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Kenny Neal (born October 14, 1957), is an American blues guitar player, singer and band member.

Neal was born in New Orleans, Louisiana, the son of Raful Neal, and he comes from a musical family. He has often performed with his brothers in his band. Neal preserves the blues sound of his native south Louisiana, as befits someone who learned from Slim Harpo, Buddy Guy, and his father, harmonica player Raful Neal.

Jewell Stovall, better known as Babe Stovall (October 14, 1907 – September 21, 1974), was an American Delta bluessinger and guitarist. Stovall was born in Tylertown, Mississippi, United States, in 1907, the youngest of eleven children (thus his nickname “Babe”). He learned to play the guitar by the age of eight, and his guitar playing style was influenced by Tommy Johnson, whom he had met in Mississippi around 1930. In 1964, he relocated to New Orleans, Louisiana, where he entertained on the streets, and in cafes and galleries of the French Quarter.

Robert Parker (October 14, 1930 – January 19, 2020) was an American R&B singer and musician. His sole hit was “Barefootin’” (1966), and he is considered a one-hit wonder.

Robert Parker, Jr. was born in Mobile, Alabama, to Robert and Leana Parker. He grew up in New Orleans, Louisiana, and started his career as a saxophonist, playing with Professor Longhair on his hit “Mardi Gras in New Orleans” in 1949.

During the 1950s, Parker played alto and tenor saxophone with many of the most popular New Orleans performers, appearing on records by Eddie Bo, Huey “Piano” Smith, Earl King, James Booker, Ernie K-Doe, Tommy Ridgley, Fats Domino and others in New Orleans, and backed up visiting R & B artists including Solomon Burke, Lloyd Price, Jerry Butler and Otis Redding.

James “Son Ford” Thomas (October 14, 1926 – June 26, 1993) was an American Delta bluesmusician, gravedigger and sculptor from Leland, Mississippi. Thomas was born in Eden, Mississippi on October 14, 1926. While working in the fields, he began listening to blues on the radio. As a self-taught guitarist, he learned to play songs from older blues guitarists Elmore Davis and Arthur “Big Boy” Crudup. He then worked as a gravedigger in Washington County.

Peace for Israel and Palestine

Pharoah Sanders (born Ferrell Lee Sanders; October 13, 1940 – September 24, 2022) was an American jazz saxophonist. Known for his overblowing, harmonic, and multiphonic techniques on the saxophone, as well as his use of “sheets of sound“, Sanders played a prominent role in the development of free jazz and spiritual jazz through his work as a member of John Coltrane‘s groups in the mid-1960s, and later through his solo work. He released over thirty albums as a leader and collaborated extensively with vocalist Leon Thomas and pianist Alice Coltrane, among many others. Fellow saxophonist Ornette Coleman once described him as “probably the best tenor player in the world”.

Sanders’ take on “spiritual jazz” was rooted in his inspiration from religious concepts such as Karma and Tawhid, and his rich, meditative performance aesthetic. This style was seen as a continuation of Coltrane’s work on albums such as A Love Supreme. As a result, Sanders was considered to have been a disciple of Coltrane or, as Albert Ayler said, “Trane was the Father, Pharoah was the Son, I am the Holy Ghost”. Pharoah Sanders was born on October 13, 1940, in Little Rock, Arkansas. His mother worked as a cook in a school cafeteria, and his father worked for the City of Little Rock. An only child, Sanders began his musical career accompanying church hymns on clarinet.

Raymond Matthews Brown (October 13, 1926 – July 2, 2002) was an American jazz double bassist, known for his extensive work with Oscar Peterson and Ella Fitzgerald. He was also a founding member of the group that would later develop into the Modern Jazz Quartet.

Ray Brown was born on October 13, 1926, in Pittsburgh, Pennsylvania, and took piano lessons as a child. After noticing how many pianists attended his high school, he thought of taking up the trombone, but his father was unable to afford one. With a vacancy in the high school jazz orchestra, he took up the upright bass instead.

