mick laBriola

Graham Lear (born July 24, 1949) is an English-born Canadian rock drummer, best known for his time with Gino Vannelli, Santana and REO Speedwagon. He was born in Plymouth, United Kingdom.

In 1952 his family moved to London, Ontario, Canada. He began his professional career at the age of 13 with the London (Ontario) Symphony Orchestra. During his teenage years he practised, played and toured with several bands in Canada and the United States. Gino Vannelli was the first major recording artist to recognize Graham’s talents and he recorded with Gino on some of his most important work (The Gist of the Gemini, Storm at Sunup). He has toured and/or recorded worldwide with Carlos Santana, Paul Anka, REO Speedwagon and Saga. He has also worked with T.V./ Film composers Henry Mancini, Domenic Troiano, Jimmy Dale (Pianist/arranger Boss Brass), David Foster, Mexican jazz/fusion group Sacbe, and recorded jingles for Nike, Molson and Avia.

Charles McPherson (born July 24, 1939) is an American jazz alto saxophonist born in Joplin, Missouri, United States, and raised in Detroit, Michigan, who worked intermittently with Charles Mingus from 1960 to 1974, and as a performer leading his own groups.

McPherson also was commissioned to help record ensemble renditions of pieces from Charlie Parker, on the 1988 soundtrack for the film Bird.

Billy Taylor (July 24, 1921 – December 28, 2010) was an American jazz pianist, composer, broadcaster and educator. He was the Robert L. Jones Distinguished Professor of Music at East Carolina University in Greenville, and from 1994 was the artistic director for jazz at the John F. Kennedy Center for the Performing Arts in Washington, D.C.

A jazz activist, Taylor sat on the Honorary Founders Board of The Jazz Foundation of America, an organisation he founded in 1989, with Ann Ruckert, Herb Storfer and Phoebe Jacobs, to save the homes and the lives of America’s elderly jazz and blues musicians, later including musicians who survived Hurricane Katrina.

Taylor was a jazz educator, who lectured in colleges, served on panels and travelled worldwide as a jazz ambassador. Critic Leonard Feather once said, “It is almost indisputable that Dr. Billy Taylor is the world’s foremost spokesman for jazz.”

Taylor was born in Greenville, North Carolina, United States, but moved to Washington, D.C., when he was five years old. He grew up in a musical family and learned to play different instruments as a child, including guitar, drums and saxophone. He was most successful at the piano, and had classical piano lessons with Henry Grant, who had educated Duke Ellington a generation earlier. Taylor made his first professional appearance playing keyboard at the age of 13 and was paid one dollar.

William James Edwards Lee III (July 23, 1928 – May 24, 2023) was a jazz bassist and composer, known for his collaborations with Bob Dylan and Aretha Franklin, his compositions for jazz percussionist Max Roach, and his session work as a “first-call” musician and band leader to many of the twentieth-century’s most significant musical artists, including Duke Ellington, Billie Holiday, Harry Belafonte, Peter, Paul and Mary, Simon and Garfunkel, Judy Collins, Arlo Guthrie, Billy Strayhorn, Woody Guthrie, and Pete Seeger, among many others.

Lee recorded three critically acclaimed albums at the Black independent label Strata-East Records: The Descendants of Mike and Phoebe: A Spirit Speaks, a collaboration with his two musical sisters; The Brass Company: Colors and the third, a collaboration of seven basses, called The New York Bass Violin Choir,which JazzdaGama described as “a true Holy Grail for all musicians” and Lee considered one of his “narrative folk, jazz operas,” with “One Mile East,” inspired by memories of the former slave quarters near his childhood home.

Steve Lacy (born Steven Norman Lackritz; July 23, 1934 – June 4, 2004 NY,NY) was an American jazzsaxophonist and composer recognized as one of the important players of soprano saxophone. Coming to prominence in the 1950s as a progressive dixieland musician, Lacy went on to a long and prolific career. He worked extensively in experimental jazz and to a lesser extent in free improvisation, but Lacy’s music was typically melodic and tightly-structured. Lacy also became a highly distinctive composer, with compositions often built out of little more than a single questioning phrase, repeated several times.

The music of Thelonious Monk became a permanent part of Lacy’s repertoire after a stint in the pianist’s band, with Monk’s works appearing on virtually every Lacy album and concert program; Lacy often partnered with trombonist Roswell Rudd in exploring Monk’s work. Beyond Monk, Lacy performed the work of jazz composers such as Charles Mingus, Duke Ellington and Herbie Nichols; unlike many jazz musicians he rarely played standard popular or show tunes.

https://www.youtube.com/watch?v=nLtJ_Yowe8E&list=PL0q2VleZJVEkVwhkXB8uy7_AI5tbEzuYP&index=5

William Thomas “Champion Jack” Dupree (July 23, 1909 or July 4, 1910 – January 21, 1992) was an American blues and boogie-woogie pianist and singer. His nickname was derived from his early career as a boxer.

