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On “Freedom’s Eve,” or the eve of January 1, 1863, the first Watch Night services took place. On that night, enslaved and free African Americans gathered in churches and private homes all across the country awaiting news that the Emancipation Proclamation had taken effect. At the stroke of midnight, prayers were answered as all enslaved people in Confederate States were declared legally free. Union soldiers, many of whom were black, marched onto plantations and across cities in the south reading small copies of the Emancipation Proclamation spreading the news of freedom in Confederate States. Only through the Thirteenth Amendment did emancipation end slavery throughout the United States.
But not everyone in Confederate territory would immediately be free. Even though the Emancipation Proclamation was made effective in 1863, it could not be implemented in places still under Confederate control. As a result, in the westernmost Confederate state of Texas, enslaved people would not be free until much later. Freedom finally came on June 19, 1865, when some 2,000 Union troops arrived in Galveston Bay, Texas. The army announced that the more than 250,000 enslaved black people in the state, were free by executive decree. This day came to be known as “Juneteenth,” by the newly freed people in Texas.
more...The center of the Lagoon Nebula is a whirlwind of spectacular star formation. Visible near the image center, at least two long funnel-shaped clouds, each roughly half a light-year long, have been formed by extreme stellar winds and intense energetic starlight. A tremendously bright nearby star, Herschel 36, lights the area. Vast walls of dust hide and redden other hot young stars. As energy from these stars pours into the cool dust and gas, large temperature differences in adjoining regions can be created generating shearing winds which may cause the funnels. This picture, spanning about 15 light years, combines images taken in four colors by the orbiting Hubble Space Telescope. The Lagoon Nebula, also known as M8, lies about 5000 light years distant toward the constellation of the Archer (Sagittarius).
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John Stein is a jazz guitarist and teacher from Kansas City, Missouri. Born: 1949 (age 74 years), Kansas City, MO
A native of Kansas City, Missouri, Stein took his first guitar lesson when he was seven and his first jazz lesson when he was thirteen. In 1967, he attended Beloit College, but he dropped out and moved to Vermont. He worked in local clubs playing rock music, then took jazz lessons from a pianist. When he was thirty, he attended the Berklee College of Music and taught there after he graduated. He received a master’s degree in education from Harvard and also plays double bass. His first album, Hustle Up!, was released in 1995.
more...Willis Robert “Billy” Drummond Jr. (born June 19, 1959) is an American jazz drummer.
Billy Drummond was born in Newport News, Virginia, where he grew up listening to the extensive jazz record collection of his father, an amateur drummer and jazz enthusiast. He started playing the drums at four and was performing locally in his own band by the age of eight, and playing music with other kids in the neighborhood, including childhood friends Victor Wooten and his brothers, who lived a few doors away and through whom he met Consuela Lee Moorehead, composer, arranger, music theory professor, and the founder of the Springtree/Snow Hill Institute for the Performing Arts. He attended Shenandoah College and Conservatory of Music on a Classical Percussion scholarship and, upon leaving school, became a member of a local Top 40 band called The Squares with bass phenom Oteil Burbridge.
more...Ernest Ranglin OJ (born 19 June 1932) is a Jamaican guitarist and composer who established his career while working as a session guitarist and music director for various Jamaican record labels including Studio One and Island Records. Ranglin played guitar on many early ska recordings and helped create the rhythmic guitar style that defined the form. Ranglin has worked with Theophilus Beckford, Jimmy Cliff, Monty Alexander, Prince Buster, the Skatalites, Bob Marley and the Eric Deans Orchestra. He is noted for a chordal and rhythmic approach that blends jazz, mento and reggae with percussive guitar solos incorporating rhythm ‘n’ blues and jazz inflections.
Ernest Ranglin was born in Manchester, Jamaica. His family moved to Kingston, where he attended the Providence Primary School, Kingston Senior School and Bodin College. Ranglin’s introduction to music was through two uncles who both played guitar. Initially a self-taught guitarist; he received some tutoring on how to sight-read from a violin player named Tommy Tomlins. At the age of 15, Ranglin joined the Val Bennett Orchestra, which was followed by a period of employment with the Eric Deans Orchestra. While performing locally with these orchestras Ranglin was introduced to the jazz pianist Monty Alexander, which led to a lifelong friendship as well as numerous musical collaborations.
more...Albert King (1912–1981), known as Bertie King, was a Jamaican jazz and mento musician. He played the clarinet and the saxophone.
King was born in Panama, and raised in Kingston, where he attended Alpha Boys School.
