mick laBriola

Derek Trucks (born June 8, 1979) is an American guitarist, songwriter, and founder of The Derek Trucks Band. He became an official member of The Allman Brothers Band in 1999. In 2010, he formed the Tedeschi Trucks Band with his wife, blues singer/guitarist Susan Tedeschi. His musical style encompasses several genres and he has twice appeared on Rolling Stone‘s list of 100 Greatest Guitarists of All Time. He is the nephew of the late Butch Trucks, drummer for the Allman Brothers.

Trucks was born in Jacksonville, Florida. According to Trucks, the name of Eric Clapton‘s band, Derek and the Dominos, had “something to do with the name [Derek] if not the spelling”.

Trucks bought his first guitar at a yard sale for $5 at age nine and became a child prodigy, playing his first paid performance at age 11. Trucks began playing the guitar using a slide because it allowed him to play the guitar despite his small hands as a young guitarist. By his 13th birthday, Trucks had played alongside Buddy Guy and toured with Thunderhawk.

William Russell Watrous III (June 8, 1939 – July 2, 2018) was an American jazz trombonist. He is perhaps best known for his rendition of Sammy Nestico‘s arrangement of the Johnny Mandel ballad “A Time for Love”, which he recorded on a 1993 album of the same name. A self-described “bop-oriented” player, he was well known among trombonists as a master technician and for his mellifluous sound.

He was born in Middletown, Connecticut, United States. Watrous’ father, also a trombonist, introduced him to the instrument at an early age. While serving in the U.S. Navy, Watrous studied with jazz pianist and composer Herbie Nichols. His first professional performances were in Billy Butterfield‘s band.

Watrous’ career blossomed in the 1960s. He played and recorded with many prominent jazz musicians, including Count Basie, Maynard Ferguson, Woody Herman, Quincy Jones, Johnny Richards, and trombonist Kai Winding. He also played with well-known vocalists Frank Sinatra, Ray Charles, Ella Fitzgerald, and Sarah Vaughn. He played in the house band on the Merv Griffin Show from 1965 to 1968. From 1967 to 1969, he worked as a staff musician for CBS.

Renowned Brazilian vocalist Astrud Gilberto, whose ethereal rendition of “The Girl from Ipanema” captivated audiences worldwide during the 1960s bossa nova era, has passed away at the age of 83, as confirmed by her family.

In the 1960s, Astrud Gilberto was married to influential bossa nova pioneer Joao Gilberto, a brilliant guitarist and composer. Joao Gilberto had collaborated with American saxophonist Stan Getz in 1963 to produce the monumental album “Getz/Gilberto.” This groundbreaking project propelled the enchanting Brazilian bossa nova sound onto the international stage, blending the rhythmic allure of Brazilian samba with the sophistication of “cool jazz.” The release featured Astrud’s mesmerizing vocals, most notably showcased in the enchanting duet, “The Girl from Ipanema,” which swiftly skyrocketed to become the album’s crowning achievement. “Getz/Gilberto” not only earned widespread acclaim but also secured three Grammy Awards, including the prestigious Album of the Year accolade, an unprecedented honor for a jazz record.

Jonathan Paul Clegg, OBE OIS (7 June 1953 – 16 July 2019) was a South African musician, singer-songwriter, dancer, anthropologist and anti-apartheid activist.

He first performed as part of a duo – Johnny & Sipho – with Sipho Mchunu which released its first single, Woza Friday in 1976. The two then went on to form the band Juluka which released its debut album in 1979. In 1986, Clegg founded the band Savuka, and also recorded as a solo act, occasionally reuniting with his earlier band partners. Sometimes called Le Zoulou Blanc (French: [lə zulu blɑ̃], for “The White Zulu“), he was an important figure in South African popular music and a prominent white figure in the resistance to apartheid, becoming for a period the subject of investigation by the security branch of the South African Police. His songs mixed English with Zulu lyrics, and also combined idioms of traditional African music with those of modern Western styles.

Harold Floyd “Tina” Brooks (June 7, 1932 – August 13, 1974) was an American jazz tenor saxophonistand composer best remembered for his work in the hard bop style.

Harold Floyd Brooks was born in Fayetteville, North Carolina, and was the brother of David “Bubba” Brooks. The nickname “Tina”, pronounced Teena, was a variation of “Teeny”, a childhood moniker. His favourite tune was “My Devotion”. He studied harmony and theory with Herbert Bourne.

Initially, he studied the C-melody saxophone, which he began playing shortly after he moved to New York with his family in 1944. Brooks’ first professional work came in 1951 with rhythm and blues pianist Sonny Thompson, and in 1955 Brooks played with vibraphonist Lionel Hampton. Brooks also received less-formal guidance from trumpeter and composer “Little” Benny Harris, who led the saxophonist to his first recording as a leader. Harris recommended Brooks to Blue Note producer Alfred Lion in 1958. Brooks did not record after 1961. Plagued by heroin dependency, and gradually deteriorating health, he died of liver failure at age 42.

