mick laBriola

Soulful diva Tina Turner, who had a lengthy run of ’60s and ’70s R&B hits and struck major pop stardom in the ’80s, died Wednesday in Switzerland. She was 83.

“Tina Turner, the ‘Queen of Rock’n Roll’ has died peacefully today at the age of 83 after a long illness in her home in Kusnacht near Zurich, Switzerland. With her, the world loses a music legend and a role model,” her representative said in a statement to Variety.

More than a decade after her crossover hit “Proud Mary” with husband Ike, Tina Turner ascended to the pinnacle of pop fame with the 1984 Capitol Records album “Private Dancer.” The collection, which spawned a trio of top-10 pop hits, sold five million copies and garnered four Grammy Awards. Though she never matched that breakthrough solo success, she recorded and toured profitably until her retirement in 2000.

Raw-voiced, leggy, peripatetic and provocative onstage, the magnetic Turner segued effortlessly into bigscreen roles, appearing as the Acid Queen in Ken Russell’s 1975 adaptation of the Who’s rock opera “Tommy” and as villainess Aunty Entity in George Miller’s action sequel “Mad Max Beyond Thunderdome.” She sang the title song, penned by Bono and the Edge of U2, for the 1995 James Bond pic “GoldenEye.”

The winner of eight Grammys, Turner was a 1991 Rock and Roll Hall of Fame inductee, and was recognized at the 2005 Kennedy Center Honors for her career achievements.

Turner was still in her teens when she began recording with future husband Ike Turner; their tumultuous partnership produced 15 years of popular singles, culminating in the 1971 crossover smash “Proud Mary.” However, in 1976 the vocalist fled her abusive marriage; she detailed her violence-scarred relationship in the 1986 bestseller “I, Tina,” which served as the basis for the 1993 biopic “What’s Love Got to Do With It.”

She was born Anna Mae Bullock in the farming community of Nutbush, Tenn. (a locale she would commemorate in the self-penned 1973 song “Nutbush City Limits”). With older her sister Ruby, she was shuttled between various relatives as a child; her mother left her abusive father when she was 11. At 16, the girls were reunited with their mother in St. Louis.

The Cat’s Eye Nebula (NGC 6543) is one of the best known planetary nebulae in the sky. Its more familiar outlines are seen in the brighter central region of the nebula in this impressive wide-angle view. But this wide and deep image combining data from two telescopes also reveals its extremely faint outer halo. At an estimated distance of 3,000 light-years, the faint outer halo is over 5 light-years across. Planetary nebulae have long been appreciated as a final phase in the life of a sun-like star. More recently, some planetary nebulae are found to have halos like this one, likely formed of material shrugged off during earlier episodes in the star’s evolution. While the planetary nebula phase is thought to last for around 10,000 years, astronomers estimate the age of the outer filamentary portions of this halo to be 50,000 to 90,000 years. Visible on the right, some 50 million light-years beyond the watchful planetary nebula, lies spiral galaxy NGC 6552.

Wallace Roney (May 25, 1960 – March 31, 2020) was an American jazz (hard bop and post-bop) trumpeter. He has won 1 Grammy award and has two nominations.

Roney took lessons from Clark Terry and Dizzy Gillespie and studied with Miles Davis from 1985 until the latter’s death in 1991. Wallace credited Davis as having helped to challenge and shape his creative approach to life as well as being his music instructor, mentor, and friend; he was the only trumpet player Davis personally mentored.

Roney was born in Philadelphia. He attended Howard Universityand Berklee College of Music in Boston, Massachusetts, after graduating from the Duke Ellington School of the Arts of the D. C. Public Schools, where he studied trumpet with Langston Fitzgerald of the Baltimore Symphony Orchestra. Found to have perfect pitch at the age of four, Wallace began his musical and trumpet studies at Philadelphia’s Settlement School of Music.

He studied with trumpeter Sigmund Hering of the Philadelphia Orchestra for three years. Hering regularly presented Wallace at recitals at the Settlement School, and with the Philadelphia Brass Ensemble, during his studies in Philadelphia.

Lincoln Barrington “Sugar” Minott (25 May 1956 – 10 July 2010) was a Jamaican reggae singer, producer and sound-system operator.

After working as a selector on the Sound of Silence Keystone sound system, and then his own Gathering of Youth system, he began his singing career as part of The African Brothers in 1969, along with Tony Tuffand Derrick Howard. The group released several singles in the first half of the 1970s on labels such as Micron and their own Ital label, and were an early example of the Rastafari movement‘s influence on the Jamaican music scene, taking a clear lead from The Abyssinians. After recording “Mysterious Nature” for producer Rupie Edwards, the group recorded 1974’s “No Cup No Broke” for Studio One, breaking up shortly after. Minott then teamed up with the producer Clement “Coxsone” Dodd, as studio apprentice at Dodd’s Studio One, working as a singer, guitarist and percussionist, and soon began recording his own singles. Minott developed a talent for writing new songs to fit over existing rhythms (which at the time was common when singers performed live, but rare in the studio), often proving more popular than the original songs, pioneering an approach that would be central to the emerging dancehall style.