During the 1930s he led his own band, Bertie King and his Rhythm Aces, described at the time as “Jamaica’s Foremost Dance Orchestra”. In 1936 he left for England, sailing on the same ship as his friend Jiver Hutchinson. In London he joined Ken Snakehips Johnson‘s West Indian Dance Band, and later played with Leslie Hutchinson’s band. He also worked with visiting American musicians including Benny Carter, George Shearing and Coleman Hawkins. In 1937 he recorded four sides in the Netherlands with Benny Carter, and in 1938 he recorded with Django Reinhardt in Paris. In 1939 he joined the Royal Navy. He left the Navy in 1943 and formed his own band, also working and recording with Nat Gonella.
King returned to Jamaica in 1951, where he started his own band, known as the Casa Blanca Orchestra, playing in the mento style. Since there were no Jamaican record labels at this time, he arranged for his recordings to be pressed in a plant in Lewisham, England, owned by Decca Records. He returned a number of times to England, working and recording with Kenny Baker, George Chisholm, Chris Barber, Kenny Graham and Humphrey Lyttelton, and also toured in Asia and Africa with his own band. During this period he also played and recorded in London with some of the leading Trinidadian calypsonians. He was noted for his impassive demeanour on stage, which belied an expressive playing style.
King led the Jamaica Broadcasting Corporation‘s house band in the 1950s; his sidemen included Ernest Ranglin and Tommy Mowatt.[1] He recorded extensively with this outfit. In 1965 he moved to the USA. His last known public performance was at Jamaican Independence Day celebrations in New York City in 1967. He died in the USA in 1981.
more...Originally discovered during the Voyager flybys of Saturn in the 1980s, nobody has ever seen anything like it anywhere else in the Solar System. Acquiring its first sunlit views of far northern Saturn in late 2012, the Cassini spacecraft’s wide-angle camera recorded this stunning, false-color image of the ringed planet’s north pole. The composite of near-infrared image data results in red hues for low clouds and green for high ones, giving the Saturnian cloudscape a vivid appearance. This and similar images show the stability of the hexagon even 20+ years after Voyager. Movies of Saturn’s North Pole show the cloud structure maintaining its hexagonal structure while rotating. Unlike individual clouds appearing like a hexagon on Earth, the Saturn cloud pattern appears to have six well defined sides of nearly equal length. Four Earths could fit inside the hexagon. Beyond the cloud tops at the upper right, arcs of the planet’s eye-catching rings are tinted bright blue.
more...Sir James Paul McCartney CH MBE (born 18 June 1942) is an English singer, songwriter and musician who gained worldwide fame with the Beatles, for whom he played bass guitar and shared primary songwriting and lead vocal duties with John Lennon. One of the most successful composers and performers of all time, McCartney is known for his melodic approach to bass-playing, versatile and wide tenor vocal range, and musical eclecticism, exploring genres ranging from pre–rock and roll pop to classical, ballads, and electronica. His songwriting partnership with Lennon remains the most successful in history.
Born in Liverpool, McCartney taught himself piano, guitar and songwriting as a teenager, having been influenced by his father, a jazz player, and rock and roll performers such as Little Richard and Buddy Holly. He began his career when he joined Lennon’s skiffle group, the Quarrymen, in 1957, which evolved into the Beatles in 1960. Sometimes called “the cute Beatle”, McCartney later involved himself with the London avant-garde and spearheaded the incorporation of experimental aesthetics into the Beatles’ studio productions. Starting with the 1967 album Sgt. Pepper’s Lonely Hearts Club Band, he gradually became the band’s de facto leader, providing the creative impetus for most of their music and film projects. Many of his Beatles songs, including “And I Love Her“, “Yesterday“, “Eleanor Rigby“, and “Blackbird“, rank among the most covered songs in history. While primarily a bassist with the Beatles, in various songs he played a number of other instruments, including keyboards, guitars, and drums.
After the Beatles disbanded, he debuted as a solo artist with the 1970 album McCartney and formed the band Wings with his first wife, Linda, and Denny Laine. Led by McCartney, Wings was one of the most successful bands of the 1970s, and he wrote or co-wrote their US or UK number-one hits “My Love“, “Band on the Run“, “Listen to What the Man Said“, “Silly Love Songs“, and “Mull of Kintyre“. He resumed his solo career in 1980 and has toured as a solo artist since 1989. Without Wings, his UK or US number-one hits have included “Uncle Albert/Admiral Halsey” (with Linda), “Coming Up“, “Pipes of Peace“, “Ebony and Ivory” (with Stevie Wonder), and “Say Say Say” (with Michael Jackson). Beyond music, he has taken part in projects to promote international charities related to such subjects as animal rights, seal hunting, land mines, vegetarianism, poverty, and music education.
