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Jules Shungu Wembadio Pene Kikumba (14 June 1949 – 24 April 2016), known professionally as Papa Wemba , was a Congolese singer and musician who played Congolese rumba, soukous, and ndombolo. Dubbed the “King of Rumba Rock”, he was one of the most popular musicians of his time in Africa and played an important role in world music. He was also a fashion icon who popularized the Sape look and style through his musical group Viva la Musica, with whom he performed on stages throughout the world.

Papa Wemba’s road to fame and prominence began when he joined the music group Zaiko Langa Langa in the late 1960s. This was followed by his success as a founding member both of Isifi Lokole and then Yoka Lokole, along with a short stint as a member of Afrisa International for a few months. During these early stages of his career, he was establishing a style that included traditional Congolese rumba and soukous, infused with traditional African sounds, Caribbean rhythms, rock and soul. But Wemba gained international success and status with his band Viva La Musica, especially after he took them to Paris, France in the early 1980s. It was there that Wemba was able to achieve more of an “eclectic sound” in his work, influenced by western popular music that reflected a European flavor and style, referred to as “Europop.

Rodney Terence Argent (born 14 June 1945) is an English musician. In a career spanning more than 50 years, Argent came to prominence in the mid-1960s as the keyboardist, founder and leader of the rock band the Zombies, and went on to form the band Argent after the first break-up of the Zombies.

Argent is one of the main composers of the Zombies’ music and made major lyrical contributions to the band’s songs. As the band’s keyboardist he used a variety of instruments, including Hohner Pianet, Mellotron, harpsichord, and organ.

In addition to his work with the Zombies and Argent, Argent has made music for television series, been a session musician, produced albums by other artists, and had a solo career which has included three studio albums: Moving Home, Red House, and Classically Speaking. Argent was inducted into the Rock and Roll Hall of Fame as a member of the Zombies in Brooklyn in March 2019.

Autry DeWalt Mixon Jr. (June 14, 1931 – November 23, 1995), known professionally as Junior Walker, was an American multi-instrumentalist (primarily saxophonist) and vocalist who recorded for Motown during the 1960s. He also performed as a session and live-performing saxophonist with the band Foreigner during the 1980s.

Walker was born Autry DeWalt Mixon Jr. on June 14, 1931, in Blytheville, Arkansas, but grew up in South Bend, Indiana. He began playing saxophone while in high school, and his saxophone style was the anchor for the sound of the bands he later played in.

His career started when he developed his own band in the mid-1950s as the Jumping Jacks. His longtime friend and drummer Billy Nicks (1935–2017) formed his own group, the Rhythm Rockers. Periodically, Nicks would sit in on Jumping Jack’s shows, and Walker would sit in on the Rhythm Rockers shows.

Adolphus Anthony Cheatham, better known as Doc Cheatham (June 13, 1905 – June 2, 1997), was an American jazz trumpeter, singer, and bandleader. He is also the grandfather of musician Theo Croker.

Doc Cheatham was born in Nashville, Tennessee, United States, of African, Cherokee and Choctaw heritage. He noted there was no jazz music there in his youth; like many in the United States he was introduced to the style by early recordings and touring groups at the end of the 1910s. He abandoned his family’s plans for him to be a pharmacist (although retaining the medically inspired nickname “Doc”) to play music, initially playing soprano and tenor saxophone in addition to trumpet, in Nashville’s African American Vaudeville theater. Cheatham later toured in band accompanying blues singers on the Theater Owners Booking Association circuit. His early jazz influences included Henry Busse and Johnny Dunn, but when he moved to Chicago in 1924, he heard King Oliver. Oliver’s playing was a revelation to Cheatham. Cheatham followed him around. Oliver gave young Cheatham a mute, which Cheatham treasured and performed with for the rest of his career. A further revelation came the following year when Louis Armstrong returned to Chicago. Armstrong would be a lifelong influence on Cheatham, describing him as “an ordinary-extraordinary man.”

William M. “Wild Bill” Moore (June 13, 1918 – August 1, 1983) was an American R&B and jazz tenor saxophone player. Moore earned a modest hit on the Hot R&B charts with “We’re Gonna Rock, We’re Gonna Roll”, which also was one of the earliest rock and roll records according to some sources.

