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The jellyfish galaxy JW39 hangs serenely in this image from the NASA/ESA Hubble Space Telescope. This galaxy lies over 900 million light-years away in the constellation Coma Berenices, and is one of several jellyfish galaxies that Hubble has been studying over the past two years.
Despite this jellyfish galaxy’s serene appearance, it is adrift in a ferociously hostile environment; a galaxy cluster. Compared to their more isolated counterparts, the galaxies in galaxy clusters are often distorted by the gravitational pull of larger neighbours, which can twist galaxies into a variety of weird and wonderful shapes. If that was not enough, the space between galaxies in a cluster is also pervaded with a searingly hot plasma known as the intracluster medium. While this plasma is extremely tenuous, galaxies moving through it experience it almost like swimmers fighting against a current, and this interaction can strip galaxies of their star-forming gas.
This interaction between the intracluster medium and the galaxies is called ram-pressure stripping, and is the process responsible for the trailing tendrils of this jellyfish galaxy. As JW39 has moved through the cluster the pressure of the intracluster medium has stripped away gas and dust into long trailing ribbons of star formation that now stretch away from the disc of the galaxy.
Astronomers using Hubble’s Wide Field Camera 3 studied these trailing tendrils in detail, as they are a particularly extreme environment for star formation. Surprisingly, they found that star formation in the ‘tentacles’ of jellyfish galaxies was not noticeably different from star formation in the galaxy disc.
[Image Description: A spiral galaxy. It is large in the centre with a lot of detail visible. The core glows brightly and is surrounded by concentric rings of dark and light dust. The spiral arms are thick and puffy with grey dust and glowing blue areas of star formation. They wrap around the galaxy to form a ring. Part of the arm is drawn out into a dark thread above the galaxy, and dust from the arm trails off to the right.]
Elek Bacsik (22 May 1926 – 14 February 1993) was a Hungarian-American jazz guitarist and violinist. He was the cousin of guitarist Django Reinhardt.
Bacsik was born in Budapest, Hungary. He was the son of Árpád Bacsik and Erzsébet Pócsi. He studied classical violin at the Budapest Conservatory before moving to jazz guitar. He worked in a big band with Jozsef Quitter and Geza Szabo and recorded for the first time in his career with this band in 1943. A few years later he went on tour in Europe and Lebanon with Mihaly Tabanyi. He was hired by Renato Carosone to be in a quartet with Peter Van Wood and Gegè Di Giacomo in which he played bass, violin, and guitar. When he lived in Paris, he accompanied American musicians who were passing through, such as Lou Bennett, Dizzy Gillespie, Quentin Jackson, Art Simmons, and Clark Terry.
more...Le Sony’r Ra (born Herman Poole Blount, May 22, 1914 – May 30, 1993), better known as Sun Ra, was an American jazz composer, bandleader, piano and synthesizer player, and poet known for his experimental music, “cosmic” philosophy, prolific output, and theatrical performances. For much of his career, Ra led “The Arkestra”, an ensemble with an ever-changing name and flexible line-up.
Born and raised in Alabama, Blount became involved in the Chicago jazz scene during the late 1940s. He soon abandoned his birth name, taking the name Le Sony’r Ra, shortened to Sun Ra (after Ra, the Egyptian god of the Sun). Claiming to be an alien from Saturn on a mission to preach peace, he developed a mythical persona and an idiosyncratic credo that made him a pioneer of Afrofuturism. Throughout his life he denied ties to his prior identity saying, “Any name that I use other than Ra is a pseudonym.” His widely eclectic and avant-garde music echoed the entire history of jazz, from ragtime and early New Orleans hot jazz, to swing music, bebop, free jazz and fusion. His compositions ranged from keyboard solos to works for big bands of over 30 musicians, along with electronic excursions, songs, chants, percussion pieces, and anthems.
From the mid-1950s until his death, Ra led the musical collective The Arkestra (which featured artists such as Marshall Allen, John Gilmore and June Tyson throughout its various iterations). Its performances often included dancers and musicians dressed in elaborate, futuristic costumes inspired by ancient Egyptian attire and the Space Age. Following Ra’s illness-forced retirement in 1992, the band remained active as The Sun Ra Arkestra, and, as of 2022, continues performing under the leadership of veteran Ra sideman Marshall Allen.
Though his mainstream success was limited, Sun Ra was a prolific recording artist and frequent live performer, and remained influential throughout his life for his music and persona. He is now widely considered an innovator; among his distinctions are his pioneering work in free improvisation and modal jazzand his early use of electronic keyboards and synthesizers. Over the course of his career, he recorded dozens of singles and over one hundred full-length albums, comprising well over 1,000 songs, making him one of the most prolific recording artists of the 20th century.