Talmage Holt Farlow (June 7, 1921 – July 25, 1998) was an American jazz guitarist. He was nicknamed “Octopus” because of how his large, quick hands spread over the fretboard.

Talmage Holt Farlow was born in Greensboro, North Carolina, United States. He taught himself how to play guitar, which he started when he was 22 years old. He learned chord melodies by playing a mandolin tuned like a ukulele. He said playing the ukulele was the reason he used the higher four strings on the guitar for the melody and chord structure, with the two bottom strings for bass counterpoint, which he played with his thumb. His only professional training was as an apprentice sign painter. He requested the night shift so he could listen to big band standards on the shop radio. He listened to Bix Beiderbecke, Louis Armstrong, and Eddie Lang. His career was influenced by hearing Charlie Christian playing electric guitar with the Benny Goodman band. He said he made his own electric guitar because he could not afford to purchase one.

Farlow employed artificial harmonics and tapped his guitar for percussion, creating a flat, snare drum sound or a hollow backbeat like the bongos. His large, quick hands earned him the nickname “The Octopus”.

Three prominent dust lanes that give the Trifid its name all come together. Mountains of opaque dust appear near the bottom, while other dark filaments of dust are visible threaded throughout the nebula. A single massive star visible near the center causes much of the Trifid’s glow. The Trifid, cataloged as M20, is only about 300,000 years old, making it among the youngest emission nebulas known. The star forming nebula lies about 9,000 light years away toward the constellation of the Archer (Sagittarius). The region pictured here spans about 20 light years.

Paul Norris Bollenback (born June 6, 1959) is a jazz guitarist who has appeared on Entertainment Tonight, The Tonight Show, The Today Show, Joan Rivers, and Good Morning America. He has performed with Scott Ambush, Charlie Byrd, Joey DeFrancesco, Herb Ellis, Della Reese, Arturo Sandoval, and Stanley Turrentine. He is cited as a guitarist who uses modern quartal harmony.

Bollenback moved to India with his family when he was 11. After three years, the family returned to the U.S. and Bollenback began listening to rock music. He put down his nylon-string guitar and picked up an electric. He cites his discovery of Miles Davis as a pivotal moment in his life. He attended the University of Miami. In 1997, he began teaching at American University.

James Melvin Lunceford (June 6, 1902 – July 12, 1947) was an American jazz alto saxophonist and bandleader in the swing era. Lunceford was born on a farm in the Evergreen community, west of the Tombigbee River, near Fulton, Mississippi, United States. The 53-acre (21 ha) farm was owned by his father, James. His mother was Idella (“Ida”) Shumpert of Oklahoma City, an organist of “more than average ability”. Seven months after James Melvin was born, the family moved to Oklahoma City.

The family next moved to Denver where Lunceford attended high school and studied music under Wilberforce J. Whiteman, father of Paul Whiteman, whose band was soon to acquire a national reputation. As a child in Denver, he learned several instruments. After high school, Lunceford continued his studies at Fisk University. In 1922, he played alto saxophone in a local band led by the violinist George Morrison which included Andy Kirk, another musician destined for fame as a bandleader.

After playing McElroy’s Ballroom in Portland, Lunceford and his orchestra were in Seaside, Oregon, to play at The Bungalow dance hall on July 12, 1947. Before the performance Lunceford collapsed during an autograph session at a local record store. He died while being taken by ambulance to the Seaside hospital. Lunceford was 45. Dr Alton Alderman performed an autopsy in nearby Astoria, Oregon, and concluded that Lunceford died of coronary occlusion.

Montgomery Bernard “Monty” Alexander OJ (born 6 June 1944) is a Jamaican jazz pianist. His playing has a Caribbean influence and bright swinging feeling, with a strong vocabulary of bebop jazz and blues rooted melodies. He was influenced by Louis Armstrong, Duke Ellington, Erroll Garner, Nat King Cole, Oscar Peterson, Ahmad Jamal, Les McCann, and Frank Sinatra. Alexander also sings and plays the melodica. He is known for his surprising musical twists, bright rhythmic sense, and intense dramatic musical climaxes. Monty’s recording career has covered many of the well-known American songbook standards, jazz standards, pop hits, and Jamaican songs from his original homeland. Alexander has resided in New York City for many years and performs frequently throughout the world at jazz festivals and clubs.

Alexander was born on 6 June 1944 in Kingston, Jamaica. He discovered the piano when he was four years old and seemed to have a knack for picking melodies out by ear. His mother sent him to classical music lessons at the age of six and he became interested in jazz piano at the age of 14. He began playing in clubs, and on recording sessions by Clue J & His Blues Blasters, subbing for Aubrey Adams, whom he describes as his hero, when he was unable to play. Two years later, he directed a dance orchestra (Monty and the Cyclones) and played in the local clubs covering much of the 1960s early rock and pop dance hits. Performances at the Carib Theater in Jamaica by Louis Armstrong and Nat King Cole left a strong impression on the young pianist.