Arthur Tatum Jr. (/ˈteɪtəm/, October 13, 1909 – November 5, 1956) was an American jazz pianist who is widely regarded as one of the greatest ever.^[1][2] From early in his career, fellow musicians acclaimed Tatum’s technical ability as extraordinary. Tatum also extended jazz piano’s vocabulary and boundaries far beyond his initial stride influences, and established new ground through innovative use of reharmonization, voicing, and bitonality.

Tatum grew up in Toledo, Ohio, where he began playing piano professionally and had his own radio program, rebroadcast nationwide, while still in his teens. He left Toledo in 1932 and had residencies as a solo pianist at clubs in major urban centers including New York, Chicago, and Los Angeles. In that decade, he settled into a pattern he followed for most of his career – paid performances followed by long after-hours playing, all accompanied by prodigious consumption of alcohol. He was said to be more spontaneous and creative in such venues, and although the drinking did not hinder his playing, it did damage his health.

In the 1940s, Tatum led a commercially successful trio for a short time and began playing in more formal jazz concert settings, including at Norman Granz-produced Jazz at the Philharmonic events. His popularity diminished towards the end of the decade, as he continued to play in his own style, ignoring the rise of bebop. Granz recorded Tatum extensively in solo and small group formats in the mid-1950s, with the last session only two months before Tatum’s death from uremia at the age of 47.

The flamenco Farruca, thought to originate in Galicia, Spain, was traditionally danced by men with no singing component. Travelers to the Andalusian region were called farrucos, so this is likely where the Farruca palo name came from. The Farruca is usually played in A minor, with a compás of two measures of 4/4 time signature with accents on beats 1, 3, 5, and 7.

Edward E. Cherry Jr. (October 12, 1954) is an American jazz guitarist and studio musician. Cherry is perhaps best known for his long association with trumpeter Dizzy Gillespie, with whom he performed from 1978 until shortly before Gillespie’s death in 1993. Since that time, he has worked with Paquito D’Rivera, Jon Faddis, John Patton, Hamiet Bluiett, Henry Threadgill, and Paula West. He has recorded a number of albums as a leader.

Frank Floyd, known as Harmonica Frank (October 11, 1908 – August 7, 1984)  was an American blues singer, guitarist and harmonicist.

Frank Floyd was born in Toccopola, Mississippi, the son of itinerant parents who separated without giving him a name, though he is recorded in the 1910 census as Shankles Floyd. He was raised by his sharecropping grandparents, who died while he was a teenager. He taught himself to play harmonica when he was 10 years old, and he eventually learned guitar. He gave himself the name Frank Floyd, and began performing in the 1920s for traveling carnivals and medicine shows.

Alfred “Tubby” Hall (October 12, 1895 – May 13, 1945) was an American jazz drummer.

Hall was born in Sellers, Louisiana; his family moved to New Orleans in his childhood. His younger brother Minor “Ram” Hall also became a professional drummer. He played in many marching bands in New Orleans, including with Buddie Petit.

In March 1917 Tubby Hall moved to Chicago, where he played with Sugar Johnny Smith. After two years in the United States Army, he returned to playing in Chicago mostly with New Orleans bands, joining Carroll Dickerson‘s Orchestra (recording with it in 1927) and later with the groups of King Oliver, Jimmie Noone, Tiny Parham, Johnny Dodds. Noted swing and big-band drummer Gene Krupa said that Hall and Zutty Singleton “were great! They knew every trick and just how to phrase the parts of the choruses behind the horns, how to lead a man in, what to do at the turn-arounds, when to use sticks and when to use brushes, when to go for the rims or the woodblocks, what cymbals are for.”

He is seen in Armstrong’s movies of the early 1930s, including the live action and Betty Boop cartoon I’ll Be Glad When You’re Dead, You Rascal You(1932) and A Rhapsody in Black and Blue (1932), made by Paramount. Only Armstrong and Hall got closeups in the two films, and both get their faces transposed with those of racially stereotyped “jungle natives” in the cartoon. Hall morphs from a jazz drummer to a cannibal stirring a cooking pot with two wooden sticks.

His drumming style was forceful and sober, generally maintaining constant tempo on the snare. Jazz critic Hugues Panassié considered him one of the three greatest jazz drummers of his generation, along with Zutty Singleton and Warren “Baby” Dodds.

Tubby Hall died in Chicago.