Moore was born in Detroit Michigan and began playing the alto saxophone at an early age. However, prior to his musical career, he was an amateur boxer, winning Michigan’s Golden Gloves light heavyweight championship in 1937, before briefly turning professional. By the early 1940s, Moore abandoned his boxing career in favor of music, and was inspired by musicians Chu Berry and Illinois Jacquet to switch to tenor saxophone. In 1944, he made his recording debut, accompanying Christine Chatman, the wife of Memphis Slim, for Decca Records. Between 1945 and 1947, Moore was performing and recording in Los Angeles with Slim Gaillard, Jack McVea, Big Joe Turner, Dexter Gordon, and played on Helen Humes’ hit recording, “Be-Baba-Leba”.

Attila Cornelius Zoller (June 13, 1927 – January 25, 1998) was a Hungarian jazz guitarist. After World War II, he escaped the Soviet takeover of Hungary by fleeing through the mountains on foot into Austria. In 1959, he moved to the U.S., where he spent the rest of his life as a musician and teacher.

Zoller was born in Visegrád, Hungary. As a child, he learned violin from his father, a professional violinist.While in school, he played flugelhorn and bass before choosing guitar. He dropped out of school and played in jazz clubs in Budapest while Russia occupied Hungary. He fled Hungary in 1948 as the Soviet Union was establishing communist military rule. He escaped on foot, carrying his guitar through the mountains into Austria. He settled in Vienna, became an Austrian citizen, and started a jazz group with accordionist Vera Auer.

Marcus Batista Belgrave (June 12, 1936 – May 24, 2015) was an American jazz trumpet player from Detroit, born in Chester, Pennsylvania. He recorded with numerous musicians from the 1950s onwards. Belgrave was inducted into the class of 2017 of the National Rhythm & Blues Hall of Fame in Detroit, Michigan.

Belgrave was tutored by Clifford Brown before joining the Ray Charles touring band. Belgrave later worked with Motown Records, and recorded with Martha Reeves and the Vandellas, The Temptations, The Four Tops, Gunther Schuller, Carl Craig, Max Roach, Ella Fitzgerald, Charles Mingus, Tony Bennett, La Palabra, Sammy Davis Jr., Dizzy Gillespie, Odessa Harris and John Sinclair, plus more recently with his wife Joan Belgrave, among others.

Geri Antoinette Allen (June 12, 1957 – June 27, 2017) was an American jazz pianist, composer, and educator. She taught at the University of Michigan and the University of Pittsburgh.

Allen was born in Pontiac, Michigan, on June 12, 1957, and grew up in Detroit. “Her father, Mount Allen Jr, was a school principal, her mother, Barbara, a government administrator in the defence industry.” Allen was educated in Detroit Public Schools.^[3] She started playing the piano at the age of seven, and settled on becoming a jazz pianist in her early teens.

Allen graduated from Howard University‘s jazz studies program in 1979. She then continued her studies: with pianist Kenny Barron in New York; and at the University of Pittsburgh, where she completed a master’s degree in ethnomusicology in 1982. After this, she returned to New York.

Jamaaladeen Tacuma (born Rudy McDaniel; June 11, 1956) is an American free jazz bassist born in Hempstead, New York. He was a bandleader on the Gramavision label and worked with Ornette Colemanduring the 1970s and 1980s, mostly in Coleman’s Prime Time band.

Tacuma showcased a unique style of avant-garde jazz on Coleman’s 1982 album Of Human Feelings, and became widely viewed as one of the most distinctive bassists since Jaco Pastorius. He formed his own group, and recorded albums that incorporated commercially accessible melodies while retaining Prime Time’s elaborate harmonies.

Tacuma, raised in Philadelphia, Pennsylvania, showed interest in music at a young age, performing with the organist Charles Earland in his teens. Through Earland, Tacuma came to know the record producer Reggie Lucas, who introduced Jamaaladeen to Ornette Coleman in 1975 at age 19. As the electric bassist for Coleman’s funky harmolodic Prime Time group, Tacuma rose to prominence quickly; guitarist Bern Nix was another band member. While with Prime Time, Tacuma relied mostly on traditional technique, picking with his fingers. His later work revealed a master improviser and showcased a more rhythmic, thumb-slapping funk approach.