He was born Herman Blount on May 22, 1914, in Birmingham, Alabama, as discovered by his biographer, John F. Szwed, and published in his 1998 book, Space Is the Place: The Lives and Times of Sun Ra. He was named after the popular vaudeville stage magician Black Herman, who had deeply impressed his mother. He was nicknamed “Sonny” from his childhood, had an older sister and half-brother, and was doted upon by his mother and grandmother.
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Messier 106 (also known as NGC 4258) is an intermediate spiral galaxy in the constellation Canes Venatici. It was discovered by Pierre Méchain in 1781. M106 is at a distance of about 22 to 25 million light-years away from Earth. M106 contains an active nucleus classified as a Type 2 Seyfert, and the presence of a central supermassive black hole has been demonstrated from radio-wavelengthobservations of the rotation of a disk of molecular gas orbiting within the inner light-year around the black hole. NGC 4217 is a possible companion galaxy of Messier 106.
Two supernovae have been observed in M106: SN 1981K (type II, mag. 17), and SN 2014bc (type II, mag. 14.8)
Joe was the youngest of four Byrd brothers who grew up in Chuckatuck, in Virginia’s Tidewater region. Their father was a farmer who ran a country store that was a gathering place for local musicians, black and white. Joe and Charlie learned guitar from their father, and they played hillbilly music and country blues.
After serving in the U.S. Army, Joe went to the Peabody Institute in Baltimore on the G.I. Bill to study classical bass. But blues and jazz were his passion. In addition to playing with his brother, Joe accompanied pianist Teddy Wilson, singers Jimmy Witherspoon and Mose Allison, and saxophonist Coleman Hawkins.
Charlie died in 1999, and Joe decided — at age 66 — to step into the spotlight. He made his debut album as a leader in 2001 with Basically Blues, an album of blues and jazz standards on which he also sings with a distinctive Southern drawl that recalls Mose Allison. Over the next seven years, he self-released five more albums, ranging from a tribute to his late brother to a Django Reinhardt-inspired trio disc to a collection of duets with guitarist Howard Alden that really shows off his bass playing.
Like Charlie, Joe was a man of few words — quiet and polite in a Southern way — but also very friendly. He always seemed genuinely happy to see you. There was a good bit of that in his bass playing: warm and full, with a sharp, precise attack that reflected his classical training.
Joe Byrd retired from public performance two years ago. But he and his wife continued producing and promoting jazz concerts by other artists in the Annapolis, Md., area where he lived. Fittingly, he continued supporting musicians his entire life.
He was also guitarist Charlie Byrd’s younger brother. Charlie came to international attention in 1962 with his album Jazz Samba. Recorded in a church in Washington, D.C., with guest saxophonist Stan Getz, it produced a Top 20 pop hit with the Antonio Carlos Jobim tune “Desafinado.” The album reached No. 1 on the Billboard 200 and helped launch the bossa nova craze in the U.S.
Joe played rhythm guitar and a little bass on Jazz Samba. (His given name was Gene Byrd, and that’s how he’s credited on the album.) Charlie became a jazz star and Joe happily backed him up for four decades. Here’s a later clip of the Charlie Byrd Trio, with Chuck Redd on drums.
Born May 21, 1920 in West Memphis, AR Died June 20, 1991 in Chicago, IL
Some folks called Chicago harpist Little Willie Anderson “Little Walter Jr.,” so faithfully did Anderson’s style follow that of the legendary harp wizard. But Anderson was already quite familiar with the rudiments of the harmonica before he ever hit the Windy City, having heard Sonny Boy Williamson, Robert Nighthawk, and Robert Jr. Lockwood around West Memphis. Anderson came to Chicago in 1939, eventually turning pro as a sideman with Johnny Young. Anderson served as Walter‘s valet, chauffeur, and pal during the latter’s heyday, but his slavish imitations probably doomed any recording possibilities for Anderson — until 1979, that is, when Blues On Blues label boss Bob Corritore escorted him into a Chicago studio and emerged with what amounts to Anderson’s entire recorded legacy.
Larance Norman Marable (May 21, 1929 – July 4, 2012) was a jazz drummer from Los Angeles, California.
Marable was born in Los Angeles on May 21, 1929. His family was musical, but he was largely self-taught.