Dupree was a New Orleans blues and boogie-woogie pianist, a barrelhouse “professor”. His father was from the Belgian Congo and his mother was part African American and Cherokee. His birth date has been given as July 4, July 10, and July 23, 1908, 1909, or 1910; the researchers Bob Eagle and Eric LeBlanc give July 4, 1910.

He was orphaned at the age of eight and sent to the Colored Waifs Home in New Orleans, an institution for orphaned or delinquent boys (about six years previously, Louis Armstrong had also been sent to the Home, after being arrested as a “dangerous and suspicious character”). Dupree taught himself to play the piano there and later apprenticed with Tuts Washington and Willie Hall, whom he called his father and from whom he learned “Junker’s Blues“. He was also a “spy boy” for the Yellow Pocahontas tribe of the Mardi Gras Indians. He soon began playing in barrelhouses and other drinking establishments.

https://www.youtube.com/watch?v=n-NwCgAnlRc

George Edward Clinton (born July 22, 1941) is an American musician, singer, bandleader, and record producer. His Parliament-Funkadelic collective (which primarily recorded under the distinct band names Parliament and Funkadelic) developed an influential and eclectic form of funk music during the 1970s that drew on science fiction, outlandish fashion, psychedelia, and surreal humor. He launched his solo career with the 1982 album Computer Games and would go on to influence 1990s hip-hop and G-funk.

Clinton is regarded, along with James Brown and Sly Stone, as one of the foremost innovators of funk music. He was inducted into the Rock and Roll Hall of Fame in 1997, alongside 15 other members of Parliament-Funkadelic. In 2019, he and Parliament-Funkadelic were given Grammy Lifetime Achievement Awards.

George Edward Clinton was born in Kannapolis, North Carolina, grew up in Plainfield, New Jersey, and currently resides in Tallahassee, Florida. During his teen years, Clinton formed a doo-wop group inspired by Frankie Lymon & the Teenagers called the Parliaments, while straightening hair at a barbershop in Plainfield, New Jersey.

Albert Laurence Di Meola (born July 22, 1954) is an Italian American guitarist. Known for his works in jazz fusion and world music, he began his career as a guitarist of the group Return to Forever in 1974. Between the 1970s and 1980s, albums such as Elegant Gypsy and Friday Night in San Francisco earned him both critical and commercial success.

Born in Jersey City, New Jersey, into an Italian family with roots in Cerreto Sannita, a small town northeast of Benevento, Di Meola grew up in Bergenfield, where he attended Bergenfield High School. He has been a resident of Old Tappan, New Jersey.

When he was eight years old, he was inspired by Elvis Presley and the Ventures to start playing guitar. His teacher directed him toward jazz standards. He cites as influences jazz guitarists George Benson and Kenny Burrell and bluegrass and country guitarists Clarence White and Doc Watson.

Jimmy Bruno (born July 22, 1953) is an American jazz guitarist from Philadelphia.

Born in Philadelphia, Bruno started playing guitar at the age of 7. He began his professional career at the age of 19, touring with Buddy Rich. He played for many years in Los Angeles before returning to Philadelphia.

He counts as influences Johnny Smith, Hank Garland, Joe Pass, Tal Farlow, Wes Montgomery, Howard Roberts, Jim Hall, and Pat Martino.

In March 2011, he opened Jimmy Bruno’s Guitar Workshop, a web site that allows students to learn from him through video lessons. A student can watch videos of Bruno teaching, record a video, and then send it to him for his review.

Don Patterson (July 22, 1936 – February 10, 1988) was an American jazz organist. Patterson played piano from childhood and was heavily influenced by Erroll Garner in his youth. In 1956, he switched to organ after hearing Jimmy Smith play the instrument. In the early-1960s, he began playing regularly with Sonny Stitt, and he began releasing material as a leader on Prestige Records from 1964 (with Pat Martino and Billy James as sidemen). His most commercially successful album was 1964’s Holiday Soul, which reached #85 on the Billboard 200 in 1967.

Patterson’s troubles with drug addiction hobbled his career in the 1970s, during which he occasionally recorded for Muse Records and lived in Gary, Indiana. In the 1980s, he moved to Philadelphia and made a small comeback, but his health deteriorated over the course of the decade, and he died there in 1988.

Herman “Junior” Cook (July 22, 1934 – February 3, 1992) was an American hard bop tenor saxophone player.

Cook was born in Pensacola, Florida. A member of a musical family, he started on alto saxophone before switching to tenor during his high school years.

After playing with Dizzy Gillespie in 1958, Cook was a member of the Horace Silver Quintet (1958–1964); when Silver left the group in the hands of Blue Mitchell Cook stayed in the quintet for five more years (1964–1969). Later associations included Freddie Hubbard, Elvin Jones, George Coleman, Louis Hayes (1975–1976), Bill Hardman (1979–1989), and the McCoy Tyner big band.

In addition to many appearances as a sideman, Junior Cook recorded as a leader for Jazzland (1961), Catalyst (1977), Muse, and SteepleChase.

He also taught at Berklee School of Music for a year during the 1970s.

In the early 1990s, Cook was playing with Clifford Jordan, and also leading his own group. He died in February 1992 in his apartment in New York City, aged 57.