barrelhouse blues style (a loud percussive type of blues piano suitable for noisy bars or taverns). His performing and recording careers emerged during the period of transition from completely segregated “race music” to rhythm and blues, which was marketed to both white and black audiences. Some music historians credit Perryman’s 1950 recording “Rocking With Red” for the popularization of the term rock and roll in Atlanta. His simple, hard-pounding left hand and his percussive right hand, coupled with his cheerful shout, brought him considerable success over three decades.

Perryman was born on a farm near Hampton, Georgia, United States, where his parents, Ada and Henry Perryman, were sharecroppers. He was part of a large family, though sources differ on exactly how many brothers and sisters he had. Perryman was an albino African American, as was his older brother Rufus, who also had a blues piano career as “Speckled Red“.

Israelis performing on Arabic Instruments

The entire Veil Nebula spans six times the diameter of the full moon, but is so dim you need binoculars to see it. The nebula was created about 15,000 years ago when a star in the constellation of the Swan (Cygnus) exploded. The spectacular explosion would have appeared brighter than even Venus for a week – but there is no known record of it. Pictured is the western edge of the still-expanding gas cloud. Notable gas filaments include the Witch’s Broom Nebula on the upper left near the bright foreground star 52 Cygni, and Fleming’s Triangular Wisp (formerly known as Pickering’s Triangle) running diagonally up the image middle. What is rarely imaged — but seen in the featured long exposure across many color bands — is the reflecting brown dust that runs vertically up the image left, dust likely created in the cool atmospheres of massive stars.

Wynton Learson Marsalis (born October 18, 1961) is an American trumpeter, composer, and music instructor, who is currently the artistic director of Jazz at Lincoln Center. He has been active in promoting classical and jazz music, often to young audiences. Marsalis has won nine Grammy Awards, and his oratorioBlood on the Fields was the first jazz composition to win the Pulitzer Prize for Music. Marsalis is the only musician to have won a Grammy Award in both jazz and classical categories in the same year.

Marsalis was born in New Orleans, Louisiana, on October 18, 1961, and grew up in the suburb of Kenner. He is the second of six sons born to Dolores Ferdinand Marsalis and Ellis Marsalis Jr., a pianist and music teacher. He was named after jazz pianist Wynton Kelly. Branford Marsalis is his older brother and Jason Marsalis and Delfeayo Marsalis are younger. All three are jazz musicians. While sitting at a table with trumpeters Al Hirt, Miles Davis, and Clark Terry, his father jokingly suggested that he might as well get Wynton a trumpet, too. Hirt volunteered to give him one, so at the age of six Marsalis received his first trumpet.

Anita Belle Colton (October 18, 1919 – November 23, 2006), known professionally as Anita O’Day, was an American jazz singer and self proclaimed “song stylist” widely admired for her sense of rhythm and dynamics, and her early big band appearances that shattered the traditional image of the “girl singer”. Refusing to pander to any female stereotype, O’Day presented herself as a “hip” jazz musician, wearing a band jacket and skirt as opposed to an evening gown. She changed her surname from Colton to O’Day, pig Latin for “dough”, slang for money.

Anita Belle Colton (who later took the surname “O’Day”) was born to Irish parents, James and Gladys M. (née Gill) Colton in Kansas City, Missouri, and raised in Chicago, Illinois, during the Great Depression.Colton took the first chance to leave her unhappy home when, at age 14, she became a contestant in the popular Walk-a-thons as a dancer.

It’s not the big ring that’s attracting the most attention. Although the big planet-forming ring around the star PDS 70 is clearly imaged and itself quite interesting. It’s also not the planet on the right, just inside the big disk, that’s being talked about the most. Although the planet PDS 70c is a newly formed and, interestingly, similar in size and mass to Jupiter. It’s the fuzzy patch around the planet PDS 70c that’s causing the commotion. That fuzzy patch is thought to be a dusty disk that is now forming into moons — and that had never been seen before. The featured image was taken in 2021 by the Atacama Large Millimeter Array (ALMA) of 66 radio telescopes in the high Atacama Desertof northern Chile. Based on ALMA data, astronomers infer that the moon-forming exoplanetary disk has a radius similar to our Earth’s orbit, and may one day form three or so Luna-sized moons — not very different from our Jupiter‘s four. PDS 70 (V1032 Centauri) is a very young T Tauri star in the constellation Centaurus. Located 370 light-years (110 parsecs) from Earth, it has a mass of 0.76 M _☉ and is approximately 5.4 million years old.