McCartney has written or co-written a record 32 songs that have topped the Billboard Hot 100 and, as of 2009, had sales of 25.5 million RIAA-certified units in the US. His honours include two inductions into the Rock and Roll Hall of Fame (as a member of the Beatles in 1988 and as a solo artist in 1999), an Academy Award, a Primetime Emmy Award, 18 Grammy Awards, an appointment as a Member of the Order of the British Empire in 1965 and a knighthood in 1997 for services to music. As of 2020, he is one of the wealthiest musicians in the world, with an estimated fortune of £800 million.
more...Ray McKinley (June 18, 1910 – May 7, 1995) was an American jazz drummer, singer, and bandleader. He played drums and later led the Major Glenn Miller Army Air Forces Orchestra in Europe. He also led the new Glenn Miller Orchestra in 1956.
Born in Fort Worth, Texas, United States, McKinley’s parents bought him his first drum set at the age of nine. Soon after he began playing with a local band called The Jolly Jazz Band in the Dallas–Fort Wortharea. He left home when he was 15 and played with Milt Shaw’s Detroiters and the Smith Ballew and Duncan-Marin bands. His first substantial professional engagement came in 1934 with the Dorsey Brothers’ Orchestra. It was with the Smith Ballew band in 1929 that McKinley met Glenn Miller. The two formed a friendship that lasted from 1929 until Miller’s death in 1944. McKinley and Miller joined the Dorsey Brothers in 1934. Miller left for Ray Noble in December 1934, while McKinley remained.
more...Ray Bauduc (June 18, 1906 – January 8, 1988) was an American jazz drummer best known for his work with the Bob Crosby Orchestra and their band-within-a-band, the Bobcats, between 1935 and 1942. He is also known for his shared composition of “Big Noise from Winnetka,” a jazz standard.
Bauduc was born in New Orleans, Louisiana, United States. He was the son of cornetist Jules Bauduc.His older brother, Jules Jr., was a banjoist and bandleader. His sister was also a musician, a pianist.Bauduc’s youthful work in New Orleans included performing in the band of Johnny Bayersdorffer, and on radio broadcasts. His New Orleans origin instilled in him a love for two-beat drumming, which he retained when he played with Bob Crosby’s swing-era big band. In 1926, he moved to New York City to join Joe Venuti‘s band. His other work in the 1920s included recording with the Original Memphis Five and the Scranton Sirens, which included Tommy Dorsey and Jimmy Dorsey.
more...Prince Lincoln Thompson, known as Sax (10 July 1949 in Jonestown, Kingston, Jamaica – 14 January 1999 in London, England), was a Jamaican singer, musician and songwriter with the reggae band the Royal Rasses, and a member of the Rastafari movement. He was noted for his high falsetto singing voice, very different from his spoken voice.
He began his recording career as a harmony singer along with Cedric Myton of The Congos in 1967, in a band called The Tartans, who then split up in 1969. In 1971 he was taken on by Coxsone Dodd, and recorded three songs with him at Studio One called “Daughters of Zion“, “True Experience” and “Live Up to Your Name”. In 1974, he recorded the Humanity album with Cedric Myton, Clinton Hall and Keith Peterkin, and set up the God Sent label. He had two hit singles with “Kingston 11” and “Love the Way It Should Be”.
more...Centaurus A (also known as NGC 5128 or Caldwell 77) is a galaxy in the constellation of Centaurus. It was discovered in 1826 by Scottish astronomer James Dunlop from his home in Parramatta, in New South Wales, Australia. There is considerable debate in the literature regarding the galaxy’s fundamental properties such as its Hubble type (lenticular galaxy or a giant elliptical galaxy) and distance (11–13 million light-years).NGC 5128 is one of the closest radio galaxies to Earth, so its active galactic nucleus has been extensively studied by professional astronomers. The galaxy is also the fifth-brightest in the sky, making it an ideal amateur astronomy target. It is only visible from the southern hemisphere and low northern latitudes.
The center of the galaxy contains a supermassive black hole with a mass of 55 million solar masses, which ejects a relativistic jet that is responsible for emissions in the X-ray and radiowavelengths. By taking radio observations of the jet separated by a decade, astronomers have determined that the inner parts of the jet are moving at about half of the speed of light. X-rays are produced farther out as the jet collides with surrounding gases, resulting in the creation of highly energetic particles. The X-ray jets of Centaurus A are thousands of light-years long, while the radio jets are over a million light-years long.