Norman Gary Foster (born May 25, 1936) is an American musician who plays saxophone, clarinet, and flute. He is considered a crossover artist, performing jazz, pop, and classical music. He has been prominent in the film, television, and music industries for five decades, having performed on over 500 movie scores and with over 200 orchestras.

He has recorded on numerous Grammy, Academy Award, Emmy, and Golden Globe winning media and soundtracks for artists and composers such as Carol Burnett, Bob Dylan, Barbra Streisand, Mel Torme, Toshiko Akiyoshi, Frank Sinatra, Pat Williams, John Williams, Natalie Cole, Jerry Fielding, Cal Tjader, Marty Paich, and Michael Bublé.

Foster received the Most Valuable Player Award for woodwind doubling from The Recording Academy.

Gary Foster was born in Leavenworth, Kansas, in 1936. He started on the clarinet at age thirteen. His first musical inspiration was Olin Parker, a school music director and teacher who introduced him to the music of Count Basie, Woody Herman, and many other types of music. He listened closely to the Woody Herman Orchestra’s recording of “Four Brothers”, which featured saxophonists Stan Getz, Zoot Sims, and Serge Chaloff.

Marshall Belford Allen (born May 25, 1924) is an American free jazz and avant-garde jazz alto saxophone player. He also performs on flute, oboe, piccolo, and EWI (an electronic valve instrument made by Steiner, Crumar company).

Allen is best known for his work with Sun Ra, having recorded and performed mostly in this context since the late 1950s, and having led The Sun Ra Arkestra since 1993, after Sun Ra’s death. Critic Jason Ankeny describes Marshall as “one of the most distinctive and original saxophonists of the postwar era.”

Marshall Allen was born in Louisville, Kentucky, United States.

During the Second World War he enlisted in the 92nd Infantry Division and was stationed in France. Allen studied alto saxophone in Paris and played in Europe with Art Simmons and James Moody.

He is best known for his mastery of explosive, jarring, chaotic sound effects on the alto saxophone. Some have referred to this as a “pyrotechnic” playing style. He has said that he “wanted to play on a broader sound basis rather than on chords” (1971 interview with Tam Fiofori)). The opportunity came through his long association with Sun Ra, with whom he performed almost exclusively from 1958 to Ra’s death in 1993, although he did record outside The Sun Ra Arkestra, with Paul Bley‘s group in 1964 and Olatunji‘s group during the mid-1960s. Critic Scott Yanow has described Allen’s playing as “Johnny Hodges from another dimension”.

Jimmy Hamilton (May 25, 1917 – September 20, 1994)  was an American jazz clarinetist and saxophonist, who was a member of the Duke Ellington Orchestra. Hamilton was born in Dillon, South Carolina, United States, and grew up in Philadelphia. Having learned to play piano and brass instruments, in the 1930s he started playing the latter in local bands before switching to clarinet and saxophone.  During this time he studied with clarinet teacher Leon Russianoff. In 1939, he played with Lucky Millinder, Jimmy Mundy, and Bill Doggett, going on to join the Teddy Wilson sextet in 1940. After two years with Wilson, he played with Eddie Heywood and Yank Porter.

Max Bennett (May 24, 1928 – September 14, 2018) was an American jazz bassist and session musician. Bennett grew up in Kansas City, Missouri and Oskaloosa, Iowa, and went to college in Iowa.

His first professional gig was with Herbie Fields in 1949, and following this he played with Georgie Auld, Terry Gibbs, and Charlie Ventura. He served in the Army during the Korean War from 1951 to 1953, and then played with Stan Kenton before moving to Los Angeles. There he played regularly at the Lighthouse Cafe with his own ensemble, and played behind such vocalists as Peggy Lee, Ella Fitzgerald, Joni Mitchell and Joan Baez through the 1970s. He also recorded with Charlie Mariano, Conte Candoli, Bob Cooper, Bill Holman, Stan Levey, Lou Levy, Coleman Hawkins and Jack Montrose.

Bennett recorded under his own name from the late 1950s and did extensive work as a composer and studio musician in addition to jazz playing. Often associated with The Wrecking Crew, he performed on many records by The Monkees and The Partridge Family.

Archie Shepp (born May 24, 1937) is an American jazz saxophonist, educator and playwright who since the 1960s has played a central part in the development of avant-garde jazz.

Shepp was born in Fort Lauderdale, Florida, but raised in Philadelphia, Pennsylvania. He studied piano, clarinet and alto saxophone before narrowing his focus to tenor saxophone. He occasionally plays soprano saxophone as well. He studied drama at Goddard College from 1955 to 1959.

He played in a Latin jazz band for a short time before joining the band of avant-garde pianist Cecil Taylor. Shepp’s first recording under his own name, Archie Shepp – Bill Dixon Quartet, was released on Savoy Records in 1962 and featured a composition by Ornette Coleman. In 1962, he performed with Dixon at the 8th World Festival of Youth and Students in Helsinki, Finland. Along with alto saxophonist John Tchicai and trumpeter Don Cherry, he formed the New York Contemporary Five. John Coltrane‘s admiration for Shepp led to recordings for Impulse! Records, the first of which was Four for Trane in 1964, an album of mainly Coltrane compositions on which he was joined by Tchicai, trombonist Roswell Rudd, trumpeter Alan Shorter, bassist Reggie Workman and drummer Charles Moffett.