In the 1950s, Marable played with musicians who were visiting Los Angeles; these included Dexter Gordon, Charlie Parker, and Zoot Sims. Marable recorded as a leader in 1956. He also recorded with George Shearing, Chet Baker, Milt Jackson, and other well-known musicians. Drug problems led to Marable stopping playing in the 1960s. His career resumed in the mid-1970s, after he had ended his drug addiction. He toured with Supersax and Bobby Hutcherson in the 1970s, and was a member of Charlie Haden‘s Quartet West in the 1980s and 1990s. Marable had a stroke in the 2000s and lived in a health care facility. He died in Manhattan on July 4, 2012.
https://www.youtube.com/watch?v=4NNHYoKFQSI&list=PL0q2VleZJVEm1MKC-RMk2ozEP_LWAQTwq&index=4
more...https://www.youtube.com/watch?v=8sqhVrXprQE
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NGC 4565 (also known as the Needle Galaxy or Caldwell 38) is an edge-on spiral galaxy about 30 to 50 million light-years away in the constellation Coma Berenices. It lies close to the North Galactic Pole and has a visual magnitude of approximately 10. It is known as the Needle Galaxy for its narrow profile. First recorded in 1785 by William Herschel, it is a prominent example of an edge-on spiral galaxy.
John Robert “Joe” Cocker OBE (20 May 1944 – 22 December 2014) was a British singer known for his gritty, bluesy voice and dynamic stage performances that featured expressive body movements. Most of his best known singles, such as “Feelin’ Alright?” and “Unchain My Heart“, were recordings of songs written by other song writers, though he composed a number of songs for most of his albums as well, often in conjunction with songwriting partner Chris Stainton.
His first album featured a recording of the Beatles‘ “With a Little Help from My Friends“, which brought him to near-instant stardom. The song reached number one in the UK in 1968, became a staple of his many live shows (Woodstock and the Isle of Wight in 1969, the Party at the Palace in 2002) and was also known as the theme song for the late 1980s American TV series The Wonder Years. He continued his success with his second album, which included a second Beatles song: “She Came In Through the Bathroom Window“. A hastily thrown together 1970 US tour led to the live double-album Mad Dogs & Englishmen, which featured an all-star band organized by Leon Russell. His 1974 recording of “You Are So Beautiful” reached number five in the US, and became his signature song. Cocker’s best selling song was the US number one “Up Where We Belong“, a duet with Jennifer Warnes that earned a 1983 Grammy Award. He released a total of 22 studio albums over a 43-year recording career.
In 1993, Cocker was nominated for the Brit Award for Best British Male. He was awarded a bronze Sheffield Legends plaque in his hometown in 2007, and received an OBE the following year for services to music.Cocker was ranked number 97 on Rolling Stone‘s 100 greatest singers list.
more...Victor Lewis (born May 20, 1950) is an American jazz drummer, composer, and educator.
Victor Lewis was born on May 20, 1950 in Omaha, Nebraska. His father, Richard Lewis, who played saxophone and mother, Camille, a pianist-vocalist were both classically trained musicians who performed with many of the “territory bands” that toured the midwest in the forties. Consequently, Victor grew up with jazz as well as popular and European classical music at home. He would also go with his father to hear touring big bands as they passed through Omaha, such as Duke Ellington, Count Basie and Woody Herman.
Victor started studying music when he was ten and a half years old. Too small for the acoustic bass, he began on cello, but switched to the drums a year and a half later inspired by the drum line marching in holiday parades. As part of his formal studies, he also studied classical piano.
https://www.youtube.com/watch?v=YB0m2ADf__g
more...Edward Louis Smith (May 20, 1931 – August 20, 2016) was an American jazz trumpeter from Memphis, Tennessee.
After graduating from Tennessee State University he attended graduate school at the University of Michigan. While studying at the University of Michigan, he played with visiting musicians such as Dizzy Gillespie, Miles Davis, Thad Jones and Billy Mitchell,[1] before going on to play with Sonny Stitt, Count Basie and Al McKibbon, Cannonball Adderley, Percy Heath, Philly Joe Jones, Lou Donaldson, Donald Byrd, Kenny Dorham and Zoot Sims. Smith decided to forgo being a full-time musician to take a music teaching job at Atlanta’s Booker T. Washington High School. During this time he continued playing jazz in clubs, eventually going on to record two albums for Blue Note Records.
Smith’s first session as a leader, Here Comes Louis Smith (1957), originally recorded for the Boston-based Transition Records, featured Cannonball Adderley (then under contract to Mercury) playing under the pseudonym “Buckshot La Funke”, Tommy Flanagan, Duke Jordan, Art Taylor and Doug Watkins. He also replaced Donald Byrd for Horace Silver’s Live at the Newport 1958 set. His playing on the set was one of his best efforts and was described by one critic as “monstrous”. He was a prolific composer and successful band director leaving Booker T. Washington to become director of the Jazz Ensemble at the University of Michigan and a teacher in Ann Arbor’s public school system. He later recorded for the SteepleChase label.
Smith suffered a stroke in 2006, and was seen occasionally enjoying live jazz in the Detroit/Ann Arbor area, but did not return to performing.
His cousin Booker Little was also a trumpeter.
Smith died on August 20, 2016, at age 85.
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