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Charles Walter Rainey III (born June 17, 1940) is an American bass guitarist who has performed and recorded with many well-known acts, including Aretha Franklin, Steely Dan, and Quincy Jones. Rainey is credited for playing bass on more than 1,000 albums, and is one of the most recorded bass players in the history of recorded music.
Rainey was born in Cleveland, Ohio on June 17, 1940, and grew up in Youngstown. His parents were both amateur pianists. He learned viola, piano, and trumpet as a child and majored in brass instruments in college. He attended Lane College in Jackson, Tennessee. Rainey began playing bass guitar in the military.
After leaving the military, Rainey joined a local band. His first big professional gig was playing with Big Jay McNeely. He then joined up with Sil Austin to tour Canada and New York. In 1962, Rainey joined King Curtis and his All-Star band; in 1965, they opened for The Beatles’ 1965 US tour. He joined Quincy Jones‘s big band in 1972. By the 1970s he had played with Jerome Richardson, Grady Tate, Mose Allison, Gato Barbieri, Gene Ammons, as well as with Eddie Vinson at the 1971 Montreux Festival, and on five albums of Steely Dan.
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Tony Scott (born Anthony Joseph Sciacca June 17, 1921 – March 28, 2007) was an American jazz clarinetist and arranger with an interest in folk music around the world. For most of his career he was held in high esteem in new-age music circles because of his involvement in music linked to Asian cultures and to meditation.
Born in Morristown, New Jersey, United States, Scott attended Juilliard School from 1940 to 1942. In the 1950s he worked with Sarah Vaughan and Billie Holiday. He also had a young Bill Evans and Paul Motianas side-men on several albums released between 1957 and 1959. In the late 1950s, he won on four occasions the DownBeat critics poll for clarinetist in 1955, 1957, 1958 and 1959. He was known for a more “cool” style on the instrument than his peer Buddy DeFranco who often played a more aggressive bebop style.
more...Igor Fyodorovich Stravinsky (17 June [O.S. 5 June] 1882 – 6 April 1971) was a Russian composer and conductor with citizenship in France (from 1934) and the United States (from 1945). He is widely considered one of the most important and influential composers of the 20th century and a pivotal figure in modernist music.
Stravinsky’s father was an established bass opera singer, and Stravinsky grew up taking piano and music theory lessons. While studying law at the University of Saint Petersburg, he met Nikolai Rimsky-Korsakovand studied under him until Rimsky-Korsakov’s death in 1908. Stravinsky met the impresario Sergei Diaghilev soon after, who commissioned Stravinsky to write three ballets: The Firebird (1910), Petrushka(1911), and The Rite of Spring (1913), the last of which brought him international fame after the near-riot at the premiere, and changed the way composers understood rhythmic structure.
Stravinsky’s compositional career is divided into three periods: his Russian period (1913–1920), his neoclassical period (1920–1951), and his serial period (1954–1968). Stravinsky’s Russian period was characterised by influence from Russian styles and folklore. Renard (1916) and Les noces (1923) were based on Russian folk poetry, and works like L’Histoire du soldat blended these folktales with popular musical structures, like the tango, waltz, rag, and chorale. His neoclassical period exhibited themes and techniques from the classical period, like the use of the sonata form in his Octet (1923) and use of Greek mythologicalthemes in works like Apollon musagète (1927), Oedipus rex (1927), and Persephone (1935). In his serial period, Stravinsky turned towards compositional techniques from the Second Viennese School like Arnold Schoenberg‘s twelve-tone technique. In Memoriam Dylan Thomas (1954) was the first of his compositions to be fully based on the technique, and Canticum Sacrum (1956) was his first to be based on a tone row. Stravinsky’s last major work was the Requiem Canticles (1966), which was performed at his funeral.
In the later parts of his life, Stravinsky conducted around the world, and was known for his polite, courteous, and helpful manner. Some composers and academics of the time disliked the avant-garde nature of his music, particularly The Rite of Spring, though he may have considered their negative reviews to be part of a scandale. While others found that none of his later works lived up to The Rite of Spring, later writers recognized his importance to the development of modernist music. Stravinsky’s revolutions of rhythm and modernism influenced composers like Aaron Copland, Philip Glass, Béla Bartók, and Pierre Boulez. In 1998, Time magazine named Stravinsky one of the 100 most influential people of the century. Stravinsky died of pulmonary edema on 6 April 1971 in New York City.
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